Caribbean currents: caribbean music from rumba to reggae
Gespeichert in:
| Hauptverfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia, Pa.
Temple Univ. Press
2006
|
| Ausgabe: | Rev. and expanded ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XVI, 319 S. Ill., Kt., Notenbeisp. |
| ISBN: | 1592134629 1592134637 9781592134632 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Preface to the Second Edition ix
The Caribbean at a Glance xiii
1. Introduction: The Caribbean Crucible 1
The Indian Heritage 3
The African Heritage 6
Patterns of Musical Retention 10
The European Heritage 12
Creolization 14
Bibliography 18
2. Cuba 19
A Day in Havana, 1986 19
The Cuban Crucible 21
African Derived Musics 22
Rumba 27
A Music Festival in Santiago de Cuba 30
European Derived Musics 33
The Son and Modern Cuban Dance Music 43
Socialism with Pachanga 54
The Special Period and Its Special Music 59
Coda: Revisiting Havana—and Miami, 2004 61
Bibliography 63
Records and Films 63
3. Puerto Rico 65
Cuba and Puerto Rico: The Two Wings of the Same Bird 66
European Derived Musics 67
vi Contents
The Fiesta de Santiago Apostol at Loiza Aldea 73
Plena and Bomba in the Dance Hall 77
Music and the Puerto Rican Diaspora 80
Puerto Rico Rocks and Raps 85
Bibliography 86
Records and Films 86
4. Salsa and Beyond 88
The Son Sires a Son 88
Ruben Blades: The Cutting Edge 95
Style and Structure 99
The Salsa Life 100
Salsa Lite? 106
Latin Rap and Reggaeton 110
Nueva Cancion 113
Bibliography 115
Records and Films 115
5. The Dominican Republic 116
The Merengue Tipico 118
The Merengue as National Symbol 121
The Modern Merengue 123
The Merengue Explosion 126
Merengue Style and Dance 130
Bachata: Songs of Bitterness, Songs of Love 132
Juan Luis Guerra 135
The Return of the Repressed 138
Bibliography 140
Records and Films 140
6. Haiti and the French Caribbean 141
Music in the Streets of Port au Prince 141
Haitian Cultural Crossroads 142
Creolization in Haiti: Language 145
Creolization in Haiti: Religion 146
Carnival and Rara 151
Misik Twoubadou 156
Haitian Dance Music 157
Politics and the Haitian Diaspora 162
Contemporary Haitian Popular Music 165
Contents vii
Misik Rasin, Rap, and Ragga 167
Music in the Lesser Antilles:
Martinique, Guadeloupe, Dominica, and St. Lucia 170
Bibliography 175
Records 176
7. Jamaica 177
Kumina Culture, 1976 177
Roots Music in the Mid Twentieth Century 183
Music inna Downtown Style: Recording the Unrecorded 187
Roots and Culture: Downtown Triumphant 191
Rasta and Revolution 194
The End of an Era and the Dawn of a New One:
From Reggae to Ragga 199
Tellin It Like It Is, from Consciousness to Slackness 202
Female Degradation or Liberation? 206
Love Music—or Hate Music? 208
Sound Systems and Sound Clashes 210
Dancehall inna Foreign 213
Bibliography 215
Records 215
8. Trinidad, Calypso, and Carnival 216
The Development of Calypso and Carnival 218
Calypso in Colonialism 220
Modern Calypso and Carnival 227
Woman Rising 231
The Carnival Context 235
Steel Band 240
Calypso and Carnival outside Trinidad 245
Bibliography 247
Records and Films 248
9. East Indian Music and Big Sounds from the Small Islands 249
East Indians in the West Indies 249
Small Island Traditions 261
Indo Caribbean Bibliography 269
Indo Caribbean Records and Film 270
Small Island Bibliography 270
Small Island Recordings 270
viii Contents
10. Five Themes in the Study of Caribbean Music 271
Unity and Diversity in a Continent of Islands 271
Race and Ethnicity 273
Music, Sex, and Sexism 278
Caribbean Music International 283
Music and Politics 287
Notes 291
Glossary 299
Index 311
|
| adam_txt |
Contents
Preface to the Second Edition ix
The Caribbean at a Glance xiii
1. Introduction: The Caribbean Crucible 1
The Indian Heritage 3
The African Heritage 6
Patterns of Musical Retention 10
The European Heritage 12
Creolization 14
Bibliography 18
2. Cuba 19
A Day in Havana, 1986 19
The Cuban Crucible 21
African Derived Musics 22
Rumba 27
A Music Festival in Santiago de Cuba 30
European Derived Musics 33
The Son and Modern Cuban Dance Music 43
"Socialism with Pachanga" 54
The "Special Period" and Its Special Music 59
Coda: Revisiting Havana—and Miami, 2004 61
Bibliography 63
Records and Films 63
3. Puerto Rico 65
Cuba and Puerto Rico: "The Two Wings of the Same Bird" 66
European Derived Musics 67
vi Contents
The Fiesta de Santiago Apostol at Loiza Aldea 73
Plena and Bomba in the Dance Hall 77
Music and the Puerto Rican Diaspora 80
Puerto Rico Rocks and Raps 85
Bibliography 86
Records and Films 86
4. Salsa and Beyond 88
The Son Sires a Son 88
Ruben Blades: The Cutting Edge 95
Style and Structure 99
The Salsa Life 100
Salsa Lite? 106
Latin Rap and Reggaeton 110
Nueva Cancion 113
Bibliography 115
Records and Films 115
5. The Dominican Republic 116
The Merengue Tipico 118
The Merengue as National Symbol 121
The Modern Merengue 123
The Merengue Explosion 126
Merengue Style and Dance 130
Bachata: Songs of Bitterness, Songs of Love 132
Juan Luis Guerra 135
The Return of the Repressed 138
Bibliography 140
Records and Films 140
6. Haiti and the French Caribbean 141
Music in the Streets of Port au Prince 141
Haitian Cultural Crossroads 142
Creolization in Haiti: Language 145
Creolization in Haiti: Religion 146
Carnival and Rara 151
Misik Twoubadou 156
Haitian Dance Music 157
Politics and the Haitian Diaspora 162
Contemporary Haitian Popular Music 165
Contents vii
Misik Rasin, Rap, and Ragga 167
Music in the Lesser Antilles:
Martinique, Guadeloupe, Dominica, and St. Lucia 170
Bibliography 175
Records 176
7. Jamaica 177
Kumina Culture, 1976 177
Roots Music in the Mid Twentieth Century 183
Music inna Downtown Style: Recording the Unrecorded 187
Roots and Culture: Downtown Triumphant 191
Rasta and Revolution 194
The End of an Era and the Dawn of a New One:
From Reggae to Ragga 199
Tellin' It Like It Is, from "Consciousness" to "Slackness" 202
Female Degradation or Liberation? 206
Love Music—or Hate Music? 208
Sound Systems and Sound Clashes 210
Dancehall inna Foreign 213
Bibliography 215
Records 215
8. Trinidad, Calypso, and Carnival 216
The Development of Calypso and Carnival 218
Calypso in Colonialism 220
Modern Calypso and Carnival 227
Woman Rising 231
The Carnival Context 235
Steel Band 240
Calypso and Carnival outside Trinidad 245
Bibliography 247
Records and Films 248
9. East Indian Music and Big Sounds from the "Small Islands" 249
East Indians in the West Indies 249
Small Island Traditions 261
Indo Caribbean Bibliography 269
Indo Caribbean Records and Film 270
Small Island Bibliography 270
Small Island Recordings 270
viii Contents
10. Five Themes in the Study of Caribbean Music 271
Unity and Diversity in a Continent of Islands 271
Race and Ethnicity 273
Music, Sex, and Sexism 278
Caribbean Music International 283
Music and Politics 287
Notes 291
Glossary 299
Index 311 |
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| spelling | Manuel, Peter 1952- Verfasser (DE-588)134598318 aut Caribbean currents caribbean music from rumba to reggae Peter Manuel with Kenneth Bilby and Michael Largey Rev. and expanded ed. Philadelphia, Pa. Temple Univ. Press 2006 XVI, 319 S. Ill., Kt., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Geschichte Anfänge-1995 gnd rswk-swf Musik Music Caribbean Area History and criticism Music West Indies History and criticism Musikleben (DE-588)4075128-4 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Karibik (DE-588)4073241-1 gnd rswk-swf Karibik (DE-588)4073241-1 g Musik (DE-588)4040802-4 s Geschichte z DE-604 Geschichte Anfänge-1995 z 1\p DE-604 Musikleben (DE-588)4075128-4 s 2\p DE-604 Bilby, Kenneth M. 1953- Verfasser (DE-588)173454224 aut Largey, Michael D. 1959- Verfasser (DE-588)173454232 aut HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014723990&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk 2\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk |
| spellingShingle | Manuel, Peter 1952- Bilby, Kenneth M. 1953- Largey, Michael D. 1959- Caribbean currents caribbean music from rumba to reggae Musik Music Caribbean Area History and criticism Music West Indies History and criticism Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
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| title | Caribbean currents caribbean music from rumba to reggae |
| title_auth | Caribbean currents caribbean music from rumba to reggae |
| title_exact_search | Caribbean currents caribbean music from rumba to reggae |
| title_exact_search_txtP | Caribbean currents caribbean music from rumba to reggae |
| title_full | Caribbean currents caribbean music from rumba to reggae Peter Manuel with Kenneth Bilby and Michael Largey |
| title_fullStr | Caribbean currents caribbean music from rumba to reggae Peter Manuel with Kenneth Bilby and Michael Largey |
| title_full_unstemmed | Caribbean currents caribbean music from rumba to reggae Peter Manuel with Kenneth Bilby and Michael Largey |
| title_short | Caribbean currents |
| title_sort | caribbean currents caribbean music from rumba to reggae |
| title_sub | caribbean music from rumba to reggae |
| topic | Musik Music Caribbean Area History and criticism Music West Indies History and criticism Musikleben (DE-588)4075128-4 gnd Musik (DE-588)4040802-4 gnd |
| topic_facet | Musik Music Caribbean Area History and criticism Music West Indies History and criticism Musikleben Karibik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014723990&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT manuelpeter caribbeancurrentscaribbeanmusicfromrumbatoreggae AT bilbykennethm caribbeancurrentscaribbeanmusicfromrumbatoreggae AT largeymichaeld caribbeancurrentscaribbeanmusicfromrumbatoreggae |