Don DeLillo: the possibility of fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Routledge
2006
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Routledge transnational perspectives on American literature
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XII, 252 S. Ill. |
| ISBN: | 0415309816 9780415309813 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents
Figures
ix
Preface
and acknowledgements
χ
Abbreviations
xiii
Introduction: the possibility of fiction
1
PART I
The
1970s 17
1
Americana: Americana, End Zone, Great Jones Street
19
Silent with ansivers: early DeLillo and the canon
19
American Bethlehem: art as redemption
22
Cliché,
tautology and the possibility of fiction
35
2
The historical counterfunction: Katner s Star, Players,
Running
Oog
50
Messages to ourselves
50
Dreams beyond our grasp
60
Lost historical categories
68
PART II
The
1980s
3
Writing and apostasy: The Names
4
Death and the avant-garde:
Wbite
Noise
5
Becoming historical: Libra
PART HI
The
1990s 155
6
Terrorism and globalisation: Mao II
157
7
The work of death: Underworld
176
Ecstasy and apocalypse
176
Uncycled memory
195
CODA
Ground Zero
213
8
The body of history: The Body Artist,
Cosmopolis
215
Notes
233
Index
248
DeüUo s
writing: has been concerned, from its inception, with
thinking about how fiction has developed from theendof the Second
World War. This book reads the whole of Don DeUUa s
oeuvre
to
date -from Americana to Cosmopotis -and asks how far his writing
can be thought of as an enactment of the possibilities of literary
fiction in contemporary global culture.
DeUUo s work offers an analysis of the ways in which the
globalisation of capital, the end of the modernist avant-garde, and
the expansion of US military and economic power have transformed
the production affiction. The writer as a social critic, as a figure who
helps us to think and see , is under threat in DeLillo s writing from
new forms of mass communication; and ever mare advanced modes
of surveillance and control. But if his writing charts the
disappearance of critical fiction, then it also develops new forms
irr
which fiction might persist under new global conditions.
This is the first book to
afferà
reading of DeLillo s complete
oeuvre
in the light of
9/11,
and of the new global power relations that have
come about in the wake of the attacks. In reading DeLillo s
ambivalent engagement with globalisation, and with global
terrorism, Peter
Boxali
suggests ways in which his writing might
help us to think about the possibilities of fiction in the post-9/11
global context.
|
| adam_txt |
Contents
Figures
ix
Preface
and acknowledgements
χ
Abbreviations
xiii
Introduction: the possibility of fiction
1
PART I
The
1970s 17
1
Americana: Americana, End Zone, Great Jones Street
19
Silent with ansivers: early DeLillo and the canon
19
American Bethlehem: art as redemption
22
Cliché,
tautology and the possibility of fiction
35
2
The historical counterfunction: Katner's Star, Players,
Running
Oog
50
Messages to ourselves
50
Dreams beyond our grasp
60
Lost historical categories
68
PART II
The
1980s
3
Writing and apostasy: The Names
4
Death and the avant-garde:
Wbite
Noise
5
Becoming historical: Libra
PART HI
The
1990s 155
6
Terrorism and globalisation: Mao II
157
7
The work of death: Underworld
176
Ecstasy and apocalypse
176
Uncycled memory
195
CODA
Ground Zero
213
8
The body of history: The Body Artist,
Cosmopolis
215
Notes
233
Index
248
DeüUo's
writing: has been concerned, from its inception, with
thinking about how fiction has developed from theendof the Second
World War. This book reads the whole of Don DeUUa's
oeuvre
to
date -from Americana to Cosmopotis -and asks how far his writing
can be thought of as an enactment of the possibilities of literary
fiction in contemporary global culture.
DeUUo's work offers an analysis of the ways in which the
globalisation of capital, the end of the modernist avant-garde, and
the expansion of US military and economic power have transformed
the production affiction. The writer as a social critic, as a figure who
helps us to 'think and see', is under threat in DeLillo's writing from
new forms of mass communication; and ever mare advanced modes
of surveillance and control. But if his writing charts the
disappearance of critical fiction, then it also develops new forms
irr
which fiction might persist under new global conditions.
This is the first book to
afferà
reading of DeLillo's complete
oeuvre
in the light of
9/11,
and of the new global power relations that have
come about in the wake of the attacks. In reading DeLillo's
ambivalent engagement with globalisation, and with global
terrorism, Peter
Boxali
suggests ways in which his writing might
help us to think about the possibilities of fiction in the post-9/11
global context. |
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| illustrated | Illustrated |
| index_date | 2024-07-02T13:58:35Z |
| indexdate | 2024-07-09T20:35:34Z |
| institution | BVB |
| isbn | 0415309816 9780415309813 |
| language | English |
| lccn | 2005009266 |
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| subject_GND | (DE-588)118889664 (DE-588)4050479-7 |
| title | Don DeLillo the possibility of fiction |
| title_auth | Don DeLillo the possibility of fiction |
| title_exact_search | Don DeLillo the possibility of fiction |
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| title_full | Don DeLillo the possibility of fiction Peter Boxall |
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| title_full_unstemmed | Don DeLillo the possibility of fiction Peter Boxall |
| title_short | Don DeLillo |
| title_sort | don delillo the possibility of fiction |
| title_sub | the possibility of fiction |
| topic | DeLillo, Don Criticism and interpretation DeLillo, Don 1936- (DE-588)118889664 gnd Roman (DE-588)4050479-7 gnd |
| topic_facet | DeLillo, Don Criticism and interpretation DeLillo, Don 1936- Roman |
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