Bootlegging: romanticism and copyright in the music industry
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | German |
| Veröffentlicht: |
London [u.a.]
Sage
2005
|
| Schriftenreihe: | Theory, culture & society
|
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VIII, 169 S. |
| ISBN: | 0761944907 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Acknowledgements vii
Introduction 1
1 Lessons from History 6
Authorship and copyright before 1710 7
The Statute of Anne 9
The battle of the booksellers: literary property defined 12
Copyright in revolutionary France and America 15
Developing a sociological understanding of copyright 20
2 Copyright and the Romantic Author 29
Romanticism 30
The Romantic author in nineteenth century UK copyright 34
Romanticism and copyright 39
Wordsworth, copyright and immortality 40
The author, his readers and the market 43
The Romantic author in French copyright 46
The hegemony of Romanticism 51
3 Romanticism and Popular Music 56
A note on terminology 57
Romanticism and rock authenticity 58
4 Romanticism, Copyright and Piracy 69
Romanticism and the music industry 11
Romanticism, commodification and copyright 75
Romanticism and the strengthening of copyright 79
Piracy as an aesthetic crime 82
5 Problems and Alternatives 88
Adorno s culture industry 92
The collective subject and the death of the author 96
A positive public right in copyright 100
6 Introduction to Bootlegging 106
Copyright in sound recordings of musical works 106
Bootlegging and international copyright 108
Defining different types of piracy 110
Contents
7 An Overview of Bootlegging 114
The early history of rock bootlegs 114
Bootleg sources 116
The scale of bootlegging 118
Bootleg collectors 119
A model of bootlegging 123
The protection gap 11
8 The Impact of Bootlegging on the Record Industry
and the Industry s Response 132
The economic impact of bootlegging 132
Legal responses to bootlegging 139
Anti bootleg rhetoric 140
Author centred rhetoric 142
9 The Dialectic of Romanticism and the
Symbolic Significance of Bootlegging 147
Contested commodification 149
The dialectic of Romanticism 154
Bibliography 160
Index 168
|
| adam_txt |
Contents
Acknowledgements vii
Introduction 1
1 Lessons from History 6
Authorship and copyright before 1710 7
The Statute of Anne 9
The battle of the booksellers: literary property defined 12
Copyright in revolutionary France and America 15
Developing a sociological understanding of copyright 20
2 Copyright and the Romantic Author 29
'Romanticism 30
The Romantic author in nineteenth century UK copyright 34
Romanticism and copyright 39
Wordsworth, copyright and immortality 40
The author, his readers and the market 43
The Romantic author in French copyright 46
The hegemony of Romanticism 51
3 Romanticism and Popular Music 56
A note on terminology 57
Romanticism and rock authenticity 58
4 Romanticism, Copyright and Piracy 69
Romanticism and the music industry 11
Romanticism, commodification and copyright 75
Romanticism and the strengthening of copyright 79
Piracy as an aesthetic crime 82
5 Problems and Alternatives 88
Adorno's culture industry 92
The collective subject and the death of the author 96
A positive public right in copyright 100
6 Introduction to Bootlegging 106
Copyright in sound recordings of musical works 106
Bootlegging and international copyright 108
Defining different types of piracy 110
Contents
7 An Overview of Bootlegging 114
The early history of rock bootlegs 114
Bootleg sources 116
The scale of bootlegging 118
Bootleg collectors 119
A model of bootlegging 123
The'protection gap' \11
8 The Impact of Bootlegging on the Record Industry
and the Industry's Response 132
The economic impact of bootlegging 132
Legal responses to bootlegging 139
Anti bootleg rhetoric 140
Author centred rhetoric 142
9 The Dialectic of Romanticism and the
Symbolic Significance of Bootlegging 147
Contested commodification 149
The dialectic of Romanticism 154
Bibliography 160
Index 168 |
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| isbn | 0761944907 |
| language | German |
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| spelling | Marshall, Lee Verfasser aut Bootlegging romanticism and copyright in the music industry Lee Marshall London [u.a.] Sage 2005 VIII, 169 S. txt rdacontent n rdamedia nc rdacarrier Theory, culture & society HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014679816&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Marshall, Lee Bootlegging romanticism and copyright in the music industry |
| title | Bootlegging romanticism and copyright in the music industry |
| title_auth | Bootlegging romanticism and copyright in the music industry |
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| title_full_unstemmed | Bootlegging romanticism and copyright in the music industry Lee Marshall |
| title_short | Bootlegging |
| title_sort | bootlegging romanticism and copyright in the music industry |
| title_sub | romanticism and copyright in the music industry |
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