Verfügbarkeit: New directions in aesthetics, creativity, and the arts

New directions in aesthetics, creativity, and the arts:

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Bibliographische Detailangaben
Format:	Buch
Sprache:	English
Veröffentlicht:	Amityville, NY Baywood Publ. 2006
Schriftenreihe:	Foundations and frontiers in aesthetics series
Schlagworte:	Psychologie Ästhetik Aesthetics > Psychological aspects Creation (Literary, artistic, etc.) Arts > Psychological aspects Kreativität Kunst Aufsatzsammlung
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	Includes bibliographical references and index
Beschreibung:	X, 278 S. Ill., graph. Darst., Notenbeisp.
ISBN:	0895033054

Internformat

MARC


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Datensatz im Suchindex

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adam_text	TABLE OF CONTENTS PREFACE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. VII PART I VISUAL AESTHETICS CHAPTERI PERCEPTION AND MOVING PICTURES: FROM BRUNELLESCHI AND BERKELEY TO VIDEO AND VIDEO GAMES JULIAN HOCHBERG AND VIRGINIA BROOKS . . . . . . . . . 3 CHAPTER2 EXPERIMENTAL SCRUTINY OF THE ROLE OF BALANCE IN THE VISUAL ARTS PAUL LOCHER. . . . . . . . . . . . . . . . . . . . . . . . . .. 19 CHAPTER3 THE MERE EXPOSURE EFFECT AND AESTHETIC PREFERENCE JAMES E. CUTTING . . . . . . . . . . . . . . . . . 33 CHAPTER4 THE NATURE AND GROWTH OF AESTHETIC FLUENCY LISA F. SMITH AND JEFFREY K. SMITH . . . . . . . . . . . .. 47 CHAPTER5 AESTHETIC UNIVERSALS IN CULTURAL PERCEPTION AND PRACTICE DOROTHY WASHBURN . . . . . . . . . . . . . . . . . . . . . . .. 59 III IV / NEW DIRECTIONS PART 11 NEW DIRECTIONS IN CREATIVITY CHAPTER6 STALKING THE ELUSIVE CREATIVITY QUARK: TOWARD A COMPREHENSIVE THEORY OF CREATIVITY ROBERT J. STERNBERG . . . . . . . . . . . . . . . 79 CHAPTER7 A METAINDIVIDUAL MODEL OF CREATIVITY LEONID DORFMAN. . . . . . . . . . . . . . . . . . . . . . . . . . 105 CHAPTER8 CINEMATIC CREATIVITY AND AESTHETICS: EMPIRICAL ANALYSES OFMOVIE AWARDS DEAN KEITH SIMONTON. . . . . . . . . . . . . . . . . . . . . . . 123 CHAPTER9 CREATIVITY AND DESIGN: WHAT THE ESTABLISHED TEACHES VS KEES OVERBEEKE AND JODI FORLIZZI. . . . . . . . . . . . . . . . . 137 PART 111 ART AND COGNITION CHAPTERI0 EMERGENCE, ANTICIPATION, AND SCHEMATIZATION PROCESSES IN LISTENING TO A PIECE OF MUSIC: A RE-READING OF THE CUE ABSTRACTION MODEL [RENE DELIEGE 153 CHAPTERLL EXPERIMENTAL APPROACHES TO READER RESPONSES TO LITERATURE DAVID S. MIALL. . . . . . . . . . . . . . . . . . . . . . . . . . . 175 CHAPTER 12 STUDIO THINKING: HOW VISUAL ARTS TEACHING CAN PROMOTE DISCIPLINED HABITS OF MIND ELLEN WINNER, LOIS HETLAND, SHIRLEY VEENEMA, KIM SHERIDAN, AND PATRICIA PALMER. . . . . . . . . . . . . . . 189 TASSLE OF CONTENTS / V PART IV ART, AFFECT, AND PERSONALITY CHAPTER 13 EMOTION IN AESTHETICS AND THE AESTHETICS OF EMOTION GERALD C. CUPEHIK . . . . . . . . . . . . . . . . . . . . . . . . 209 CHAPTER 14 PERSONALITY AND ARTISTIC STYLE: PATTERNS OF CONNECTION PAVEL MAEHOTKA. . . . . . . . . . . . . . . . . . . . . . . . . . 225 CHAPTER 15 PRETEND PLAY, AFFECT, AND CREATIVITY SANDRA W. RUSS. . . . . . . . . . . . . . . . . . . . . . . . . . 239 CHAPTER 16 STRONG EXPERIENCES ELICITED BY MUSIC-WHAT MUSIC? ALR GABRIELSSON . . . . . . . . . . . . . . . . . . . . . . . . . . 251 INDEX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
adam_txt	TABLE OF CONTENTS PREFACE. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . VII PART I VISUAL AESTHETICS CHAPTERI PERCEPTION AND MOVING PICTURES: FROM BRUNELLESCHI AND BERKELEY TO VIDEO AND VIDEO GAMES JULIAN HOCHBERG AND VIRGINIA BROOKS . . . . . . . . . 3 CHAPTER2 EXPERIMENTAL SCRUTINY OF THE ROLE OF BALANCE IN THE VISUAL ARTS PAUL LOCHER. . . . . . . . . . . . . . . . . . . . . . . . . . 19 CHAPTER3 THE MERE EXPOSURE EFFECT AND AESTHETIC PREFERENCE JAMES E. CUTTING . . . . . . . . . . . . . . . . . 33 CHAPTER4 THE NATURE AND GROWTH OF AESTHETIC FLUENCY LISA F. SMITH AND JEFFREY K. SMITH . . . . . . . . . . . . 47 CHAPTER5 AESTHETIC UNIVERSALS IN CULTURAL PERCEPTION AND PRACTICE DOROTHY WASHBURN . . . . . . . . . . . . . . . . . . . . . . . 59 III IV / NEW DIRECTIONS PART 11 NEW DIRECTIONS IN CREATIVITY CHAPTER6 STALKING THE ELUSIVE CREATIVITY QUARK: TOWARD A COMPREHENSIVE THEORY OF CREATIVITY ROBERT J. STERNBERG . . . . . . . . . . . . . . . 79 CHAPTER7 A METAINDIVIDUAL MODEL OF CREATIVITY LEONID DORFMAN. . . . . . . . . . . . . . . . . . . . . . . . . . 105 CHAPTER8 CINEMATIC CREATIVITY AND AESTHETICS: EMPIRICAL ANALYSES OFMOVIE AWARDS DEAN KEITH SIMONTON. . . . . . . . . . . . . . . . . . . . . . . 123 CHAPTER9 CREATIVITY AND DESIGN: WHAT THE ESTABLISHED TEACHES VS KEES OVERBEEKE AND JODI FORLIZZI. . . . . . . . . . . . . . . . . 137 PART 111 ART AND COGNITION CHAPTERI0 EMERGENCE, ANTICIPATION, AND SCHEMATIZATION PROCESSES IN LISTENING TO A PIECE OF MUSIC: A RE-READING OF THE CUE ABSTRACTION MODEL [RENE DELIEGE 153 CHAPTERLL EXPERIMENTAL APPROACHES TO READER RESPONSES TO LITERATURE DAVID S. MIALL. . . . . . . . . . . . . . . . . . . . . . . . . . . 175 CHAPTER 12 STUDIO THINKING: HOW VISUAL ARTS TEACHING CAN PROMOTE DISCIPLINED HABITS OF MIND ELLEN WINNER, LOIS HETLAND, SHIRLEY VEENEMA, KIM SHERIDAN, AND PATRICIA PALMER. . . . . . . . . . . . . . . 189 TASSLE OF CONTENTS / V PART IV ART, AFFECT, AND PERSONALITY CHAPTER 13 EMOTION IN AESTHETICS AND THE AESTHETICS OF EMOTION GERALD C. CUPEHIK . . . . . . . . . . . . . . . . . . . . . . . . 209 CHAPTER 14 PERSONALITY AND ARTISTIC STYLE: PATTERNS OF CONNECTION PAVEL MAEHOTKA. . . . . . . . . . . . . . . . . . . . . . . . . . 225 CHAPTER 15 PRETEND PLAY, AFFECT, AND CREATIVITY SANDRA W. RUSS. . . . . . . . . . . . . . . . . . . . . . . . . . 239 CHAPTER 16 STRONG EXPERIENCES ELICITED BY MUSIC-WHAT MUSIC? ALR GABRIELSSON . . . . . . . . . . . . . . . . . . . . . . . . . . 251 INDEX. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 269
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title	New directions in aesthetics, creativity, and the arts
title_auth	New directions in aesthetics, creativity, and the arts
title_exact_search	New directions in aesthetics, creativity, and the arts
title_exact_search_txtP	New directions in aesthetics, creativity, and the arts
title_full	New directions in aesthetics, creativity, and the arts ed. by Paul Locher, Colin Martindale, Leonid Dorfman
title_fullStr	New directions in aesthetics, creativity, and the arts ed. by Paul Locher, Colin Martindale, Leonid Dorfman
title_full_unstemmed	New directions in aesthetics, creativity, and the arts ed. by Paul Locher, Colin Martindale, Leonid Dorfman
title_short	New directions in aesthetics, creativity, and the arts
title_sort	new directions in aesthetics creativity and the arts
topic	Psychologie Ästhetik Aesthetics Psychological aspects Creation (Literary, artistic, etc.) Arts Psychological aspects Kreativität (DE-588)4032903-3 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd
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