Playing with history: the historical approach to musical performance
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge [u.a.]
Cambridge Univ. Press
2005
|
| Ausgabe: | 1. publ., 3. print. |
| Schriftenreihe: | Cambridge musical texts and monographs
Musical performance and reception |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | XVI, 265 S. |
| ISBN: | 0521013585 0521813522 |
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Datensatz im Suchindex
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| adam_text | Contents
Preface page ix
Acknowledgements xiv
List of abbreviations xvi
PART I HISTORICALLY INFORMED PERFORMANCE IN MUSIC
CRITICISM
1
PART
IMPLICATIONS FOR WORK, COMPOSER AND NOTATION
2
and the subversion of Platonism
3
rehabilitating intention
4
rewriting the story of notational progress
PART
CULTURE OF THE LATE TWENTIETH CENTURY
5
postmodernism
6
historical performance, the heritage industry and the politics
of revival
Notes
Bibliography
Index
vii
MUSICAL PERFORMANCE
General editors: John Butt and Laurence Dreyfus
Playing with History
The Historical Approach to Musical Performance
Why do we feel the need to perform music in a historically
informed style? Is this need related to wider cultural concerns?
In the most ambitious study of the topic to date, John Butt sums
up recent debates on the nature of the early music movement
and historically informed performance, calling upon a
seemingly inexhaustible fund of ideas gleaned from historical
musicology, analytic philosophy, literary theory, historiography,
and theories of modernism and postmodernism. He develops
the critical views of both supporters and detractors of the
movement, while claiming ultimately that it has more
intellectual and artistic potential than its detractors may have
assumed. He also asks whether the phenomenon of historically
informed performance reflects changes in the culture of western
music and how it, in turn, may have influenced that culture,
particularly in regard to such issues as the status of the
composer, the work, intentionality and notation.
This is a challenging book from an acclaimed scholar
performer, which will be of absorbing interest to all those
concerned or engaged with our musical and cultural heritage.
|
| adam_txt |
Contents
Preface page ix
Acknowledgements xiv
List of abbreviations xvi
PART I HISTORICALLY INFORMED PERFORMANCE IN MUSIC
CRITICISM
1
PART
IMPLICATIONS FOR WORK, COMPOSER AND NOTATION
2
and the subversion of Platonism
3
rehabilitating intention
4
rewriting the story of notational progress
PART
CULTURE OF THE LATE TWENTIETH CENTURY
5
postmodernism
6
historical performance, the heritage industry and the politics
of revival
Notes
Bibliography
Index
vii
MUSICAL PERFORMANCE
General editors: John Butt and Laurence Dreyfus
Playing with History
The Historical Approach to Musical Performance
Why do we feel the need to perform music in a historically
informed style? Is this need related to wider cultural concerns?
In the most ambitious study of the topic to date, John Butt sums
up recent debates on the nature of the early music movement
and historically informed performance, calling upon a
seemingly inexhaustible fund of ideas gleaned from historical
musicology, analytic philosophy, literary theory, historiography,
and theories of modernism and postmodernism. He develops
the critical views of both supporters and detractors of the
movement, while claiming ultimately that it has more
intellectual and artistic potential than its detractors may have
assumed. He also asks whether the phenomenon of historically
informed performance reflects changes in the culture of western
music and how it, in turn, may have influenced that culture,
particularly in regard to such issues as the status of the
composer, the work, intentionality and notation.
This is a challenging book from an acclaimed scholar
performer, which will be of absorbing interest to all those
concerned or engaged with our musical and cultural heritage. |
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| language | English |
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| spelling | Butt, John 1960- Verfasser (DE-588)128708824 aut Playing with history the historical approach to musical performance John Butt 1. publ., 3. print. Cambridge [u.a.] Cambridge Univ. Press 2005 XVI, 265 S. txt rdacontent n rdamedia nc rdacarrier Cambridge musical texts and monographs Musical performance and reception Historische Musikpraxis (DE-588)4197967-9 gnd rswk-swf Historische Musikpraxis (DE-588)4197967-9 s DE-604 Digitalisierung UBRegensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014742076&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014742076&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Playing with history the historical approach to musical performance |
| title_auth | Playing with history the historical approach to musical performance |
| title_exact_search | Playing with history the historical approach to musical performance |
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| title_full | Playing with history the historical approach to musical performance John Butt |
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| title_full_unstemmed | Playing with history the historical approach to musical performance John Butt |
| title_short | Playing with history |
| title_sort | playing with history the historical approach to musical performance |
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| topic | Historische Musikpraxis (DE-588)4197967-9 gnd |
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