Hollywood's new radicalism: war, globalisation and the movies from Reagan to George W. Bush
This text is an account of the last 25 years of American cinema. The author tells the story of the corporate take-over of the movies in the 1970s, and the subsequent transformation of Hollywood into the dominant force in the global media industry. He explores the effect of such changes on radical an...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Tauris
2006
|
| Schriftenreihe: | Cinema and society series
|
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Zusammenfassung: | This text is an account of the last 25 years of American cinema. The author tells the story of the corporate take-over of the movies in the 1970s, and the subsequent transformation of Hollywood into the dominant force in the global media industry. He explores the effect of such changes on radical and liberal filmmakers. |
| Beschreibung: | XVI, 216 S. Ill. |
| ISBN: | 1845110250 1845111036 |
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Datensatz im Suchindex
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| adam_text | Contents
List of Illustrations
vii
Acknowledgements
ix
General
Editor s Introduction
xi
Introduction
xiii
Part One: The Inheritance
1
The creation of modern Hollywood
3
~ The movement last
time
6
~ Greed is good
11
~ The liberal Hollywood response
to Reagan
16
~ War
-
studio spectacle and directorial detrac¬
tors
21
~ Challenge of the creative community
26
~
Part Two: The Crisis of Hollywood Liberalism
31
The context for Clinton
33
~ Clinton, heroism and the liberal
Hollywood tradition
35
~ Globalisation and the alternative
media
exposé
of Clinton
41
~ The president s Hollywood
friends
45
~ Progressive Hollywood responds
-
the new anti-
corporate thread
53
~ Steven Soderbergh and the brief inde¬
pendent boom
59
~ Race and the independent movie
64
~
Money can t buy you Bill
75
~ Crisis of the progressive
agenda
80
~ Old heroes
-
Warren Beatty
85
~ New heroes
-
re¬
inventing the liberal tradition
89
~ The new liberal aesthetic
-
the individual in society
96
~
Part Three: The Next Generation
105
Ooooo! We hate Bush and we hate Bush
... 107
~ The new
movement
-
Seattle and Cradle Will Rock
113
~ Globalisation
and George Bush Jr
119
~ Local and global
125
~ Anti-
capitalism in the mainstream
132
~ Progressive ideology and
activism in Hollywood
137
~ The anti-capitalist aesthetic and
its ambiguous brother
146
~ Copying the independent gun
movie
151
~ Trans-national Hollywood business
156
~ Michael
Moore s radical documentary phenomenon
165
~ War, resist¬
ance, unity
172
~ Individualist film and the collective spirit
179
~ Hey!
Arnie,
the election
188
~
Epilogue
193
Notes
203
Index
212
teils
the
stary
of the corporate talse-ovei of the irawies in the
1
970s,
and the subsequent transfeimation of Hollywood into, the dominant
force in the global media industry. Writing from the intersection
■
where politics, society and cinema meet, he explores the effect of
such, changes on radical and liberal, filmmakers, including Warren
Beatty, Michael Moore and Sean
Pena.
Cogent film and political
analysis demonstrates how left-wing messages smuggled their way
into
1
980s movies, found a fuller voice in independent American
cinema during the
1
990s and flirted with mainstream popularity at
the start of the new millennium. Exclusive interviews with HoDywood
personalities uncover their sense of exile in the
1
980s, their
disillusionment with the Presidency of Bill Clinton and a growing
radicalism in the past decade. The story is brought up to date with
Dickenson s investigation of whether important figures in Hollywood
have now become key members of a vigorous left-wing opposition
to the Presidency of George W. Bush.
|
| adam_txt |
Contents
List of Illustrations
vii
Acknowledgements
ix
General
Editor's Introduction
xi
Introduction
xiii
Part One: The Inheritance
1
The creation of modern Hollywood
3
~ The movement last
time
6
~ 'Greed is good'
11
~ The liberal Hollywood response
to Reagan
16
~ War
-
studio spectacle and directorial detrac¬
tors
21
~ Challenge of the creative community
26
~
Part Two: The Crisis of Hollywood Liberalism
31
The context for Clinton
33
~ Clinton, heroism and the liberal
Hollywood tradition
35
~ Globalisation and the alternative
media
exposé
of Clinton
41
~ The president's Hollywood
friends
45
~ Progressive Hollywood responds
-
the new anti-
corporate thread
53
~ Steven Soderbergh and the brief inde¬
pendent boom
59
~ Race and the independent movie
64
~
Money can't buy you Bill
75
~ Crisis of the progressive
agenda
80
~ Old heroes
-
Warren Beatty
85
~ New heroes
-
re¬
inventing the liberal tradition
89
~ The new liberal aesthetic
-
the individual in society
96
~
Part Three: The Next Generation
105
'Ooooo! We hate Bush and we hate Bush
. 107
~ The new
movement
-
Seattle and Cradle Will Rock
113
~ Globalisation
and George Bush Jr
119
~ Local and global
125
~ Anti-
capitalism in the mainstream
132
~ Progressive ideology and
activism in Hollywood
137
~ The anti-capitalist aesthetic and
its ambiguous brother
146
~ Copying the independent gun
movie
151
~ Trans-national Hollywood business
156
~ Michael
Moore's radical documentary phenomenon
165
~ War, resist¬
ance, unity
172
~ Individualist film and the collective spirit
179
~ Hey!
Arnie,
the election
188
~
Epilogue
193
Notes
203
Index
212
teils
the
stary
of the corporate talse-ovei of the irawies in the
1
970s,
and the subsequent transfeimation of Hollywood into, the dominant
force in the global media industry. Writing from the intersection
■
where politics, society and cinema meet, he explores the effect of
such, changes on radical and liberal, filmmakers, including Warren
Beatty, Michael Moore and Sean
Pena.
Cogent film and political
analysis demonstrates how left-wing messages smuggled their way
into
1
980s movies, found a fuller voice in independent American
cinema during the
1
990s and flirted with mainstream popularity at
the start of the new millennium. Exclusive interviews with HoDywood
personalities uncover their sense of exile in the
1
980s, their
disillusionment with the Presidency of Bill Clinton and a growing
radicalism in the past decade. The story is brought up to date with
Dickenson's investigation of whether important figures in Hollywood
have now become key members of a vigorous left-wing opposition
to the Presidency of George W. Bush. |
| any_adam_object | 1 |
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| spelling | Dickenson, Ben Verfasser aut Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush Ben Dickenson London [u.a.] Tauris 2006 XVI, 216 S. Ill. txt rdacontent n rdamedia nc rdacarrier Cinema and society series This text is an account of the last 25 years of American cinema. The author tells the story of the corporate take-over of the movies in the 1970s, and the subsequent transformation of Hollywood into the dominant force in the global media industry. He explores the effect of such changes on radical and liberal filmmakers. Geschichte 1980-2005 gnd rswk-swf Filmindustrie gtt Politieke aspecten gtt Film Politik Motion picture industry United States Motion pictures Political aspects United States Film (DE-588)4017102-4 gnd rswk-swf Politik (DE-588)4046514-7 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Film (DE-588)4017102-4 s Politik (DE-588)4046514-7 s Geschichte 1980-2005 z DE-604 Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014630194&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014630194&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Dickenson, Ben Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush Filmindustrie gtt Politieke aspecten gtt Film Politik Motion picture industry United States Motion pictures Political aspects United States Film (DE-588)4017102-4 gnd Politik (DE-588)4046514-7 gnd |
| subject_GND | (DE-588)4017102-4 (DE-588)4046514-7 (DE-588)4078704-7 |
| title | Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush |
| title_auth | Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush |
| title_exact_search | Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush |
| title_exact_search_txtP | Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush |
| title_full | Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush Ben Dickenson |
| title_fullStr | Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush Ben Dickenson |
| title_full_unstemmed | Hollywood's new radicalism war, globalisation and the movies from Reagan to George W. Bush Ben Dickenson |
| title_short | Hollywood's new radicalism |
| title_sort | hollywood s new radicalism war globalisation and the movies from reagan to george w bush |
| title_sub | war, globalisation and the movies from Reagan to George W. Bush |
| topic | Filmindustrie gtt Politieke aspecten gtt Film Politik Motion picture industry United States Motion pictures Political aspects United States Film (DE-588)4017102-4 gnd Politik (DE-588)4046514-7 gnd |
| topic_facet | Filmindustrie Politieke aspecten Film Politik Motion picture industry United States Motion pictures Political aspects United States USA |
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