Bombay:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
bfi
2005
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | BFI modern classics
|
| Online-Zugang: | Klappentext |
| Beschreibung: | 94 S. Ill. |
| ISBN: | 9780851709567 0851709567 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804135158022930432 |
|---|---|
| adam_text | ո January 1993 sectarian rioting leit 2,000 Hindus and Muslims dead in Bombay. Only two years later Mani Ratnam’s audacious Tamil film Bombay ( 1995) used these events as a backdrop to a love story between a Hindu boy and a Muslim girl. Bombay was condemned bv Muslim critics for misrepresentation and it was embroiled in censorship controversies. These served only to heighten interest and the film ran to packed houses in India and abroad. Lalitha Gopalan shows how Bombay struggles to find a narrative that can reconcile communal differences. She looks in detail at the way official censors tried to change the film under the influence of powerful figures in both the Muslim and the Hindu communities. In going on to analyse the aesthetics of Bombay, she shows how themes of social and gender difference are rendered through performance, choreography, song and cinematography. This is a fascinating account of a landmark in recent Indian cinema. Lalitha Gopalan teaches Film Studies at Georgetown University. She is the author of Cinema of Interruptions: Action Genres in Contemporary Indian Cinema (BIT, 2002).
|
| adam_txt |
ո January 1993 sectarian rioting leit 2,000 Hindus and Muslims dead in Bombay. Only two years later Mani Ratnam’s audacious Tamil film Bombay ( 1995) used these events as a backdrop to a love story between a Hindu boy and a Muslim girl. Bombay was condemned bv Muslim critics for misrepresentation and it was embroiled in censorship controversies. These served only to heighten interest and the film ran to packed houses in India and abroad. Lalitha Gopalan shows how Bombay struggles to find a narrative that can reconcile communal differences. She looks in detail at the way official censors tried to change the film under the influence of powerful figures in both the Muslim and the Hindu communities. In going on to analyse the aesthetics of Bombay, she shows how themes of social and gender difference are rendered through performance, choreography, song and cinematography. This is a fascinating account of a landmark in recent Indian cinema. Lalitha Gopalan teaches Film Studies at Georgetown University. She is the author of Cinema of Interruptions: Action Genres in Contemporary Indian Cinema (BIT, 2002). |
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| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| edition | 1. publ. |
| format | Book |
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| id | DE-604.BV021443576 |
| illustrated | Illustrated |
| index_date | 2024-07-02T14:03:51Z |
| indexdate | 2024-07-09T20:36:03Z |
| institution | BVB |
| isbn | 9780851709567 0851709567 |
| language | English |
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| physical | 94 S. Ill. |
| publishDate | 2005 |
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| series2 | BFI modern classics |
| spelling | Gopalan, Lalitha Verfasser aut Bombay Lalitha Gopalan 1. publ. London bfi 2005 94 S. Ill. txt rdacontent n rdamedia nc rdacarrier BFI modern classics Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014660590&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Gopalan, Lalitha Bombay |
| title | Bombay |
| title_auth | Bombay |
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| title_full | Bombay Lalitha Gopalan |
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| title_full_unstemmed | Bombay Lalitha Gopalan |
| title_short | Bombay |
| title_sort | bombay |
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