Holdings: The portable film school

The portable film school: everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers

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Bibliographic Details
Main Author:	Gilles, D. B. (Author)
Format:	Book
Language:	English
Published:	New York St. Martin's Griffin 2005
Edition:	1. ed.
Subjects:	Film Motion pictures > Production and direction Motion picture authorship
Online Access:	Inhaltsverzeichnis
Item Description:	Includes bibliographical references and index
Physical Description:	xi, 252 p.
ISBN:	0312347383

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MARC


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Record in the Search Index

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adam_text	The Portable Film School Everything you d Learn in Film School (Without Ever Going to Class) D B Gilles St Martin s Griffin New York OJ Contents Acknowledgments xiii Part I: Curriculum Orientation: When Film School Isn t an Option 3 Colloquium: Why All Screenwriters Are Directors 5 Part II: Storytelling Lecture 1 : First Get the Story, Then Worry About How to Tell It 13 Lecture 2: Don t Be Intimidated by Rules-Embrace Them 17 Lecture 3: Some of Your Best Ideas Will Come from Other People 21 Lecture 4: Four Short Writing Exercises That You Might Think Are Stupid and a Waste of Time but Aren t (Trust Me) 24 Lecture 5: Writing the Short Screenplay: Don t Run a Marathon Before You Do Wind Sprints 33 Lecture 6: How to Rewrite Your Short Screenplay (Despite the Fact That You Think It s Perfect) 38 Colloquium: Making Your Short Screenplay: The Fear Before the Knowledge 41 x - Contents Part III: Filmmaking Lecture 7: Stuff You Need to Know About Making Your Screenplay, Whether It s 8 pages or 108 Pages 47 Lecture 8: Directing the Actor 52 Lecture 9: Filmmaking Pitfalls 57 Lecture 10: Lights! Camera! Action! Editing! 67 Colloquium: When You re Ready to Shoot on Film 73 Part IV: Dialogue and Characterization Lecture 11: You Talk Too Much Get Some Boundaries And Who Are You, Really? I Mean, Really? 85 Colloquium: Before Jack Was Jack: The Lesson of Five Easy Pieces 90 Part V: Screenwriting Lecture 12: On to the Full-Length Screenplay 97 Colloquium: The Well-Made Screenplay 149 Lecture 13: To Make a Long Story Short 155 Lecture 14: Why Less Is More Isn t Always True 163 Colloquium: The Conscious Mind Is the Last to Know 166 Lecture 15: The Screenplay That Wouldn t End 170 Lecture 16: Finding Your Voice: Comedy 174 Lecture 17: Finding Your Voice: Drama 178 Lecture 18: Are You Cheap or Deep? 182 Lecture 19: Diving Headfirst into Your Full-Length Screenplay 187 Part VI: How to Be a Well-Rounded Writer, Director, and All-round Film Buff Lecture 20: Create Your Own Cinema Studies Department 195 Lecture 21: The Importance of a Good Read 199 Lecture 22: More Stuff You Should Know About Writing 202 Colloquium: How to Avoid Getting Screwed in Hollywood 212 Contents - xi Lecture 23: Stuff to Mull Over (During Writer s Block and Other Dry Periods) 224 Lecture 24: Avoid People Without a Plan , 232 Lecture 25: It s Not Who You Know; It s Who You Get to Know 235 Last Class: A Final Exam of Sorts 240 Resources 243 Index • 247 About the Author 253
adam_txt	The Portable Film School Everything you'd Learn in Film School (Without Ever Going to Class) D B Gilles St Martin's Griffin New York OJ Contents Acknowledgments xiii Part I: Curriculum Orientation: When Film School Isn't an Option 3 Colloquium: Why All Screenwriters Are Directors 5 Part II: Storytelling Lecture 1 : First Get the Story, Then Worry About How to Tell It 13 Lecture 2: Don't Be Intimidated by Rules-Embrace Them 17 Lecture 3: Some of Your Best Ideas Will Come from Other People 21 Lecture 4: Four Short Writing Exercises That You Might Think Are Stupid and a Waste of Time but Aren't (Trust Me) 24 Lecture 5: Writing the Short Screenplay: Don't Run a Marathon Before You Do Wind Sprints 33 Lecture 6: How to Rewrite Your Short Screenplay (Despite the Fact That You Think It's Perfect) 38 Colloquium: Making Your Short Screenplay: The Fear Before the Knowledge 41 x - Contents Part III: Filmmaking Lecture 7: Stuff You Need to Know About Making Your Screenplay, Whether It's 8 pages or 108 Pages 47 Lecture 8: Directing the Actor 52 Lecture 9: Filmmaking Pitfalls 57 Lecture 10: Lights! Camera! Action! Editing! 67 Colloquium: When You're Ready to Shoot on Film 73 Part IV: Dialogue and Characterization Lecture 11: You Talk Too Much Get Some Boundaries And Who Are You, Really? I Mean, Really? 85 Colloquium: Before Jack Was Jack: The Lesson of Five Easy Pieces 90 Part V: Screenwriting Lecture 12: On to the Full-Length Screenplay 97 Colloquium: The Well-Made Screenplay 149 Lecture 13: To Make a Long Story Short 155 Lecture 14: Why Less Is More Isn't Always True 163 Colloquium: The Conscious Mind Is the Last to Know 166 Lecture 15: The Screenplay That Wouldn't End 170 Lecture 16: Finding Your Voice: Comedy 174 Lecture 17: Finding Your Voice: Drama 178 Lecture 18: Are You Cheap or Deep? 182 Lecture 19: Diving Headfirst into Your Full-Length Screenplay 187 Part VI: How to Be a Well-Rounded Writer, Director, and All-round Film Buff Lecture 20: Create Your Own Cinema Studies Department 195 Lecture 21: The Importance of a Good Read 199 Lecture 22: More Stuff You Should Know About Writing 202 Colloquium: How to Avoid Getting Screwed in Hollywood 212 Contents - xi Lecture 23: Stuff to Mull Over (During Writer's Block and Other Dry Periods) 224 Lecture 24: Avoid People Without a Plan , 232 Lecture 25: It's Not Who You Know; It's Who You Get to Know 235 Last Class: A Final Exam of Sorts 240 Resources 243 Index • 247 About the Author 253
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spelling	Gilles, D. B. Verfasser aut The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles 1. ed. New York St. Martin's Griffin 2005 xi, 252 p. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Film Motion pictures Production and direction Motion picture authorship HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014639662&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Gilles, D. B. The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers Film Motion pictures Production and direction Motion picture authorship
title	The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers
title_auth	The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers
title_exact_search	The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers
title_exact_search_txtP	The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers
title_full	The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles
title_fullStr	The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles
title_full_unstemmed	The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles
title_short	The portable film school
title_sort	the portable film school everything you d learn in film school without ever going to class for screenwriters and filmmakers
title_sub	everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers
topic	Film Motion pictures Production and direction Motion picture authorship
topic_facet	Film Motion pictures Production and direction Motion picture authorship
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