This is called moving: a critical poetics of film
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa
Univ. of Alabama Press
2005
|
| Schriftenreihe: | Modern and contemporary poetics
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XXV, 290 S. Ill. |
| ISBN: | 081731444X 0817351604 |
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Datensatz im Suchindex
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| adam_text | THIS IS CALLED MOVING
A Critical Poetics of Film
ABIGAIL CHILD
The University of Alabama Press
Tuscaloosa
Contents
List of Illustrations ix
Poetry in Motion
by Tom Gunning xi
Preface xxi
SEX TALK
Before Agreement 4
Rewire/Speak in Disagreement (With Sally Silvers) 8
Melodrama and Montage (On Nicole Brossard/
Hannah Weiner) 19
Sex Talk (With Camille Roy) 34
Sade s Motor 44
Active Theory 53
Active Theory 2: Antiphon 70
MATRIX
Cross-Referencing the Units of Sight and Sound/Film and
Language 87
Hand Signals Overcome Noise, Distance 91
Lined Up Bulk Senses (On Larry Eigner) 95
All Three Mixed Please 97
In the Darkest Night Dart These Bright Saloons (On Manuel
DeLanda/Vivienne Dick/Henry Hills) 104
Word of Mouth (On Aline Mayer) 108
Memory Works (On Len Lye) 110
Hand Signals 2 (On Mary Lattimore/Nancy Miller/
Anita Miles) 113
Baroque Cinema (On Warren Sonbert) 117
Deselective Attention (On Peter Kubelka/Martin Arnold/Bruce
Conner/Arthur Lipsett) 120
Sound Talk 132
Antiserum (On Luis Bunuel/Dan Eisenberg) 140
viii I Contents
Outside Topographies: Three Moments in Film (On Andy
Warhol/Dziga Vertov) 153
The Exhibit and the Circulation (On Dziga Vertov/
Sergei Eisenstein) 159
INTERROGATIONS
Time Corners Interview (With Charles Bernstein) 175
Prefaces 190
Preface for Prefaces: Part 1 of Is This What You Were Born For? 197
Mutiny 200
Locales Interview (With Michael Amnasan) 204
Covert Action 209
So This Is Called Moving? Interview (With Madeline Leskin) 215
Mayhem 228
A Motive for Mayhem 231
Mercy 237
The Furnished Frame and the Social Net 240
Being a Witness: Notes for B/side 245
Notes 265
Selected Works by the Author 281
Index 283
|
| adam_txt |
THIS IS CALLED MOVING
A Critical Poetics of Film
ABIGAIL CHILD
The University of Alabama Press
Tuscaloosa
Contents
List of Illustrations ix
Poetry in Motion
by Tom Gunning xi
Preface xxi
SEX TALK
Before Agreement 4
Rewire/Speak in Disagreement (With Sally Silvers) 8
Melodrama and Montage (On Nicole Brossard/
Hannah Weiner) 19
Sex Talk (With Camille Roy) 34
Sade's Motor 44
Active Theory 53
Active Theory 2: Antiphon 70
MATRIX
Cross-Referencing the Units of Sight and Sound/Film and
Language 87
Hand Signals Overcome Noise, Distance 91
Lined Up Bulk Senses (On Larry Eigner) 95
All Three Mixed Please 97
In the Darkest Night Dart These Bright Saloons (On Manuel
DeLanda/Vivienne Dick/Henry Hills) 104
Word of Mouth (On Aline Mayer) 108
Memory Works (On Len Lye) 110
Hand Signals 2 (On Mary Lattimore/Nancy Miller/
Anita Miles) 113
Baroque Cinema (On Warren Sonbert) 117
Deselective Attention (On Peter Kubelka/Martin Arnold/Bruce
Conner/Arthur Lipsett) 120
Sound Talk 132
Antiserum (On Luis Bunuel/Dan Eisenberg) 140
viii I Contents
Outside Topographies: Three Moments in Film (On Andy
Warhol/Dziga Vertov) 153
The Exhibit and the Circulation (On Dziga Vertov/
Sergei Eisenstein) 159
INTERROGATIONS
Time Corners Interview (With Charles Bernstein) 175
Prefaces 190
Preface for Prefaces: Part 1 of Is This What You Were Born For? 197
Mutiny 200
Locales Interview (With Michael Amnasan) 204
Covert Action 209
So This Is Called Moving? Interview (With Madeline Leskin) 215
Mayhem 228
A Motive for Mayhem 231
Mercy 237
The Furnished Frame and the Social Net 240
Being a Witness: Notes for B/side 245
Notes 265
Selected Works by the Author 281
Index 283 |
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