Collecting the new: museums and contemporary art
"Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays w...
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Princeton [u.a.]
Princeton University Press
2005
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent?" -- Book jacket. |
Beschreibung: | Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references and index |
Beschreibung: | 195 S. Ill. |
ISBN: | 9780691119403 9780691133737 |
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520 | 3 | |a "Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent?" -- Book jacket. | |
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Datensatz im Suchindex
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adam_text | Museums
and Contemporary Art
Collecting the New
Edited by Bruce Altshuler
PRINCETON UNIVERSITY PRESS
PRINCETON AND OXFORD
Contents
Collecting the New:
A Historical Introduction
1
Bruce Altshuler
The Right to Be Wrong
15
Howard
N.
Fox
To Have and to Hold
29
Robert Storr
9
Minutes
45
Seconds
41
Jeffrey Weiss
Breaking Down Categories:
Print Rooms, Drawing Departments,
and the Museum
55
Christophe Cherix
Keeping Time:
On Collecting Film and Video Art
in the Museum
65
Chrissie lies and
Henriette Huldisch
Collecting New-Media Art:
Just Like Anything Else, Only Different
85
Steve Dietz
Beyond the Authentic-Exotic :
Collecting Contemporary Asian Art
in the Twenty-first Century
103
Vishakha
N.
Desai
The Unconscious Museum:
Collecting Contemporary African Art
without Knowing It
115
Pamela McClusky
The Accidental Tourist:
American Collections of Latin American Art
131
Gabriel
Pérez-Barreiro
Collecting the Art of African-Americans
at the Studio Museum in Harlem:
Positioning the New from the Perspective
of the Past
147
Lowery Stokes Sims
The Challenges of Conserving Contemporary Art
163
Glenn Wharton
Acknowledgments
179
Index
181
Photography Credits
194
|
adam_txt |
Museums
and Contemporary Art
Collecting the New
Edited by Bruce Altshuler
PRINCETON UNIVERSITY PRESS
PRINCETON AND OXFORD
Contents
Collecting the New:
A Historical Introduction
1
Bruce Altshuler
The Right to Be Wrong
15
Howard
N.
Fox
To Have and to Hold
29
Robert Storr
9
Minutes
45
Seconds
41
Jeffrey Weiss
Breaking Down Categories:
Print Rooms, Drawing Departments,
and the Museum
55
Christophe Cherix
Keeping Time:
On Collecting Film and Video Art
in the Museum
65
Chrissie lies and
Henriette Huldisch
Collecting New-Media Art:
Just Like Anything Else, Only Different
85
Steve Dietz
Beyond the "Authentic-Exotic":
Collecting Contemporary Asian Art
in the Twenty-first Century
103
Vishakha
N.
Desai
The Unconscious Museum:
Collecting Contemporary African Art
without Knowing It
115
Pamela McClusky
The Accidental Tourist:
American Collections of Latin American Art
131
Gabriel
Pérez-Barreiro
Collecting the Art of African-Americans
at the Studio Museum in Harlem:
Positioning the "New" from the Perspective
of the Past
147
Lowery Stokes Sims
The Challenges of Conserving Contemporary Art
163
Glenn Wharton
Acknowledgments
179
Index
181
Photography Credits
194 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author_GND | (DE-588)133636267 |
building | Verbundindex |
bvnumber | BV021603609 |
callnumber-first | N - Fine Arts |
callnumber-label | N6486 |
callnumber-raw | N6486 |
callnumber-search | N6486 |
callnumber-sort | N 46486 |
callnumber-subject | N - Visual Arts |
classification_rvk | LH 29960 LO 94000 |
ctrlnum | (OCoLC)56198557 (DE-599)BVBBV021603609 |
dewey-full | 708.13/09/051 |
dewey-hundreds | 700 - The arts |
dewey-ones | 708 - Galleries, museums & private collections |
dewey-raw | 708.13/09/051 |
dewey-search | 708.13/09/051 |
dewey-sort | 3708.13 19 251 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1900-2000 |
era_facet | Geschichte 1900-2000 |
format | Book |
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spelling | Collecting the new museums and contemporary art edited by Bruce Altshuler Princeton [u.a.] Princeton University Press 2005 195 S. Ill. txt rdacontent n rdamedia nc rdacarrier Hier auch später erschienene, unveränderte Nachdrucke Includes bibliographical references and index "Collecting the New is the first book on the questions and challenges that museums face in acquiring and preserving contemporary art. Because such art has not yet withstood the test of time, it defies the traditional understanding of the art museum as an institution that collects and displays works of long-established aesthetic and historical value. By acquiring such art, museums gamble on the future. In addition, new technologies and alternative conceptions of the artwork have created special problems of conservation, while social, political, and aesthetic changes have generated new categories of works to be collected. Following Bruce Altshuler's introduction on the European and American history of museum collecting of art by living artists, the book comprises newly commissioned essays by twelve distinguished curators representing a wide range of museums. First considered are general issues including the acquisition process, and collecting by universal survey museums and museums that focus on modern and contemporary art. Following are groups of essays that address collecting in particular media, including prints and drawings, new (digital) media, and film and video; and national- and ethnic-specific collecting (contemporary art from Asia, Africa, and Latin America, and African-American art). The closing essay examines the conservation problems created by contemporary works--for example, what is to be done when deterioration is the artist's intent?" -- Book jacket. Geschichte 1900-2000 Art - 20e siècle - Collectionneurs et collections - États-Unis Art - 21e siècle - Collectionneurs et collections - États-Unis Art - Musées - Gestion des collections - États-Unis Beeldende kunsten gtt Collectievorming gtt Conservatie gtt Kunstmusea gtt Kunst Art, Modern 20th century Collectors and collecting United States Art, Modern 21st century Collectors and collecting United States Art museums Collection management United States Kunst (DE-588)4114333-4 gnd rswk-swf Sammlung (DE-588)4128844-0 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Kunst (DE-588)4114333-4 s Sammlung (DE-588)4128844-0 s DE-604 Altshuler, Bruce 1949- Sonstige (DE-588)133636267 oth KUBIKAT Anreicherung application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014818917&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Collecting the new museums and contemporary art Art - 20e siècle - Collectionneurs et collections - États-Unis Art - 21e siècle - Collectionneurs et collections - États-Unis Art - Musées - Gestion des collections - États-Unis Beeldende kunsten gtt Collectievorming gtt Conservatie gtt Kunstmusea gtt Kunst Art, Modern 20th century Collectors and collecting United States Art, Modern 21st century Collectors and collecting United States Art museums Collection management United States Kunst (DE-588)4114333-4 gnd Sammlung (DE-588)4128844-0 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4128844-0 (DE-588)4078704-7 (DE-588)4143413-4 |
title | Collecting the new museums and contemporary art |
title_auth | Collecting the new museums and contemporary art |
title_exact_search | Collecting the new museums and contemporary art |
title_exact_search_txtP | Collecting the new museums and contemporary art |
title_full | Collecting the new museums and contemporary art edited by Bruce Altshuler |
title_fullStr | Collecting the new museums and contemporary art edited by Bruce Altshuler |
title_full_unstemmed | Collecting the new museums and contemporary art edited by Bruce Altshuler |
title_short | Collecting the new |
title_sort | collecting the new museums and contemporary art |
title_sub | museums and contemporary art |
topic | Art - 20e siècle - Collectionneurs et collections - États-Unis Art - 21e siècle - Collectionneurs et collections - États-Unis Art - Musées - Gestion des collections - États-Unis Beeldende kunsten gtt Collectievorming gtt Conservatie gtt Kunstmusea gtt Kunst Art, Modern 20th century Collectors and collecting United States Art, Modern 21st century Collectors and collecting United States Art museums Collection management United States Kunst (DE-588)4114333-4 gnd Sammlung (DE-588)4128844-0 gnd |
topic_facet | Art - 20e siècle - Collectionneurs et collections - États-Unis Art - 21e siècle - Collectionneurs et collections - États-Unis Art - Musées - Gestion des collections - États-Unis Beeldende kunsten Collectievorming Conservatie Kunstmusea Kunst Art, Modern 20th century Collectors and collecting United States Art, Modern 21st century Collectors and collecting United States Art museums Collection management United States Sammlung USA Aufsatzsammlung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014818917&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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