The actor's survival handbook:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Taylor & Francis
2005
|
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | ix, 334 S. |
| ISBN: | 0878301755 9780878301751 |
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Datensatz im Suchindex
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| adam_text | THE ACTORS
SURVIVAL
HANDBOOK
Patrick Tucker
and
Christine Ozanne
13 Routledge
jj^ Taylor amp; Francis Croup
NEW YORK AND LONDON
Contents
Acknowledgments
Introduction
How to Use This Book
Family Trees
Acting: What Is It?
Agents
Amateur Dramatics
Anecdotes and Jokes
Attitude
Audience
Auditions
Battle of the Sexes
Be Yourself (Plus!)
Believability
Blowing Your Nose
Breaking Up (Corpsing)
Business (Biz)
xi
xiii
XV
xvii
Casting Directors 32
Comedy and Farce 34
Commercial Casting Sessions 38
Commitment 42
Conservatories and Drama Schools 44
Consistency 46
Costumes, Wigs, and Shoes 48
Crew 51
Designers 54
Dialects and Accents 56
Directors 58
vi • Contents
Discussions 61
Don t Ask for Permission 63
Don t Give Up 65
Drugs 68
Editing and Acting 70
Example: Al and Bob s First Meeting 72
Example: Anna Christie and Her Dad 75
Example: Broadway versus Hollywood 78
Example: Brother and Sister Act 82
Example: Kate and Corpsing 85
Example: Lady Bracknell s Handbag 89
Example: Mr and Mrs Noah Fight 93
Example: Mr Homer Is Exactly That 96
Example: Noel Coward on the Phone 99
Example: Olivia s Ends 103
Example: Plunging in the Deep End 105
Example: Princely Business 109
Example: Signs of the Times 112
Example: The Silence of the Lads 116
Example: Valuable Verbals 119
Example: You, Thee—and the Gold 122
Eye-to-Eye Contact 125
Fellow Actors 128
Film versus Television 131
Forgetting Lines 133
Further Training 136
Gear Changes 138
Getting Work 140
Good and Bad Taste 143
Hierarchy 145
Homework 147
Illness 149
Improvisation 151
Instinct versus Intellect 154
Contents • vii
Interviews
It s Not What It Used To Be
Jobs Requiring Acting Skills
Journey
Know Your Image
Laughter
Learning Lines
Less Is More?
Let the Words Do the Work
Medieval Acting
Melodrama Acting
Method Acting
Mistakes
Modern Contemporary Acting
Money Is Probably the Answer
Movement and Gestures
Multicamera versus Single Camera
Never Say No
No Training
Notes
Open Auditions
Opposites
Outside-in versus Inside-out
Over the Top
Pauses
Performing
Photographs
Problems
Producers
Projection
Properties (Props)
Pulling Focus
viii • Contents
Punctuality 228
Qualifications 230
Radio Acting 232
Readings 235
Rehearsals (Long, Short, or None) 238
Rehearsing 241
Rejection 244
Restoration Acting 247
Resumes 249
Role-Play 251
Screen Acting 254
Screen Cheating 257
Screen Reactions 260
Screen Vocal Levels 262
Sex and Violence 264
Shakespeare Acting 266
Shakespeare: First Folio 268
Shakespeare: Prose or Poetry 271
Shakespeare: Simple or Complicated 274
Shakespeare: Verse 277
Shakespeare: What You Call People 280
Shakespeare: Wordplay 283
Shooting and Acting 285
Stars 287
Starting Off 290
Step-by-Step 292
Style 294
Teaching Acting 296
Technical and Dress Rehearsals 298
Technique 300
Ten-Second Rule 302
Text 304
The Team 308
Thinking 311
Training 313
Contents • ix
Truth 315
Typecasting 319
University Courses 321
Versatility 323
Voice 325
Whatever Works 327
You (Your Other Life) 329
Biographies 332
|
| adam_txt |
THE ACTORS
SURVIVAL
HANDBOOK
Patrick Tucker
and
Christine Ozanne
13 Routledge
jj^ Taylor amp; Francis Croup
NEW YORK AND LONDON
Contents
Acknowledgments
Introduction
How to Use This Book
Family Trees
Acting: What Is It?
Agents
Amateur Dramatics
Anecdotes and Jokes
Attitude
Audience
Auditions
Battle of the Sexes
Be Yourself (Plus!)
Believability
Blowing Your Nose
Breaking Up (Corpsing)
Business (Biz)
xi
xiii
XV
xvii
Casting Directors 32
Comedy and Farce 34
Commercial Casting Sessions 38
Commitment 42
Conservatories and Drama Schools 44
Consistency 46
Costumes, Wigs, and Shoes 48
Crew 51
Designers 54
Dialects and Accents 56
Directors 58
vi • Contents
Discussions 61
Don't Ask for Permission 63
Don't Give Up 65
Drugs 68
Editing and Acting 70
Example: Al and Bob's First Meeting 72
Example: Anna Christie and Her Dad 75
Example: Broadway versus Hollywood 78
Example: Brother and Sister Act 82
Example: Kate and Corpsing 85
Example: Lady Bracknell's Handbag 89
Example: Mr and Mrs Noah Fight 93
Example: Mr Homer Is Exactly That 96
Example: Noel Coward on the Phone 99
Example: Olivia's Ends 103
Example: Plunging in the Deep End 105
Example: Princely Business 109
Example: Signs of the Times 112
Example: The Silence of the Lads 116
Example: Valuable Verbals 119
Example: You, Thee—and the Gold 122
Eye-to-Eye Contact 125
Fellow Actors 128
Film versus Television 131
Forgetting Lines 133
Further Training 136
Gear Changes 138
Getting Work 140
Good and Bad Taste 143
Hierarchy 145
Homework 147
Illness 149
Improvisation 151
Instinct versus Intellect 154
Contents • vii
Interviews
It's Not What It Used To Be
Jobs Requiring Acting Skills
Journey
Know Your Image
Laughter
Learning Lines
Less Is More?
Let the Words Do the Work
Medieval Acting
Melodrama Acting
Method Acting
Mistakes
Modern Contemporary Acting
Money Is Probably the Answer
Movement and Gestures
Multicamera versus Single Camera
Never Say No
No Training
Notes
Open Auditions
Opposites
Outside-in versus Inside-out
Over the Top
Pauses
Performing
Photographs
Problems
Producers
Projection
Properties (Props)
Pulling Focus
viii • Contents
Punctuality 228
Qualifications 230
Radio Acting 232
Readings 235
Rehearsals (Long, Short, or None) 238
Rehearsing 241
Rejection 244
Restoration Acting 247
Resumes 249
Role-Play 251
Screen Acting 254
Screen Cheating 257
Screen Reactions 260
Screen Vocal Levels 262
Sex and Violence 264
Shakespeare Acting 266
Shakespeare: First Folio 268
Shakespeare: Prose or Poetry 271
Shakespeare: Simple or Complicated 274
Shakespeare: Verse 277
Shakespeare: What You Call People 280
Shakespeare: Wordplay 283
Shooting and Acting 285
Stars 287
Starting Off 290
Step-by-Step 292
Style 294
Teaching Acting 296
Technical and Dress Rehearsals 298
Technique 300
Ten-Second Rule 302
Text 304
The Team 308
Thinking 311
Training 313
Contents • ix
Truth 315
Typecasting 319
University Courses 321
Versatility 323
Voice 325
Whatever Works 327
You (Your Other Life) 329
Biographies 332 |
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