Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood: authorship, authority, and the playhouse
"This book presents new evidence drawn from manuscript and archival sources about the ways in which early modern dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemina...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2006
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Routledge studies in Renaissance literature and culture
6 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "This book presents new evidence drawn from manuscript and archival sources about the ways in which early modern dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Iopollo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been routinely argued by scholars - but circular. Authors returned to their texts, or texts were returned to their authors, at any or all stages after composition. The reunion of authors and their texts demonstrates that early modern dramatists collaborated in various ways and degrees in the theatrical production and performance of their plays, and that for early modern dramatists and their theatrical colleagues, authorship was a continual process, not determinate action." "Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides new information and case studies, and will be a fascinating contribution to the fields of Shakespeare studies, early modern drama studies, manuscript studies, textual study and bibliography and theatre history."--BOOK JACKET. |
| Beschreibung: | Includes bibliographical references (p. ) |
| Beschreibung: | X, 234 S. Ill. |
| ISBN: | 0415339650 9780415339650 |
Internformat
MARC
| LEADER | 00000nam a2200000zcb4500 | ||
|---|---|---|---|
| 001 | BV021489857 | ||
| 003 | DE-604 | ||
| 005 | 20090223 | ||
| 007 | t | ||
| 008 | 060227s2006 xxka||| |||| 00||| eng d | ||
| 010 | |a 2005018700 | ||
| 020 | |a 0415339650 |9 0-415-33965-0 | ||
| 020 | |a 9780415339650 |9 978-0-415-33965-0 | ||
| 035 | |a (OCoLC)60796210 | ||
| 035 | |a (DE-599)BVBBV021489857 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxk |c GB | ||
| 049 | |a DE-20 |a DE-739 |a DE-824 |a DE-19 |a DE-355 |a DE-11 |a DE-188 | ||
| 050 | 0 | |a PR658.T4 | |
| 082 | 0 | |a 822/.309 |2 22 | |
| 084 | |a HI 1110 |0 (DE-625)49763: |2 rvk | ||
| 084 | |a HI 1250 |0 (DE-625)49806: |2 rvk | ||
| 100 | 1 | |a Ioppolo, Grace |d 1956- |e Verfasser |0 (DE-588)13649501X |4 aut | |
| 245 | 1 | 0 | |a Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood |b authorship, authority, and the playhouse |c Grace Ioppolo |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London [u.a.] |b Routledge |c 2006 | |
| 300 | |a X, 234 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a Routledge studies in Renaissance literature and culture |v 6 | |
| 500 | |a Includes bibliographical references (p. ) | ||
| 520 | 1 | |a "This book presents new evidence drawn from manuscript and archival sources about the ways in which early modern dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Iopollo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been routinely argued by scholars - but circular. Authors returned to their texts, or texts were returned to their authors, at any or all stages after composition. The reunion of authors and their texts demonstrates that early modern dramatists collaborated in various ways and degrees in the theatrical production and performance of their plays, and that for early modern dramatists and their theatrical colleagues, authorship was a continual process, not determinate action." "Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides new information and case studies, and will be a fascinating contribution to the fields of Shakespeare studies, early modern drama studies, manuscript studies, textual study and bibliography and theatre history."--BOOK JACKET. | |
| 648 | 4 | |a Geschichte 1600-1700 | |
| 648 | 4 | |a Geschichte 1500-1600 | |
| 648 | 7 | |a Geschichte 1580-1640 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a Geschichte | |
| 650 | 4 | |a English drama |y Early modern and Elizabethan, 1500-1600 |x Criticism, Textual | |
| 650 | 4 | |a Transmission of texts |z England |x History |y 16th century | |
| 650 | 4 | |a Transmission of texts |z England |x History |y 17th century | |
| 650 | 4 | |a Authors and readers |z England |x History |y 16th century | |
| 650 | 4 | |a Authors and readers |z England |x History |y 17th century | |
| 650 | 4 | |a Theater audiences |z England |x History |y 16th century | |
| 650 | 4 | |a Theater audiences |z England |x History |y 17th century | |
| 650 | 4 | |a English drama |y 17th century |x Criticism, Textual | |
| 650 | 4 | |a Manuscripts, English |x History |y 16th century | |
| 650 | 4 | |a Manuscripts, English |x History |y 17th century | |
| 650 | 0 | 7 | |a Textproduktion |0 (DE-588)4184945-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Englisch |0 (DE-588)4014777-0 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Drama |0 (DE-588)4012899-4 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Englisch |0 (DE-588)4014777-0 |D s |
| 689 | 0 | 1 | |a Drama |0 (DE-588)4012899-4 |D s |
| 689 | 0 | 2 | |a Textproduktion |0 (DE-588)4184945-0 |D s |
| 689 | 0 | 3 | |a Geschichte 1580-1640 |A z |
| 689 | 0 | |5 DE-604 | |
| 830 | 0 | |a Routledge studies in Renaissance literature and culture |v 6 |w (DE-604)BV017930221 |9 6 | |
| 856 | 4 | 2 | |m Digitalisierung UBPassau |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m Digitalisierung UB Regensburg |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Klappentext |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-014706705 | ||
Datensatz im Suchindex
| _version_ | 1804135216070000640 |
|---|---|
| adam_text | Contents
List of
nts
Introduction
1
dramatists and authorship
2
authority
3
papers
4
5
the playhouse
6
Shakespeare at work
Notes
Select bibliography
Index
Dramatists and their Manuscripts in
the Age of Shakespeare,
Jonson,
Middleton and Heywood
This book presents new evidence drawn from manuscript and archival
sources about the ways in which early modern dramatists such as William
Shakespeare, Ben
Jonson,
Thomas Heywood, John Fletcher and Thomas
Middleton composed their plays and the degree to which they participated
in the dissemination of their texts to theatrical audiences. Grace loppolo
argues that the path of the transmission of the text was not linear, from
author to censor to playhouse to audience
—
as has been routinely argued by
scholars
—
but circular. Authors returned to their texts, or texts were
returned to their authors, at any or all stages after composition. The reunion
of authors and their texts demonstrates that early modern dramatists collab¬
orated in various ways and degrees in the theatrical production and perform¬
ance of their plays, and that for early modern dramatists and their theatrical
colleagues, authorship was a continual process, not a determinate action.
Extant dramatic manuscripts, theatre records and accounts, as well as
authorial contracts, memoirs, receipts and other archival evidence, are used
to prove that the text returned to the author at various stages, including
during rehearsal and after performance. This monograph provides new
information and case studies, and will be a fascinating contribution to the
fields of Shakespeare studies, early modern drama studies, manuscript
studies, textual study and bibliography and theatre history.
Grace loppolo is Reader in English and American Literature at the Univer¬
sity of Reading, UK.
|
| adam_txt |
Contents
List of
nts
Introduction
1
dramatists and authorship
2
authority
3
papers
4
5
the playhouse
6
Shakespeare at work
Notes
Select bibliography
Index
Dramatists and their Manuscripts in
the Age of Shakespeare,
Jonson,
Middleton and Heywood
This book presents new evidence drawn from manuscript and archival
sources about the ways in which early modern dramatists such as William
Shakespeare, Ben
Jonson,
Thomas Heywood, John Fletcher and Thomas
Middleton composed their plays and the degree to which they participated
in the dissemination of their texts to theatrical audiences. Grace loppolo
argues that the path of the transmission of the text was not linear, from
author to censor to playhouse to audience
—
as has been routinely argued by
scholars
—
but circular. Authors returned to their texts, or texts were
returned to their authors, at any or all stages after composition. The reunion
of authors and their texts demonstrates that early modern dramatists collab¬
orated in various ways and degrees in the theatrical production and perform¬
ance of their plays, and that for early modern dramatists and their theatrical
colleagues, authorship was a continual process, not a determinate action.
Extant dramatic manuscripts, theatre records and accounts, as well as
authorial contracts, memoirs, receipts and other archival evidence, are used
to prove that the text returned to the author at various stages, including
during rehearsal and after performance. This monograph provides new
information and case studies, and will be a fascinating contribution to the
fields of Shakespeare studies, early modern drama studies, manuscript
studies, textual study and bibliography and theatre history.
Grace loppolo is Reader in English and American Literature at the Univer¬
sity of Reading, UK. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Ioppolo, Grace 1956- |
| author_GND | (DE-588)13649501X |
| author_facet | Ioppolo, Grace 1956- |
| author_role | aut |
| author_sort | Ioppolo, Grace 1956- |
| author_variant | g i gi |
| building | Verbundindex |
| bvnumber | BV021489857 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PR658 |
| callnumber-raw | PR658.T4 |
| callnumber-search | PR658.T4 |
| callnumber-sort | PR 3658 T4 |
| callnumber-subject | PR - English Literature |
| classification_rvk | HI 1110 HI 1250 |
| ctrlnum | (OCoLC)60796210 (DE-599)BVBBV021489857 |
| dewey-full | 822/.309 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.309 |
| dewey-search | 822/.309 |
| dewey-sort | 3822 3309 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| edition | 1. publ. |
| era | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1580-1640 gnd |
| era_facet | Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1580-1640 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04569nam a2200685zcb4500</leader><controlfield tag="001">BV021489857</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20090223 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">060227s2006 xxka||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2005018700</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0415339650</subfield><subfield code="9">0-415-33965-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780415339650</subfield><subfield code="9">978-0-415-33965-0</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)60796210</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV021489857</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxk</subfield><subfield code="c">GB</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-20</subfield><subfield code="a">DE-739</subfield><subfield code="a">DE-824</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-355</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-188</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PR658.T4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">822/.309</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 1110</subfield><subfield code="0">(DE-625)49763:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">HI 1250</subfield><subfield code="0">(DE-625)49806:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ioppolo, Grace</subfield><subfield code="d">1956-</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)13649501X</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood</subfield><subfield code="b">authorship, authority, and the playhouse</subfield><subfield code="c">Grace Ioppolo</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. publ.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London [u.a.]</subfield><subfield code="b">Routledge</subfield><subfield code="c">2006</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 234 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">Routledge studies in Renaissance literature and culture</subfield><subfield code="v">6</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references (p. )</subfield></datafield><datafield tag="520" ind1="1" ind2=" "><subfield code="a">"This book presents new evidence drawn from manuscript and archival sources about the ways in which early modern dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Iopollo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been routinely argued by scholars - but circular. Authors returned to their texts, or texts were returned to their authors, at any or all stages after composition. The reunion of authors and their texts demonstrates that early modern dramatists collaborated in various ways and degrees in the theatrical production and performance of their plays, and that for early modern dramatists and their theatrical colleagues, authorship was a continual process, not determinate action." "Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides new information and case studies, and will be a fascinating contribution to the fields of Shakespeare studies, early modern drama studies, manuscript studies, textual study and bibliography and theatre history."--BOOK JACKET.</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1600-1700</subfield></datafield><datafield tag="648" ind1=" " ind2="4"><subfield code="a">Geschichte 1500-1600</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1580-1640</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Geschichte</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama</subfield><subfield code="y">Early modern and Elizabethan, 1500-1600</subfield><subfield code="x">Criticism, Textual</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Transmission of texts</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Transmission of texts</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Authors and readers</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Authors and readers</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater audiences</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater audiences</subfield><subfield code="z">England</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English drama</subfield><subfield code="y">17th century</subfield><subfield code="x">Criticism, Textual</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Manuscripts, English</subfield><subfield code="x">History</subfield><subfield code="y">16th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Manuscripts, English</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Textproduktion</subfield><subfield code="0">(DE-588)4184945-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Englisch</subfield><subfield code="0">(DE-588)4014777-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Drama</subfield><subfield code="0">(DE-588)4012899-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Textproduktion</subfield><subfield code="0">(DE-588)4184945-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1580-1640</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">Routledge studies in Renaissance literature and culture</subfield><subfield code="v">6</subfield><subfield code="w">(DE-604)BV017930221</subfield><subfield code="9">6</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UBPassau</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung UB Regensburg</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Klappentext</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-014706705</subfield></datafield></record></collection> |
| id | DE-604.BV021489857 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:12:23Z |
| indexdate | 2024-07-09T20:36:58Z |
| institution | BVB |
| isbn | 0415339650 9780415339650 |
| language | English |
| lccn | 2005018700 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014706705 |
| oclc_num | 60796210 |
| open_access_boolean | |
| owner | DE-20 DE-739 DE-824 DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-11 DE-188 |
| owner_facet | DE-20 DE-739 DE-824 DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-11 DE-188 |
| physical | X, 234 S. Ill. |
| publishDate | 2006 |
| publishDateSearch | 2006 |
| publishDateSort | 2006 |
| publisher | Routledge |
| record_format | marc |
| series | Routledge studies in Renaissance literature and culture |
| series2 | Routledge studies in Renaissance literature and culture |
| spelling | Ioppolo, Grace 1956- Verfasser (DE-588)13649501X aut Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse Grace Ioppolo 1. publ. London [u.a.] Routledge 2006 X, 234 S. Ill. txt rdacontent n rdamedia nc rdacarrier Routledge studies in Renaissance literature and culture 6 Includes bibliographical references (p. ) "This book presents new evidence drawn from manuscript and archival sources about the ways in which early modern dramatists such as William Shakespeare, Ben Jonson, Thomas Heywood, John Fletcher and Thomas Middleton composed their plays and the degree to which they participated in the dissemination of their texts to theatrical audiences. Grace Iopollo argues that the path of the transmission of the text was not linear, from author to censor to playhouse to audience - as has been routinely argued by scholars - but circular. Authors returned to their texts, or texts were returned to their authors, at any or all stages after composition. The reunion of authors and their texts demonstrates that early modern dramatists collaborated in various ways and degrees in the theatrical production and performance of their plays, and that for early modern dramatists and their theatrical colleagues, authorship was a continual process, not determinate action." "Extant dramatic manuscripts, theatre records and accounts, as well as authorial contracts, memoirs, receipts and other archival evidence, are used to prove that the text returned to the author at various stages, including during rehearsal and after performance. This monograph provides new information and case studies, and will be a fascinating contribution to the fields of Shakespeare studies, early modern drama studies, manuscript studies, textual study and bibliography and theatre history."--BOOK JACKET. Geschichte 1600-1700 Geschichte 1500-1600 Geschichte 1580-1640 gnd rswk-swf Geschichte English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Transmission of texts England History 16th century Transmission of texts England History 17th century Authors and readers England History 16th century Authors and readers England History 17th century Theater audiences England History 16th century Theater audiences England History 17th century English drama 17th century Criticism, Textual Manuscripts, English History 16th century Manuscripts, English History 17th century Textproduktion (DE-588)4184945-0 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Textproduktion (DE-588)4184945-0 s Geschichte 1580-1640 z DE-604 Routledge studies in Renaissance literature and culture 6 (DE-604)BV017930221 6 Digitalisierung UBPassau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Ioppolo, Grace 1956- Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse Routledge studies in Renaissance literature and culture Geschichte English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Transmission of texts England History 16th century Transmission of texts England History 17th century Authors and readers England History 16th century Authors and readers England History 17th century Theater audiences England History 16th century Theater audiences England History 17th century English drama 17th century Criticism, Textual Manuscripts, English History 16th century Manuscripts, English History 17th century Textproduktion (DE-588)4184945-0 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)4184945-0 (DE-588)4014777-0 (DE-588)4012899-4 |
| title | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse |
| title_auth | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse |
| title_exact_search | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse |
| title_exact_search_txtP | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse |
| title_full | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse Grace Ioppolo |
| title_fullStr | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse Grace Ioppolo |
| title_full_unstemmed | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood authorship, authority, and the playhouse Grace Ioppolo |
| title_short | Dramatists and their manuscripts in the age of Shakespeare, Jonson, Middleton and Heywood |
| title_sort | dramatists and their manuscripts in the age of shakespeare jonson middleton and heywood authorship authority and the playhouse |
| title_sub | authorship, authority, and the playhouse |
| topic | Geschichte English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Transmission of texts England History 16th century Transmission of texts England History 17th century Authors and readers England History 16th century Authors and readers England History 17th century Theater audiences England History 16th century Theater audiences England History 17th century English drama 17th century Criticism, Textual Manuscripts, English History 16th century Manuscripts, English History 17th century Textproduktion (DE-588)4184945-0 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Geschichte English drama Early modern and Elizabethan, 1500-1600 Criticism, Textual Transmission of texts England History 16th century Transmission of texts England History 17th century Authors and readers England History 16th century Authors and readers England History 17th century Theater audiences England History 16th century Theater audiences England History 17th century English drama 17th century Criticism, Textual Manuscripts, English History 16th century Manuscripts, English History 17th century Textproduktion Englisch Drama |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014706705&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV017930221 |
| work_keys_str_mv | AT ioppolograce dramatistsandtheirmanuscriptsintheageofshakespearejonsonmiddletonandheywoodauthorshipauthorityandtheplayhouse |