Theatre, performance, and the historical avant-garde:
This study traces the origins of European modernism in Nineteenth-century Paris, examining every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery of primary and second...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York [u.a.]
Palgrave Macmillan
2005
|
| Ausgabe: | 1. ed. |
| Schriftenreihe: | Palgrave studies in theatre and performance history
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | This study traces the origins of European modernism in Nineteenth-century Paris, examining every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery of primary and secondary sources in several different languages. |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXII, 374 S. Ill. |
| ISBN: | 1403969558 |
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| 250 | |a 1. ed. | ||
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| 300 | |a XXII, 374 S. |b Ill. | ||
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| 490 | 0 | |a Palgrave studies in theatre and performance history | |
| 500 | |a Includes bibliographical references and index | ||
| 520 | 3 | |a This study traces the origins of European modernism in Nineteenth-century Paris, examining every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery of primary and secondary sources in several different languages. | |
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Datensatz im Suchindex
| _version_ | 1804135305872146432 |
|---|---|
| adam_text | Contents «^»
List of Illustrations ix
Preface xiii
Acknowledgments xxi
1. Introduction: The Genesis of Modernism and of the
Avant garde 1
Modern, Modernity, Modernism 1
The Evolution of Modernity: Paris in The Nineteenth Century 3
Preparing the Ground for Modernism: Romanticism, Realism,
Symbolism 14
The Crisis of Modernity and the Advent of Modernism 26
The Concept of the Avant garde 35
Avant garde, Modernism, and the Mainstream 39
Toward an Avant garde Conception of the Performing
Arts: Alfred Jarry and Wassily Kandinsky 45
2. Expressionism 55
Introduction 57
Expressionist Theatre—a General Characterization 59
Kokoschka s Murderer Hope of Women 64
Lothar Schreyer s Sturmbiihne and Kampfbiihne 70
Laban, Wigman, and Expressionist Dance Theatre 79
Expressionism in the Theatre of the Weimar Republic 85
3. Futurism 91
Marinetti s Sociopolitical Concept of Art as Action 92
Futurist Political Action Theatre 96
The Engineering of Theatre Scandals 99
viii Contents
The Futurist Soirees {serate) as a New Type of Performance Art 101
Futurist Experiments with New Theatrical Formats 112
Balla and Depero s Plastic Complexes and Mechanical Ballets 113
Prampolini s Vision of an Actorless, Electromechanical Theatre 119
The Gallery Performances 121
Artist Cabarets and Banquets 124
The Futurist March into the Mainstream 128
4. Dadaism 135
Introduction: From Expressionism and Futurism to Dadaism 135
Hugo Ball, the Cabaret Voltaire, and Zurich Dada 138
Dada in Berlin 146
Dada in Paris 155
Dada Art and Anti Art 166
Dada Performance Art 168
Dada s Originality and Contribution to the Theatre 176
5. Constructivism 181
Terminology and General Introduction 181
Constructivism in Russia 182
International Constructivism 187
TheBauhaus 189
Constructivist Theatre in Russia 193
Theatre at the Bauhaus 207
Constructivism Conquers the Mainstream 230
6. Epilog: The Postwar Revival of Modernism and of the
Avant garde 233
Notes 239
Bibliography 283
About the Author 343
Name Index 345
Subject Index 359
List of Illustrations ^
FIGURES
COVER: Lothar Schreyer, Mann, photograph of production in
Diisseldorf, KunstsammlungNordrhein Westfalen, 1986.
Courtesy of Kunstsammlung NRW.
1.1 The Haussmannization of the Montagne Sainte Genivieve
in Paris in an, engraving by E. Roevens. Source: Charles Simond,
La Vie parisienne a travers leXIXe siecle: Paris de 1800 a
1900 d apres les estampes et les memoires du temps, Paris:
Plon, 1900 01, p. 647 6
1.2 Theatrical musical entertainment on the Parisian boulevards
during the reign of Louis Philippe, 1830 1848. Source:
Charles Simond, La Vie parisienne a travers le XIXe siecle:
Paris de 1800 a 1900 d apres les estampes et les me1 moires
du temps, Paris: Plon, 1900 01, p. 332 10
1.3 The spectacle of consumerism: Interior of the Bon
Marche department store in Paris, Ca. 1870. Engraving
by Emile Lesache. Courtesy of Bibliotheque Nationale, Paris 12
1.4 The Super Moderns in search of new motifs. Source:
Leo Wulff, Die Insel der Blbdsinnigen: Die Tollheiten der
Moderne in Wort und Bild, Berlin: Verlag der Lustigen
Blatter , 1901, p. 31 25
2.1 Leonid N. Andreyev, The Life of a Man, Diisseldorf
Schauspielhaus, 1908, directed by Gustav Lindemann,
designed by Edvard Munch and Gustav Wunderwald.
Courtesy of Theaterwissenschaftliche Sammlung,
Universitat zu Koln 59
2.2 Frank Wedekind, Lulu, Berlin Schauspielhaus, 1926,
directed by Erich Engel, designed by Caspar Neher, with
Gerda Miiller as Lulu, Lucie Hoflich as Countess Geschwitz,
x List of Illustrations
and Fritz Kortner as Dr Schon/Jack the Ripper. Courtesy of
Theaterwissenschaftliche Sammlung, Universitat zu Koln 60
2.3 W. B. Yeats, The Only Jealousy of Enter, Amsterdam,
1926, directed by Albert van Dalsum, masks by Hildo Krop.
Courtesy of Yeats Collection, University Library Reading 61
2.4 Walter Hasenclever, Der Sohn, Stadttheater Kiel, 1919,
directed by Gerhard Ausleger, designed by Otto Reigbert.
Courtesy of Theatermuseum Miinchen 62
2.5 Oskar Kokoschka, Murderer Hope of Women, Albert Theater
Dresden, 1917. Directed and designed by O. Kokoschka 68
2.6 Lothar Schreyer, Kreuzigung, from Spielgang Werk VII,
Hamburg: Werkstatt der Kampfbiihne, 1920. Costume
design for Lover and Mother. Courtesy of Michael Schreyer 77
2.7 Mary Wigman, Hexentanz (Witch Dance), second
version, 1926. Mask: Viktor Magito. Courtesy of
Theaterwissenschaftliche Sammlung, Universitat zu Koln 83
3.1 The Futurist conception of remodeling traditionalist
Venice. Source: Comcedia, June 17, 1910 93
3.2 A Futurist serata. A caricature by Filiberto Mateldi. 104
3.3 Luigi Russolo and Ugo Piatti with an orchestra of noise
intoners. Courtesy of Fondazione Russolo Pratella 111
3.4 Giacomo Balla, Feu d Artifice, produced by the Ballets
Russes at the Teatro Costanzi in Rome, April 12, 1917
Photo: Alfredo di Giorgio 115
3.5 Fortunato Depero, Plastic Complex (1915). Courtesy of
Museo di Arte Moderna e Contemporanea di
Trento e Rovereto 116
3.6 Fortunato Depero, / miei Balli Plastici. Courtesy of
Museo di Arte Moderna e Contemporanea di Trento e
Rovereto 117
3.7 Fortunato Depero, Balli Plastici. Courtesy of Museo di
Arte Moderna e Contemporanea di Trento e Rovereto 118
3.8 Enrico Prampolini, Magnetic Theatre, design exhibited
at the Exposition des Arts Decoratifs in Paris in 1925,
where it won him the Grand prix d Art Theatrale.
Courtesy of Massimo Prampolini 120
3.9 Ivo Pannaggi, Costume design for the Mechanized Man
in the Mechanical Ballet, performed on June 2, 1922
at the Casa d Arte Bragaglia in Rome. Courtesy of
Mario Verdone 122
List of Illustrations xi
3.10 Table scenery for a Futurist banquet in 1932.
Courtesy of Luce Marinetti 127
3.11 Lydia Wisiakova and Vaclav Veltchek in Les Troi Moments
by Casavola and Folgore, performed as part of
Enrico Prampolini s Theatre de la Pantomime Futuriste.
Photograph from the program booklet. Courtesy of
Massimo Prampolini 130
3.12 Virgilio Marchi, Two designs for a Futurist theatre.
Source: Roma futurista, 25 April 2 May 1920 132
4.1 Hugo Ball as Magical Bishop, reciting his verses at the
Cabaret Voltaire, June 23, 1916. Copyright Kunsthaus Zurich. 161
4.2 Tristan Tzara, La Deuxieme Aventure celeste de M. Antipyrine,
Festival Dada, Salle Gaveau, May 26, 1920. Source:
Cahiers d art, 1934, p. 111 162
4.3 Andre Breton and Philippe Soupault, Vous m oublierez,
Paris, Salle Gaveau, May 26, 1920. Source:
Cahiers d art, 1934, p. 110 163
4.4 Tristan Tzara, Le Cceur a gaz, Theatre Michel:
Soiree du Coeur a Barbe, July 6, 1923, directed by
Yssia Siderski, design by Alexander Granovski, costumes
by Sonia Delaunay. Courtesy of Musee d Art Moderne de
la Ville de Paris. All rights reserved for the photograph 165
5.1 fimileVerhaeren, The Dawns, directed by Meyerhold,
design by Vladimir Dmitriev (1920). Courtesy of
Bakhrushin Theater Museum, accession number 12/14
from the Fund 688 196
5.2 Fernand Crommelynck, The Magnanimous Cuckold,
directed by Meyerhold, design by Popova (1922).
Courtesy of Bakhrushin Theater Museum, accession
number Mf 29/2 from the Fund 688 198
5.3 Gilbert K. Chesterton, The Man who Was Thursday,
directed by Tairov, design by Alexander Vesnin (1923) 203
5.4 Velimir Khlebnikov, Zangezi, directed, designed and
performed by Vladimir Tallin at the Petrograd Museum
of Artistic Culture (1923). Source: Tatlin Catalog
Kunsthalle Dusseldorf, 1993, p. 42. Courtesy of
Kunsthalle Dusseldorf 205
5.5 Andor Weininger, Mechanical Stage Revue (1926).
Courtesy of Theaterwissenschaftliche Sammlung,
Universitat zu Koln 223
xii List of Illustrations
5.6 Roman Clemens, Play of Form Color, Light and Sound.
Stage design for an unperformed Bauhaus piece, 1929.
Courtesy of Theaterwissenschaftliche Sammlung,
Universitat zu Koln 224
5.7 Wassily Kandinsky, Pictures at an Exhibition. Painting of
1930, based on scene 16: The Great Gate of Kiev, performed
at the Friedrich Theater in Dessau in 1928. Courtesy of
Theaterwissenschaftliche Sammlung, Universitat zu Koln 227
5.8 Max Brand, Machinist Hopkins, Stadttheater Duisburg
(1929), directed by Saladin Schmitt, designed by
Johannes Schroder. Courtesy of Theaterwissenschaftliche
Sammlung, Universitat zu Koln 231
TABLES
1.1 Mass migration from countryside to city, 1800 1910 3
1.2 Population growth in some major European cities 3
1.3 Growth of railway networks in selected European countries 7
TEXT BOXES
1.1 Some Modernist features in nineteenth century art 15
1.2 Modernity and Modernism 24
1.3 Avant garde 35
1.4 Some key features of avant garde art 44
CHRONOLOGIES
1.1 Some Major Inventions and Discoveries in the Age of
Modernity, 1769 1869 27
1.2 Some Major Inventions and Discoveries in the Age of
Modernity, 1872 1913 29
2.1 Expressionism 55
3.1 Futurist Theatre 91
4.1 Dada in Zurich 142
4.2 Dada in Berlin 148
4.3 Dada in Paris 156
5.1 Russian Constructivism 192
5.2 German Constructivism and the Bauhaus 208
|
| adam_txt |
Contents «^»
List of Illustrations ix
Preface xiii
Acknowledgments xxi
1. Introduction: The Genesis of Modernism and of the
Avant garde 1
Modern, Modernity, Modernism 1
The Evolution of Modernity: Paris in The Nineteenth Century 3
Preparing the Ground for Modernism: Romanticism, Realism,
Symbolism 14
The Crisis of Modernity and the Advent of Modernism 26
The Concept of the Avant garde 35
Avant garde, Modernism, and the Mainstream 39
Toward an Avant garde Conception of the Performing
Arts: Alfred Jarry and Wassily Kandinsky 45
2. Expressionism 55
Introduction 57
Expressionist Theatre—a General Characterization 59
Kokoschka's Murderer Hope of Women 64
Lothar Schreyer's Sturmbiihne and Kampfbiihne 70
Laban, Wigman, and Expressionist Dance Theatre 79
Expressionism in the Theatre of the Weimar Republic 85
3. Futurism 91
Marinetti's Sociopolitical Concept of "Art as Action" 92
Futurist Political Action Theatre 96
The Engineering of Theatre Scandals 99
viii Contents
The Futurist Soirees {serate) as a New Type of Performance Art 101
Futurist Experiments with New Theatrical Formats 112
Balla and Depero's Plastic Complexes and Mechanical Ballets 113
Prampolini's Vision of an Actorless, Electromechanical Theatre 119
The Gallery Performances 121
Artist Cabarets and Banquets 124
The Futurist March into the Mainstream 128
4. Dadaism 135
Introduction: From Expressionism and Futurism to Dadaism 135
Hugo Ball, the Cabaret Voltaire, and Zurich Dada 138
Dada in Berlin 146
Dada in Paris 155
Dada Art and Anti Art 166
Dada Performance Art 168
Dada's Originality and Contribution to the Theatre 176
5. Constructivism 181
Terminology and General Introduction 181
Constructivism in Russia 182
International Constructivism 187
TheBauhaus 189
Constructivist Theatre in Russia 193
Theatre at the Bauhaus 207
Constructivism Conquers the Mainstream 230
6. Epilog: The Postwar Revival of Modernism and of the
Avant garde 233
Notes 239
Bibliography 283
About the Author 343
Name Index 345
Subject Index 359
List of Illustrations ^
FIGURES
COVER: Lothar Schreyer, Mann, photograph of production in
Diisseldorf, KunstsammlungNordrhein Westfalen, 1986.
Courtesy of Kunstsammlung NRW.
1.1 The Haussmannization of the Montagne Sainte Genivieve
in Paris in an, engraving by E. Roevens. Source: Charles Simond,
La Vie parisienne a travers leXIXe siecle: Paris de 1800 a
1900 d'apres les estampes et les memoires du temps, Paris:
Plon, 1900 01, p. 647 6
1.2 Theatrical musical entertainment on the Parisian boulevards
during the reign of Louis Philippe, 1830 1848. Source:
Charles Simond, La Vie parisienne a travers le XIXe siecle:
Paris de 1800 a 1900 d'apres les estampes et les me1 moires
du temps, Paris: Plon, 1900 01, p. 332 10
1.3 The spectacle of consumerism: Interior of the Bon
Marche department store in Paris, Ca. 1870. Engraving
by Emile Lesache. Courtesy of Bibliotheque Nationale, Paris 12
1.4 "The Super Moderns in search of new motifs." Source:
Leo Wulff, Die Insel der Blbdsinnigen: Die Tollheiten der
Moderne in Wort und Bild, Berlin: Verlag der "Lustigen
Blatter", 1901, p. 31 25
2.1 Leonid N. Andreyev, The Life of a Man, Diisseldorf
Schauspielhaus, 1908, directed by Gustav Lindemann,
designed by Edvard Munch and Gustav Wunderwald.
Courtesy of Theaterwissenschaftliche Sammlung,
Universitat zu Koln 59
2.2 Frank Wedekind, Lulu, Berlin Schauspielhaus, 1926,
directed by Erich Engel, designed by Caspar Neher, with
Gerda Miiller as Lulu, Lucie Hoflich as Countess Geschwitz,
x List of Illustrations
and Fritz Kortner as Dr Schon/Jack the Ripper. Courtesy of
Theaterwissenschaftliche Sammlung, Universitat zu Koln 60
2.3 W. B. Yeats, The Only Jealousy of Enter, Amsterdam,
1926, directed by Albert van Dalsum, masks by Hildo Krop.
Courtesy of Yeats Collection, University Library Reading 61
2.4 Walter Hasenclever, Der Sohn, Stadttheater Kiel, 1919,
directed by Gerhard Ausleger, designed by Otto Reigbert.
Courtesy of Theatermuseum Miinchen 62
2.5 Oskar Kokoschka, Murderer Hope of Women, Albert Theater
Dresden, 1917. Directed and designed by O. Kokoschka 68
2.6 Lothar Schreyer, Kreuzigung, from Spielgang Werk VII,
Hamburg: Werkstatt der Kampfbiihne, 1920. Costume
design for Lover and Mother. Courtesy of Michael Schreyer 77
2.7 Mary Wigman, Hexentanz (Witch Dance), second
version, 1926. Mask: Viktor Magito. Courtesy of
Theaterwissenschaftliche Sammlung, Universitat zu Koln 83
3.1 The Futurist conception of remodeling traditionalist
Venice. Source: Comcedia, June 17, 1910 93
3.2 A Futurist serata. A caricature by Filiberto Mateldi. 104
3.3 Luigi Russolo and Ugo Piatti with an orchestra of noise
intoners. Courtesy of Fondazione Russolo Pratella 111
3.4 Giacomo Balla, Feu d'Artifice, produced by the Ballets
Russes at the Teatro Costanzi in Rome, April 12, 1917
Photo: Alfredo di Giorgio 115
3.5 Fortunato Depero, Plastic Complex (1915). Courtesy of
Museo di Arte Moderna e Contemporanea di
Trento e Rovereto 116
3.6 Fortunato Depero, / miei Balli Plastici. Courtesy of
Museo di Arte Moderna e Contemporanea di Trento e
Rovereto 117
3.7 Fortunato Depero, Balli Plastici. Courtesy of Museo di
Arte Moderna e Contemporanea di Trento e Rovereto 118
3.8 Enrico Prampolini, Magnetic Theatre, design exhibited
at the Exposition des Arts Decoratifs in Paris in 1925,
where it won him the Grand prix d'Art Theatrale.
Courtesy of Massimo Prampolini 120
3.9 Ivo Pannaggi, Costume design for the Mechanized Man
in the Mechanical Ballet, performed on June 2, 1922
at the Casa d'Arte Bragaglia in Rome. Courtesy of
Mario Verdone 122
List of Illustrations xi
3.10 Table scenery for a Futurist banquet in 1932.
Courtesy of Luce Marinetti 127
3.11 Lydia Wisiakova and Vaclav Veltchek in Les Troi Moments
by Casavola and Folgore, performed as part of
Enrico Prampolini's Theatre de la Pantomime Futuriste.
Photograph from the program booklet. Courtesy of
Massimo Prampolini 130
3.12 Virgilio Marchi, Two designs for a Futurist theatre.
Source: Roma futurista, 25 April 2 May 1920 132
4.1 Hugo Ball as Magical Bishop, reciting his verses at the
Cabaret Voltaire, June 23, 1916. Copyright Kunsthaus Zurich. 161
4.2 Tristan Tzara, La Deuxieme Aventure celeste de M. Antipyrine,
Festival Dada, Salle Gaveau, May 26, 1920. Source:
Cahiers d'art, 1934, p. 111 162
4.3 Andre Breton and Philippe Soupault, Vous m'oublierez,
Paris, Salle Gaveau, May 26, 1920. Source:
Cahiers d'art, 1934, p. 110 163
4.4 Tristan Tzara, Le Cceur a gaz, Theatre Michel:
Soiree du Coeur a Barbe, July 6, 1923, directed by
Yssia Siderski, design by Alexander Granovski, costumes
by Sonia Delaunay. Courtesy of Musee d'Art Moderne de
la Ville de Paris. "All rights reserved" for the photograph 165
5.1 fimileVerhaeren, The Dawns, directed by Meyerhold,
design by Vladimir Dmitriev (1920). Courtesy of
Bakhrushin Theater Museum, accession number 12/14
from the Fund 688 196
5.2 Fernand Crommelynck, The Magnanimous Cuckold,
directed by Meyerhold, design by Popova (1922).
Courtesy of Bakhrushin Theater Museum, accession
number Mf 29/2 from the Fund 688 198
5.3 Gilbert K. Chesterton, The Man who Was Thursday,
directed by Tairov, design by Alexander Vesnin (1923) 203
5.4 Velimir Khlebnikov, Zangezi, directed, designed and
performed by Vladimir Tallin at the Petrograd Museum
of Artistic Culture (1923). Source: Tatlin Catalog
Kunsthalle Dusseldorf, 1993, p. 42. Courtesy of
Kunsthalle Dusseldorf 205
5.5 Andor Weininger, Mechanical Stage Revue (1926).
Courtesy of Theaterwissenschaftliche Sammlung,
Universitat zu Koln 223
xii List of Illustrations
5.6 Roman Clemens, Play of Form Color, Light and Sound.
Stage design for an unperformed Bauhaus piece, 1929.
Courtesy of Theaterwissenschaftliche Sammlung,
Universitat zu Koln 224
5.7 Wassily Kandinsky, Pictures at an Exhibition. Painting of
1930, based on scene 16: The Great Gate of Kiev, performed
at the Friedrich Theater in Dessau in 1928. Courtesy of
Theaterwissenschaftliche Sammlung, Universitat zu Koln 227
5.8 Max Brand, Machinist Hopkins, Stadttheater Duisburg
(1929), directed by Saladin Schmitt, designed by
Johannes Schroder. Courtesy of Theaterwissenschaftliche
Sammlung, Universitat zu Koln 231
TABLES
1.1 Mass migration from countryside to city, 1800 1910 3
1.2 Population growth in some major European cities 3
1.3 Growth of railway networks in selected European countries 7
TEXT BOXES
1.1 Some Modernist features in nineteenth century art 15
1.2 Modernity and Modernism 24
1.3 Avant garde 35
1.4 Some key features of avant garde art 44
CHRONOLOGIES
1.1 Some Major Inventions and Discoveries in the Age of
Modernity, 1769 1869 27
1.2 Some Major Inventions and Discoveries in the Age of
Modernity, 1872 1913 29
2.1 Expressionism 55
3.1 Futurist Theatre 91
4.1 Dada in Zurich 142
4.2 Dada in Berlin 148
4.3 Dada in Paris 156
5.1 Russian Constructivism 192
5.2 German Constructivism and the Bauhaus 208 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Berghaus, Günter 1953- |
| author_GND | (DE-588)131815318 |
| author_facet | Berghaus, Günter 1953- |
| author_role | aut |
| author_sort | Berghaus, Günter 1953- |
| author_variant | g b gb |
| building | Verbundindex |
| bvnumber | BV021550181 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN2193 |
| callnumber-raw | PN2193.E86 |
| callnumber-search | PN2193.E86 |
| callnumber-sort | PN 42193 E86 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 67600 |
| ctrlnum | (OCoLC)61684265 (DE-599)BVBBV021550181 |
| dewey-full | 792.02/9 792.029 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.02/9 792.029 |
| dewey-search | 792.02/9 792.029 |
| dewey-sort | 3792.02 19 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. ed. |
| era | Geschichte 1900-2000 gnd |
| era_facet | Geschichte 1900-2000 |
| format | Book |
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| id | DE-604.BV021550181 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:31:17Z |
| indexdate | 2024-07-09T20:38:24Z |
| institution | BVB |
| isbn | 1403969558 |
| language | English |
| lccn | 2005054609 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014766263 |
| oclc_num | 61684265 |
| open_access_boolean | |
| owner | DE-12 DE-19 DE-BY-UBM DE-188 |
| owner_facet | DE-12 DE-19 DE-BY-UBM DE-188 |
| physical | XXII, 374 S. Ill. |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Palgrave Macmillan |
| record_format | marc |
| series2 | Palgrave studies in theatre and performance history |
| spelling | Berghaus, Günter 1953- Verfasser (DE-588)131815318 aut Theatre, performance, and the historical avant-garde Günter Berghaus 1. ed. New York [u.a.] Palgrave Macmillan 2005 XXII, 374 S. Ill. txt rdacontent n rdamedia nc rdacarrier Palgrave studies in theatre and performance history Includes bibliographical references and index This study traces the origins of European modernism in Nineteenth-century Paris, examining every major avant-garde movement that sprung from this epicentre in the early Twentieth century: Expressionism, Dadaism, etc. In this wide-ranging overview Berghaus demonstrates a mastery of primary and secondary sources in several different languages. Geschichte 1900-2000 gnd rswk-swf Avant-garde (Esthétique) Avant-garde gtt Experimenteel toneel gtt Théâtre expérimental Experimental theater Avant-garde (Aesthetics) Expressionismus (DE-588)4016044-0 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Futurismus (DE-588)4019036-5 gnd rswk-swf Konstruktivismus Kunst (DE-588)4129833-0 gnd rswk-swf Dadaismus (DE-588)4010866-1 gnd rswk-swf Theater (DE-588)4059702-7 gnd rswk-swf Experimentelles Theater (DE-588)4124890-9 gnd rswk-swf Avantgarde (DE-588)4133965-4 gnd rswk-swf Experimentelles Theater (DE-588)4124890-9 s DE-604 Avantgarde (DE-588)4133965-4 s Kunst (DE-588)4114333-4 s Theater (DE-588)4059702-7 s Geschichte 1900-2000 z 1\p DE-604 Expressionismus (DE-588)4016044-0 s 2\p DE-604 Konstruktivismus Kunst (DE-588)4129833-0 s 3\p DE-604 Dadaismus (DE-588)4010866-1 s 4\p DE-604 Futurismus (DE-588)4019036-5 s 5\p DE-604 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014766263&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 3\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 4\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 5\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Berghaus, Günter 1953- Theatre, performance, and the historical avant-garde Avant-garde (Esthétique) Avant-garde gtt Experimenteel toneel gtt Théâtre expérimental Experimental theater Avant-garde (Aesthetics) Expressionismus (DE-588)4016044-0 gnd Kunst (DE-588)4114333-4 gnd Futurismus (DE-588)4019036-5 gnd Konstruktivismus Kunst (DE-588)4129833-0 gnd Dadaismus (DE-588)4010866-1 gnd Theater (DE-588)4059702-7 gnd Experimentelles Theater (DE-588)4124890-9 gnd Avantgarde (DE-588)4133965-4 gnd |
| subject_GND | (DE-588)4016044-0 (DE-588)4114333-4 (DE-588)4019036-5 (DE-588)4129833-0 (DE-588)4010866-1 (DE-588)4059702-7 (DE-588)4124890-9 (DE-588)4133965-4 |
| title | Theatre, performance, and the historical avant-garde |
| title_auth | Theatre, performance, and the historical avant-garde |
| title_exact_search | Theatre, performance, and the historical avant-garde |
| title_exact_search_txtP | Theatre, performance, and the historical avant-garde |
| title_full | Theatre, performance, and the historical avant-garde Günter Berghaus |
| title_fullStr | Theatre, performance, and the historical avant-garde Günter Berghaus |
| title_full_unstemmed | Theatre, performance, and the historical avant-garde Günter Berghaus |
| title_short | Theatre, performance, and the historical avant-garde |
| title_sort | theatre performance and the historical avant garde |
| topic | Avant-garde (Esthétique) Avant-garde gtt Experimenteel toneel gtt Théâtre expérimental Experimental theater Avant-garde (Aesthetics) Expressionismus (DE-588)4016044-0 gnd Kunst (DE-588)4114333-4 gnd Futurismus (DE-588)4019036-5 gnd Konstruktivismus Kunst (DE-588)4129833-0 gnd Dadaismus (DE-588)4010866-1 gnd Theater (DE-588)4059702-7 gnd Experimentelles Theater (DE-588)4124890-9 gnd Avantgarde (DE-588)4133965-4 gnd |
| topic_facet | Avant-garde (Esthétique) Avant-garde Experimenteel toneel Théâtre expérimental Experimental theater Avant-garde (Aesthetics) Expressionismus Kunst Futurismus Konstruktivismus Kunst Dadaismus Theater Experimentelles Theater Avantgarde |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014766263&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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