American cinema of the 1940s: themes and variations
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford
Berg
2006
|
| Ausgabe: | 1. publ. outside North and South America and the Philippines |
| Schriftenreihe: | Screen decades
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XIV, 283 S. Ill. |
| ISBN: | 1845204344 1845204352 9781845204341 9781845204358 |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS
Acknowledgments ¡x
TimelinerThe
1940s
x¡
Introduction: Movies and the 1940s
ι
WHEELER WINSTON DIXON
1940
Movies and the Reassessment of America
22
MATTHEW BERNSTEIN
1941
Movies on the Edge of War
48
SARAH KOZLOFF
1
942
Movies and the March to War
74
STEVEN JAY SCHNEIDER
1
943
Movies and National Identity
94
CATHERINE L. PRESTON
1944
Movies and the Renegotiation of Genre
117
NICHOLAS SPENCER
1945
Movies and the March Home
140
KRISTINE
BUTLER
KARLSON
1
946
Movies and Postwar Recovery 1
62
WHEELER WINSTON DIXON
1
947
Movies and the Enemy Within 1
82
TONY WILLIAMS
1
948
Movies and the Family
200
JOANNA RAPF
1
949
Movies and the Fate of Genre
222
MARCIA
LANDY
Select Academy Awards,
1940-1949 245
Works Cited and Consulted
25
1
Contributors
26
1
Index
263
he
1940s
was a watershed decade for American cinema and the
nation. Shaking off the grim legacy of the Depression, Hollywood
launched an unprecedented wave of production, generating some of its
most memorable classics, including Citizen Kane, Rebecca, The Lady
Eve, Sergeant York, and How Green Was My Valley In
1942,
Hollywood
joined the national war effort with a vengeance, creating a series of patriotic and
escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee
Doodle Dandy.
With the end of the war, returning GIs faced a new America, in which the country
had been transformed overnight. Film
noir
reflected a new public mood of pessimism
and paranoia, in such classic films of betrayal and conflict as Kiss of Death, Force of
Evil, Caught, and Apology for Murder, depicting a poisonous universe of
femme
fatales,
crooked lawyers, and corrupt politicians.
With the threat of the atom bomb lurking in the background and the beginnings
of the Hollywood Blacklist, the
1940s
was a decade of crisis and change. Featuring
essays by a group of respected film scholars and historians, American Cinema of the
1940s
brings this dynamic and turbulent decade to life. Illustrated with many rare
stills and filled with provocative insights, the volume will appeal to students, teachers,
and to all those interested in cultural history and American film of the twentieth
century.
Wheeler Winston Dixon is the James Ryan Endowed Professor of Film
Studies at the University of Nebraska, Lincoln, and editor of the Quarterly Review of
Film and Video.
|
| adam_txt |
CONTENTS
Acknowledgments ¡x
TimelinerThe
1940s
x¡
Introduction: Movies and the 1940s
ι
WHEELER WINSTON DIXON
1940
Movies and the Reassessment of America
22
MATTHEW BERNSTEIN
1941
Movies on the Edge of War
48
SARAH KOZLOFF
1
942
Movies and the March to War
74
STEVEN JAY SCHNEIDER
1
943
Movies and National Identity
94
CATHERINE L. PRESTON
1944
Movies and the Renegotiation of Genre
117
NICHOLAS SPENCER
1945
Movies and the March Home
140
KRISTINE
BUTLER
KARLSON
1
946
Movies and Postwar Recovery 1
62
WHEELER WINSTON DIXON
1
947
Movies and the "Enemy" Within 1
82
TONY WILLIAMS
1
948
Movies and the Family
200
JOANNA RAPF
1
949
Movies and the Fate of Genre
222
MARCIA
LANDY
Select Academy Awards,
1940-1949 245
Works Cited and Consulted
25
1
Contributors
26
1
Index
263
he
1940s
was a watershed decade for American cinema and the
nation. Shaking off the grim legacy of the Depression, Hollywood
launched an unprecedented wave of production, generating some of its
most memorable classics, including Citizen Kane, Rebecca, The Lady
Eve, Sergeant York, and How Green Was My Valley In
1942,
Hollywood
joined the national war effort with a vengeance, creating a series of patriotic and
escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee
Doodle Dandy.
With the end of the war, returning GIs faced a new America, in which the country
had been transformed overnight. Film
noir
reflected a new public mood of pessimism
and paranoia, in such classic films of betrayal and conflict as Kiss of Death, Force of
Evil, Caught, and Apology for Murder, depicting a poisonous universe of
femme
fatales,
crooked lawyers, and corrupt politicians.
With the threat of the atom bomb lurking in the background and the beginnings
of the Hollywood Blacklist, the
1940s
was a decade of crisis and change. Featuring
essays by a group of respected film scholars and historians, American Cinema of the
1940s
brings this dynamic and turbulent decade to life. Illustrated with many rare
stills and filled with provocative insights, the volume will appeal to students, teachers,
and to all those interested in cultural history and American film of the twentieth
century.
Wheeler Winston Dixon is the James Ryan Endowed Professor of Film
Studies at the University of Nebraska, Lincoln, and editor of the Quarterly Review of
Film and Video. |
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| title | American cinema of the 1940s themes and variations |
| title_alt | American cinema of the nineteen forties |
| title_auth | American cinema of the 1940s themes and variations |
| title_exact_search | American cinema of the 1940s themes and variations |
| title_exact_search_txtP | American cinema of the 1940s themes and variations |
| title_full | American cinema of the 1940s themes and variations ed. by Wheeler Winston Dixon |
| title_fullStr | American cinema of the 1940s themes and variations ed. by Wheeler Winston Dixon |
| title_full_unstemmed | American cinema of the 1940s themes and variations ed. by Wheeler Winston Dixon |
| title_short | American cinema of the 1940s |
| title_sort | american cinema of the 1940s themes and variations |
| title_sub | themes and variations |
| topic | Filmkunst gtt Sociale aspecten gtt Film Geschichte Gesellschaft Motion pictures Social aspects United States Motion pictures United States History Film (DE-588)4017102-4 gnd |
| topic_facet | Filmkunst Sociale aspecten Film Geschichte Gesellschaft Motion pictures Social aspects United States Motion pictures United States History USA |
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