American movie critics: an anthology from the silents until now
A dual history of American movies and movie reviews evaluates how the nation's films have both fostered new ways of seeing the world and spawned an extraordinary body of critical writing, in a collection of essays that includes contributions by such figures as James Agee, Ralph Ellison, and Rog...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York, NY
Library of America
2006
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | A dual history of American movies and movie reviews evaluates how the nation's films have both fostered new ways of seeing the world and spawned an extraordinary body of critical writing, in a collection of essays that includes contributions by such figures as James Agee, Ralph Ellison, and Roger Ebert. |
| Beschreibung: | XXVII, 720 S. |
| ISBN: | 1931082928 |
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| 520 | 3 | |a A dual history of American movies and movie reviews evaluates how the nation's films have both fostered new ways of seeing the world and spawned an extraordinary body of critical writing, in a collection of essays that includes contributions by such figures as James Agee, Ralph Ellison, and Roger Ebert. | |
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Datensatz im Suchindex
| _version_ | 1804135303695302656 |
|---|---|
| adam_text | Contents
INTRODUCTION
/.
Vachel Lindsay
The Photoplay of Action
The Artistic Position of Douglas Fairbanks
and The Thief of Bagdad Production
Hugo
The Function of the Photoplay
Carl Sandburg
The Cabinet of Dr.
Nanook of the North
A Woman of Paris
Manhandled
The Temptress
What Price Glory?
Robert E. Sherwood
The Ten Commandments
Greed
Edmund Wilson
The New Chaplin Comedy {The Gold Rush)
H. L.
from Appendix from Moronia: Note on Technic
H.D.
The Passion of Joan of Arc
Alexander Bakshy
The Talkies
Harry Alan Potamkin
A in the Art of the Movie and Kino
Remarks on D. W. Griffith
Gilbert Seldes
from An Hour with the Movies and the Talkies
Pare Lorentz
Anna Christie
Good Art, Good Propaganda
vii
Vili O
William Troy
KingKong
The Invisible Man
Cecilia Ager
Parachute Jumper
Hallelujah I m a Bum
Ladies They Talk About
Our Betters
King Kong
Night Flight
Camille
The Last of Mrs. Cheyney
Personal Property
Another Dawn
A Day at the Races
André
The Devil Is a Woman
The Future of Color
Rudolf Arnheim
The Film Critic of Tomorrow
Lincoln Kirstein
Dancing in Films
Meyer Levin
The Charge of the Light Brigade
//.
and the Postwar Era
Otis Ferguson
It s Up to the Kiddies (Stand Up and Cheer)
Stars and Garters (Belle of the Nineties)
Artist Among the Flickers (Three Songs about Lenin)
Arms and Men (Lives of a Bengal Lancer)
Words and Music (Broadway Melody of
In a Dry Month (Hands across the Table)
Cagney: Great Guy
Through the Looking Glass (Stage Door)
Walt Disney s Grimm Reality
(Snow White and the Seven Dwarfs)
Hitchcock in Hollywood (Foreign Correspondent)
For Better, For Worse (Time in the Sun)
Handsome Is
Citizen Welles
Welles and His Wonders: II
CONTENTS O IX
Melvin
Gone with the Wind Is More Dangerous Than Birth of a Nation
Paul Goodman
Griffith and the Technical Innovations
James Agee
The Song of
Annual Wrap-Up of
A Great Film {The Story of G.I. Joe)
The Lost Weekend
Shoeshine
Day of Wrath
Siegfried Kracauer
Introduction to From
Robert Warshow
The Gangster as Tragic Hero
A Feeling of Sad Dignity {Limelight)
Ralph Ellison
The Shadow and the Act
Martha Wolfenstein
Got a Match?
///.
Barbara Deming
The Reluctant War Hero {Casablanca)
Manny
Underground Films
White Elephant Art vs. Termite Art
Kitchen Without Kitsch (with Patricia Patterson)
Parker Tyler
Double into Quadruple Indemnity
Warhol s New Sex Film {Blue Movie)
Eugene Archer
A Kingin New York
Arlene
Pather
A Note on La Belle, La Perfectly Swell, Romance
Jonas Mekas
The Creative Joy of the Independent Film-Maker
Renoir and Plotless Cinema
Marilyn Monroe and the Loveless World {The Misfits)
On Andy Warhol s Sleep
X
Not Everything That Is Fun Is Cinema (A Hard Day s Night)
On Bresson and
Stanley Kauffmann
The Misfits
L Avventura
Lola
Andrew Sarris
The Birds
La Guerre
Falstaff and A Countess from Hong Kong
Science Fiction: The Forbin Project
Billy Wilder
Billy Wilder Reconsidered
John Wayne s Strange Legacy
Susan Sontag
The Imagination of Disaster
Pauline Kael
Band of Outsiders
Funny Girl
Trash, Art, and the Movies
McCabe &Mrs. Miller
DWIGHT
8 h
Renata Adler
Cold Blood: Cheap Fiction
Donald Phelps
The Runners
Vincent Canby
Midnight Cowboy
The Wild Bunch
Easy Rider
Z
They Shoot Horses, Don t They?
Patton
Zabriskie Point
Is Fiddler More
William S. Pechter
These Are a Few of My Favorite Things
Bunuel..............................................417
contents <>
Molly Haskell
The Woman s Film
Sophisticated Interiors
Melancholy Males or Movies About Men Turning
Paul Schrader
Notes on Film
John Simon
The Last Picture Show
Jaundice of the Soul {Chinatown)
Brendan Gill
Blue Notes
Richard Corliss
M*A*S*H
James Baldwin
from The Devil Finds Work {Lady Sings the Blues)
Penelope Gilliatt
The Bitter Tears of
PV. Reconsiderations and Renegade Perspectives: The
to the Present
Walter Kerr
The Keaton Quiet
J. HOBERMAN
Bad Movies
The Film Critic of Tomorrow, Today
Stanley Cavell
Cons and Pros {The Lady Eve)
Richard Schickel
Blue Velvet
Sam Fuller: Movie Bozo
Armond White
Rebirth of a Nation {Do the Right Thing)
Malcolm X d Again {Malcolm X)
David Denby
The Real Thing
Geoffrey O Brien
The Italian System
xii
Paul Rudnick (aka Libby Gelman-Waxner)
A Boy Named Sioux (Dances with Wolves)
David Thomson
Cary Grant
Howard Hawks
BELL HOOKS
Cool Cynicism: Pulp Fiction
Kenneth
Titanic Sinks Again (Spectacularly)
Jonathan
In Dreams Begin Responsibilities (Eyes Wide Shut)
Roger Ebert
Trouble in Paradise
Stuart Klawans
Gladiator
James Harvey
Imitation of Life
Kent Jones
Of Love and the City (In the Mood for Love)
John Ashbery
On
Carrie Rickey
Ratpacks and Pack Males
Gilberto
Saying Ain t and Playing Dixie : Rhetoric and
Comedy in Judge Priest
A. O. Scott
Good and Evil Locked in Violent Showdown
(The Passion of the Christ)
The Most Overrated Film of the Year (Sideways)
Manohla Dargis
High Hopes (The Royal Tenenbaums)
Not-So-Nice Kitty (The Cat in the Hat)
Once Disaster Hits, It Seems Never
To End (A History of Violence)
Sources and Acknowledgments
American
of unparalleled scope that charts the
rise of movies as art, industry, and
mass entertainment. Beginning in the
silent era-with poets Vachel Lindsay
and Carl Sandburg hailing the new me¬
dium and Edmund Wilson paying tribute
to Chaplin s Go Id Rush- the collection
traces the rapid evolution of the me¬
dium in an age of tumultuous political
and social changes. Here are the great
movie critics who forged a forceful
vernacular idiom for talking about the
new art: Otis Ferguson in the
finding in James Cagney the dignity
of the genuine worn as easily as his
skin ; James Agee in the
American war films and the advent of
Italian
Kael, Andrew Sarris, Molly Haskell,
(continued on back flap)
Vincent Canby,
Lopate
criticism from the
the
high, and arguments over style and
content often took on a larger-than-
life quality. Here too are the finest
film reviewers on the contemporary
scene, including Richard Schickel,
Roger Ebert, and Manohla Dargis.
Joining the full-time film writers are
many distinguished American authors,
including Ralph Ellison, Susan Sontag,
James Baldwin, Brendan Gill, and John
Ashbery, weighing in on a range of
cinematic experiences. Together they
define an often underappreciated
genre of American writing, a tradition
filled with the energy, passion, and
analytical juice that for Lopate mark
the best in movie criticism.
Phillip Lopate, editor, is an essayist,
novelist, and poet, whose books include
Bachelorhood; Against
Portrait of My Body; and
A Journey Around Manhattan. He has
edited The Art of the Personal Essay
and, for The Library of America, Writing
New York: A Literary Anthology. His
selected film criticism appeared in
Totally Tenderly Tragically, and he
currently serves on the selection
committee of the New York Film Festival.
|
| adam_txt |
Contents
INTRODUCTION
/.
Vachel Lindsay
The Photoplay of Action
The Artistic Position of Douglas Fairbanks
and The Thief of Bagdad Production
Hugo
The Function of the Photoplay
Carl Sandburg
The Cabinet of Dr.
Nanook of the North
A Woman of Paris
Manhandled
The Temptress
What Price Glory?
Robert E. Sherwood
The Ten Commandments
Greed
Edmund Wilson
The New Chaplin Comedy {The Gold Rush)
H. L.
from Appendix from Moronia: Note on Technic
H.D.
The Passion of Joan of Arc
Alexander Bakshy
The "Talkies"
Harry Alan Potamkin
"A" in the Art of the Movie and Kino
Remarks on D. W. Griffith
Gilbert Seldes
from An Hour with the Movies and the Talkies
Pare Lorentz
Anna Christie
Good Art, Good Propaganda
vii
Vili O
William Troy
KingKong
The Invisible Man
Cecilia Ager
Parachute Jumper
Hallelujah I'm a Bum
Ladies They Talk About
Our Betters
King Kong
Night Flight
Camille
The Last of Mrs. Cheyney
Personal Property
Another Dawn
A Day at the Races
André
The Devil Is a Woman
The Future of Color
Rudolf Arnheim
The Film Critic of Tomorrow
Lincoln Kirstein
Dancing in Films
Meyer Levin
The Charge of the Light Brigade
//.
and the Postwar Era
Otis Ferguson
It's Up to the Kiddies (Stand Up and Cheer)
Stars and Garters (Belle of the Nineties)
Artist Among the Flickers (Three Songs about Lenin)
Arms and Men (Lives of a Bengal Lancer)
Words and Music (Broadway Melody of
In a Dry Month (Hands across the Table)
Cagney: Great Guy
Through the Looking Glass (Stage Door)
Walt Disney's Grimm Reality
(Snow White and the Seven Dwarfs)
Hitchcock in Hollywood (Foreign Correspondent)
For Better, For Worse (Time in the Sun)
Handsome Is
Citizen Welles
Welles and His Wonders: II
CONTENTS O IX
Melvin
Gone with the Wind Is More Dangerous Than Birth of a Nation
Paul Goodman
Griffith and the Technical Innovations
James Agee
The Song of
Annual Wrap-Up of
A Great Film {The Story of G.I. Joe)
The Lost Weekend
Shoeshine
Day of Wrath
Siegfried Kracauer
Introduction to From
Robert Warshow
The Gangster as Tragic Hero
A Feeling of Sad Dignity {Limelight)
Ralph Ellison
The Shadow and the Act
Martha Wolfenstein
Got a Match?
///.
Barbara Deming
The Reluctant War Hero {Casablanca)
Manny
Underground Films
White Elephant Art vs. Termite Art
Kitchen Without Kitsch (with Patricia Patterson)
Parker Tyler
Double into Quadruple Indemnity
Warhol's New Sex Film {Blue Movie)
Eugene Archer
A Kingin New York
Arlene
Pather
A Note on La Belle, La Perfectly Swell, Romance
Jonas Mekas
The Creative Joy of the Independent Film-Maker
Renoir and Plotless Cinema
Marilyn Monroe and the Loveless World {The Misfits)
On Andy Warhol's Sleep
X
Not Everything That Is Fun Is Cinema (A Hard Day's Night)
On Bresson and
Stanley Kauffmann
The Misfits
L'Avventura
Lola
Andrew Sarris
The Birds
La Guerre
Falstaff and A Countess from Hong Kong
Science Fiction: The Forbin Project
Billy Wilder
Billy Wilder Reconsidered
John Wayne's Strange Legacy
Susan Sontag
The Imagination of Disaster
Pauline Kael
Band of Outsiders
Funny Girl
Trash, Art, and the Movies
McCabe &Mrs. Miller
DWIGHT
8'h
Renata Adler
Cold Blood: Cheap Fiction
Donald Phelps
The Runners
Vincent Canby
Midnight Cowboy
The Wild Bunch
Easy Rider
Z
They Shoot Horses, Don't They?
Patton
Zabriskie Point
Is Fiddler More
William S. Pechter
These Are a Few of My Favorite Things
Bunuel.417
contents <>
Molly Haskell
The Woman's Film
Sophisticated Interiors
Melancholy Males or Movies About Men Turning
Paul Schrader
Notes on Film
John Simon
The Last Picture Show
Jaundice of the Soul {Chinatown)
Brendan Gill
Blue Notes
Richard Corliss
M*A*S*H
James Baldwin
from The Devil Finds Work {Lady Sings the Blues)
Penelope Gilliatt
The Bitter Tears of
PV. Reconsiderations and Renegade Perspectives: The
to the Present
Walter Kerr
The Keaton Quiet
J. HOBERMAN
Bad Movies
The Film Critic of Tomorrow, Today
Stanley Cavell
Cons and Pros {The Lady Eve)
Richard Schickel
Blue Velvet
Sam Fuller: Movie Bozo
Armond White
Rebirth of a Nation {Do the Right Thing)
Malcolm X'd Again {Malcolm X)
David Denby
The Real Thing
Geoffrey O'Brien
The Italian System
xii
Paul Rudnick (aka Libby Gelman-Waxner)
A Boy Named Sioux (Dances with Wolves)
David Thomson
Cary Grant
Howard Hawks
BELL HOOKS
Cool Cynicism: Pulp Fiction
Kenneth
Titanic Sinks Again (Spectacularly)
Jonathan
In Dreams Begin Responsibilities (Eyes Wide Shut)
Roger Ebert
Trouble in Paradise
Stuart Klawans
Gladiator
James Harvey
Imitation of Life
Kent Jones
Of Love and the City (In the Mood for Love)
John Ashbery
On
Carrie Rickey
Ratpacks and Pack Males
Gilberto
Saying "Ain't" and Playing "Dixie": Rhetoric and
Comedy in Judge Priest
A. O. Scott
Good and Evil Locked in Violent Showdown
(The Passion of the Christ)
The Most Overrated Film of the Year (Sideways)
Manohla Dargis
High Hopes (The Royal Tenenbaums)
Not-So-Nice Kitty (The Cat in the Hat)
Once Disaster Hits, It Seems Never
To End (A History of Violence)
Sources and Acknowledgments
American
of unparalleled scope that charts the
rise of movies as art, industry, and
mass entertainment. Beginning in the
silent era-with poets Vachel Lindsay
and Carl Sandburg hailing the new me¬
dium and Edmund Wilson paying tribute
to Chaplin's Go Id Rush- the collection
traces the rapid evolution of the me¬
dium in an age of tumultuous political
and social changes. Here are the great
movie critics who forged a forceful
vernacular idiom for talking about the
new art: Otis Ferguson in the
finding in James Cagney "the dignity
of the genuine worn as easily as his
skin"; James Agee in the
American war films and the advent of
Italian
Kael, Andrew Sarris, Molly Haskell,
(continued on back flap)
Vincent Canby,
Lopate
criticism" from the
the
high, and arguments over style and
content often took on a larger-than-
life quality. Here too are the finest
film reviewers on the contemporary
scene, including Richard Schickel,
Roger Ebert, and Manohla Dargis.
Joining the full-time film writers are
many distinguished American authors,
including Ralph Ellison, Susan Sontag,
James Baldwin, Brendan Gill, and John
Ashbery, weighing in on a range of
cinematic experiences. Together they
define an often underappreciated
genre of American writing, a tradition
filled with the "energy, passion, and
analytical juice" that for Lopate mark
the best in movie criticism.
Phillip Lopate, editor, is an essayist,
novelist, and poet, whose books include
Bachelorhood; Against
Portrait of My Body; and
A Journey Around Manhattan. He has
edited The Art of the Personal Essay
and, for The Library of America, Writing
New York: A Literary Anthology. His
selected film criticism appeared in
Totally Tenderly Tragically, and he
currently serves on the selection
committee of the New York Film Festival. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author_GND | (DE-588)129814709 |
| building | Verbundindex |
| bvnumber | BV021548642 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995 |
| callnumber-search | PN1995 |
| callnumber-sort | PN 41995 |
| callnumber-subject | PN - General Literature |
| classification_rvk | HU 2530 |
| ctrlnum | (OCoLC)62282337 (DE-599)BVBBV021548642 |
| dewey-full | 791.43/75 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43/75 |
| dewey-search | 791.43/75 |
| dewey-sort | 3791.43 275 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Allgemeines Anglistik / Amerikanistik |
| era | Geschichte 1915-2005 gnd |
| era_facet | Geschichte 1915-2005 |
| format | Book |
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| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| geographic | Verenigde Staten gtt USA USA (DE-588)4078704-7 gnd |
| geographic_facet | Verenigde Staten USA |
| id | DE-604.BV021548642 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T14:30:46Z |
| indexdate | 2024-07-09T20:38:22Z |
| institution | BVB |
| isbn | 1931082928 |
| language | English |
| lccn | 2005055164 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014764752 |
| oclc_num | 62282337 |
| open_access_boolean | |
| owner | DE-355 DE-BY-UBR DE-29 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-188 |
| owner_facet | DE-355 DE-BY-UBR DE-29 DE-19 DE-BY-UBM DE-473 DE-BY-UBG DE-188 |
| physical | XXVII, 720 S. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Library of America |
| record_format | marc |
| spelling | American movie critics an anthology from the silents until now ed. by Phillip Lopate New York, NY Library of America 2006 XXVII, 720 S. txt rdacontent n rdamedia nc rdacarrier A dual history of American movies and movie reviews evaluates how the nation's films have both fostered new ways of seeing the world and spawned an extraordinary body of critical writing, in a collection of essays that includes contributions by such figures as James Agee, Ralph Ellison, and Roger Ebert. Geschichte 1915-2005 gnd rswk-swf Filmkunst gtt Filmrecensies gtt Film Motion pictures Reviews Filmkritik (DE-588)4154367-1 gnd rswk-swf Verenigde Staten gtt USA USA (DE-588)4078704-7 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content USA (DE-588)4078704-7 g Filmkritik (DE-588)4154367-1 s Geschichte 1915-2005 z b DE-604 Lopate, Phillip 1943- Sonstige (DE-588)129814709 oth Digitalisierung UBRegensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014764752&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014764752&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | American movie critics an anthology from the silents until now Filmkunst gtt Filmrecensies gtt Film Motion pictures Reviews Filmkritik (DE-588)4154367-1 gnd |
| subject_GND | (DE-588)4154367-1 (DE-588)4078704-7 (DE-588)4135952-5 |
| title | American movie critics an anthology from the silents until now |
| title_auth | American movie critics an anthology from the silents until now |
| title_exact_search | American movie critics an anthology from the silents until now |
| title_exact_search_txtP | American movie critics an anthology from the silents until now |
| title_full | American movie critics an anthology from the silents until now ed. by Phillip Lopate |
| title_fullStr | American movie critics an anthology from the silents until now ed. by Phillip Lopate |
| title_full_unstemmed | American movie critics an anthology from the silents until now ed. by Phillip Lopate |
| title_short | American movie critics |
| title_sort | american movie critics an anthology from the silents until now |
| title_sub | an anthology from the silents until now |
| topic | Filmkunst gtt Filmrecensies gtt Film Motion pictures Reviews Filmkritik (DE-588)4154367-1 gnd |
| topic_facet | Filmkunst Filmrecensies Film Motion pictures Reviews Filmkritik Verenigde Staten USA Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014764752&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014764752&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
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