Changing tunes: the use of pre-existing music in film
Gespeichert in:
Format: | Buch |
---|---|
Sprache: | English |
Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2006
|
Schriftenreihe: | Ashgate popular and folk music series
|
Schlagworte: | |
Online-Zugang: | Table of contents Inhaltsverzeichnis |
Beschreibung: | Includes bibliographical references (p. ), filmography (p. ), and index |
Beschreibung: | XIX, 205 S. Notenbeisp. |
ISBN: | 0754651371 |
Internformat
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650 | 4 | |a Film, Musique de - Histoire et critique | |
650 | 7 | |a Filmmuziek |2 gtt | |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
List of Contributors vii
List of Tables, Figures, and Musical Examples x
General Editor s Preface xii
Introduction xiii
PART I: PRE EXISTING CLASSICAL FILM SCORES
1 Ears Wide Open: Kubrick s Music
Claudia Gorbman 3
2 The Pleasures of Ambiguity: Using Classical Music in Film
Mike Cormack 19
3 The Godfather Part III: Film, Opera, and the Generation of Meaning
Lars Franke 31
4 High and Low Culture: Bizet s Carmen and the Cinema
Ann Davies 46
5 Reconsidering Amadeus: Mozart as Film Music
Jeongwon Joe 57
6 The Troll Among Us
Kristi A. Brown 74
PART II: POPULAR MUSIC AND FILM
7 Queer Pleasures: The Bolero, Camp, and Almod6var
Vanessa Knights 91
8 Music, Electricity, and the Sweet Mystery of Life in
Young Frankenstein
Raymond Knapp 105
9 The Popular Song as Leitmotif in 1990s Film
Ronald Rodman 119
vi CONTENTS
10 The Fabulous Destiny of the Accordion in French Cinema
PhilPowrie 137
11 Vinyl Communion: The Record as Ritual Object in Girls
Rites of Passage Films
Robynn Stilwell 152
12 Narrating Sound: The Pop Video in the Age of the Sampler
Timothy Warner 167
Filmography 180
Bibliography 188
Index 199
|
adam_txt |
Contents
List of Contributors vii
List of Tables, Figures, and Musical Examples x
General Editor's Preface xii
Introduction xiii
PART I: PRE EXISTING CLASSICAL FILM SCORES
1 Ears Wide Open: Kubrick's Music
Claudia Gorbman 3
2 The Pleasures of Ambiguity: Using Classical Music in Film
Mike Cormack 19
3 The Godfather Part III: Film, Opera, and the Generation of Meaning
Lars Franke 31
4 High and Low Culture: Bizet's Carmen and the Cinema
Ann Davies 46
5 Reconsidering Amadeus: Mozart as Film Music
Jeongwon Joe 57
6 The Troll Among Us
Kristi A. Brown 74
PART II: POPULAR MUSIC AND FILM
7 Queer Pleasures: The Bolero, Camp, and Almod6var
Vanessa Knights 91
8 Music, Electricity, and the 'Sweet Mystery of Life' in
Young Frankenstein
Raymond Knapp 105
9 The Popular Song as Leitmotif in 1990s Film
Ronald Rodman 119
vi CONTENTS
10 The Fabulous Destiny of the Accordion in French Cinema
PhilPowrie 137
11 Vinyl Communion: The Record as Ritual Object in Girls'
Rites of Passage Films
Robynn Stilwell 152
12 Narrating Sound: The Pop Video in the Age of the Sampler
Timothy Warner 167
Filmography 180
Bibliography 188
Index 199 |
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isbn | 0754651371 |
language | English |
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spelling | Changing tunes the use of pre-existing music in film ed. by Phil Powrie ... Aldershot [u.a.] Ashgate 2006 XIX, 205 S. Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Ashgate popular and folk music series Includes bibliographical references (p. ), filmography (p. ), and index Film, Musique de - Analyse et appréciation Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Motion picture music Analysis, appreciation Filmmusik (DE-588)4017129-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmmusik (DE-588)4017129-2 s DE-604 Powrie, Phil Sonstige oth http://www.loc.gov/catdir/toc/ecip0512/2005013075.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014767671&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Changing tunes the use of pre-existing music in film Film, Musique de - Analyse et appréciation Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Motion picture music Analysis, appreciation Filmmusik (DE-588)4017129-2 gnd |
subject_GND | (DE-588)4017129-2 (DE-588)4143413-4 |
title | Changing tunes the use of pre-existing music in film |
title_auth | Changing tunes the use of pre-existing music in film |
title_exact_search | Changing tunes the use of pre-existing music in film |
title_exact_search_txtP | Changing tunes the use of pre-existing music in film |
title_full | Changing tunes the use of pre-existing music in film ed. by Phil Powrie ... |
title_fullStr | Changing tunes the use of pre-existing music in film ed. by Phil Powrie ... |
title_full_unstemmed | Changing tunes the use of pre-existing music in film ed. by Phil Powrie ... |
title_short | Changing tunes |
title_sort | changing tunes the use of pre existing music in film |
title_sub | the use of pre-existing music in film |
topic | Film, Musique de - Analyse et appréciation Film, Musique de - Histoire et critique Filmmuziek gtt Motion picture music History and criticism Motion picture music Analysis, appreciation Filmmusik (DE-588)4017129-2 gnd |
topic_facet | Film, Musique de - Analyse et appréciation Film, Musique de - Histoire et critique Filmmuziek Motion picture music History and criticism Motion picture music Analysis, appreciation Filmmusik Aufsatzsammlung |
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