The way Hollywood tells it: story and style in modern movies
Includes information on Woody Allen, Robert Altman, Asian films, Brian de Plama, European cinema, Alfred Hitchcock, Hong Kong films, Sam Peckinpah, Arthur Penn, Otto Preminger, Brett Ratner, Martin Scorsese, Steven Spielberg, Oliver Stone, Orson Welles, American Graffiti, At Long Last Love, A Beauti...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of California Press
2006
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Contributor biographical information Publisher description Inhaltsverzeichnis |
| Zusammenfassung: | Includes information on Woody Allen, Robert Altman, Asian films, Brian de Plama, European cinema, Alfred Hitchcock, Hong Kong films, Sam Peckinpah, Arthur Penn, Otto Preminger, Brett Ratner, Martin Scorsese, Steven Spielberg, Oliver Stone, Orson Welles, American Graffiti, At Long Last Love, A Beautiful Mind, Bonnie and Clyde, Chinatown, Citizen Kane, The Godfather, Jaws, Jerry Maguire, Lord of the Rings trilogy, Matrix trilogy, Memento, Raiders of the Lost Ark, Sixth Sense, Star Wars series, Two Weeks Notice, arcing shots, axis of action, black and white footage, camera movement, characterization, climax, close ups, comedies, complicating action, cutting, dialogue hook, directors, editing, energy, epilogue, establishing shots, fantasy, film noir, flashbacks, following shots, foreshadowing, four part structure, framing, handheld shots, heroes, horror, hyperclassical construction, independent films, innovation, intensified continuity, intercutting, long lens, long takes, low budget films, montage sequences, motifs, multiple camera shooting, narrative, over the shoulder shots, overt narration, plot, postclassical cinema, protagonists, puzzle films, rapid cutting, reverse order plotting, romantic comedy, science fiction, set up, shots, singles, soundtracks, special effects, Stedicam, story development, studio era, television, thrillers, time, tracking shots, video, violence, visceral effects, visual style, wide angle lens, wide screen, wipe by cuts, wipes, etc. |
| Beschreibung: | X, 298 S. Ill. |
| ISBN: | 0520246225 0520232275 9780520246225 |
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| 520 | 3 | |a Includes information on Woody Allen, Robert Altman, Asian films, Brian de Plama, European cinema, Alfred Hitchcock, Hong Kong films, Sam Peckinpah, Arthur Penn, Otto Preminger, Brett Ratner, Martin Scorsese, Steven Spielberg, Oliver Stone, Orson Welles, American Graffiti, At Long Last Love, A Beautiful Mind, Bonnie and Clyde, Chinatown, Citizen Kane, The Godfather, Jaws, Jerry Maguire, Lord of the Rings trilogy, Matrix trilogy, Memento, Raiders of the Lost Ark, Sixth Sense, Star Wars series, Two Weeks Notice, arcing shots, axis of action, black and white footage, camera movement, characterization, climax, close ups, comedies, complicating action, cutting, dialogue hook, directors, editing, energy, epilogue, establishing shots, fantasy, film noir, flashbacks, following shots, foreshadowing, four part structure, framing, handheld shots, heroes, horror, hyperclassical construction, independent films, innovation, intensified continuity, intercutting, long lens, long takes, low budget films, montage sequences, motifs, multiple camera shooting, narrative, over the shoulder shots, overt narration, plot, postclassical cinema, protagonists, puzzle films, rapid cutting, reverse order plotting, romantic comedy, science fiction, set up, shots, singles, soundtracks, special effects, Stedicam, story development, studio era, television, thrillers, time, tracking shots, video, violence, visceral effects, visual style, wide angle lens, wide screen, wipe by cuts, wipes, etc. | |
| 648 | 7 | |a Geschichte 1960-2004 |2 gnd |9 rswk-swf | |
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| 650 | 7 | |a Vertelkunst |2 gtt | |
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| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a Ästhetik | |
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| 650 | 4 | |a Motion picture industry |z United States |x History | |
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| 856 | 4 | |u http://www.loc.gov/catdir/enhancements/fy0623/2005025774-d.html |3 Publisher description | |
| 856 | 4 | 2 | |m HBZ Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014775094&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
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Datensatz im Suchindex
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| adam_text |
Contents
Acknowledgments ix
Introduction: Beyond the Blockbuster 1
PART I! A REAL STORY 19
1. Continuing Tradition, by Any Means Necessary 27
2. Pushing the Premises 51
3. Subjective Stories and Network Narratives 72
4. A Certain Amount of Plot:
Tentpoles, Locomotives, Blockbusters,
Megapictures, and the Action Movie 104
PART III A STYLISH STYLE 115
1. Intensified Continuity: Four Dimensions 121
2. Some Likely Sources 139
3. Style, Plain and Fancy 158
4. What's Missing? 180
Appendix: A Hollywood Timeline, 3960 2004
Bradley Schauer and David Bordwell 191
No res 243
Index 271 |
| adam_txt |
Contents
Acknowledgments ix
Introduction: Beyond the Blockbuster 1
PART I! A REAL STORY 19
1. Continuing Tradition, by Any Means Necessary 27
2. Pushing the Premises 51
3. Subjective Stories and Network Narratives 72
4. A Certain Amount of Plot:
Tentpoles, Locomotives, Blockbusters,
Megapictures, and the Action Movie 104
PART III A STYLISH STYLE 115
1. Intensified Continuity: Four Dimensions 121
2. Some Likely Sources 139
3. Style, Plain and Fancy 158
4. What's Missing? 180
Appendix: A Hollywood Timeline, 3960 2004
Bradley Schauer and David Bordwell 191
No res 243
Index 271 |
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| callnumber-raw | PN1993.5.U6 |
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| spelling | Bordwell, David 1947-2024 Verfasser (DE-588)119411091 aut The way Hollywood tells it story and style in modern movies David Bordwell Berkeley, Calif. [u.a.] Univ. of California Press 2006 X, 298 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes information on Woody Allen, Robert Altman, Asian films, Brian de Plama, European cinema, Alfred Hitchcock, Hong Kong films, Sam Peckinpah, Arthur Penn, Otto Preminger, Brett Ratner, Martin Scorsese, Steven Spielberg, Oliver Stone, Orson Welles, American Graffiti, At Long Last Love, A Beautiful Mind, Bonnie and Clyde, Chinatown, Citizen Kane, The Godfather, Jaws, Jerry Maguire, Lord of the Rings trilogy, Matrix trilogy, Memento, Raiders of the Lost Ark, Sixth Sense, Star Wars series, Two Weeks Notice, arcing shots, axis of action, black and white footage, camera movement, characterization, climax, close ups, comedies, complicating action, cutting, dialogue hook, directors, editing, energy, epilogue, establishing shots, fantasy, film noir, flashbacks, following shots, foreshadowing, four part structure, framing, handheld shots, heroes, horror, hyperclassical construction, independent films, innovation, intensified continuity, intercutting, long lens, long takes, low budget films, montage sequences, motifs, multiple camera shooting, narrative, over the shoulder shots, overt narration, plot, postclassical cinema, protagonists, puzzle films, rapid cutting, reverse order plotting, romantic comedy, science fiction, set up, shots, singles, soundtracks, special effects, Stedicam, story development, studio era, television, thrillers, time, tracking shots, video, violence, visceral effects, visual style, wide angle lens, wide screen, wipe by cuts, wipes, etc. Geschichte 1960-2004 gnd rswk-swf Cinéma - Esthétique Cinéma - Industrie - États-Unis - Histoire Cinéma - États-Unis - Histoire Filmkunst gtt Vertelkunst gtt Film Geschichte Ästhetik Motion pictures United States History Motion picture industry United States History Motion pictures Aesthetics Film (DE-588)4017102-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Geschichte 1960-2004 z DE-604 http://www.loc.gov/catdir/toc/ecip0518/2005025774.html Table of contents http://www.loc.gov/catdir/enhancements/fy0623/2005025774-b.html Contributor biographical information http://www.loc.gov/catdir/enhancements/fy0623/2005025774-d.html Publisher description HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014775094&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Bordwell, David 1947-2024 The way Hollywood tells it story and style in modern movies Cinéma - Esthétique Cinéma - Industrie - États-Unis - Histoire Cinéma - États-Unis - Histoire Filmkunst gtt Vertelkunst gtt Film Geschichte Ästhetik Motion pictures United States History Motion picture industry United States History Motion pictures Aesthetics Film (DE-588)4017102-4 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4078704-7 |
| title | The way Hollywood tells it story and style in modern movies |
| title_auth | The way Hollywood tells it story and style in modern movies |
| title_exact_search | The way Hollywood tells it story and style in modern movies |
| title_exact_search_txtP | The way Hollywood tells it story and style in modern movies |
| title_full | The way Hollywood tells it story and style in modern movies David Bordwell |
| title_fullStr | The way Hollywood tells it story and style in modern movies David Bordwell |
| title_full_unstemmed | The way Hollywood tells it story and style in modern movies David Bordwell |
| title_short | The way Hollywood tells it |
| title_sort | the way hollywood tells it story and style in modern movies |
| title_sub | story and style in modern movies |
| topic | Cinéma - Esthétique Cinéma - Industrie - États-Unis - Histoire Cinéma - États-Unis - Histoire Filmkunst gtt Vertelkunst gtt Film Geschichte Ästhetik Motion pictures United States History Motion picture industry United States History Motion pictures Aesthetics Film (DE-588)4017102-4 gnd |
| topic_facet | Cinéma - Esthétique Cinéma - Industrie - États-Unis - Histoire Cinéma - États-Unis - Histoire Filmkunst Vertelkunst Film Geschichte Ästhetik Motion pictures United States History Motion picture industry United States History Motion pictures Aesthetics USA |
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