Jukebooks: contemporary British fiction, popular music, and cultural value
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Heidelberg
Winter
2006
|
Schriftenreihe: | Anglistische Forschungen
349 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Beschreibung: | Zugl.: Bremen, Univ., Diss., 2004 |
Beschreibung: | 262 S. Ill. |
ISBN: | 3825350398 |
Internformat
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648 | 4 | |a Geschichte 1900-2000 | |
648 | 7 | |a Geschichte 1950-2005 |2 gnd |9 rswk-swf | |
648 | 7 | |a Geschichte 1996-2001 |2 gnd |9 rswk-swf | |
650 | 4 | |a English fiction |y 20th century |x History and criticism | |
650 | 4 | |a Music and literature | |
650 | 4 | |a Popular culture |z Great Britain | |
650 | 4 | |a Popular literature |z Great Britain |x History and criticism | |
650 | 4 | |a Popular music in literature | |
650 | 4 | |a Popular music |z Great Britain |x History and criticism | |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
0.
Introduction
9
1.
Music and Literature
15
1.1
Basic Types of Musico-Literary Interrelations
15
1.2
Verbal Music
18
1.2.1
Verbal Music as Representation
33
1.2.2
The Aesthetic and Cultural Functions of Verbal Music
38
1.3
The Concept of Melophrasis
58
1.4
New Musics
-
A New Typology?
67
Excursus:
On the Continued Existence of High and Low in Culture and Music
72
2.
Popular Music: Textual Forms and Cultural Meanings
85
2.1
The Popular Music Text
85
2.2
Bad Taste, Worse Influence: Aesthetic and Cultural Anathema
94
2.3
Rage Against the Dominant: Subcultural Expression
103
2
A Passing Out into Empowerment: Fandom and Stardom 111
2.5
I am What I Play: Constructing Identities
-
Signifying Cultural Meaning
116
2.6
I Saw that Song on MTV: The Mediation and
Multib/Tansmediality
of Pop Music
122
3.
The Intertextual, Transmedial, and
Intermedial Musicalisation
of Contemporary Fiction
127
3.1
Paratexts,
Production, Circulation, and Consumption
127
3.2
Ch-Ch-Ch-Ch-Changes! The Text,
Word-and-Music Relations, and Kureishi Criticism
142
3.3
New Verbal Music ; or, Musical Intertext and
the Provision of Information
151
3.3.1
Creating a Referential Framework
-
Sharing a Common Code
152
3.3.2
Characterisation and Setting
153
3.3.3
Plot and Symbolism
158
3.4
The Transmedial Soundtracking of Fiction
161
3.4.1
Context and Mood
164
3.4.2
Creating Immediacy and Empathy
168
3.4.3
Spot tibe
Melody
-
Activating Reader Response
171
3.4.4
Structure and Emotive Symbolism
174
3.5
Modem Intermediality: Structural and Formal Analogies
176
3.5.1
A Punk Narrative
176
3.5.2
A Club Narrative
181
3.5.3
(Pop) Genre Structures
183
4.
Representations of Popular Music in Contemporary Fiction
193
4.1
The Great Escape
193
4.1.1
Music, Travelling, and the Crossing of Boundaries
193
4.1.2
Music, Memory, and the Construction of the Past
206
4.2
Musico-Literary Identities
209
4.2.1
Music, Youth, and the Formation of Group Identities
209
4.2.2
Music, Myth, and the Meaning of Cultural Icons
221
4.2.2.1
Stardom/Fandom as Modem-Day Religion
221
4.2.2.2
Stardom/Fandom as (Non-Devotional) Empowerment
226
4.2.3
Music, Constructionism, and the Making of Sense
229
4.3
Music,
Adomo,
and the Inadequacy of Capitalist Commodities
237
5.
Conclusion
245
6.
Bibliography
251
Index
259
|
adam_txt |
Contents
0.
Introduction
9
1.
Music and Literature
15
1.1
Basic Types of Musico-Literary Interrelations
15
1.2
Verbal Music
18
1.2.1
Verbal Music as Representation
33
1.2.2
The Aesthetic and Cultural Functions of Verbal Music
38
1.3
The Concept of Melophrasis
58
1.4
New Musics
-
A New Typology?
67
Excursus:
On the Continued Existence of High and Low in Culture and Music
72
2.
Popular Music: Textual Forms and Cultural Meanings
85
2.1
The Popular Music Text
85
2.2
Bad Taste, Worse Influence: Aesthetic and Cultural Anathema
94
2.3
Rage Against the Dominant: Subcultural Expression
103
2
A Passing Out into Empowerment: Fandom and Stardom 111
2.5
I am What I Play: Constructing Identities
-
Signifying Cultural Meaning
116
2.6
I Saw that Song on MTV: The Mediation and
Multib/Tansmediality
of Pop Music
122
3.
The Intertextual, Transmedial, and
Intermedial 'Musicalisation'
of Contemporary Fiction
127
3.1
Paratexts,
Production, Circulation, and Consumption
127
3.2
Ch-Ch-Ch-Ch-Changes! The Text,
Word-and-Music Relations, and Kureishi Criticism
142
3.3
New 'Verbal Music'; or, Musical Intertext and
the Provision of Information
151
3.3.1
Creating a Referential Framework
-
Sharing a Common Code
152
3.3.2
Characterisation and Setting
153
3.3.3
Plot and Symbolism
158
3.4
The Transmedial Soundtracking of Fiction
161
3.4.1
Context and Mood
164
3.4.2
Creating Immediacy and Empathy
168
3.4.3
Spot tibe
Melody
-
Activating Reader Response
171
3.4.4
Structure and Emotive Symbolism
174
3.5
Modem Intermediality: Structural and Formal Analogies
176
3.5.1
A Punk Narrative
176
3.5.2
A Club Narrative
181
3.5.3
(Pop) Genre Structures
183
4.
Representations of Popular Music in Contemporary Fiction
193
4.1
The Great Escape
193
4.1.1
Music, Travelling, and the Crossing of Boundaries
193
4.1.2
Music, Memory, and the Construction of the Past
206
4.2
Musico-Literary Identities
209
4.2.1
Music, Youth, and the Formation of Group Identities
209
4.2.2
Music, Myth, and the Meaning of Cultural Icons
221
4.2.2.1
Stardom/Fandom as Modem-Day Religion
221
4.2.2.2
Stardom/Fandom as (Non-Devotional) Empowerment
226
4.2.3
Music, Constructionism, and the Making of Sense
229
4.3
Music,
Adomo,
and the Inadequacy of Capitalist Commodities
237
5.
Conclusion
245
6.
Bibliography
251
Index
259 |
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any_adam_object_boolean | 1 |
author | Viol, Claus-Ulrich |
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era_facet | Geschichte 1900-2000 Geschichte 1950-2005 Geschichte 1996-2001 |
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genre_facet | Hochschulschrift |
geographic | Großbritannien Großbritannien (DE-588)4022153-2 gnd |
geographic_facet | Großbritannien |
id | DE-604.BV021493348 |
illustrated | Illustrated |
index_date | 2024-07-02T14:13:25Z |
indexdate | 2024-07-09T20:37:03Z |
institution | BVB |
isbn | 3825350398 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014710150 |
oclc_num | 68629472 |
open_access_boolean | |
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physical | 262 S. Ill. |
publishDate | 2006 |
publishDateSearch | 2006 |
publishDateSort | 2006 |
publisher | Winter |
record_format | marc |
series | Anglistische Forschungen |
series2 | Anglistische Forschungen |
spelling | Viol, Claus-Ulrich Verfasser (DE-588)120129477 aut Jukebooks contemporary British fiction, popular music, and cultural value Claus-Ulrich Viol Heidelberg Winter 2006 262 S. Ill. txt rdacontent n rdamedia nc rdacarrier Anglistische Forschungen 349 Zugl.: Bremen, Univ., Diss., 2004 Geschichte 1900-2000 Geschichte 1950-2005 gnd rswk-swf Geschichte 1996-2001 gnd rswk-swf English fiction 20th century History and criticism Music and literature Popular culture Great Britain Popular literature Great Britain History and criticism Popular music in literature Popular music Great Britain History and criticism Popmusik (DE-588)4046781-8 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Popmusik Motiv (DE-588)4419818-8 gnd rswk-swf Roman (DE-588)4050479-7 gnd rswk-swf Großbritannien Großbritannien (DE-588)4022153-2 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Englisch (DE-588)4014777-0 s Roman (DE-588)4050479-7 s Popmusik Motiv (DE-588)4419818-8 s Geschichte 1996-2001 z DE-604 Popmusik (DE-588)4046781-8 s Großbritannien (DE-588)4022153-2 g Geschichte 1950-2005 z b DE-604 Anglistische Forschungen 349 (DE-604)BV000001028 349 Digitalisierung UBPassau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014710150&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Viol, Claus-Ulrich Jukebooks contemporary British fiction, popular music, and cultural value Anglistische Forschungen English fiction 20th century History and criticism Music and literature Popular culture Great Britain Popular literature Great Britain History and criticism Popular music in literature Popular music Great Britain History and criticism Popmusik (DE-588)4046781-8 gnd Englisch (DE-588)4014777-0 gnd Popmusik Motiv (DE-588)4419818-8 gnd Roman (DE-588)4050479-7 gnd |
subject_GND | (DE-588)4046781-8 (DE-588)4014777-0 (DE-588)4419818-8 (DE-588)4050479-7 (DE-588)4022153-2 (DE-588)4113937-9 |
title | Jukebooks contemporary British fiction, popular music, and cultural value |
title_auth | Jukebooks contemporary British fiction, popular music, and cultural value |
title_exact_search | Jukebooks contemporary British fiction, popular music, and cultural value |
title_exact_search_txtP | Jukebooks contemporary British fiction, popular music, and cultural value |
title_full | Jukebooks contemporary British fiction, popular music, and cultural value Claus-Ulrich Viol |
title_fullStr | Jukebooks contemporary British fiction, popular music, and cultural value Claus-Ulrich Viol |
title_full_unstemmed | Jukebooks contemporary British fiction, popular music, and cultural value Claus-Ulrich Viol |
title_short | Jukebooks |
title_sort | jukebooks contemporary british fiction popular music and cultural value |
title_sub | contemporary British fiction, popular music, and cultural value |
topic | English fiction 20th century History and criticism Music and literature Popular culture Great Britain Popular literature Great Britain History and criticism Popular music in literature Popular music Great Britain History and criticism Popmusik (DE-588)4046781-8 gnd Englisch (DE-588)4014777-0 gnd Popmusik Motiv (DE-588)4419818-8 gnd Roman (DE-588)4050479-7 gnd |
topic_facet | English fiction 20th century History and criticism Music and literature Popular culture Great Britain Popular literature Great Britain History and criticism Popular music in literature Popular music Great Britain History and criticism Popmusik Englisch Popmusik Motiv Roman Großbritannien Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014710150&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV000001028 |
work_keys_str_mv | AT violclausulrich jukebookscontemporarybritishfictionpopularmusicandculturalvalue |