Verfügbarkeit: Game design :: THWS Bibkatalog

Game design: theory & practice

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Bibliographische Detailangaben
1. Verfasser:	Rouse, Richard (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Plano, Tex. Wordware Publ. 2005
Ausgabe:	2. ed.
Schriftenreihe:	Wordware game developer's library
Schlagworte:	Computer games > Programming Computerspiel Entwicklung
Online-Zugang:	Inhaltsverzeichnis Klappentext
Beschreibung:	XXIV, 698 S. Ill. 1 CD-ROM (12 cm)
ISBN:	1556229127

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Datensatz im Suchindex

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adam_text	Contents Foreword ...................................xvi Introduction to the Second Edition .....................xvii Introduction ..................................xx Chapter 1 What Players Want .....................1 Why Do Players Play? .............................2 Players Want a Challenge ..........................2 Players Want to Socialize ..........................3 Players Want a Dynamic Solitary Experience ...............5 Players Want Bragging Rights .......................5 Players Want an Emotional Experience ..................6 Players Want to Explore ..........................6 Players Want to Fantasize .........................7 Players Want to Interact ..........................8 What Do Players Expect? ...........................8 Players Expect a Consistent World ....................8 Players Expect to Understand the Game-World s Bounds ........9 Players Expect Reasonable Solutions to Work ..............10 Players Expect Direction .........................10 Players Expect to Accomplish a Task Incrementally ...........11 Players Expect to Be Immersed .....................12 Players Expect Some Setbacks ......................14 Players Expect a Fair Chance .......................14 Players Expect to Not Need to Repeat Themselves ...........15 Players Expect to Not Get Hopelessly Stuck ..............16 Players Expect to Do, Not to Watch ...................17 Players Do Not Know What They Want, but They Know When It Is Missing ............................18 A Never-Ending List .............................19 Chapter 2 Interview: Sid Meier ....................20 Chapter 3 Brainstorming a Game Idea: Gameplay, Technology, and Story ......................40 Starting Points ................................41 Starting with Gameplay..........................42 Starting with Technology .........................43 Starting with Story ............................45 Working with Limitations ...........................47 Odyssey: The Legend of Nemesis ....................48 Damage Incorporated ...........................49 ix Contents Centipede 3D............................... 50 The Suffering ............................... 51 Embrace Your Limitations .......................... 52 Established Technology .......................... 53 The Case of the Many Mushrooms .................... 54 The Time Allotted ............................. 55 If You Choose Not to Decide, You Still Have Made a Choice ........ 56 Chapter 4 Game Analysis: Centipede ................57 Classic Arcade Game Traits .........................59 Input ......................................62 Interconnectedness ..............................63 Escalating Tension ..............................65 One Person, One Game ............................67 Chapters Focus ........................... 69 Establishing Focus .............................. 70 An Example: Winter Carnival Whirlwind ................. 72 The Function of the Focus ......................... 74 Maintaining Focus .............................. 77 Fleshing Out the Focus .......................... 78 Changing Focus .............................. 79 Sub-Focuses .................................. 82 Using Focus .................................. 85 Chapter 6 Interview: Ed Logg....................87 Chapter 7 The Elements of Gameplay...............115 Unique Solutions ..............................116 Anticipatory versus Complex Systems .................116 Emergence ................................117 Non-Linearity ................................119 Types of Non-Linearity ..........................119 Implementation ..............................121 The Purpose of Non-Linearity ......................123 Modeling Reality ...............................125 Teaching the Player .............................127 Tutorials .................................128 Input/Output .................................131 Controls and Input ............................131 Output and Game-World Feedback ...................136 Basic Elements ...............................140 Chapter 8 Game Analysis: Tetris ..................141 Puzzle Game or Action Game? .......................142 Tetris as a Classic Arcade Game ......................144 The Technology ...............................146 Contents Artificial Intelligence ............................ 147 Escalating Tension .............................. 148 Simplicity and Symmetry .......................... 149 Fifteen Years On, Who Would Publish Tetris? ............... 150 Chapter? Artificial Intelligence ...................151 Goals of Game AI .............................. 153 Challenge the Player ........................... 154 Not Do Dumb Things .......................... 156 Be Unpredictable ............................. 157 Assist Storytelling ............................ 159 Create a Living World .......................... 162 The Sloped Playing Field .......................... 162 How Real Is Too Real? .......................... 163 AI Agents and Their Environment ..................... 164 How Good Is Good Enough? ........................ 167 Scripting ................................... 168 Artificial Stupidity .............................. 171 Chapter 70 Interview: Steve Meretzky ...............172 Chapter 7 7 Storytelling .......................202 Designer s Story Versus Player s Story ..................203 Places for Storytelling ............................206 Out-of-Game ...............................207 In-Game ..................................212 External Materials ............................216 Linear Writing Pitfalls ............................217 Player Character Personality ......................218 Game Stories ................................222 Non-Linearity ...............................223 Working with the Gameplay.......................224 The Dream ..................................225 Chapter 72 Game Analysis: Loom ..................227 Focused Game Mechanics ..........................228 User Interface ................................230 The Drafts System .............................231 Difficulty ...................................233 Story .....................................233 Loom as an Adventure Game ........................235 Chapter 13 Multi-Player .......................237 Motivations .................................238 The Forms ..................................239 Single System Multi-Player .......................239 Online Multi-Player ...........................241 xi Contents Design Considerations........................... 242 Playing to Strengths ...........................244 Protect Newbies .............................246 Socialization ...............................248 Development Issues .............................251 Playtesting and User Feedback .....................253 A World of Their Own ............................256 Chapter 14 Interview: Chris Crawford ...............257 Chapter 75 Getting the Gameplay Working ............281 The Organic Process ............................283 Too Much Too Soon ...........................283 Keep It Simple ..............................285 Building the Game ..............................286 Core Technology .............................286 Incremental Steps ............................287 A Fully Functional Area .........................288 Going Through Changes .........................290 Programming ................................291 When Is It Fun? ...............................293 Chapter 76 Game Analysis: Myth: The Fallen Lords ........296 Use of Technology .............................. 297 Game Focus ................................. 300 Storytelling ................................. 301 Hard-Core Gaming ............................. 302 Multi-Player ................................. 303 A Cohesive Whole .............................. 304 Chapter 7 7 Game Development Documentation ..........306 Document Your Game ............................308 Concept Document, Pitch Document, or Proposal ...........308 Competitive Analysis ...........................309 Design Document ............................309 Flowcharts ................................311 Story Bible ............ . ................... 311 Script ...................................313 Art Bible .................................315 The Game Minute ............................316 Storyboards................................317 Technical Design Document .......................317 Schedules and Business/Marketing Documents ............318 No Standard Documentation .......................319 The Benefits of Documentation .......................319 XII Contents Chapter 78 Interview: Jordan Mechner...............320 Chapter 19 The Design Document .................355 The Writing Style..............................357 The Sections .................................359 Table of Contents.............................360 Introduction/Overview or Executive Summary .............360 Game Mechanics .............................361 Artificial Intelligence ...........................366 Game Elements: Characters, Items, and Objects/Mechanisms .... 369 Story Overview ..............................371 Game Progression ............................371 System Menus ..............................373 One Man s Opinion .............................373 Inauspicious Design Documents ......................374 The Wafer-Thin or Ellipsis Special Document .............374 The Back-Story Tome ..........................375 The Overkill Document .........................376 The Pie-in-the-Sky Document ......................377 The Fossilized Document ........................378 A Matter of Weight .............................379 Getting It Read ..............................380 Documentation Is Only the Beginning ...................380 Chapter 20 Game Analysis: The Sims ................382 Abdicating Authorship ............................383 Familiar Subject Matter ...........................384 Safe Experimentation ............................386 Depth and Focus ...............................386 Interface ...................................387 Controlled Versus Autonomous Behavior .................389 A Lesson to Be Learned ..........................390 Chapter 21 Designing Design Tools .................392 Desired Functionality ............................394 Visualizing the Level ...........................394 The Big Picture ..............................396 Jumping into the Game ..........................397 Editing the World .............................399 Scripting Languages and Object Behaviors ................400 Us Versus Them ...............................403 The Best of Intentions ..........................405 A Game Editor for All Seasons .......................406 XIII Contents Chapter 22 Interview: Will Wright .................408 Chapter 23 Level Design......................449 Levels in Different Games .........................450 Level Separation.............................451 Level Order................................453 The Components of a Level.........................454 Action ...................................455 Exploration ................................456 Puzzle Solving ..............................457 Storytelling ................................458 Aesthetics ................................459 Balancing It All ..............................460 Level Flow ..................................460 Elements of Good Levels ..........................463 Players Cannot Get Stuck ........................463 Sub-Goals .................................463 Landmarks ................................464 Critical Path ................................465 Limited Backtracking ..........................465 Success the First Time ..........................465 Navigable Areas Clearly Marked ....................466 Choices ..................................466 A Personal List ..............................466 The Process .................................467 Step 1. Preliminary ............................467 Step 2. Conceptual and Sketched Outline ................468 Step 3. Base Architecture/Block Out ..................469 Step 4. Refine Architecture Until It Is Fun ...............469 Step 5. Base Gameplay..........................470 Step 6. Refine Gameplay Until It Is Fun .................471 Step 7. Refine Aesthetics ........................471 Step 8. Playtesting ............................472 Process Variations ............................472 Who Does Level Design? ..........................473 Collaboration ................ 474 Chapter 24 Game Analysis: Grand Theft Auto III ..........475 Believable Game-World ...........................476 A Living City ................ [ [..........[[ 477 Actions and Consequences ......... 480 Storytelling .............. ................. Chapter 25 Playtesting .................. ^ 483 Finding the Right Testers ...... ................484 Who Should Test ............................ . 485 xiv Contents Who Should Not Test ...........................487 When to Test .................................489 HowtoTest .................................491 Guided and Unguided Testing ........................492 Balancing ...................................493 Your Game Is Too Hard .........................495 The Artistic Vision .............................497 Chapter 26 Interview: Doug Church ................500 Conclusion ..........................532 Art ......................................532 The Medium .................................533 The Motive .................................534 Appendix A Sample Design Document: Atomic 5am ........535 I. Overview .................................539 II. Game Mechanics .............................540 III. Artificial Intelligence ..........................555 IV Game Elements .............................561 V Story Overview ..............................571 VI. Game Progression ............................572 VII. Bibliography ..............................578 Appendix В Sample Design Document: The Suffering ........579 Section I: Introduction ............................587 Section II: Game Mechanics ........................588 Section III: Resources ............................617 Section IV: NPCs ..............................622 Section VI: Gameflow ............................638 Section VII: Maps ..............................646 Section VIII: Menus .............................651 Glossary ...........................655 Selected Bibliography ....................672 Index .............................677 XV W ORDW ARI GAMI- DI VI LOPIRS LIBRARY GANE DESIGN PRACTICE SECOND EDITION Both burgeoning game designers and devoted gamers should consider [Game Design: Theory & Practice] an essential read. — Computer Gaming World In the second edition to the acclaimed Game Design: Theory & Practice, designer Richard Rouse III balances a discussion of the essential concepts behind game design with an explanation of how you can implement them in your current project. Detailed analysis of successful games is interwoven with concrete examples from Rouse s own experience. This second edition thoroughly updates the popular original with new chapters and fully revised text. ^· Follow the entire game development process, from brainstorming a game idea and establishing the focus to getting the gameplay working and playtesting. ^ Learn the techniques of top game designers through in-depth interviews: Doug Church, Thief, System Shock, Ultima Underworld Chris Crawford, Balance of Power, Eastern Front (1941) Ed Logg, Asteroids, Centipede, Gauntlet Jordan Mechner, Prince of Persia, Karateka, The Last Express Sid Meier, Civilization, Pirates!, Railroad Tycoon, Gettysburg! Steve Meretzky, The Hitchhiker s Guide to the Galaxy, Planetfall, Zork Zero Will Wright, SimCity, The Sims V Learn how to most effectively document your game ideas. Includes the full design document for the action-horror game The Suffering. Ultimately, in both theory and practice, Rouse s Game Design bible gets the job done. Let us pray. — Next Generation magazine About the author: Richard Rouse III is design director at Surreal Software, a Midway Home Entertainment studio. Most recently, he was project lead, lead designer, and writer on the action-horror game The Suffering. His credits also include Drakan: The Ancients Gates, Centipede 3D, Damage Incorporated, and Odyssey: The Legend of Nemesis. Rouse has written about game design for publications including Game Developer, SIGGRAPH Computer Graphics, Develop, Gamasutra, My VideoGames. com, and Inside Mac Games, and has spoken on game development numerous times at the Electronic Entertainment Expo.
adam_txt	Contents Foreword .xvi Introduction to the Second Edition .xvii Introduction .xx Chapter 1 What Players Want .1 Why Do Players Play? .2 Players Want a Challenge .2 Players Want to Socialize .3 Players Want a Dynamic Solitary Experience .5 Players Want Bragging Rights .5 Players Want an Emotional Experience .6 Players Want to Explore .6 Players Want to Fantasize .7 Players Want to Interact .8 What Do Players Expect? .8 Players Expect a Consistent World .8 Players Expect to Understand the Game-World's Bounds .9 Players Expect Reasonable Solutions to Work .10 Players Expect Direction .10 Players Expect to Accomplish a Task Incrementally .11 Players Expect to Be Immersed .12 Players Expect Some Setbacks .14 Players Expect a Fair Chance .14 Players Expect to Not Need to Repeat Themselves .15 Players Expect to Not Get Hopelessly Stuck .16 Players Expect to Do, Not to Watch .17 Players Do Not Know What They Want, but They Know When It Is Missing .18 A Never-Ending List .19 Chapter 2 Interview: Sid Meier .20 Chapter 3 Brainstorming a Game Idea: Gameplay, Technology, and Story .40 Starting Points .41 Starting with Gameplay.42 Starting with Technology .43 Starting with Story .45 Working with Limitations .47 Odyssey: The Legend of Nemesis .48 Damage Incorporated .49 ix Contents Centipede 3D. 50 The Suffering . 51 Embrace Your Limitations . 52 Established Technology . 53 The Case of the Many Mushrooms . 54 The Time Allotted . 55 If You Choose Not to Decide, You Still Have Made a Choice . 56 Chapter 4 Game Analysis: Centipede .57 Classic Arcade Game Traits .59 Input .62 Interconnectedness .63 Escalating Tension .65 One Person, One Game .67 Chapters Focus . 69 Establishing Focus . 70 An Example: Winter Carnival Whirlwind . 72 The Function of the Focus . 74 Maintaining Focus . 77 Fleshing Out the Focus . 78 Changing Focus . 79 Sub-Focuses . 82 Using Focus . 85 Chapter 6 Interview: Ed Logg.87 Chapter 7 The Elements of Gameplay.115 Unique Solutions .116 Anticipatory versus Complex Systems .116 Emergence .117 Non-Linearity .119 Types of Non-Linearity .119 Implementation .121 The Purpose of Non-Linearity .123 Modeling Reality .125 Teaching the Player .127 Tutorials .128 Input/Output .131 Controls and Input .131 Output and Game-World Feedback .136 Basic Elements .140 Chapter 8 Game Analysis: Tetris .141 Puzzle Game or Action Game? .142 Tetris as a Classic Arcade Game .144 The Technology .146 Contents Artificial Intelligence . 147 Escalating Tension . 148 Simplicity and Symmetry . 149 Fifteen Years On, Who Would Publish Tetris? . 150 Chapter? Artificial Intelligence .151 Goals of Game AI . 153 Challenge the Player . 154 Not Do Dumb Things . 156 Be Unpredictable . 157 Assist Storytelling . 159 Create a Living World . 162 The Sloped Playing Field . 162 How Real Is Too Real? . 163 AI Agents and Their Environment . 164 How Good Is Good Enough? . 167 Scripting . 168 Artificial Stupidity . 171 Chapter 70 Interview: Steve Meretzky .172 Chapter 7 7 Storytelling .202 Designer's Story Versus Player's Story .203 Places for Storytelling .206 Out-of-Game .207 In-Game .212 External Materials .216 Linear Writing Pitfalls .217 Player Character Personality .218 Game Stories .222 Non-Linearity .223 Working with the Gameplay.224 The Dream .225 Chapter 72 Game Analysis: Loom .227 Focused Game Mechanics .228 User Interface .230 The Drafts System .231 Difficulty .233 Story .233 Loom as an Adventure Game .235 Chapter 13 Multi-Player .237 Motivations .238 The Forms .239 Single System Multi-Player .239 Online Multi-Player .241 xi Contents Design Considerations. 242 Playing to Strengths .244 Protect Newbies .246 Socialization .248 Development Issues .251 Playtesting and User Feedback .253 A World of Their Own .256 Chapter 14 Interview: Chris Crawford .257 Chapter 75 Getting the Gameplay Working .281 The Organic Process .283 Too Much Too Soon .283 Keep It Simple .285 Building the Game .286 Core Technology .286 Incremental Steps .287 A Fully Functional Area .288 Going Through Changes .290 Programming .291 When Is It Fun? .293 Chapter 76 Game Analysis: Myth: The Fallen Lords .296 Use of Technology . 297 Game Focus . 300 Storytelling . 301 Hard-Core Gaming . 302 Multi-Player . 303 A Cohesive Whole . 304 Chapter 7 7 Game Development Documentation .306 Document Your Game .308 Concept Document, Pitch Document, or Proposal .308 Competitive Analysis .309 Design Document .309 Flowcharts .311 Story Bible .'. . 311 Script .313 Art Bible .315 The Game Minute .316 Storyboards.317 Technical Design Document .317 Schedules and Business/Marketing Documents .318 No Standard Documentation .319 The Benefits of Documentation .319 XII Contents Chapter 78 Interview: Jordan Mechner.320 Chapter 19 The Design Document .355 The Writing Style.357 The Sections .359 Table of Contents.360 Introduction/Overview or Executive Summary .360 Game Mechanics .361 Artificial Intelligence .366 Game Elements: Characters, Items, and Objects/Mechanisms . 369 Story Overview .371 Game Progression .371 System Menus .373 One Man's Opinion .373 Inauspicious Design Documents .374 The Wafer-Thin or Ellipsis Special Document .374 The Back-Story Tome .375 The Overkill Document .376 The Pie-in-the-Sky Document .377 The Fossilized Document .378 A Matter of Weight .379 Getting It Read .380 Documentation Is Only the Beginning .380 Chapter 20 Game Analysis: The Sims .382 Abdicating Authorship .383 Familiar Subject Matter .384 Safe Experimentation .386 Depth and Focus .386 Interface .387 Controlled Versus Autonomous Behavior .389 A Lesson to Be Learned .390 Chapter 21 Designing Design Tools .392 Desired Functionality .394 Visualizing the Level .394 The Big Picture .396 Jumping into the Game .397 Editing the World .399 Scripting Languages and Object Behaviors .400 Us Versus Them .403 The Best of Intentions .405 A Game Editor for All Seasons .406 XIII Contents Chapter 22 Interview: Will Wright .408 Chapter 23 Level Design.449 Levels in Different Games .450 Level Separation.451 Level Order.453 The Components of a Level.454 Action .455 Exploration .456 Puzzle Solving .457 Storytelling .458 Aesthetics .459 Balancing It All .460 Level Flow .460 Elements of Good Levels .463 Players Cannot Get Stuck .463 Sub-Goals .463 Landmarks .464 Critical Path .465 Limited Backtracking .465 Success the First Time .465 Navigable Areas Clearly Marked .466 Choices .466 A Personal List .466 The Process .467 Step 1. Preliminary .467 Step 2. Conceptual and Sketched Outline .468 Step 3. Base Architecture/Block Out .469 Step 4. Refine Architecture Until It Is Fun .469 Step 5. Base Gameplay.470 Step 6. Refine Gameplay Until It Is Fun .471 Step 7. Refine Aesthetics .471 Step 8. Playtesting .472 Process Variations .472 Who Does Level Design? .473 Collaboration . 474 Chapter 24 Game Analysis: Grand Theft Auto III .475 Believable Game-World .476 A Living City . \ \ [ ' [.[[ 477 Actions and Consequences . 480 Storytelling . . Chapter 25 Playtesting . ^ 483 Finding the Right Testers .'.484 Who Should Test .'. 485 xiv Contents Who Should Not Test .487 When to Test .489 HowtoTest .491 Guided and Unguided Testing .492 Balancing .493 Your Game Is Too Hard .495 The Artistic Vision .497 Chapter 26 Interview: Doug Church .500 Conclusion .532 Art .532 The Medium .533 The Motive .534 Appendix A Sample Design Document: Atomic 5am .535 I. Overview .539 II. Game Mechanics .540 III. Artificial Intelligence .555 IV Game Elements .561 V Story Overview .571 VI. Game Progression .572 VII. Bibliography .578 Appendix В Sample Design Document: The Suffering .579 Section I: Introduction .587 Section II: Game Mechanics .588 Section III: Resources .617 Section IV: NPCs .622 Section VI: Gameflow .638 Section VII: Maps .646 Section VIII: Menus .651 Glossary .655 Selected Bibliography .672 Index .677 XV W ORDW ARI GAMI- DI VI LOPIRS LIBRARY GANE DESIGN PRACTICE SECOND EDITION "Both burgeoning game designers and devoted gamers should consider [Game Design: Theory & Practice] an essential read." — Computer Gaming World In the second edition to the acclaimed Game Design: Theory & Practice, designer Richard Rouse III balances a discussion of the essential concepts behind game design with an explanation of how you can implement them in your current project. Detailed analysis of successful games is interwoven with concrete examples from Rouse's own experience. This second edition thoroughly updates the popular original with new chapters and fully revised text. ^· Follow the entire game development process, from brainstorming a game idea and establishing the focus to getting the gameplay working and playtesting. ^ Learn the techniques of top game designers through in-depth interviews: Doug Church, Thief, System Shock, Ultima Underworld Chris Crawford, Balance of Power, Eastern Front (1941) Ed Logg, Asteroids, Centipede, Gauntlet Jordan Mechner, Prince of Persia, Karateka, The Last Express Sid Meier, Civilization, Pirates!, Railroad Tycoon, Gettysburg! Steve Meretzky, The Hitchhiker's Guide to the Galaxy, Planetfall, Zork Zero Will Wright, SimCity, The Sims V Learn how to most effectively document your game ideas. Includes the full design document for the action-horror game The Suffering. "Ultimately, in both theory and practice, Rouse's Game Design bible gets the job done. Let us pray." — Next Generation magazine About the author: Richard Rouse III is design director at Surreal Software, a Midway Home Entertainment studio. Most recently, he was project lead, lead designer, and writer on the action-horror game The Suffering. His credits also include Drakan: The Ancients ' Gates, Centipede 3D, Damage Incorporated, and Odyssey: The Legend of Nemesis. Rouse has written about game design for publications including Game Developer, SIGGRAPH Computer Graphics, Develop, Gamasutra, My VideoGames. com, and Inside Mac Games, and has spoken on game development numerous times at the Electronic Entertainment Expo.
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id	DE-604.BV021407056
illustrated	Illustrated
index_date	2024-07-02T14:03:22Z
indexdate	2024-07-09T20:36:00Z
institution	BVB
isbn	1556229127
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-014658589
oclc_num	55797935
open_access_boolean
owner	DE-Aug4 DE-1102 DE-523 DE-703 DE-355 DE-BY-UBR
owner_facet	DE-Aug4 DE-1102 DE-523 DE-703 DE-355 DE-BY-UBR
physical	XXIV, 698 S. Ill. 1 CD-ROM (12 cm)
publishDate	2005
publishDateSearch	2005
publishDateSort	2005
publisher	Wordware Publ.
record_format	marc
series2	Wordware game developer's library
spelling	Rouse, Richard Verfasser aut Game design theory & practice Richard Rouse 2. ed. Plano, Tex. Wordware Publ. 2005 XXIV, 698 S. Ill. 1 CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Wordware game developer's library Computer games Programming Computerspiel (DE-588)4010457-6 gnd rswk-swf Entwicklung (DE-588)4113450-3 gnd rswk-swf Computerspiel (DE-588)4010457-6 s Entwicklung (DE-588)4113450-3 s DE-604 Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014658589&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014658589&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext
spellingShingle	Rouse, Richard Game design theory & practice Computer games Programming Computerspiel (DE-588)4010457-6 gnd Entwicklung (DE-588)4113450-3 gnd
subject_GND	(DE-588)4010457-6 (DE-588)4113450-3
title	Game design theory & practice
title_auth	Game design theory & practice
title_exact_search	Game design theory & practice
title_exact_search_txtP	Game design theory & practice
title_full	Game design theory & practice Richard Rouse
title_fullStr	Game design theory & practice Richard Rouse
title_full_unstemmed	Game design theory & practice Richard Rouse
title_short	Game design
title_sort	game design theory practice
title_sub	theory & practice
topic	Computer games Programming Computerspiel (DE-588)4010457-6 gnd Entwicklung (DE-588)4113450-3 gnd
topic_facet	Computer games Programming Computerspiel Entwicklung
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014658589&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014658589&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT rouserichard gamedesigntheorypractice

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