Books in motion: adaptation, intertextuality, authorship
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Amsterdam [u.a.]
Rodopi
2005
|
| Schriftenreihe: | Contemporary cinema
2 |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | 289 S. Ill. |
| ISBN: | 9042019573 |
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Datensatz im Suchindex
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| adam_text |
Books in Motion addresses the hybrid, interstitial field of film adaptation. The
introductory essay integrates a retrospective survey ol the development of
adaptation studies with a forceful argument about their centrality to any history
of culture
texts and meanings in and across cultures. The thirteen especially composed
essays that follow, organised into four sections headed 'Paradoxes of Fidelity',
'Authors,
Adaptation', variously illustrate that claim by problematising the notion ol
fidelity, highlighting the role played by adaptation in relation to changing
concepts of authorship and auteurism, exploring rhe extent to which the
intelligibility of film adaptations is dependent on contextual and intertextual
factors, and foregrounding the need to transcend any narrowly-defined concept
of adaptation. Discussion ranges from adaptations of established classics like
A Tale of Two Cities, Frankenstein, Henry V,
Pride and Prejudice, 'The Dead' or
texts/films like Bridget Jones's Diary, Fools, Jlie Governess, High Fidelity, T/:>e
Hours, 7)>e Orchid Tlnefi Adaptation, the work ol Doris
Potter novel/film, or the adaptations made by Alfred Hitchcock, Stanley Kubrick
and Walt Disney. This book will appeal to both a specialised readership and to
those accessing the dynamic field of adaptation studies for the first time.
Mireia Aragay is Senior Lecturer in English literature and film at the University
of Barcelona, Spain.
CONTENTS
List of Illustrations
Acknowledgements
Introduction
Reflection to Refraction: Adaptation Studies Then and Now
Mireia Aragay
Paradoxes of Fidelity
Harry Potter and the Fidelity Debate
Deborah Cartmell andlmelda Whelehan
What does Heathcliff Look Like? Performance in Peter
Kosminsky's Version of Emily Bronte's
Sara Martin
Dirk Bogarde's Sidney Carton
Character than Dickens Himself?
John Style
Authors,
Once Upon an Adaptation: Traces of the Authorial on Film
Karen Diehl
The Adapter as
Thomas Leitch
Adaptation and Autobiographical Auteurism: A Look at
Filmmaker/Writer Doris Dome
Margaret McCarthy
Contexts, Intertexts, Adaptation
John Huston's vs. James Joyce's The Dead
Manuel Barbeito
Politicising Adaptation: Re-historicising South African
Literature through Fools
Lindiwe Dovey
Adaptation, Appropriation, Retroaction: Symbolic Interaction
with Henry V
José Ángel García
Inf(l)ecting
and Adaptation
Mireia Aragay and Gemma
Beyond Adaptation
Beyond Adaptation: Frankenstein's Postmodern Progeny
Pedro Javier
Me, Me, Me: Film Narrators and the Crisis of Identity
Celestino Deleyto
Playing in a Minor Key: The Literary Past through the
Feminist Imagination
Belén Vidal
Notes on Contributors |
| adam_txt |
Books in Motion addresses the hybrid, interstitial field of film adaptation. The
introductory essay integrates a retrospective survey ol the development of
adaptation studies with a forceful argument about their centrality to any history
of culture
texts and meanings in and across cultures. The thirteen especially composed
essays that follow, organised into four sections headed 'Paradoxes of Fidelity',
'Authors,
Adaptation', variously illustrate that claim by problematising the notion ol
fidelity, highlighting the role played by adaptation in relation to changing
concepts of authorship and auteurism, exploring rhe extent to which the
intelligibility of film adaptations is dependent on contextual and intertextual
factors, and foregrounding the need to transcend any narrowly-defined concept
of adaptation. Discussion ranges from adaptations of established classics like
A Tale of Two Cities, Frankenstein, Henry V,
Pride and Prejudice, 'The Dead' or
texts/films like Bridget Jones's Diary, Fools, Jlie Governess, High Fidelity, T/:>e
Hours, 7)>e Orchid Tlnefi Adaptation, the work ol Doris
Potter novel/film, or the adaptations made by Alfred Hitchcock, Stanley Kubrick
and Walt Disney. This book will appeal to both a specialised readership and to
those accessing the dynamic field of adaptation studies for the first time.
Mireia Aragay is Senior Lecturer in English literature and film at the University
of Barcelona, Spain.
CONTENTS
List of Illustrations
Acknowledgements
Introduction
Reflection to Refraction: Adaptation Studies Then and Now
Mireia Aragay
Paradoxes of Fidelity
Harry Potter and the Fidelity Debate
Deborah Cartmell andlmelda Whelehan
What does Heathcliff Look Like? Performance in Peter
Kosminsky's Version of Emily Bronte's
Sara Martin
Dirk Bogarde's Sidney Carton
Character than Dickens Himself?
John Style
Authors,
Once Upon an Adaptation: Traces of the Authorial on Film
Karen Diehl
The Adapter as
Thomas Leitch
Adaptation and Autobiographical Auteurism: A Look at
Filmmaker/Writer Doris Dome
Margaret McCarthy
Contexts, Intertexts, Adaptation
John Huston's vs. James Joyce's The Dead
Manuel Barbeito
Politicising Adaptation: Re-historicising South African
Literature through Fools
Lindiwe Dovey
Adaptation, Appropriation, Retroaction: Symbolic Interaction
with Henry V
José Ángel García
Inf(l)ecting
and Adaptation
Mireia Aragay and Gemma
Beyond Adaptation
Beyond Adaptation: Frankenstein's Postmodern Progeny
Pedro Javier
Me, Me, Me: Film Narrators and the Crisis of Identity
Celestino Deleyto
Playing in a Minor Key: The Literary Past through the
Feminist Imagination
Belén Vidal
Notes on Contributors |
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| title | Books in motion adaptation, intertextuality, authorship |
| title_auth | Books in motion adaptation, intertextuality, authorship |
| title_exact_search | Books in motion adaptation, intertextuality, authorship |
| title_exact_search_txtP | Books in motion adaptation, intertextuality, authorship |
| title_full | Books in motion adaptation, intertextuality, authorship ed. by Mireia Aragay |
| title_fullStr | Books in motion adaptation, intertextuality, authorship ed. by Mireia Aragay |
| title_full_unstemmed | Books in motion adaptation, intertextuality, authorship ed. by Mireia Aragay |
| title_short | Books in motion |
| title_sort | books in motion adaptation intertextuality authorship |
| title_sub | adaptation, intertextuality, authorship |
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