Figuring genre in Roman satire:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2006
|
| Schriftenreihe: | American classical studies
50 [i.e. 51] |
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis Klappentext |
| Beschreibung: | mit lat. Textbeisp. |
| Beschreibung: | 182 S. |
| ISBN: | 0195183304 9780195183306 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Introduction
1.
2.
3.
4.
Conclusion: Observing Romans
Notes
Bibliography
Index
batírists are social crides,
ucts of society. Horace, Persius, and Juvenal, the
verse satirists of ancient Rome, exploit this double
identity to produce their colorful commentaries on
social life and behavior. In a fresh comparative
study that combines literary and cultural analysis,
Catherine
vivid and incisive portrayal of the Roman social
world. Throughout the tradition, the narrating
satirist figure does not observe human behavior
from a distance, but adopts a range of charged
social roles to gain access to his subject matter. In
his mission to entertain and moralize, the satirist
poses alternately as a theatrical performer and
spectator, a perpetrator and victim of violence, a
jurist and criminal, a teacher and student. In these
roles the satirist conducts penetrating analyses of
Rome s definitive social practices from the inside.
Satire s reputation as the quintessential Roman
genre is thus even more justified than previously
recognized.
As literary artists and social commentators,
the satirists rival the grandest authors of the classi¬
cal canon. They teach their ancient and modern
readers two important lessons. First, satire reveals
the inherent fragilities and complications, while
also acknowledging the benefits, of Roman soci¬
ety s most treasured institutions. The satiric per¬
spective deepens our understanding of Roman
ideologies and their fault lines. As the poets show,
no system of judgment, punishment, entertain¬
ment, or social organization is without its flaws
and failures. At the same time, readers are encour¬
aged to view the satiric genre itself as a composite
of these systems, loaded with cultural meaning
and highly imperfect. The satirist who functions
as both subject and critic trains his readers to
develop a critical perspective on every kind of
authority, including his own.
Catherine Keane
at
|
| adam_txt |
Contents
Introduction
1.
2.
3.
4.
Conclusion: Observing Romans
Notes
Bibliography
Index
batírists are social crides,
ucts of society. Horace, Persius, and Juvenal, the
verse satirists of ancient Rome, exploit this double
identity to produce their colorful commentaries on
social life and behavior. In a fresh comparative
study that combines literary and cultural analysis,
Catherine
vivid and incisive portrayal of the Roman social
world. Throughout the tradition, the narrating
satirist figure does not observe human behavior
from a distance, but adopts a range of charged
social roles to gain access to his subject matter. In
his mission to entertain and moralize, the satirist
poses alternately as a theatrical performer and
spectator, a perpetrator and victim of violence, a
jurist and criminal, a teacher and student. In these
roles the satirist conducts penetrating analyses of
Rome's definitive social practices "from the inside."
Satire's reputation as the quintessential Roman
genre is thus even more justified than previously
recognized.
As literary artists and social commentators,
the satirists rival the grandest authors of the classi¬
cal canon. They teach their ancient and modern
readers two important lessons. First, satire reveals
the inherent fragilities and complications, while
also acknowledging the benefits, of Roman soci¬
ety's most treasured institutions. The satiric per¬
spective deepens our understanding of Roman
ideologies and their fault lines. As the poets show,
no system of judgment, punishment, entertain¬
ment, or social organization is without its flaws
and failures. At the same time, readers are encour¬
aged to view the satiric genre itself as a composite
of these systems, loaded with cultural meaning
and highly imperfect. The satirist who functions
as both subject and critic trains his readers to
develop a critical perspective on every kind of
authority, including his own.
Catherine Keane
at |
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| spelling | Keane, Catherine Verfasser aut Figuring genre in Roman satire Catherine Keane Oxford [u.a.] Oxford Univ. Press 2006 182 S. txt rdacontent n rdamedia nc rdacarrier American classical studies 50 [i.e. 51] mit lat. Textbeisp. Geschichte Verse satire, Latin History and criticism Literary form History To 1500 Literature and society Rome Social problems in literature Satura (DE-588)4259405-4 gnd rswk-swf Rom Satire (DE-2581)TH000005580 gbd Satura (DE-588)4259405-4 s DE-604 American classical studies 50 [i.e. 51] (DE-604)BV000005255 51 http://www.loc.gov/catdir/toc/ecip0517/2005023766.html Table of contents Digitalisierung UBRegensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014715960&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014715960&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Keane, Catherine Figuring genre in Roman satire American classical studies Geschichte Verse satire, Latin History and criticism Literary form History To 1500 Literature and society Rome Social problems in literature Satura (DE-588)4259405-4 gnd |
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| title | Figuring genre in Roman satire |
| title_auth | Figuring genre in Roman satire |
| title_exact_search | Figuring genre in Roman satire |
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| title_full | Figuring genre in Roman satire Catherine Keane |
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| title_full_unstemmed | Figuring genre in Roman satire Catherine Keane |
| title_short | Figuring genre in Roman satire |
| title_sort | figuring genre in roman satire |
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