The portable film school: everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
St. Martin's Griffin
2005
|
| Ausgabe: | 1. ed. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xi, 252 p. |
| ISBN: | 0312347383 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV021319234 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 060202s2005 xxu |||| 00||| eng d | ||
| 010 | |a 2005010404 | ||
| 020 | |a 0312347383 |9 0-312-34738-3 | ||
| 035 | |a (DE-599)BVBBV021319234 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-M472 | ||
| 050 | 0 | |a PN1995.9.P7 | |
| 100 | 1 | |a Gilles, D. B. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a The portable film school |b everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers |c D. B. Gilles |
| 250 | |a 1. ed. | ||
| 264 | 1 | |a New York |b St. Martin's Griffin |c 2005 | |
| 300 | |a xi, 252 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures |x Production and direction | |
| 650 | 4 | |a Motion picture authorship | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014639662&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-014639662 | ||
Datensatz im Suchindex
| _version_ | 1804135127113007104 |
|---|---|
| adam_text | The Portable
Film School
Everything you d Learn in Film School
(Without Ever Going to Class)
D B Gilles
St Martin s Griffin
New York
OJ
Contents
Acknowledgments xiii
Part I: Curriculum
Orientation: When Film School Isn t an Option 3
Colloquium: Why All Screenwriters Are Directors 5
Part II: Storytelling
Lecture 1 : First Get the Story, Then Worry About How to Tell It 13
Lecture 2: Don t Be Intimidated by Rules-Embrace Them 17
Lecture 3: Some of Your Best Ideas Will Come from
Other People 21
Lecture 4: Four Short Writing Exercises That You Might Think
Are Stupid and a Waste of Time but Aren t (Trust Me) 24
Lecture 5: Writing the Short Screenplay: Don t Run a Marathon
Before You Do Wind Sprints 33
Lecture 6: How to Rewrite Your Short Screenplay (Despite the
Fact That You Think It s Perfect) 38
Colloquium: Making Your Short Screenplay: The Fear Before
the Knowledge 41
x - Contents
Part III: Filmmaking
Lecture 7: Stuff You Need to Know About Making
Your Screenplay, Whether It s 8 pages or 108 Pages 47
Lecture 8: Directing the Actor 52
Lecture 9: Filmmaking Pitfalls 57
Lecture 10: Lights! Camera! Action! Editing! 67
Colloquium: When You re Ready to Shoot on Film 73
Part IV: Dialogue and Characterization
Lecture 11: You Talk Too Much Get Some Boundaries
And Who Are You, Really? I Mean, Really? 85
Colloquium: Before Jack Was Jack: The Lesson of
Five Easy Pieces 90
Part V: Screenwriting
Lecture 12: On to the Full-Length Screenplay 97
Colloquium: The Well-Made Screenplay 149
Lecture 13: To Make a Long Story Short 155
Lecture 14: Why Less Is More Isn t Always True 163
Colloquium: The Conscious Mind Is the Last to Know 166
Lecture 15: The Screenplay That Wouldn t End 170
Lecture 16: Finding Your Voice: Comedy 174
Lecture 17: Finding Your Voice: Drama 178
Lecture 18: Are You Cheap or Deep? 182
Lecture 19: Diving Headfirst into Your Full-Length Screenplay 187
Part VI: How to Be a Well-Rounded Writer, Director, and
All-round Film Buff
Lecture 20: Create Your Own Cinema Studies Department 195
Lecture 21: The Importance of a Good Read 199
Lecture 22: More Stuff You Should Know About Writing 202
Colloquium: How to Avoid Getting Screwed in Hollywood 212
Contents - xi
Lecture 23: Stuff to Mull Over (During Writer s Block and
Other Dry Periods) 224
Lecture 24: Avoid People Without a Plan , 232
Lecture 25: It s Not Who You Know; It s Who You Get to Know 235
Last Class: A Final Exam of Sorts 240
Resources 243
Index • 247
About the Author 253
|
| adam_txt |
The Portable
Film School
Everything you'd Learn in Film School
(Without Ever Going to Class)
D B Gilles
St Martin's Griffin
New York
OJ
Contents
Acknowledgments xiii
Part I: Curriculum
Orientation: When Film School Isn't an Option 3
Colloquium: Why All Screenwriters Are Directors 5
Part II: Storytelling
Lecture 1 : First Get the Story, Then Worry About How to Tell It 13
Lecture 2: Don't Be Intimidated by Rules-Embrace Them 17
Lecture 3: Some of Your Best Ideas Will Come from
Other People 21
Lecture 4: Four Short Writing Exercises That You Might Think
Are Stupid and a Waste of Time but Aren't (Trust Me) 24
Lecture 5: Writing the Short Screenplay: Don't Run a Marathon
Before You Do Wind Sprints 33
Lecture 6: How to Rewrite Your Short Screenplay (Despite the
Fact That You Think It's Perfect) 38
Colloquium: Making Your Short Screenplay: The Fear Before
the Knowledge 41
x - Contents
Part III: Filmmaking
Lecture 7: Stuff You Need to Know About Making
Your Screenplay, Whether It's 8 pages or 108 Pages 47
Lecture 8: Directing the Actor 52
Lecture 9: Filmmaking Pitfalls 57
Lecture 10: Lights! Camera! Action! Editing! 67
Colloquium: When You're Ready to Shoot on Film 73
Part IV: Dialogue and Characterization
Lecture 11: You Talk Too Much Get Some Boundaries
And Who Are You, Really? I Mean, Really? 85
Colloquium: Before Jack Was Jack: The Lesson of
Five Easy Pieces 90
Part V: Screenwriting
Lecture 12: On to the Full-Length Screenplay 97
Colloquium: The Well-Made Screenplay 149
Lecture 13: To Make a Long Story Short 155
Lecture 14: Why Less Is More Isn't Always True 163
Colloquium: The Conscious Mind Is the Last to Know 166
Lecture 15: The Screenplay That Wouldn't End 170
Lecture 16: Finding Your Voice: Comedy 174
Lecture 17: Finding Your Voice: Drama 178
Lecture 18: Are You Cheap or Deep? 182
Lecture 19: Diving Headfirst into Your Full-Length Screenplay 187
Part VI: How to Be a Well-Rounded Writer, Director, and
All-round Film Buff
Lecture 20: Create Your Own Cinema Studies Department 195
Lecture 21: The Importance of a Good Read 199
Lecture 22: More Stuff You Should Know About Writing 202
Colloquium: How to Avoid Getting Screwed in Hollywood 212
Contents - xi
Lecture 23: Stuff to Mull Over (During Writer's Block and
Other Dry Periods) 224
Lecture 24: Avoid People Without a Plan , 232
Lecture 25: It's Not Who You Know; It's Who You Get to Know 235
Last Class: A Final Exam of Sorts 240
Resources 243
Index • 247
About the Author 253 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Gilles, D. B. |
| author_facet | Gilles, D. B. |
| author_role | aut |
| author_sort | Gilles, D. B. |
| author_variant | d b g db dbg |
| building | Verbundindex |
| bvnumber | BV021319234 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1995 |
| callnumber-raw | PN1995.9.P7 |
| callnumber-search | PN1995.9.P7 |
| callnumber-sort | PN 41995.9 P7 |
| callnumber-subject | PN - General Literature |
| ctrlnum | (DE-599)BVBBV021319234 |
| edition | 1. ed. |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01289nam a2200349zc 4500</leader><controlfield tag="001">BV021319234</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">060202s2005 xxu |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2005010404</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0312347383</subfield><subfield code="9">0-312-34738-3</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV021319234</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1995.9.P7</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Gilles, D. B.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The portable film school</subfield><subfield code="b">everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers</subfield><subfield code="c">D. B. Gilles</subfield></datafield><datafield tag="250" ind1=" " ind2=" "><subfield code="a">1. ed.</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">St. Martin's Griffin</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 252 p.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures</subfield><subfield code="x">Production and direction</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture authorship</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014639662&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-014639662</subfield></datafield></record></collection> |
| id | DE-604.BV021319234 |
| illustrated | Not Illustrated |
| index_date | 2024-07-02T13:58:27Z |
| indexdate | 2024-07-09T20:35:34Z |
| institution | BVB |
| isbn | 0312347383 |
| language | English |
| lccn | 2005010404 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-014639662 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| physical | xi, 252 p. |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | St. Martin's Griffin |
| record_format | marc |
| spelling | Gilles, D. B. Verfasser aut The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles 1. ed. New York St. Martin's Griffin 2005 xi, 252 p. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Film Motion pictures Production and direction Motion picture authorship HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014639662&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Gilles, D. B. The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers Film Motion pictures Production and direction Motion picture authorship |
| title | The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers |
| title_auth | The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers |
| title_exact_search | The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers |
| title_exact_search_txtP | The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers |
| title_full | The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles |
| title_fullStr | The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles |
| title_full_unstemmed | The portable film school everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers D. B. Gilles |
| title_short | The portable film school |
| title_sort | the portable film school everything you d learn in film school without ever going to class for screenwriters and filmmakers |
| title_sub | everything you'd learn in film school (without ever going to class) ; for screenwriters and filmmakers |
| topic | Film Motion pictures Production and direction Motion picture authorship |
| topic_facet | Film Motion pictures Production and direction Motion picture authorship |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014639662&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT gillesdb theportablefilmschooleverythingyoudlearninfilmschoolwithoutevergoingtoclassforscreenwritersandfilmmakers |