Film theory: an introduction
Gespeichert in:
Hauptverfasser: | , |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Manchester [u.a.]
Manchester Univ. Press
2006
|
Ausgabe: | 2. ed., first publ. |
Schlagworte: | |
Online-Zugang: | Klappentext |
Beschreibung: | XVI, 317 S. |
ISBN: | 0719073758 |
Internformat
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Datensatz im Suchindex
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adam_text | Film theory: an introduction offers a highly readable account
of film theory and is an indispensable resource for students.
The discussion ranges from the late
1960s
to the present, a
period in which a number of conceptual strands, notably
politics, semiotics and psychoanalysis were woven together
in an ambitious synthesis.
In this book, the authors chart the construction of this
synthesis and its subsequent fragmentation, and clearly
explain the various intellectual currents which have
contributed to it. Divided into two parts, the first covers the
conceptual background of film theory, dealing with historical
materialism, semiotics and psychoanalysis, whilst in the
second the authors concentrate on particular topics such as
authorship, narrative, realism, the avant-garde and
postmodernism.
For this new edition, the authors have added a new foreword,
a fully updated and expanded bibliography, and a 60-page
Retrospect outlining developments within film theory since
the book s original publication in
1988.
This Retrospect
identifíes
a number of broad readings of Theory, each with a
different perspective on the main content of the book. As
such, it provides a new and original mapping of the post-
theory moment in this complex and often fractured terrain..
Accessible and authoritative, this book is essential reading
for students of film theory, or indeed anyone seeking a
deeper understanding of modern cinema.
Robert Lapsley teaches film studies and
criticat
theory at
The University of Manchester (robOlapsley.fsnet.co.ukl
Michael Westlake is a novelist, translator and scriptwriter. His
novels include The Triumph of Love and Other Paintings,
51
Soko
and Imaginary Women Iwww.mwesUake.com!
|
adam_txt |
Film theory: an introduction offers a highly readable account
of film theory and is an indispensable resource for students.
The discussion ranges from the late
1960s
to the present, a
period in which a number of conceptual strands, notably
politics, semiotics and psychoanalysis were woven together
in an ambitious synthesis.
In this book, the authors chart the construction of this
synthesis and its subsequent fragmentation, and clearly
explain the various intellectual currents which have
contributed to it. Divided into two parts, the first covers the
conceptual background of film theory, dealing with historical
materialism, semiotics and psychoanalysis, whilst in the
second the authors concentrate on particular topics such as
authorship, narrative, realism, the avant-garde and
postmodernism.
For this new edition, the authors have added a new foreword,
a fully updated and expanded bibliography, and a 60-page
Retrospect outlining developments within film theory since
the book's original publication in
1988.
This Retrospect
identifíes
a number of broad readings of Theory, each with a
different perspective on the main content of the book. As
such, it provides a new and original mapping of the 'post-
theory' moment in this complex and often fractured terrain.
Accessible and authoritative, this book is essential reading
for students of film theory, or indeed anyone seeking a
deeper understanding of modern cinema.
Robert Lapsley teaches film studies and
criticat
theory at
The University of Manchester (robOlapsley.fsnet.co.ukl
Michael Westlake is a novelist, translator and scriptwriter. His
novels include 'The Triumph of Love'and Other Paintings,
51
Soko
and Imaginary Women Iwww.mwesUake.com! |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Lapsley, Robert Westlake, Michael |
author_facet | Lapsley, Robert Westlake, Michael |
author_role | aut aut |
author_sort | Lapsley, Robert |
author_variant | r l rl m w mw |
building | Verbundindex |
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ctrlnum | (OCoLC)184966831 (DE-599)BVBBV021506538 |
dewey-full | 791.4301 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4301 |
dewey-search | 791.4301 |
dewey-sort | 3791.4301 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
edition | 2. ed., first publ. |
format | Book |
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index_date | 2024-07-02T14:17:19Z |
indexdate | 2024-07-09T20:37:21Z |
institution | BVB |
isbn | 0719073758 |
language | English |
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spelling | Lapsley, Robert Verfasser aut Film theory an introduction Robert Lapsley and Michael Westlake 2. ed., first publ. Manchester [u.a.] Manchester Univ. Press 2006 XVI, 317 S. txt rdacontent n rdamedia nc rdacarrier Analyse filmique ram Cinéma Cinéma et politique ram Langage cinématographique ram Psychanalyse et cinéma ram Sémiotique et cinéma ram Filmtheorie (DE-588)4071216-3 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Filmtheorie (DE-588)4071216-3 s DE-604 Westlake, Michael Verfasser aut Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014723207&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Lapsley, Robert Westlake, Michael Film theory an introduction Analyse filmique ram Cinéma Cinéma et politique ram Langage cinématographique ram Psychanalyse et cinéma ram Sémiotique et cinéma ram Filmtheorie (DE-588)4071216-3 gnd |
subject_GND | (DE-588)4071216-3 (DE-588)4151278-9 |
title | Film theory an introduction |
title_auth | Film theory an introduction |
title_exact_search | Film theory an introduction |
title_exact_search_txtP | Film theory an introduction |
title_full | Film theory an introduction Robert Lapsley and Michael Westlake |
title_fullStr | Film theory an introduction Robert Lapsley and Michael Westlake |
title_full_unstemmed | Film theory an introduction Robert Lapsley and Michael Westlake |
title_short | Film theory |
title_sort | film theory an introduction |
title_sub | an introduction |
topic | Analyse filmique ram Cinéma Cinéma et politique ram Langage cinématographique ram Psychanalyse et cinéma ram Sémiotique et cinéma ram Filmtheorie (DE-588)4071216-3 gnd |
topic_facet | Analyse filmique Cinéma Cinéma et politique Langage cinématographique Psychanalyse et cinéma Sémiotique et cinéma Filmtheorie Einführung |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014723207&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT lapsleyrobert filmtheoryanintroduction AT westlakemichael filmtheoryanintroduction |