60 lat Filharmonii im. Karola Szymanowskiego w Krakowie: 1945 - 2005
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | Polish |
| Veröffentlicht: |
Kraków
Filharmonia im. Karola Szymanowskiego
2004
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Abstract |
| Beschreibung: | Zsfassung in engl. Sprache |
| Beschreibung: | 291 S. Ill. |
| ISBN: | 8391798011 |
Internformat
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| 610 | 1 | 7 | |a Filharmonia Krakowska im. Karola Szymanowskiego - historia |2 jhpk |
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Datensatz im Suchindex
| _version_ | 1804135075547185152 |
|---|---|
| adam_text | Spis treści
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2.86
Summary
Although the first public concerts, foUowing
the French example of Concerts
organized in
and church celebrations by the
Wacław hrabia Sierakowski
century, but real roots of the Krakow s Philhar¬
monics should be found in activities of Friends of
Music Society established on November
in the Krakow s Republic, which had music popular¬
ization through organizing concerts as an aim.
The Friends of Music Society acted until
only, however it found successors in various and
numerous though ephemeral associations. A rise of
musical life in Krakow has happened ten years later
when the Music Society was established, led until
the WWI by the most prominent professors of
Jagiollonian University.
The town community thanks to the Music
Society and activities of the Krakow s Conceits
Management founded in
life. Before the WWI then outstanding European
musicians were guests in Krakow in a number.
Posters and newspapers named among others Josef
Joachim and Johannes Brahms, Anton Rubinstein
and Annette Esipow, Pablo
Bülow,
Casals and Fritz Kreisler. The philharmonic
orchestras from Prague (under
and Berlin (under Hans
outstanding artists of the time were also concerting
in Krakow. Local ensembles were well organized
and musically enough educated, that their conceit
repertoire covered masterpieces from Gomolka
psalms to Szymanowski pieces.
Beginning of the WWI broke down Krakow s
music life, however not for a long time. Already
in year
a Concert Bureau active with various intensity,
and despite all obstacles non-stop until summer
of
performed
In
active
Both agencies
in town
of Cracovians cooperating with the Music Society
in
mentioned Musicians Union organized in year
a symphony orchestra in
years later performed among other pieces,
all Beethoven symphonies including the 9th.
In year
brought to existence a Krakow s Philharmonics.
Through three seasons it was serving Krakow s and
Polish culture. Due to lack of appropriate financial
means it has completed activities in
year
hardship has been taken over by the Krakow s
Symphony Orchestra, based on the Opera orchestra
musicians. During two seasons, until the WWII,
it organized ten symphony morning concerts.
Nazis took over
By the end of October the General
(General Governorship) was found, with Krakow as
a capital. The General Governor dr Hans
seat on
In spring
dr. Hans
using various ways, including pressures, set soon
a several pieces orchestra. Krakow s musicians
in a large number former members of the Krakow s
Philharmonics and the Krakow s Symphony
Orchestras and outstanding instrumentalists
from Katowice,
personnel. The first performance took place at June
7th
on establishment of permanent symphony
orchestra subordinated directly to the General
Governor. Artistic director and the
became Hans
was taken in September
a concertmaster became Fritz
German in this several pieces ensemble.
In years
eight concerts during the season in the Urania
hall (old cinema
named this way by Germans, nowadays still the
Philharmonic seat), several serenade and chamber
concertos. The repertoire was carefully selected,
and included mostly pieces from a German cultural
circle of various epochs, but also a lot of Italian,
French and Slavic music: pieces by Tchaykovsky,
Rimsky-Korsakov (until June
Smetana.
playing Polish music was lifted, in the morning
concerts programs appeared pieces by Chopin,
Moniuszko, Karłowicz
The
highest performing level and was one of the best in
then Europe. After death of Hans
1942
conductor and cellist, brother of composer Paul
Hindemith. Hans Swarowsky replaced him on
Spring
By the end of June
the Philharmonic choir has started, and already
in November
by Haydn with this choir. In the choir beside
SUMMARY
singers, were also people of different professions:
accountants, doctors, clerics etc. Until year
in the choir were singing almost eighty persons,
and a number of employees cards doubled this
number, securing for many people fake working
papers (a fact known to Rudolf
particularly important after defeat of the Warsaw
Uprising and influx of refugees to Krakow. Both
in the orchestra and choir were saved outstanding
artists, which were main organizers of Polish music
life, educators, founders of music institutions in
ruined towns.
The last concert of the GG Philharmonics took
place in January 14th
occupation of Krakow was over.
The end of Nazi occupation was welcomed with
understandable euphoria. Thanks to a dedication
of the GG Philharmonics musicians and a haste
of Nazis leaving Krakow, all instruments and
a large scores library was saved. All efforts were
undertaken to present a Polish music concert
as quickly as possible.
Well-remembered concert was held on February
3rd
of:
F
a soloist and the Sixth
by Tchaykovskij.
The conductor was
Starting from that day concerts were held
regularly on Saturday afternoon (a curfew was
still imposed) and on Sunday afternoon, although
the State Philharmonics was officially established
as an institution on April 1st
a Philharmonic choir was set up and directed by
Zbigniew Soja,
choir members had to wait for another five years.
The first director of the Philharmonics was dr
Zygmunt
foreign guest: a violinist
a pianist
Philharmonics Orchestra under his conducting.
On May 25th the first concert for academic youth
was held. On May 30th in the hall by
Str.
It was the first presentation of Polish piece after
the WWII.
On November
a director of the State Krakow s Philharmonics. The
first conductor became
after moving of Maklaldewicz to
a director, the second one
of the most interesting Polish composers of 20th
century.
Polish music was a main item in concerts
programs. On the Philharmonic stage top Polish
artists performed. Beside them appeared a sizeable
group of foreign musicians among them the Czech
Philharmonics under Rafael Kubelik, superb French
pianist
conductor Franco
year were richer and resulting with interesting
repertoire.
On September
composer, community activist and educator became
the Philharmonic s director. During his term the
Philharmonic choir, then the best in the country,
changed status to professional, and the
Philharmonics became a main administrator of the
former Catholic House. This normalization of work
conditions influenced certainly a rise of artistic level
of the Philhar-monic ensembles. It found
a reflection not only on prizes granted for the State
Krakow s Philharmonics on the Festivals of Polish
Music, covering all country and its music
institutions, but also in big audience interest,
so starting on
introduced (starting from
Thursdays, Fridays and Saturdays). It was not only
novelty in Krakow s music life. In the second part
of November
niecka
by the Biernacki Organ workshop. There were then
only organs in philharmonic hall in Poland! Several
months later a next Philharmonic ensemble was
found: the Boys Choir recruited and led by weE
known Krakow s educator
Tadeusz Krzemiński
State Krakow s Philharmonics, who was linked
with the institution since war times, and
Wodiczko became artistic director and the
1st conductor. His program policy situated the
Philharmonics on top position in Poland. Music
critics and music aficionados from all Poland were
visiting Krakow for concerts. There was no other
place to familiarize with so broad presentation
of classical masterpieces of 20th century and
vocal/instrumental compositions of past centuries.
Fifties in
foreign artists and superb orchestras among them
Radio Budapest Orchestra, Dresden Philharmonic
Orchestra,
et
Orchestra under George Szell, The Philadelphia
Orchestra, led by Eugene Ormandy, Leningrad
Philharmonics under Jewgienij
Romande
Światosław
Ζδδ
Michelangelo, David Oystrach,
Rostropowicz,
Rubinstein,
were also concerts conducted by then beginning his
career
Bohdan Wodiczko,
the same position, who became known thanks to
great interpretations of
and with him the Philhar-monic ensembles in
went for the first foreign
the choir concerts, led by
spectacular successes of this ensemble. On the
Philharmonic stage for the first time on June 27th
1958
Michai Baranowski conducted the first performance
of his diploma composition. Then it was titled
Andante and Allegro, nowadays we know it as
Epitaphium
after the composer just in
triumphs, shocking and enchanting audience.
Soon showing to the world new works of the
great artists honor the State Krakow s Philharmonics
with.
Initiatives of the Krakow s Philharmonics
consecutive directors and artistic directors, as well
as chiefs of both Philharmonic choirs raised the
institutions
So
stage music vanguard and ancient masters like
Monteverdi pieces. Krakow s Philharmonics under
him visited every year the Warsaw Autumn Festival,
and chamber ensembles created by him were
touring Italy, Yugoslavia and the United States. He
also founded a festival promoting young performers
and a new music. Krakow s Young Musicians Spring
later changed to Krakow s Spring of Music festival
became a presentation of Polish music talents. In the
Festival s concerts framework were presented almost
all Polish and European virtuosos on verge of their
careers. Also during
March 29th
Szymanowski s death, the State Krakow s Philhar¬
monics got (together with Golden Medal of Krakow
Gty) a name of the great composer. It was a final
of efforts undertaken already in year
Henryk
director position has been noted with gorgeous
interpretations of vocal/ instrumental pieces by
among others Debussy, Haendl and Honegger, but
also with two concerts series, which are doing
credits for the Krakow s Philharmonics up to today.
The first one is organized together with the State
Higher Music School
the 39th edition).
The second initiative were the
(the meeting number
organized by the Philharmonics, together with
Polish Music Publishing and the State Art Collection
on
with interesting words read by luminaries of Polish
science and Polish stage stars.
Henryk Czyż
right after the first performance in
presentation of Passion according to Stlucas
by
and soloists:
Hiolski, Bernard
as a Narrator, created almost model interpretation
of the piece, later many times presented in concerts
hall and shrines of Europe. The
monics ensembles under
recordings of the Passion, receiving the Grand Prix
du
Passion according to SLLucas was not only
Krzysztof
Philharmonic ensembles in these times to Polish
audience for the first time. In
led the first Polish performance of
A year later in
a celebration of the monument
place,
irae oratorio performance.
Next Polish first performances of
Pendereclďs
artistic director, and later the Krakow s
Philharmonics
among others both parts
Magnificat
Jerzy Katlewicz
great vocal-instrumental masterpieces, superbly
constructing a form and architecture of pieces
music tensions. No wonder that during his term on
office in the Philharmonics repertoire appeared
almost all world Literature pieces of the genre, from
mighty psalm Dixit by Vivaldi and
Astergi
Strawinski
composers. Promoting Polish music
contemporary
of basic duties of the institution he run and he
patiently fulfilled these duties, for what he himself
and the Krakow s Philharmonics were many times
rewarded.
The Philharmonics covered by its activity not
only the town, but also all region of
Several competitions of international fame were
born within the Philharmonics structures. The first
one was the
SUMMARY Z89
Krynica,
great singer death anniversary. The second one is
founded in
Music, with artistic director
founder of CapeUa Cracoviensis, which for first
twelve years was functioning in the Philharmonics
structures before it became independent. So far the
third festival
although prepared by
1982
organization framework. For almost a quarter of
century the Philharmonics organized also summer
Tyniec
thousand years old, and then on March 6th
Polish music world celebrated opening after many
years of efforts the
in Zakopane s Atma villa, the Philharmonics
undertook a care over its musical part activity.
The Philharmonics concerts were for many years
a splendor to Zakopane s Days
of
Under directorship of
a period of the Philharmonics ensembles grand
voyages. Main, but not only the one subject of
artistic presentation abroad was Passion according
to St. Lucas by
1969/1970
ensembles under
in Budapest,
liege and Lisbon. Beside that the Krakow s
Philharmonics performed Requiem by Mozart in
Budapest, in Paris during Contemporary Music Days
and in Amiens with
Vienna presented to local audience various shapes
of Polish 20th century music, since the 2nd Symphony
by
violino e
by Szymanowski. At last in Lisbon beside Passion
old Polish choir music and parts of
of
In August
made the most exotic out of all artistic journeys
to Lebanon and Iran. In Baalbek in the Bekaa valley,
among Greek, Roman and Medieval ruins the
orchestra and choir under
participated in International Music Festival
organized there for sixteen years. In this unique
scenery, under starlit sky, sounds of Passion
according Stlukas by
by Lutosławsld,
by Mozart floated. Some days later Polish artists
had a concert in Iran. The shah Mohammed
Pahlavi and the Empress Farah Diba solemnly
celebrated
In between monuments of
Pendercela
In year
in Rome, Florence, Arezzo and Lucca, at the Flanders
Festival in Gent and on the Edinburgh Festival
(Krakow s Philharmonics presented there also pieces
by
Szymanowski); in
Musicale Fiorentino in
in Rotterdam (in Hague the choir
Adam
sectional concert, from anonymous ancient pieces
to contemporary ones) and the Athens Festival
in Athens have seen Krakow s version of
in
Beethoven Festival etc.
Such lively export activity of the Philhar¬
monics resulted with many distinctions. In April
1971
artistic achievements and promotion of Polish
music in Poland and abroad , in August
State Council presented Labor Banner medal
to the Philharmonics; in
Philharmonics was honored by the Foreign
Affairs Ministry with a diploma for outstanding
achievements in promotion of Polish culture
abroad ; the same year its director and artistic
director got a Medal of Polish Composers Union
in respect of superb merits in promotion of Polish
contemporary music .
In the country among many concerts with
leading artists from Poland and abroad worth to
remember is a series of fourteen recitals and organ
concerts of Bach music, what was live publishing
of the Leipzig cantor. In later years all organ master¬
pieces by
three times under the Philharmonic auspices.
The first time it was performed by
Merunowicz, and later twice by
During
overhaul of the Philharmonics building and
modernization of the concert hall and adjacent
rooms. Introducing of modern heating and lighting
of the building, adopting cellar rooms for vast
cloakrooms, broadening of the stage, furnishing
of the concert hall with new chairs, all happen
thanks to deputy director
economist and singer all his professional live
bonded and devoted to the Philharmonics.
Final of all renovation works was in December
was a handing over of new organs at the concert
hall. Beautiful, fifty-six voices instrument was
erected by VEB
Company.
29O
Thea
director of the Philharmonics, and artistic director
was
artists to
hosted among others:
Oystrach, Shura Cherkassky, Michel
Ecurie et
Hamburg and
Orchestra,
and
Stuttgart under
had possibility to admire art of Victoria
Angeles,
Narcis Yepes
A map of Krakow s Philharmonics artistic
journeys was constantly broadening. They were
playing in Finland and Norway, in France for the first
time at the La Chaise-Dieu Festival and Paris Festival
Estival.
Estate festival, in Rome s
and in Venetian St. Marco Basilica. Many of these
concerts abroad were under
but
and
Orchestra and Choir on European stages.
In January
Penderecki had concerts in the United States with
among others superb cellist Yo-Yo Ma. The Krakow s
ensemble played twice in Carnegie Hall. Together
with American choir of Washington and interna¬
tional soloists quartet performing there Polish
Requiem by
one in Carnegie Hall, and next day at Symphony
Hall in Boston the masterpiece was received
enthusiastically.
Relations of
Philharmonics expanded beyond accustomed habits
between an institution and guest conductor. The
composer became I certain sense the Philhar-monics
curer,
of
soon unexpected death of
lack of head director. When American artist Gilbert
Levine
Krzysztof
artistic directorship of the Philharmonics in
was two years on the position. Later in
an honorary artistic director of the institution.
Earlier, on autumn
of Manchester led by
Israel Philharmonics Orchestra under Zubin Mehta
were guests on the Philharmonics stage. The hall by
Zwierzyniecka
and there was no end of applauses.
In August
Levine
In La Chaise-Dieu Passion according SLLukas
was led by Gilbert
conducted unknown in Poland Requiem by Gosseck,
and
Krzysztof
framework of the Festival
gathered in Paris
know Polish Requiem, and in the Pleyel hall, and
later in Sion in Switzerland music lovers were
listening pieces of Verdi. This was one of the
biggest artistic tours in the Philharmonics history.
Artistic personnel were of
During the same year the Orchestra went for the
first time to Far East ~ to South Korea, to present in
Seoul pieces by Chopin and Wieniawski, and Mahler
and Shostakovich,
numerous audience.
Despite financial difficulties, which reach all
cultural institutions during economical transfor¬
mation, the
was always interesting, and guest artists
represented the highest class. For example in
during the Days of Organ Music concerts were
presented by among others Marie-Claire Alain,
Gillian Weir, Josef
European Music Festival framework for the first
time, and only time in
the
In December
Philharmonics and music aficionados.
On December 11th the Orchestra rehearsals has
completed as usual before
went empty. A silence came to usually noisy
building at
About
everybody rushed to rescue the Philharmonics,
part of the concert hall was destructed, harps,
double basses, and what is most important the
new organs burned down.
The philharmonians determination in rescuing
the building against destruction resulted with
almost immediate start of rebuilding works.
No even one concert was canceled due to the fire.
The Decision on reconstruction of burned out part
of the building was taken also immediately. It was
managed to make it through a half year, thanks
to then Krakow s governor
Joanna Wnuk-Nazarowa, then a new head director
of the Philharmonics, but also many artists from
Poland and abroad, who were collecting funds
for rebuilding of destructed building. On May
28*1992
SUMMARY
Sad moments reminded an organ dummy
closing the stage, but after such unbelievable quick
renovation of the hall all were faithful, that day will
come for a new excellent instrument. This faith
was generated by enthusiasm of Joanna
Nazarowa. Negotiations with organ erecting compa¬
nies soon started. Offer of
from Bonn was selected. And again started
collecting money for this purpose. New, beautiful,
instrument of precious sound was handed over in
October
all efforts to present new instrument from the best
side. In year
virtuosos: Marie Claire Alain, Ton
Preston, Lionel Rogg Marie Claire Alain had their
recitals. The Organ Music days in
of such names like among others Jennifer Bate,
Iain Quinn and Thomas
Music aficionados admired among others: Midori
and The Bach Ensemble of Joshua Rifkin,
Archipova and Vladimir
Roland
Vladimir Ponkin, related with the institution and
also all Polish top masters of a baton were working
with the Orchestra.
On November
became a minister of culture.
became her successor on the head director position.
Clearing of the institution financial matters failed
upon her. She successfully dealt not only with this
problem, but she organized the Philharmonics
performance, to make this institution fully
modern. She also provided a new artistic director
appointment. In March
presented to
During Anna
the Philharmonics ensembles took active part
in the
In the Philharmonics repertoire appeared also
pieces of various 20th century authors indicated
by
of the 20th century development.
The Chopin Year
in the Philharmonics activities. Masters of piano
among them: Paul Badura-Skoda,
Ian Fountain, Philippe Giusiano, Eugene
Garrick
Piotr Paleczny, Grigorij Sokołów, Aleksiej Sułtanów,
Jeffrey Swann
and concerts. For the first time arrived then to
Krakow
by J.S. Bach, Grieg and Szymanowsld.
Beginning of year
important in the Philharmonics
first time on the concert stage appeared Nigel
Kennedy, who naturalized in
Philharmonics, not only performing on regular
basis, but also becoming in
director. Work
superb, and inspiring musician, as Nigel Kennedy,
results in distinct development of the ensemble.
Last years of the Philharmonics activity were
recorded in music lovers memory by among other
magnificent recital of Emmy Kirkby, mighty
interpretation of King David by Honegger under
Tomasz
by
interpreted by Michael Zilm and many other
concerts, the leading European stages would not
consider as a disgrace.
Careful selection of repertoire and performers is
in a great measure
for the institution completely and familiar with
all its mechanisms, leading for thirty years the
Philharmonics Program Department.
The position of the institution is shown through
its ensembles artistic journeys. Out of
the few last English
mentioned, presentation of Credo by
Pendercela
Italian concerts with Mozart, Beethoven and Rossini
and the choir participation in Orleans Virgin by
Tchaykovskij performances at
Palermo in
Philharmonics choir in presentation of Credo by
Krzysztof
under the composer, in
mance at the Paul the 6th Hall in Vatican, the
orchestra concerts in Germany, the Netherlands.
Education activity, since beginning, run by the
Philharmonics should be added: very popular
concerts for children and initiated by
Strugała
for youth, and thousands through years of music
programs in schools and houses of culture.
Concerts, school programs, festivals, artistic
tours abroad
Karol
the town, region, country, Europe music map. But
the best legitimization is its aficionados, which
thanks for untiring hardship of the Philharmonics
could repeat words written someday by Jules
Renard:
If we could, I don t say, record, but prolong
moments of emotions, given by music, we would
be more than humans. To love music is one forth
of our happiness.
|
| adam_txt |
Spis treści
y
13
33
69
nj
171
213
248
230
231
236
263
.276
283
284
283
286
2.86
Summary
Although the first public concerts, foUowing
the French example of Concerts
organized in
and church celebrations by the
Wacław hrabia Sierakowski
century, but real roots of the Krakow's Philhar¬
monics should be found in activities of Friends of
Music Society established on November
in the Krakow's Republic, which had music popular¬
ization through organizing concerts as an aim.
The Friends of Music Society acted until
only, however it found successors in various and
numerous though ephemeral associations. A rise of
musical life in Krakow has happened ten years later
when the Music Society was established, led until
the WWI by the most prominent professors of
Jagiollonian University.
The town community thanks to the Music
Society and activities of the Krakow's Conceits
Management founded in
life. Before the WWI then outstanding European
musicians were guests in Krakow in a number.
Posters and newspapers named among others Josef
Joachim and Johannes Brahms, Anton Rubinstein
and Annette Esipow, Pablo
Bülow,
Casals and Fritz Kreisler. The philharmonic
orchestras from Prague (under
and Berlin (under Hans
outstanding artists of the time were also concerting
in Krakow. Local ensembles were well organized
and musically enough educated, that their conceit
repertoire covered masterpieces from Gomolka
psalms to Szymanowski pieces.
Beginning of the WWI broke down Krakow's
music life, however not for a long time. Already
in year
a Concert Bureau active with various intensity,
and despite all obstacles non-stop until summer
of
performed
In
active
Both agencies
in town
of Cracovians cooperating with the Music Society
in
mentioned Musicians Union organized in year
a symphony orchestra in
years later performed among other pieces,
all Beethoven symphonies including the 9th.
In year
brought to existence a Krakow's Philharmonics.
Through three seasons it was serving Krakow's and
Polish culture. Due to lack of appropriate financial
means it has completed activities in
year
hardship has been taken over by the Krakow's
Symphony Orchestra, based on the Opera orchestra
musicians. During two seasons, until the WWII,
it organized ten symphony morning concerts.
Nazis took over
By the end of October the General
(General Governorship) was found, with Krakow as
a capital. The General Governor dr Hans
seat on
In spring
dr. Hans
using various ways, including pressures, set soon
a several pieces orchestra. Krakow's musicians
in a large number former members of the Krakow's
Philharmonics and the Krakow's Symphony
Orchestras and outstanding instrumentalists
from Katowice,
personnel. The first performance took place at June
7th
on establishment of permanent symphony
orchestra subordinated directly to the General
Governor. Artistic director and the
became Hans
was taken in September
a concertmaster became Fritz
German in this several pieces ensemble.
In years
eight concerts during the season in the "Urania"
hall (old cinema
named this way by Germans, nowadays still the
Philharmonic seat), several serenade and chamber
concertos. The repertoire was carefully selected,
and included mostly pieces from a German cultural
circle of various epochs, but also a lot of Italian,
French and Slavic music: pieces by Tchaykovsky,
Rimsky-Korsakov (until June
Smetana.
playing Polish music was lifted, in the morning
concerts programs appeared pieces by Chopin,
Moniuszko, Karłowicz
The
highest performing level and was one of the best in
then Europe. After death of Hans
1942
conductor and cellist, brother of composer Paul
Hindemith. Hans Swarowsky replaced him on
Spring
By the end of June
the Philharmonic choir has started, and already
in November
by Haydn with this choir. In the choir beside
SUMMARY
singers, were also people of different professions:
accountants, doctors, clerics etc. Until year
in the choir were singing almost eighty persons,
and a number of employees cards doubled this
number, securing for many people fake working
papers (a fact known to Rudolf
particularly important after defeat of the Warsaw
Uprising and influx of refugees to Krakow. Both
in the orchestra and choir were saved outstanding
artists, which were main organizers of Polish music
life, educators, founders of music institutions in
ruined towns.
The last concert of the GG Philharmonics took
place in January 14th
occupation of Krakow was over.
The end of Nazi occupation was welcomed with
understandable euphoria. Thanks to a dedication
of the GG Philharmonics musicians and a haste
of Nazis leaving Krakow, all instruments and
a large scores library was saved. All efforts were
undertaken to present a Polish music concert
as quickly as possible.
Well-remembered concert was held on February
3rd
of:
F
a soloist and the Sixth
by Tchaykovskij.
The conductor was
Starting from that day concerts were held
regularly on Saturday afternoon (a curfew was
still imposed) and on Sunday afternoon, although
the State Philharmonics was officially established
as an institution on April 1st
a Philharmonic choir was set up and directed by
Zbigniew Soja,
choir members had to wait for another five years.
The first director of the Philharmonics was dr
Zygmunt
foreign guest: a violinist
a pianist
Philharmonics Orchestra under his conducting.
On May 25th the first concert for academic youth
was held. On May 30th in the hall by
Str.
It was the first presentation of Polish piece after
the WWII.
On November
a director of the State Krakow's Philharmonics. The
first conductor became
after moving of Maklaldewicz to
a director, the second one
of the most interesting Polish composers of 20th
century.
Polish music was a main item in concerts
programs. On the Philharmonic stage top Polish
artists performed. Beside them appeared a sizeable
group of foreign musicians among them the Czech
Philharmonics under Rafael Kubelik, superb French
pianist
conductor Franco
year were richer and resulting with interesting
repertoire.
On September
composer, community activist and educator became
the Philharmonic's director. During his term the
Philharmonic choir, then the best in the country,
changed status to professional, and the
Philharmonics became a main administrator of the
former Catholic House. This normalization of work
conditions influenced certainly a rise of artistic level
of the Philhar-monic ensembles. It found
a reflection not only on prizes granted for the State
Krakow's Philharmonics on the Festivals of Polish
Music, covering all country and its music
institutions, but also in big audience interest,
so starting on
introduced (starting from
Thursdays, Fridays and Saturdays). It was not only
novelty in Krakow's music life. In the second part
of November
niecka
by the Biernacki Organ workshop. There were then
only organs in philharmonic hall in Poland! Several
months later a next Philharmonic ensemble was
found: the Boys Choir recruited and led by weE
known Krakow's educator
Tadeusz Krzemiński
State Krakow's Philharmonics, who was linked
with the institution since war times, and
Wodiczko became artistic director and the
1st conductor. His program policy situated the
Philharmonics on top position in Poland. Music
critics and music aficionados from all Poland were
visiting Krakow for concerts. There was no other
place to familiarize with so broad presentation
of classical masterpieces of 20th century and
vocal/instrumental compositions of past centuries.
Fifties in
foreign artists and superb orchestras among them
Radio Budapest Orchestra, Dresden Philharmonic
Orchestra,
et
Orchestra under George Szell, The Philadelphia
Orchestra, led by Eugene Ormandy, Leningrad
Philharmonics under Jewgienij
Romande
Światosław
Ζδδ
Michelangelo, David Oystrach,
Rostropowicz,
Rubinstein,
were also concerts conducted by then beginning his
career
Bohdan Wodiczko,
the same position, who became known thanks to
great interpretations of
and with him the Philhar-monic ensembles in
went for the first foreign
the choir concerts, led by
spectacular successes of this ensemble. On the
Philharmonic stage for the first time on June 27th
1958
Michai Baranowski conducted the first performance
of his diploma composition. Then it was titled
Andante and Allegro, nowadays we know it as
Epitaphium
after the composer just in
triumphs, shocking and enchanting audience.
Soon showing to the world new works of the
great artists honor the State Krakow's Philharmonics
with.
Initiatives of the Krakow's Philharmonics
consecutive directors and artistic directors, as well
as chiefs of both Philharmonic choirs raised the
institutions
So
stage music vanguard and ancient masters like
Monteverdi pieces. Krakow's Philharmonics under
him visited every year the Warsaw Autumn Festival,
and chamber ensembles created by him were
touring Italy, Yugoslavia and the United States. He
also founded a festival promoting young performers
and a new music. Krakow's Young Musicians Spring
later changed to Krakow's Spring of Music festival
became a presentation of Polish music talents. In the
Festival's concerts framework were presented almost
all Polish and European virtuosos on verge of their
careers. Also during
March 29th
Szymanowski's death, the State Krakow's Philhar¬
monics got (together with Golden Medal of Krakow
Gty) a name of the great composer. It was a final
of efforts undertaken already in year
Henryk
director position has been noted with gorgeous
interpretations of vocal/ instrumental pieces by
among others Debussy, Haendl and Honegger, but
also with two concerts series, which are doing
credits for the Krakow's Philharmonics up to today.
The first one is organized together with the State
Higher Music School
the 39th edition).
The second initiative were the
(the meeting number
organized by the Philharmonics, together with
Polish Music Publishing and the State Art Collection
on
with interesting words read by luminaries of Polish
science and Polish stage stars.
Henryk Czyż
right after the first performance in
presentation of Passion according to Stlucas
by
and soloists:
Hiolski, Bernard
as a Narrator, created almost model interpretation
of the piece, later many times presented in concerts
hall and shrines of Europe. The
monics ensembles under
recordings of the Passion, receiving the Grand Prix
du
Passion according to SLLucas was not only
Krzysztof
Philharmonic ensembles in these times to Polish
audience for the first time. In
led the first Polish performance of
A year later in
a celebration of the monument
place,
irae oratorio performance.
Next Polish first performances of
Pendereclďs
artistic director, and later the Krakow's
Philharmonics
among others both parts
Magnificat
Jerzy Katlewicz
great vocal-instrumental masterpieces, superbly
constructing a form and architecture of pieces
music tensions. No wonder that during his term on
office in the Philharmonics repertoire appeared
almost all world Literature pieces of the genre, from
mighty psalm Dixit by Vivaldi and
Astergi
Strawinski
composers. Promoting Polish music
contemporary
of basic duties of the institution he run and he
patiently fulfilled these duties, for what he himself
and the Krakow's Philharmonics were many times
rewarded.
The Philharmonics covered by its activity not
only the town, but also all region of
Several competitions of international fame were
born within the Philharmonics structures. The first
one was the
SUMMARY Z89
Krynica,
great singer death anniversary. The second one is
founded in
Music, with artistic director
founder of CapeUa Cracoviensis, which for first
twelve years was functioning in the Philharmonics
structures before it became independent. So far the
third festival
although prepared by
1982
organization framework. For almost a quarter of
century the Philharmonics organized also summer
Tyniec
thousand years old, and then on March 6th
Polish music world celebrated opening after many
years of efforts the
in Zakopane's "Atma" villa, the Philharmonics
undertook a care over its musical part activity.
The Philharmonics concerts were for many years
a splendor to Zakopane's Days
of
Under directorship of
a period of the Philharmonics ensembles grand
voyages. Main, but not only the one subject of
artistic presentation abroad was Passion according
to St. Lucas by
1969/1970
ensembles under
in Budapest,
liege and Lisbon. Beside that the Krakow's
Philharmonics performed Requiem by Mozart in
Budapest, in Paris during Contemporary Music Days
and in Amiens with
Vienna presented to local audience various shapes
of Polish 20th century music, since the 2nd Symphony
by
violino e
by Szymanowski. At last in Lisbon beside Passion
old Polish choir music and parts of
of
In August
made the most exotic out of all artistic journeys
to Lebanon and Iran. In Baalbek in the Bekaa valley,
among Greek, Roman and Medieval ruins the
orchestra and choir under
participated in International Music Festival
organized there for sixteen years. In this unique
scenery, under starlit sky, sounds of Passion
according Stlukas by
by Lutosławsld,
by Mozart floated. Some days later Polish artists
had a concert in Iran. The shah Mohammed
Pahlavi and the Empress Farah Diba solemnly
celebrated
In between monuments of
Pendercela
In year
in Rome, Florence, Arezzo and Lucca, at the Flanders
Festival in Gent and on the Edinburgh Festival
(Krakow's Philharmonics presented there also pieces
by
Szymanowski); in
Musicale Fiorentino in
in Rotterdam (in Hague the choir
Adam
sectional concert, from anonymous ancient pieces
to contemporary ones) and the Athens Festival
in Athens have seen Krakow's version of
in
Beethoven Festival etc.
Such lively "export" activity of the Philhar¬
monics resulted with many distinctions. In April
1971
"artistic achievements and promotion of Polish
music in Poland and abroad", in August
State Council presented "Labor Banner" medal
to the Philharmonics; in
Philharmonics was honored by the Foreign
Affairs Ministry with a diploma for "outstanding
achievements in promotion of Polish culture
abroad"; the same year its director and artistic
director got a Medal of Polish Composers Union
"in respect of superb merits in promotion of Polish
contemporary music".
In the country among many concerts with
leading artists from Poland and abroad worth to
remember is a series of fourteen recitals and organ
concerts of Bach music, what was live publishing
of the Leipzig cantor. In later years all organ master¬
pieces by
three times under the Philharmonic auspices.
The first time it was performed by
Merunowicz, and later twice by
During
overhaul of the Philharmonics building and
modernization of the concert hall and adjacent
rooms. Introducing of modern heating and lighting
of the building, adopting cellar rooms for vast
cloakrooms, broadening of the stage, furnishing
of the concert hall with new chairs, all happen
thanks to deputy director
economist and singer all his professional live
bonded and devoted to the Philharmonics.
Final of all renovation works was in December
was a handing over of new organs at the concert
hall. Beautiful, fifty-six voices instrument was
erected by VEB
Company.
29O
Thea
director of the Philharmonics, and artistic director
was
artists to
hosted among others:
Oystrach, Shura Cherkassky, Michel
Ecurie et
Hamburg and
Orchestra,
and
Stuttgart under
had possibility to admire art of Victoria
Angeles,
Narcis Yepes
A map of Krakow's Philharmonics artistic
journeys was constantly broadening. They were
playing in Finland and Norway, in France for the first
time at the La Chaise-Dieu Festival and Paris" Festival
Estival.
Estate festival, in Rome's
and in Venetian St. Marco Basilica. Many of these
concerts abroad were under
but
and
Orchestra and Choir on European stages.
In January
Penderecki had concerts in the United States with
among others superb cellist Yo-Yo Ma. The Krakow's
ensemble played twice in Carnegie Hall. Together
with American choir of Washington and interna¬
tional soloists quartet performing there Polish
Requiem by
one in Carnegie Hall, and next day at Symphony
Hall in Boston the masterpiece was received
enthusiastically.
Relations of
Philharmonics expanded beyond accustomed habits
between an institution and guest conductor. The
composer became I certain sense the Philhar-monics
curer,
of
soon unexpected death of
lack of head director. When American artist Gilbert
Levine
Krzysztof
artistic directorship of the Philharmonics in
was two years on the position. Later in
an honorary artistic director of the institution.
Earlier, on autumn
of Manchester led by
Israel Philharmonics Orchestra under Zubin Mehta
were guests on the Philharmonics stage. The hall by
Zwierzyniecka
and there was no end of applauses.
In August
Levine
In La Chaise-Dieu Passion according SLLukas
was led by Gilbert
conducted unknown in Poland Requiem by Gosseck,
and
Krzysztof
framework of the Festival
gathered in Paris'
know Polish Requiem, and in the Pleyel hall, and
later in Sion in Switzerland music lovers were
listening pieces of Verdi. This was one of the
biggest artistic tours in the Philharmonics history.
Artistic personnel were of
During the same year the Orchestra went for the
first time to Far East ~ to South Korea, to present in
Seoul pieces by Chopin and Wieniawski, and Mahler
and Shostakovich,
numerous audience.
Despite financial difficulties, which reach all
cultural institutions during economical transfor¬
mation, the
was always interesting, and guest artists
represented the highest class. For example in
during the Days of Organ Music concerts were
presented by among others Marie-Claire Alain,
Gillian Weir, Josef
European Music Festival framework for the first
time, and only time in
the
In December
Philharmonics and music aficionados.
On December 11th the Orchestra rehearsals has
completed as usual before
went empty. A silence came to usually noisy
building at
About
everybody rushed to rescue the Philharmonics,
part of the concert hall was destructed, harps,
double basses, and what is most important the
new organs burned down.
The philharmonians determination in rescuing
the building against destruction resulted with
almost immediate start of rebuilding works.
No even one concert was canceled due to the fire.
The Decision on reconstruction of burned out part
of the building was taken also immediately. It was
managed to make it through a half year, thanks
to then Krakow's governor
Joanna Wnuk-Nazarowa, then a new head director
of the Philharmonics, but also many artists from
Poland and abroad, who were collecting funds
for rebuilding of destructed building. On May
28*1992
SUMMARY
Sad moments reminded an organ dummy
closing the stage, but after such unbelievable quick
renovation of the hall all were faithful, that day will
come for a new excellent instrument. This faith
was generated by enthusiasm of Joanna
Nazarowa. Negotiations with organ erecting compa¬
nies soon started. Offer of
from Bonn was selected. And again started
collecting money for this purpose. New, beautiful,
instrument of precious sound was handed over in
October
all efforts to present new instrument from the best
side. In year
virtuosos: Marie Claire Alain, Ton
Preston, Lionel Rogg Marie Claire Alain had their
recitals. The Organ Music days in
of such names like among others Jennifer Bate,
Iain Quinn and Thomas
Music aficionados admired among others: Midori
and The Bach Ensemble of Joshua Rifkin,
Archipova and Vladimir
Roland
Vladimir Ponkin, related with the institution and
also all Polish top masters of a baton were working
with the Orchestra.
On November
became a minister of culture.
became her successor on the head director position.
Clearing of the institution financial matters failed
upon her. She successfully dealt not only with this
problem, but she organized the Philharmonics
performance, to make this institution fully
modern. She also provided a new artistic director
appointment. In March
presented to
During Anna
the Philharmonics ensembles took active part
in the
In the Philharmonics repertoire appeared also
pieces of various 20th century authors indicated
by
of the 20th century development.
The Chopin Year
in the Philharmonics activities. Masters of piano
among them: Paul Badura-Skoda,
Ian Fountain, Philippe Giusiano, Eugene
Garrick
Piotr Paleczny, Grigorij Sokołów, Aleksiej Sułtanów,
Jeffrey Swann
and concerts. For the first time arrived then to
Krakow
by J.S. Bach, Grieg and Szymanowsld.
Beginning of year
important in the Philharmonics
first time on the concert stage appeared Nigel
Kennedy, who naturalized in
Philharmonics, not only performing on regular
basis, but also becoming in
director. Work
superb, and inspiring musician, as Nigel Kennedy,
results in distinct development of the ensemble.
Last years of the Philharmonics activity were
recorded in music lovers memory by among other
magnificent recital of Emmy Kirkby, mighty
interpretation of King David by Honegger under
Tomasz
by
interpreted by Michael Zilm and many other
concerts, the leading European stages would not
consider as a disgrace.
Careful selection of repertoire and performers is
in a great measure
for the institution completely and familiar with
all its mechanisms, leading for thirty years the
Philharmonics Program Department.
The position of the institution is shown through
its ensembles artistic journeys. Out of
the few last English
mentioned, presentation of Credo by
Pendercela
Italian concerts with Mozart, Beethoven and Rossini
and the choir participation in Orleans Virgin by
Tchaykovskij performances at
Palermo in
Philharmonics choir in presentation of Credo by
Krzysztof
under the composer, in
mance at the Paul the 6th Hall in Vatican, the
orchestra concerts in Germany, the Netherlands.
Education activity, since beginning, run by the
Philharmonics should be added: very popular
concerts for children and initiated by
Strugała
for youth, and thousands through years of music
programs in schools and houses of culture.
Concerts, school programs, festivals, artistic
tours abroad
Karol
the town, region, country, Europe music map. But
the best legitimization is its aficionados, which
thanks for untiring hardship of the Philharmonics
could repeat words written someday by Jules
Renard:
If we could, I don't say, record, but prolong
moments of emotions, given by music, we would
be more than humans. To love music is one forth
of our happiness. |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Woźniakowska, Anna |
| author_facet | Woźniakowska, Anna |
| author_role | aut |
| author_sort | Woźniakowska, Anna |
| author_variant | a w aw |
| building | Verbundindex |
| bvnumber | BV021286128 |
| ctrlnum | (OCoLC)69351063 (DE-599)BVBBV021286128 |
| era | Geschichte 1945-2005 gnd |
| era_facet | Geschichte 1945-2005 |
| format | Book |
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| genre | (DE-588)4135952-5 Quelle gnd-content |
| genre_facet | Quelle |
| id | DE-604.BV021286128 |
| illustrated | Illustrated |
| index_date | 2024-07-02T13:48:30Z |
| indexdate | 2024-07-09T20:34:44Z |
| institution | BVB |
| isbn | 8391798011 |
| language | Polish |
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| physical | 291 S. Ill. |
| publishDate | 2004 |
| publishDateSearch | 2004 |
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| publisher | Filharmonia im. Karola Szymanowskiego |
| record_format | marc |
| spelling | Woźniakowska, Anna Verfasser aut 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 Anna Woźniakowska Kraków Filharmonia im. Karola Szymanowskiego 2004 291 S. Ill. txt rdacontent n rdamedia nc rdacarrier Zsfassung in engl. Sprache Filharmonia Krakowska im. Karola Szymanowskiego - historia jhpk Filharmonia Im. Karola Szymanowskiego w Krakowie (DE-588)5093629-3 gnd rswk-swf Geschichte 1945-2005 gnd rswk-swf (DE-588)4135952-5 Quelle gnd-content Filharmonia Im. Karola Szymanowskiego w Krakowie (DE-588)5093629-3 b Geschichte 1945-2005 z DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014607063&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB Muenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014607063&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract |
| spellingShingle | Woźniakowska, Anna 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 Filharmonia Krakowska im. Karola Szymanowskiego - historia jhpk Filharmonia Im. Karola Szymanowskiego w Krakowie (DE-588)5093629-3 gnd |
| subject_GND | (DE-588)5093629-3 (DE-588)4135952-5 |
| title | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 |
| title_auth | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 |
| title_exact_search | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 |
| title_exact_search_txtP | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 |
| title_full | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 Anna Woźniakowska |
| title_fullStr | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 Anna Woźniakowska |
| title_full_unstemmed | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie 1945 - 2005 Anna Woźniakowska |
| title_short | 60 lat Filharmonii im. Karola Szymanowskiego w Krakowie |
| title_sort | 60 lat filharmonii im karola szymanowskiego w krakowie 1945 2005 |
| title_sub | 1945 - 2005 |
| topic | Filharmonia Krakowska im. Karola Szymanowskiego - historia jhpk Filharmonia Im. Karola Szymanowskiego w Krakowie (DE-588)5093629-3 gnd |
| topic_facet | Filharmonia Krakowska im. Karola Szymanowskiego - historia Filharmonia Im. Karola Szymanowskiego w Krakowie Quelle |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014607063&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014607063&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT wozniakowskaanna 60latfilharmoniiimkarolaszymanowskiegowkrakowie19452005 |