Crossing confessional boundaries: the patronage of Italian sacred music in seventeenth-century Dresden
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2006
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Beschreibung: | 496 S. |
| ISBN: | 0195178319 9780195178319 |
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Datensatz im Suchindex
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| adam_text | CROSSING CONFESSIONAL BOUNDARIES / FRANDSEN, MARY E. : C2006
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PROLOGUE : THE FORGOTTEN MAEZEN JOHANN GEORG II
THE ADVENT OF THE ITALIANS, 1651-56
THE ITALIANATE HOFKAPELLE OF JOHANN GEORG II, 1656-80
CROSSING CONFESSIONAL BOUNDARIES : JOHANN GEORG II AND THE PROBLEM OF CATHOLICISM
PIETY, PENITENCE, AND PRAISE : THE DRESDEN TEXTUAL REPERTOIRE
ROMA TRAPIANTATA : THE NEW SACRED CONCERTO IN DRESDEN
MUSICA PATHETICA : STYLE AND AFFECT IN THE DRESDEN CONCERTO
JOHANN GEORG S VISION FOR WORSHIP
MUSIK IM GOTTESDIENST : THE LITURGICAL YEAR IN DRESDEN
EPILOGUE : JOHANN GEORG II REMEMBERED.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
Abbreviations xi
List of
Prologue: The Forgotten
1
2
3
4
5
6
7
8 Musik im Gottesdienst.
Epilogue:
Appendix I: Source Documents
Appendix II: Sacred Vocal Works of the
Principal Dresden Court Composers
Bibliography of Primary Sources
Bibliography of Secondary Sources
Index
Shortly after assuming the Saxon throne in
1656,
1656-80)
Heinrich Schütz
composers. Seemingly overnight, sacred music
in the most modern Italian style, first by
Vincenzo Albrici
Giuseppe Peranda (ca.
more traditional Schiitzian sacred concerto and
Spruchmotette,
spiritual life both within the walls of the Dresden
court and beyond.
Drawing on extensive research in primary source
materials, Frandsen explores the elector s
Italianization of the Hoflcapelle with
and other Italian virtuosi and examines the larger
confessional conflict that gripped the city of
Dresden, with its implications for the Catholic-
leaning elector s musical agenda. She then exam¬
ines the Latin texts set by Albrici and Peranda, a
body of works dominated by expressions of mys¬
tical devotion typical of the repertoire then heard
in Italy. However, drawing upon recent studies of
the phenomenon of new piety in seventeenth-
century Lutheranism, Frandsen locates these
texts squarely within the realm of contemporary
Lutheran spirituality and demonstrates their con-
gruity with devotional materials used by
Lutherans since the mid-sixteenth century. In her
discussion of the sacred concertos of Albrici and
Peranda, she takes the concept of
ica as a point of departure and also explores the
formal and stylistic relationships between the
Roman motet and the new sacred concerto in
Dresden. Finally, with the help of liturgies
recorded in court diaries, she reintegrates this
music into its original performance environment
and demonstrates how tightly the works of these
Italians were woven into the Gospel-determined
thematic fabric of the services celebrated during
the church year.
A fascinating account of the uneasy alliance of
two confessions at the prominent seventeenth-
century court of Dresden, this book provides
fresh insights into a neglected but influential
repertoire. Frandsen s research will be of inter¬
est to scholars and students interested in
Baroque music, the intellectual and cultural
history of European courts, the history of litur¬
gy and church history, and the Early Modern
era in general.
ABOUT THE AUTHOR
Mary Frandsen is a member of the music
faculty at the University of Notre Dame. She
currently serves as chair of the American
Heinrich Schütz
governing board of the Society for Seventeenth-
Century Music.
|
| adam_txt |
CROSSING CONFESSIONAL BOUNDARIES / FRANDSEN, MARY E. : C2006
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PROLOGUE : THE FORGOTTEN MAEZEN JOHANN GEORG II
THE ADVENT OF THE ITALIANS, 1651-56
THE ITALIANATE HOFKAPELLE OF JOHANN GEORG II, 1656-80
CROSSING CONFESSIONAL BOUNDARIES : JOHANN GEORG II AND THE PROBLEM OF CATHOLICISM
PIETY, PENITENCE, AND PRAISE : THE DRESDEN TEXTUAL REPERTOIRE
ROMA TRAPIANTATA : THE NEW SACRED CONCERTO IN DRESDEN
MUSICA PATHETICA : STYLE AND AFFECT IN THE DRESDEN CONCERTO
JOHANN GEORG'S VISION FOR WORSHIP
MUSIK IM GOTTESDIENST : THE LITURGICAL YEAR IN DRESDEN
EPILOGUE : JOHANN GEORG II REMEMBERED.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents
Abbreviations xi
List of
Prologue: The Forgotten
1
2
3
4
5
6
7
8 Musik im Gottesdienst.
Epilogue:
Appendix I: Source Documents
Appendix II: Sacred Vocal Works of the
Principal Dresden Court Composers
Bibliography of Primary Sources
Bibliography of Secondary Sources
Index
Shortly after assuming the Saxon throne in
1656,
1656-80)
Heinrich Schütz
composers. Seemingly overnight, sacred music
in the most modern Italian style, first by
Vincenzo Albrici
Giuseppe Peranda (ca.
more traditional Schiitzian sacred concerto and
Spruchmotette,
spiritual life both within the walls of the Dresden
court and beyond.
Drawing on extensive research in primary source
materials, Frandsen explores the elector's
"Italianization" of the Hoflcapelle with
and other Italian virtuosi and examines the larger
confessional conflict that gripped the city of
Dresden, with its implications for the Catholic-
leaning elector's musical agenda. She then exam¬
ines the Latin texts set by Albrici and Peranda, a
body of works dominated by expressions of mys¬
tical devotion typical of the repertoire then heard
in Italy. However, drawing upon recent studies of
the phenomenon of "new piety" in seventeenth-
century Lutheranism, Frandsen locates these
texts squarely within the realm of contemporary
Lutheran spirituality and demonstrates their con-
gruity with devotional materials used by
Lutherans since the mid-sixteenth century. In her
discussion of the sacred concertos of Albrici and
Peranda, she takes the concept of
ica as a point of departure and also explores the
formal and stylistic relationships between the
Roman motet and the new sacred concerto in
Dresden. Finally, with the help of liturgies
recorded in court diaries, she reintegrates this
music into its original performance environment
and demonstrates how tightly the works of these
Italians were woven into the Gospel-determined
thematic fabric of the services celebrated during
the church year.
A fascinating account of the uneasy alliance of
two confessions at the prominent seventeenth-
century court of Dresden, this book provides
fresh insights into a neglected but influential
repertoire. Frandsen's research will be of inter¬
est to scholars and students interested in
Baroque music, the intellectual and cultural
history of European courts, the history of litur¬
gy and church history, and the Early Modern
era in general.
ABOUT THE AUTHOR
Mary Frandsen is a member of the music
faculty at the University of Notre Dame. She
currently serves as chair of the American
Heinrich Schütz
governing board of the Society for Seventeenth-
Century Music. |
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| illustrated | Not Illustrated |
| index_date | 2024-07-02T14:23:11Z |
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| spelling | Frandsen, Mary E. Verfasser aut Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden Mary E. Frandsen Oxford [u.a.] Oxford Univ. Press 2006 496 S. txt rdacontent n rdamedia nc rdacarrier Johann Georg II. Sachsen, Kurfürst 1613-1680 (DE-588)119100320 gnd rswk-swf Geschichte 1600-1700 gnd rswk-swf Kirchenmusik (DE-588)4030736-0 gnd rswk-swf Komponist (DE-588)4032009-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Italien (DE-588)4027833-5 gnd rswk-swf Dresden (DE-588)4012995-0 gnd rswk-swf Johann Georg II. Sachsen, Kurfürst 1613-1680 (DE-588)119100320 p Musik (DE-588)4040802-4 s DE-604 Dresden (DE-588)4012995-0 g Italien (DE-588)4027833-5 g Komponist (DE-588)4032009-1 s Kirchenmusik (DE-588)4030736-0 s Geschichte 1600-1700 z b DE-604 http://www.loc.gov/catdir/toc/ecip0511/2005010665.html Table of contents LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014739945&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UBRegensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014739945&sequence=000009&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014739945&sequence=000010&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Frandsen, Mary E. Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden Johann Georg II. Sachsen, Kurfürst 1613-1680 (DE-588)119100320 gnd Kirchenmusik (DE-588)4030736-0 gnd Komponist (DE-588)4032009-1 gnd Musik (DE-588)4040802-4 gnd |
| subject_GND | (DE-588)119100320 (DE-588)4030736-0 (DE-588)4032009-1 (DE-588)4040802-4 (DE-588)4027833-5 (DE-588)4012995-0 |
| title | Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden |
| title_auth | Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden |
| title_exact_search | Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden |
| title_exact_search_txtP | Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden |
| title_full | Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden Mary E. Frandsen |
| title_fullStr | Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden Mary E. Frandsen |
| title_full_unstemmed | Crossing confessional boundaries the patronage of Italian sacred music in seventeenth-century Dresden Mary E. Frandsen |
| title_short | Crossing confessional boundaries |
| title_sort | crossing confessional boundaries the patronage of italian sacred music in seventeenth century dresden |
| title_sub | the patronage of Italian sacred music in seventeenth-century Dresden |
| topic | Johann Georg II. Sachsen, Kurfürst 1613-1680 (DE-588)119100320 gnd Kirchenmusik (DE-588)4030736-0 gnd Komponist (DE-588)4032009-1 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Johann Georg II. Sachsen, Kurfürst 1613-1680 Kirchenmusik Komponist Musik Italien Dresden |
| url | http://www.loc.gov/catdir/toc/ecip0511/2005010665.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014739945&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014739945&sequence=000009&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014739945&sequence=000010&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT frandsenmarye crossingconfessionalboundariesthepatronageofitaliansacredmusicinseventeenthcenturydresden |
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