Crowds, power, and transformation in cinema:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Detroit
Wayne State Univ. Press
2006
|
| Schriftenreihe: | Contemporary approaches to film and television series
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | X, 279 S. Ill. |
| ISBN: | 0814332757 9780814332757 |
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| 490 | 0 | |a Contemporary approaches to film and television series | |
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| 650 | 4 | |a Power (Social sciences) | |
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IMAGE 1
CONTENTS
ACKNOWLEDGMENTS VII PREFACE IX INTRODUCTION 1
PART I. POWER VERSUS CROWDS
1. CROWDS AND POWER IN TWO SILENT FILMS: EISENSTEIN'S THE BATTLESHIP
POTEMKIN AND GRIFFITH'S INTOLERANCE 23
2. THE COMEDIC CROWDS OF PRESTON STURGES 53
3. THE DECEITFUL DEAD AND THE TRIUMPH OF NOTHING: KUROSAWA'S THRONE OF
BLOOD 75
4. CROWDS, ISOLATION, AND TRANSFORMATION IN WELLES'S CITIZEN KANE 99
PART II. PREDATION VERSUS TRANSFORMATION
5. PACKS, PREDATORS, AND LOVE IN HITCHCOCK'S NORTH BY NORTHWEST 121
6. "BOUNDARIES, BURDENS, AND STINGS": LIVING AS PREY IN BURNETT'S KILLER
OF SHEEP 143
7. CHANGING PLACES: PREDATION, TRANSFORMATION, AND IDENTITY IN DEMME'S
THE SILENCE OF THE LAMBS 165
CONCLUDING THOUGHTS 187
AFTERWORD: ON CROWDS AND POWER 195 APPENDIX: SUMMARY OF CROWDS AND POWER
213 NOTES 259 INDEX 273 |
| adam_txt |
IMAGE 1
CONTENTS
ACKNOWLEDGMENTS VII PREFACE IX INTRODUCTION 1
PART I. POWER VERSUS CROWDS
1. CROWDS AND POWER IN TWO SILENT FILMS: EISENSTEIN'S THE BATTLESHIP
POTEMKIN AND GRIFFITH'S INTOLERANCE 23
2. THE COMEDIC CROWDS OF PRESTON STURGES 53
3. THE DECEITFUL DEAD AND THE TRIUMPH OF NOTHING: KUROSAWA'S THRONE OF
BLOOD 75
4. CROWDS, ISOLATION, AND TRANSFORMATION IN WELLES'S CITIZEN KANE 99
PART II. PREDATION VERSUS TRANSFORMATION
5. PACKS, PREDATORS, AND LOVE IN HITCHCOCK'S NORTH BY NORTHWEST 121
6. "BOUNDARIES, BURDENS, AND STINGS": LIVING AS PREY IN BURNETT'S KILLER
OF SHEEP 143
7. CHANGING PLACES: PREDATION, TRANSFORMATION, AND IDENTITY IN DEMME'S
THE SILENCE OF THE LAMBS 165
CONCLUDING THOUGHTS 187
AFTERWORD: ON CROWDS AND POWER 195 APPENDIX: SUMMARY OF CROWDS AND POWER
213 NOTES 259 INDEX 273 |
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| subject_GND | (DE-588)4604993-9 (DE-588)4017102-4 (DE-588)4036824-5 |
| title | Crowds, power, and transformation in cinema |
| title_auth | Crowds, power, and transformation in cinema |
| title_exact_search | Crowds, power, and transformation in cinema |
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| title_fullStr | Crowds, power, and transformation in cinema Lesley Brill |
| title_full_unstemmed | Crowds, power, and transformation in cinema Lesley Brill |
| title_short | Crowds, power, and transformation in cinema |
| title_sort | crowds power and transformation in cinema |
| topic | Crowds in motion pictures Power (Social sciences) Menschenmenge Motiv (DE-588)4604993-9 gnd Film (DE-588)4017102-4 gnd Macht (DE-588)4036824-5 gnd |
| topic_facet | Crowds in motion pictures Power (Social sciences) Menschenmenge Motiv Film Macht |
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