Popular culture and law:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Aldershot [u.a.]
Ashgate
2006
|
| Schriftenreihe: | International library of essays in law and society
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | XXII, 590 S. |
| ISBN: | 0754624706 |
Internformat
MARC
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Datensatz im Suchindex
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| adam_text |
Contents
Acknowledgements
vii
Series Preface
ix
Introduction
χΐ
PART I LAW IN POPULAR CULTURE
1
Lawrence M. Friedman
(1989),
'Law, Lawyers, and Popular Culture', Yale Law
Journal,
98,
pp.
1579-^06. 3
2
Norman Rosenberg
(2001),
'Looking for Law in All the Old Traces: The Movies
of Classical Hollywood, the Law, and the Case(s) of Film
Noir',
University of
California Los Angeles Law Review,
48,
pp.
1443-71. 31
3
Rama Kapur
(2001),
'Postcolonial
Erotic Disruptions: Legal Narratives of Culture,
Sex, and Nation in India', Columbia Journal of Gender and Law,
10,
pp.
333-84. 61
4
Austin
Sarat
(1999-2000),
'Living in a Copernican Universe: Law and Fatherhood
in a "Perfect World"', New York Law School Law Review,
43,
pp.
843-74. 113
PART
Π
POPULAR CULTURE IN LAW
5
Philip
N.
Meyer
(1994),
'"Desperate for Love": Cinematic Influences Upon a
Defendant's Closing Argument to a Jury', Vermont Law Review,
18,
pp.
721-49. 147
6
Richard K. Sherwin
( 1994),
'Law Frames: Historical Truth and Narrative
Necessity in a Criminal Case', Stanford Law Review,
47,
pp.
39-83. 177
7
Sheila T. Murphy
(1998),
'The Impact of Factual Versus Fictional Media
Portrayals on Cultural Stereotypes', The Annals of the American Academy,
560,
pp.
165-78.
223
8
Steven Lubet
(2001),
'Slap Leather! Legal Culture, Wild Bill Hickok, and the
Gunslinger Myth', University of California Los Angeles Law Review,
48,
pp.
1545-55.
237
PART
Ш
LAW AS COMMODITY
9
Douglas S. Reed
(1999),
'A New Constitutional Regime: The
Juridico-
Entertainment
Complex', paper presented at the Law and Society Annual Meeting,
Chicago
Љ,
pp.
1-16.
251
10 Susanne
A. Roschwalb and Richard A. Stack
(1992),
'Litigation Public Relations',
Communications and the Law,
14,
pp.
3-23.
Popular
Culture
and Law
11
Marc
Galanter
(1998),
'An Oil Strike in Hell: Contemporary Legends about the
Civil Justice System',
A rizona
Law Review,
40,
pp.
717-52. 289
12
Daniel M. Filler
(2002),
'From Law to Content in the New Media Marketplace',
California Law Review,
90,
pp.
1739-74. 325
PART IV LAW IN CYBERSPACE
13
F. Gregory Lastowka and Dan Hunter
(2004),
'The Laws of the Virtual Worlds',
California Law Review,
92,
pp.
1-73. 363
14
Jack M. Balkin
(2004),
'Digital Speech and Democratic Culture: A Theory of
Freedom of Expression for the Information Society', New York University Law
Review,
79,
pp.
1-58. 437
PART V POPULAR CULTURE AND LAW IN THEORY
15
Christopher J. Buccafusco
(2004),
'Gaining/Losing Perspective on the Law, or
Keeping Visual Evidence in Perspective', University of Miami Law Review,
58,
pp.
609-51. 497
16
Anthony Chase
(1986),
'Toward A Legal Theory of Popular Culture', Wisconsin
Law Review,
3,
pp.
527-69. 541
Name Index
585 |
| adam_txt |
Contents
Acknowledgements
vii
Series Preface
ix
Introduction
χΐ
PART I LAW IN POPULAR CULTURE
1
Lawrence M. Friedman
(1989),
'Law, Lawyers, and Popular Culture', Yale Law
Journal,
98,
pp.
1579-^06. 3
2
Norman Rosenberg
(2001),
'Looking for Law in All the Old Traces: The Movies
of Classical Hollywood, the Law, and the Case(s) of Film
Noir',
University of
California Los Angeles Law Review,
48,
pp.
1443-71. 31
3
Rama Kapur
(2001),
'Postcolonial
Erotic Disruptions: Legal Narratives of Culture,
Sex, and Nation in India', Columbia Journal of Gender and Law,
10,
pp.
333-84. 61
4
Austin
Sarat
(1999-2000),
'Living in a Copernican Universe: Law and Fatherhood
in a "Perfect World"', New York Law School Law Review,
43,
pp.
843-74. 113
PART
Π
POPULAR CULTURE IN LAW
5
Philip
N.
Meyer
(1994),
'"Desperate for Love": Cinematic Influences Upon a
Defendant's Closing Argument to a Jury', Vermont Law Review,
18,
pp.
721-49. 147
6
Richard K. Sherwin
( 1994),
'Law Frames: Historical Truth and Narrative
Necessity in a Criminal Case', Stanford Law Review,
47,
pp.
39-83. 177
7
Sheila T. Murphy
(1998),
'The Impact of Factual Versus Fictional Media
Portrayals on Cultural Stereotypes', The Annals of the American Academy,
560,
pp.
165-78.
223
8
Steven Lubet
(2001),
'Slap Leather! Legal Culture, Wild Bill Hickok, and the
Gunslinger Myth', University of California Los Angeles Law Review,
48,
pp.
1545-55.
237
PART
Ш
LAW AS COMMODITY
9
Douglas S. Reed
(1999),
'A New Constitutional Regime: The
Juridico-
Entertainment
Complex', paper presented at the Law and Society Annual Meeting,
Chicago
Љ,
pp.
1-16.
251
10 Susanne
A. Roschwalb and Richard A. Stack
(1992),
'Litigation Public Relations',
Communications and the Law,
14,
pp.
3-23.
Popular
Culture
and Law
11
Marc
Galanter
(1998),
'An Oil Strike in Hell: Contemporary Legends about the
Civil Justice System',
A rizona
Law Review,
40,
pp.
717-52. 289
12
Daniel M. Filler
(2002),
'From Law to Content in the New Media Marketplace',
California Law Review,
90,
pp.
1739-74. 325
PART IV LAW IN CYBERSPACE
13
F. Gregory Lastowka and Dan Hunter
(2004),
'The Laws of the Virtual Worlds',
California Law Review,
92,
pp.
1-73. 363
14
Jack M. Balkin
(2004),
'Digital Speech and Democratic Culture: A Theory of
Freedom of Expression for the Information Society', New York University Law
Review,
79,
pp.
1-58. 437
PART V POPULAR CULTURE AND LAW IN THEORY
15
Christopher J. Buccafusco
(2004),
'Gaining/Losing Perspective on the Law, or
Keeping Visual Evidence in Perspective', University of Miami Law Review,
58,
pp.
609-51. 497
16
Anthony Chase
(1986),
'Toward A Legal Theory of Popular Culture', Wisconsin
Law Review,
3,
pp.
527-69. 541
Name Index
585 |
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