The fiction of Julian Barnes:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Basingstoke [u.a.]
Palgrave Macmillan
2006
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Readers' guides to essential criticism
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | VIII, 168 S. |
| ISBN: | 1403990603 9781403990600 140399059X 9781403990594 |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgements viii
Introduction
Julian Barnes in
Provides a brief biography, refers to the essential works of criticism on Barnes, and
outlines the contents of the Guide.
CHAPTER ONE
A Witty
Interviews with Barnes about the autobiographical basis of the novel; mixed
reviews by Paul Bailey, Bernard Levin and David Williams about wit, irony and char¬
acterisation; Matthew Pateman and Richard Todd on intertextuality; discussion of
the film adaptation.
CHAPTER TWO
When Horror Meets Comedy: Before She Met Me
Philip Larkin s sympathetic letter; reviews by Anthony Thwaite and Frank Kermode
about the mixture of comedy and tragedy; perceptive examination of retrospective
jealousy and imaginary cuckoldry by
Alison S. Sinclair.
CHAPTER THREE
Barnes/Kavanagh, a Janus-faced Writer: Duffy
Putting the Boot In
Interviews with Barnes about the use of a pseudonym and the original style and
tone; Merritt Moseley s analysis of the handling of the detective genre in the Duffy
novels and of their relationship with Barnes s other fiction; significant observations
on this relationship by Alexander Stuart, Mark Lawson, Richard Brown and Charles
Moritz.
vi
CHAPTER FOUR
Postmodernist Experimentation: Flaubert s Parrot
Philip Larkin and David Lodge on genre; examination of the lists and catalogues by
Patti
deconstructionist approach; Neil Brooks s poststructuralist reading; Alison Lee s
classification of the book as
of the subversion of biography; debate between Neil Brooks and Erica Hateley
about the oscillation between modernism and postmodernism; examination of the
figure of the narrator by Alison Lee, David Leon Higdon and Georgia Johnston.
CHAPTER FIVE
An Ordinary Miracle: Staring at the Sun
Carlos Fuentes s enthusiastic review; perceptive reviews by Ann Hubert and Alison
Hennegan;
the relation of knowledge to power.
CHAPTER SIX
A Re-vision of History: A History of the World in
Insightful reviews by Joyce Carol Oates and Salman Rushdie; analysis of the
echoes and connections by Brian Finney and Merritt Moseley; thorough examina¬
tion of Shipwreck by Catherine Bernard,
Salyer and Claudia Kotte on the problematising of historical discourse.
CHAPTER SEVEN
The Polyphony of Love and Truth: Talking It Over
(2001)
Helpful reviews by John Bayley and Mick Imlah on
Peter Kemp, Elaine
Hamilton on the narrative technique which creates a polyphony of contrasting
monologues; Richard Todd and Erica Hateley on the love triangle; allusion to the
French film adaptation of Talking It Over.
CHAPTER EIGHT
Politics and Fiction: The Porcupine
References to Barnes s thoughtful
Bulgaria and on the blurring frontier between fiction and reality; reviews by Michael
CONTENTS
Scammei
oftruth.
PARENTHESIS
The Brilliant Essayist: Letters from London
(2002)
John Walsh and James Wood considering Barnes as essentially an essayist;
Moseley s account of the first volume; interesting reviews by Patrick Cockbum,
Alain
CHAPTER NINE
The Simulacrum of National Identity: England, England
Challenging views of the novel as satire by reviewers, and as farce by the author;
perceptive essay by
invention of tradition; comparative analysis by James J. Miracky, drawing on the
theories of Jean Baudrillard.
CHAPTER TEN
In Search of Lost Times: Cross Channel
(2004)
James Wood and Adrian Kempton on the predominance of facts; thoughtful
reviews by Michiko Kakutani, Michael Wood and Robert MacFarlane on the nostal¬
gia for the past and for lost loves, and on the mechanisms of memory.
CONCLUSION
Endings and New Beginnings: Arthur
Discussion of Barnes s latest novel, which mixes biography and imagination;
consideration of its narrative technique, its echoes of detective fiction and its intro¬
duction of a new topic for Barnes, that of racial prejudice.
NOTES
SELECT BIBLIOGRAPHY
INDEX
The Fiction of Julian Barnes
Julian Barnes s work has been marked by great variety, ranging not
only from conventional fiction to postmodernist experimentation in
such well-known novels as Flaubert s Parrot
the World in WJ6 Chapters
deeply touching short stories. The responses of readers and critics
have likewise varied, from enthusiasm to scepticism, as the substantial
volume of critical analysis demonstrates.
This Readers Guide provides a comprehensive and accessible
overview of the essential criticism on Barnes s work, drawing from a
selection of reviews, interviews, essays and books. Through the
presentation and assessment of key critical interpretations, Vanessa
Cuignery provides the most wide-ranging examination of his fiction
and non-fiction so far, considering key issues such as his use of
language, his treatment of history, obsession, love, and the relationship
between fact and fiction. Covering all of the novels to date, from
Metroland
introduction to the work of one of Britain s most exciting and
popular contemporary writers.
Vanessa Cuignery is Senior Lecturer in Literature, University of La
Sorbonne,
and has also published articles on the fiction of
Alain
|
| adam_txt |
Contents
Acknowledgements viii
Introduction
Julian Barnes in
Provides a brief biography, refers to the essential works of criticism on Barnes, and
outlines the contents of the Guide.
CHAPTER ONE
A Witty
Interviews with Barnes about the autobiographical basis of the novel; mixed
reviews by Paul Bailey, Bernard Levin and David Williams about wit, irony and char¬
acterisation; Matthew Pateman and Richard Todd on intertextuality; discussion of
the film adaptation.
CHAPTER TWO
When Horror Meets Comedy: Before She Met Me
Philip Larkin's sympathetic letter; reviews by Anthony Thwaite and Frank Kermode
about the mixture of comedy and tragedy; perceptive examination of retrospective
jealousy and imaginary cuckoldry by
Alison S. Sinclair.
CHAPTER THREE
Barnes/Kavanagh, a Janus-faced Writer: Duffy
Putting the Boot In
Interviews with Barnes about the use of a pseudonym and the original style and
tone; Merritt Moseley's analysis of the handling of the detective genre in the Duffy
novels and of their relationship with Barnes's other fiction; significant observations
on this relationship by Alexander Stuart, Mark Lawson, Richard Brown and Charles
Moritz.
vi
CHAPTER FOUR
Postmodernist Experimentation: Flaubert's Parrot
Philip Larkin and David Lodge on genre; examination of the lists and catalogues by
Patti
deconstructionist approach; Neil Brooks's poststructuralist reading; Alison Lee's
classification of the book as
of the subversion of biography; debate between Neil Brooks and Erica Hateley
about the oscillation between modernism and postmodernism; examination of the
figure of the narrator by Alison Lee, David Leon Higdon and Georgia Johnston.
CHAPTER FIVE
An Ordinary Miracle: Staring at the Sun
Carlos Fuentes's enthusiastic review; perceptive reviews by Ann Hubert and Alison
Hennegan;
the relation of knowledge to power.
CHAPTER SIX
A Re-vision of History: A History of the World in
Insightful reviews by Joyce Carol Oates and Salman Rushdie; analysis of the
echoes and connections by Brian Finney and Merritt Moseley; thorough examina¬
tion of 'Shipwreck' by Catherine Bernard,
Salyer and Claudia Kotte on the problematising of historical discourse.
CHAPTER SEVEN
The Polyphony of Love and Truth: Talking It Over
(2001)
Helpful reviews by John Bayley and Mick Imlah on
Peter Kemp, Elaine
Hamilton on the narrative technique which creates a polyphony of contrasting
monologues; Richard Todd and Erica Hateley on the love triangle; allusion to the
French film adaptation of Talking It Over.
CHAPTER EIGHT
Politics and Fiction: The Porcupine
References to Barnes's thoughtful
Bulgaria and on the blurring frontier between fiction and reality; reviews by Michael
CONTENTS
Scammei
oftruth.
PARENTHESIS
The Brilliant Essayist: Letters from London
(2002)
John Walsh and James Wood considering Barnes as essentially an essayist;
Moseley's account of the first volume; interesting reviews by Patrick Cockbum,
Alain
CHAPTER NINE
The Simulacrum of National Identity: England, England
Challenging views of the novel as satire by reviewers, and as farce by the author;
perceptive essay by
invention of tradition; comparative analysis by James J. Miracky, drawing on the
theories of Jean Baudrillard.
CHAPTER TEN
In Search of Lost Times: Cross Channel
(2004)
James Wood and Adrian Kempton on the predominance of facts; thoughtful
reviews by Michiko Kakutani, Michael Wood and Robert MacFarlane on the nostal¬
gia for the past and for lost loves, and on the mechanisms of memory.
CONCLUSION
Endings and New Beginnings: Arthur
Discussion of Barnes's latest novel, which mixes biography and imagination;
consideration of its narrative technique, its echoes of detective fiction and its intro¬
duction of a new topic for Barnes, that of racial prejudice.
NOTES
SELECT BIBLIOGRAPHY
INDEX
The Fiction of Julian Barnes
Julian Barnes's work has been marked by great variety, ranging not
only from conventional fiction to postmodernist experimentation in
such well-known novels as Flaubert's Parrot
the World in WJ6 Chapters
deeply touching short stories. The responses of readers and critics
have likewise varied, from enthusiasm to scepticism, as the substantial
volume of critical analysis demonstrates.
This Readers' Guide provides a comprehensive and accessible
overview of the essential criticism on Barnes's work, drawing from a
selection of reviews, interviews, essays and books. Through the
presentation and assessment of key critical interpretations, Vanessa
Cuignery provides the most wide-ranging examination of his fiction
and non-fiction so far, considering key issues such as his use of
language, his treatment of history, obsession, love, and the relationship
between fact and fiction. Covering all of the novels to date, from
Metroland
introduction to the work of one of Britain's most exciting and
popular contemporary writers.
Vanessa Cuignery is Senior Lecturer in Literature, University of La
Sorbonne,
and has also published articles on the fiction of
Alain |
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| title | The fiction of Julian Barnes |
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