Verfügbarkeit: The screenwriter's legal guide

The screenwriter's legal guide:

Gespeichert in:

Bibliographische Detailangaben
1. Verfasser:	Breimer, Stephen F. (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	New York Allworth Press c1999
Ausgabe:	2. ed.
Schlagworte:	Drehbuchautor Recht USA
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XIX, 299 S.
ISBN:	1581150210

Internformat

MARC


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Datensatz im Suchindex

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adam_text	The Screenwriter s Legal Guide SECOND EDITION Stephen F Breimer, Esq ALLWORTH PRESS NEW YORK Contents Preface xi Acknowledgments xiii Introduction xv CHAPTER ONE I The Screenwriter Holds a Unique Position in Hollywood — History — A Work-Made-for-Hire — Film Is a Director s Medium CHAPTER TWO7 Contracts: A Brief Overview CHAPTER THREE 11 Option/Purchase Agreements: Negotiating the Price — Major Studios — Independent Producers — Application against the Purchase Price — Free Options — Television Options — Time — Non-negotiated Option Extensions Force Majeure Events Claims — Shopping Behind Your Back CHAPTER FOUR 21 Option/Purchase Agreements: Negotiable Rights — Copyright: Divisible by Law — Rights Generally Granted — Reserved Rights Novelization and Publication Rights Merchandising Rights Theme Parks General Comments — Holdbacks — First Negotiation/Last Refusal/First Refusal — Reversions — Transfer of Rights: Exercise of the Option — Short Form Documents CHAPTER FIVE 49 Option/Purchase Agreements- Fixed Compensation — Exercise Price — Bonus Based on Budget — Bonus Based on Credit CHAPTER SIX 55 Option/Purchase Agreements: Contingent Compensation — Pitfalls of Percentages - Net Profits Defined Studio Deductions Gross Participations ~~ Negotiable Provisions Double Addback Cross-Collateralization and Abandonment Charges Time Caps Advances Producer s Net Projit Definition ~ Deferments CHAPTER SEVEN 77 Option/Purchase Agreements: Sequels, Rewrites, and Reversions — Passive Payments Television Series Sample Passive Payment Provision ~ First Negotiation to Write a Sequel or Other Subsequent Production — Guaranteed Rewrites and Writing Assignments: When You Sell a Spec Screenplay or a Book Dead Screenplay Problem Reversions A Guaranty to Write — Book Options CHAPTER EIGHT 97 Option/Purchase Agreements: Other Provisions to Watch Out For - Credits — Representations and Warranties Article 2 8 of the WGA Errors and Omissions Insurance — Indemnification: Breach versus Alleged Breach — Name, Likeness, and Biography — No Injunctive Relief CHAPTER NINE I I I Commissioned Screenplays — Exclusivity — Guaranteed Steps — Postponement — Maximum Writing Time: Writers Guild Limitations — Compensation: Guaranteed Payment Bonus Based on Credit Profits Based on Credit Passive Payments: Right to Write a Sequel or Other Subsequent Production — Rewrites, Polishes, and Other Writing Services — Termination Rights Default or Breach Disability Force Majeure — Certificate of Authorship CHAPTER TEN 129 Commissioned Teleplays: The Television Marketplace — Differences in Television Writing Deals — Writing a Series: Compensation Credits Profit Participation — Writing a Series: Yearly Guaranty — Producing or Executive Producing a Series CHAPTER ELEVEN H I Protecting Your Money — Foreign Corporations — Shell Corporations — Bankruptcy — Escrow Accounts: Letters of Credit — Assumption of Obligations CHAPTER TWELVE 157 Copyright, Ideas, and Titles — Benefits — Registration — Infringement — Titles — MPAA Title Registration — Ideas Submission Agreements The Pitch — Droit Morale CHAPTER THIRTEEN 175 Works Based on Source Material — Chain of Title — Problems — Material Based on Fact — Defamation — Right of Privacy Public Disclosure of Private Facts Fictionalizing; False Light/ and Invasion of Privacy — Right of Publicity — Representations and Warranties Revisited — Releases — Payment CHAPTER FOURTEEN 197 Collaboration Agreements — Avoiding Problems CHAPTER FIFTEEN 215 The Writers Guild — Membership — Minimums — Supplemental Market Payments — Reruns and Residuals — Passive Payments — Arbitration — Other Benefits Credits Pension Fund and Health Benefits — The Right to Write the First Rewrite — Turnaround/Reversion — Disadvantages If You Are a Member — Selling to Outsiders: Pros and Cons — Script Registration — Section 50l(c) CHAPTER SIXTEEN 263 The Role of the Producer - The Producer s Relationship to the Material — Your Relationship to Your Producer CHAPTER SEVENTEEN 271 The Art of Negotiation — Floodgate Theory — Altering Boiler Plate Provisions — Patience — Compromise — Know the Parameters — Renegotiation — Representation APPENDIX A 279 Sample Option/Purchase Agreement Index 293
adam_txt	The Screenwriter's Legal Guide SECOND EDITION Stephen F Breimer, Esq ALLWORTH PRESS NEW YORK Contents Preface xi Acknowledgments xiii Introduction xv CHAPTER ONE I The Screenwriter Holds a Unique Position in Hollywood — History — A Work-Made-for-Hire — Film Is a Director's Medium CHAPTER TWO7 Contracts: A Brief Overview CHAPTER THREE 11 Option/Purchase Agreements: Negotiating the Price — Major Studios — Independent Producers — Application against the Purchase Price — Free Options — Television Options — Time — Non-negotiated Option Extensions Force Majeure Events Claims — Shopping Behind Your Back CHAPTER FOUR 21 Option/Purchase Agreements: Negotiable Rights — Copyright: Divisible by Law — Rights Generally Granted — Reserved Rights Novelization and Publication Rights Merchandising Rights Theme Parks General Comments — Holdbacks — First Negotiation/Last Refusal/First Refusal — Reversions — Transfer of Rights: Exercise of the Option — Short Form Documents CHAPTER FIVE 49 Option/Purchase Agreements- Fixed Compensation — Exercise Price — Bonus Based on Budget — Bonus Based on Credit CHAPTER SIX 55 Option/Purchase Agreements: Contingent Compensation — Pitfalls of Percentages - Net Profits Defined Studio Deductions Gross Participations ~~ Negotiable Provisions Double Addback Cross-Collateralization and Abandonment Charges Time Caps Advances Producer's Net Projit Definition ~ Deferments CHAPTER SEVEN 77 Option/Purchase Agreements: Sequels, Rewrites, and Reversions — Passive Payments Television Series Sample Passive Payment Provision ~ First Negotiation to Write a Sequel or Other Subsequent Production — Guaranteed Rewrites and Writing Assignments: When You Sell a Spec Screenplay or a Book Dead Screenplay Problem Reversions A Guaranty to Write — Book Options CHAPTER EIGHT 97 Option/Purchase Agreements: Other Provisions to Watch Out For - Credits — Representations and Warranties Article 2 8 of the WGA Errors and Omissions Insurance — Indemnification: Breach versus Alleged Breach — Name, Likeness, and Biography — No Injunctive Relief CHAPTER NINE I I I Commissioned Screenplays — Exclusivity — Guaranteed Steps — Postponement — Maximum Writing Time: Writers Guild Limitations — Compensation: Guaranteed Payment Bonus Based on Credit Profits Based on Credit Passive Payments: Right to Write a Sequel or Other Subsequent Production — Rewrites, Polishes, and Other Writing Services — Termination Rights Default or Breach Disability Force Majeure — Certificate of Authorship CHAPTER TEN 129 Commissioned Teleplays: The Television Marketplace — Differences in Television Writing Deals — Writing a Series: Compensation Credits Profit Participation — Writing a Series: Yearly Guaranty — Producing or Executive Producing a Series CHAPTER ELEVEN H I Protecting Your Money — Foreign Corporations — Shell Corporations — Bankruptcy — Escrow Accounts: Letters of Credit — Assumption of Obligations CHAPTER TWELVE 157 Copyright, Ideas, and Titles — Benefits — Registration — Infringement — Titles — MPAA Title Registration — Ideas Submission Agreements The Pitch — Droit Morale CHAPTER THIRTEEN 175 Works Based on Source Material — Chain of Title — Problems — Material Based on Fact — Defamation — Right of Privacy Public Disclosure of Private Facts Fictionalizing; False Light/ and Invasion of Privacy — Right of Publicity — Representations and Warranties Revisited — Releases — Payment CHAPTER FOURTEEN 197 Collaboration Agreements — Avoiding Problems CHAPTER FIFTEEN 215 The Writers Guild — Membership — Minimums — Supplemental Market Payments — Reruns and Residuals — Passive Payments — Arbitration — Other Benefits Credits Pension Fund and Health Benefits — The Right to Write the First Rewrite — Turnaround/Reversion — Disadvantages If You Are a Member — Selling to Outsiders: Pros and Cons — Script Registration — Section 50l(c) CHAPTER SIXTEEN 263 The Role of the Producer - The Producer's Relationship to the Material — Your Relationship to Your Producer CHAPTER SEVENTEEN 271 The Art of Negotiation — Floodgate Theory — Altering Boiler Plate Provisions — Patience — Compromise — Know the Parameters — Renegotiation — Representation APPENDIX A 279 Sample Option/Purchase Agreement Index 293
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