Verfügbarkeit: America's musical landscape

America's musical landscape:

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Bibliographische Detailangaben
1. Verfasser:	Ferris, Jean (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Boston [u.a.] McGraw-Hill Higher Education 2006
Ausgabe:	5. ed.
Schlagworte:	Geschichte Musik Music appreciation Music > United States > History and criticism USA
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	XXVII, 421 S. Ill., graph. Darst. 3 CDs (12 cm, Booklet)
ISBN:	9780072989199 007298919X 0072989203

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MARC


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Datensatz im Suchindex

_version_	1804134592470319104
adam_text	Contents . , f ■ -.ť. - ¡ -¡Af . ■ -■,; » .(»у l νΐ ïr f ¡ *■ ■·■■-. ?■■.■··■ -.щ ·.;.:№ Optional Listening Examples xiv Preface xv Chronology of Figures and Events xviii Introduction xxvi PRELUDE Bask Properties of Muskal Sound 1 The Elements of Music 1 Rhythm 2 Meter 2 Melody 4 Harmony 6 Timbre 9 Form 9 Music Notation 10 Elements of an American Sound 10 How to Improve Your Listening Skills 11 Listening Example 1 George R. Poulton, Love Me Tender 12 Terms to Review 13 Suggestions for Further Listening 14 Critical Thinking 15 Revolution, in Classical Style 21 Painting in Eighteenth-Century America 22 Љ Songs 25 Texts 26 Listening Example 2 Yeibichai Chant Song (excerpt) 27 Sioux Grass Dance 27 Sound Instruments 27 Listening Example 3 Sioux Grass Dance (excerpt) 28 Contemporary Indian Song 30 Professional Musicians 31 Terms to Review 32 Key Figures 32 Suggestions for Further Listening 33 Suggestions for Viewing 33 Critical Thinking 33 PARTI Musk in Early North America 16 The Early Years: Historical and Cultural Perspective The Beginnings of Music in America 17 Native Americans 17 European Emigrants 18 Puritan Society 19 The African Experience in Early America 20 Щ Spanish Traditions 34 Listening Example 4 Anonymous, El Cutilio (The Cotillion) 35 16 Alabados 35 British Traditions 36 Folk Ballads 36 Early American Folk Music 37 Listening Example 5 Anonymous, Barbara Allen 38 African Traditions 40 v VI Contents Listening Example 6 Anonymous, Shenandoah 41 Field Hollers 42 Listening Example 7 Field Holler 43 Listening Example 8 Father s Field Call 43 Ring Shouts 43 Listening Example 9 Complaint Call 44 Work Songs 44 Listening Example 10 Anonymous, Hammer, Ring (excerpt) 45 Musical Instruments 46 What of African Music Survives Today? 46 Terms to Review 47 Suggestions for Further Listening 48 Critical Thinking 48 må fedfeßifl [Рет©(1 Music at the Spanish Missions 49 Psalm Tunes 50 Psalters 50 Listening Example 11 Louis Bourgeois, Old Hundred (excerpt) 51 Other Protestant Music 54 German-Speaking Protestant Sects 54 Listening Example 12 John Antes, Surely He Has Borne Our Griefs 56 The Great Awakening 56 Early Efforts at Musical Reform 57 The Singing School Movement 57 William Billings (1746-1800) 58 Listening Example 13 William Billings, Chester 60 Canons 61 Fuging Tunes 61 Listening Example 14 William Billings, When Jesus Wept 62 Listening Example 15 Daniel Read, Sherburne 63 Terms to Review 64 Key Figures 65 Optional Listening Example 65 Suggestions for Further Listening 65 Critical Thinking 65 ШІІІІҐ ІіШЖШ Di í/ ЛІ Ш@ІШІ Music in Everyday Experience 66 Prestigious Musical Amateurs 68 Professional Composers 71 Early American Theater 71 Listening Example 16 Alexander Reinagle, Sonata II in E, third movement (from The Philadelphia Sonatas) 72 Early Bands 74 Listening Example 17 Anonymous, Yankee Doodle (excerpt) 75 Terms to Review 76 Key Figures 76 Optional Listening Example 76 Suggestions for Further Listening 76 Critical Thinking 76 PART 1 Summary 77 PART 2 The Tumultuous Nineteenth Century 78 Romanticism in America: Historical and Cultural Perspective 78 The Emergence of Characteristically American Art 79 Fusion of the Arts 81 The Civil War Era 84 Music 85 П The Great Revival 86 Shape-Note Notation 86 Spiritual Songs 88 Amazing Grace 88 Black Spirituals 88 ffi/z. Contents VII Listening Example 18 Joy, Joy (excerpt) Listening Example 19 Grace 90 Listening Example 20 the Trouble I ve Seen (excerpt) Spirituals as Concert Music 92 Singing Conventions 92 Further Movements to Reform Music Lowell Mason (1792-1872) 93 Listening Example 21 Lowell Mason, Nearer, My God, to Thee 94 Terms to Review 95 Key Figures 96 Suggestions for Further Listening 96 Suggestion for Viewing 96 Critical Thinking 96 Carter Family, There ll Be Joy, 89 Anonymous, Amazing Anonymous, Nobody Knows 91 92 (k ¡r Minstrelsy 97 James A. Bland ( 1854-1911 ) 100 Listening Example 22 Daniel Decatur Emmett, I Wish I Was in Dixie s Land 101 The Heritage of Minstrelsy 102 Stephen Foster (1826-1864) 102 Listening Example 23 Stephen Foster, I Dream of Jeanie with the Light Brown Hair 104 Listening Example 24 Stephen Foster, Oh! Susanna 105 Patriotic Songs 106 Civil War Songs 108 Singing Families 109 Concert Bands 110 Patrick Sarsfield Gilmore (1829-1892) 111 John Philip Sousa (1854-1932) 112 Marches 113 Listening Example 25 John Philip Sousa, The Stars and Stripes Forever 114 Terms to Review 115 Key Figures 115 Suggestions for Further Listening 115 Suggestion for Viewing 116 Critical Thinking 116 Rise of Nationalism in Music 117 Anthony Philip Heinrich (1781-1861) 118 Romantic Virtuosos 119 The Swedish Nightingale 119 Ole Bull 120 Louis Moreau Gottschalk (1829-1869) 121 Piano Music 122 Orchestral Music 123 Listening Example 26 Louis Moreau Gottschalk, Le bananier 124 William Henry Fry (1813-1864) 125 Theodore Thomas (1835-1905) 126 Terms to Review 128 Key Figures 128 Optional Listening Examples 128 Suggestions for Further Listening 128 Critical Thinking 128 Ä fo1(§° The Second New England School 130 John Knowles Paine (1839-1906) 131 Fugue 131 Listening Example 27 John Knowles Paine, Fuga Giocosa, Op. 41, No. З 132 Other Members of the School 133 Amy Marcy Cheney Beach ( 1867-1944) 133 Edward MacDowell (1860-1908) 134 Listening Example 28 Amy Marcy Cheney Beach, Symphony in E minor ( Gaelic ), second movement 135 Arthur Farwell and the Wa-Wan Press 137 Terms to Review 138 Key Figures 138 Optional Listening Examples 138 Suggestions for Further Listening 139 Critical Thinking 139 PART 2 Summary 140 VIII Contents PART З The Growth of Vernacular Traditions 142 Music in the Vernacular: Historical and Cultural Perspective 143 Vernacular Art and Literature 143 Vernacular Music 144 Ragtime 145 Scott Joplin (1868-1917) 147 Listening Example 29 Scott Joplin, Maple Leaf Rag 148 Influence of Ragtime 148 Tin Pan Alley 149 The Songs 150 Barbershop Singing 151 Listening Example 30 George M. Cohan, Rose ( A Ring to the Name of Rose ) 152 Irving Berlin (1888-1989) 154 Listening Example 31 Irving Berlin, Alexander s Ragtime Band 154 Jerome Kern (1885-1945) 157 Cole Porter (1892-1964) 157 George Gershwin (1898-1937) 158 Listening Example 32 Cole Porter, Night and Day 159 Decline of Tin Pan Alley 160 Terms to Review 161 Key Figures 161 Suggestions for Further Listening 162 Suggestion for Viewing 162 Critical Thinking 162 From Country to City 163 Jimmie Rodgers (1897-1933) 165 The Carter Family 166 Listening Example 33 Jimmie Rodgers, Blue Yodel No. 9 167 Listening Example 34 The Carter Family, Chinese Breakdown 168 Styles of Country Music 169 American Folk Ballads 169 Bluegrass 170 Listening Example 35 Anonymous, The Ballad of Casey Jones 171 Listening Example 36 Earl Scruggs, Earl s Breakdown 172 Country Pop and the Nashville Sound 174 Country Goes Western 176 Western Swing 176 Listening Example 37 Bob Wills, New San Antonio Rose 177 Honky-Tonk 178 Cowboy Songs 179 Women in Country 179 Recent Country 180 Terms to Review 181 Key Figures 182 Optional Listening Examples 182 Suggestions for Further Listening 182 Suggestion for Viewing 182 Suggestion for Reading 182 Critical Thinking 183 Ш Dífatö Я1 ■oq π ř о Hawaiian Music 184 Cajun Music 185 Listening Example 38 Anonymous, Cajun Two-Step (excerpt) 186 Zydeco 187 Urban Folk Music 187 Woody Guthrie (1914-1967) 188 Listening Example 39 Anonymous, Tu le ton son ton 189 The Movement Evolves 190 Bob Dylan (b. 1941) 191 A New Romance 193 Terms to Review 194 Key Figures 194 Suggestions for Further Listening 194 Suggestion for Viewing 194 Critical Thinking 194 Contents IX Blues 196 Country or Rural Blues 196 Classic Blues 198 Listening Example 40 Robert Johnson, Hellhound on My Trail 199 Listening Example 41 Bessie Smith, Lost Your Head Blues 201 Urban Blues 202 New Orleans Jazz 203 Listening Example 42 W. С Handy, St. Louis Blues 204 Louis Armstrong ( 1900-1971 ) 206 Chicago Jazz 206 Listening Example 43 Lillian Hardin Armstrong, Hotter Than That (excerpt) 207 Jazz Piano 208 Boogie-Woogie 208 Listening Example 44 Albert Ammons, Shout for Joy 209 Stride Piano 209 Listening Example 45 James P. Johnson, Carolina Shout 210 Sweet Jazz 211 Terms to Review 211 Key Figures 212 Optional Listening Examples 212 Suggestions for Further Listening 212 Suggestion for Viewing 212 Critical Thinking 212 Big Band Swing 213 Art of Arranging 214 Listening Example 46 Count Basie, Lester Young, Taxi War Dance (excerpt) 215 Edward Kennedy Duke Ellington (1899-1974) 217 Listening Example 47 Duke Ellington, Mood Indigo 219 Women in Jazz 219 Reactions against Big Band Music 220 Billie Holiday (1915-1959) 221 Bebop 221 Charlie Bird Parker ( 1920-1955) 222 John Birks Dizzy Gillespie (1917-1993) 223 Listening Example 48 Charlie Parker, Dizzy Gillespie, KoKo 224 Jazz as Concert Music 225 Jazz Composition 225 Progressive Jazz 226 Listening Example 49 Duke Ellington, Concerto for Cootie 227 Listening Example 50 Paul Desmond, Take Five (excerpt) 228 Cool Jazz 228 Hard Bop 229 Listening Example 51 Miles Davis, Boplicity 230 Terms to Review 230 Key Figures 231 Optional Listening Example 231 Suggestions for Further Listening 231 Suggestions for Viewing 231 Critical Thinking 232 Шћћ Charles Mingus (1922-1979) 233 Free Jazz 234 Third Stream 236 Listening Example 52 John Coltrane, A Love Supreme, Part I, Acknowledgment (excerpt) 237 The 1970s 238 Fusion (Jazz-Rock) 239 Integration of Foreign Sounds 240 Listening Example 53 Chick Corea, Stretch It, Parti 241 The 1980s 242 Crossover Music 242 Traditionalism 243 The 1990s and Beyond 243 Henry Threadgill (b. 1944) 244 Anthony Braxton (b. 1945) 244 Anthony Davis (b. 1951) 245 Wynton Marsalis (b. 1961) 245 Jazz Today and Tomorrow 246 Terms to Review 247 Contents Key Figures 248 Optional Listening Example 248 Suggestions for Further Listening 248 Critical Thinking 248 PART3 Summary 249 PART 4 A Diversity of Popular Musks 252 Vernacular Art 253 Vernacular Music 253 The Caribbean 255 Santería: The Way of the Saints 256 Bomba 256 Rumba 256 Cu-Bop 257 Mambo 257 Salsa 258 Reggae 258 Listening Example 54 Rubén Blades, Willie Colón, Ojos ( Eyes, 1978) 259 Calypso 260 Brazil 261 Samba and Bossa Nova 261 Listening Example 55 Antonio Carlos Jobim, Desafinado ( Off Key ) 262 Mexico 263 Tej ano and Norteño Music 264 Corridos 265 Conjunto 265 Mariachis 266 Latin Music Today 266 Listening Example 56 Anonymous, Jarabe Tapatío 267 Terms to Review 268 Key Figures 268 Suggestions for Further Listening 269 Suggestions for Viewing 269 Critical Thinking 269 mm mm The Generation Gap 270 Gospel 271 Rhythm and Blues 271 Country Music Meets R&B 272 Birth of Rock and Roll 273 Bill Haley (1925-1981) 273 Elvis Presley (1935-1977) 273 Early Characteristics 274 End of the First Era 275 Listening Example 57 Chuck Berry, School Day 276 Surfing Music 276 Motown 277 The British Invasion 278 Listening Example 58 The Suprêmes, Stop! In the Name of Love 279 Back to Black Rock 280 Soul 280 Funk 281 Listening Example 59 James Brown, Papa s Got a Brand New Bag 282 From Rock and Roll to Rock 283 Folk Rock 283 Acid Rock 284 Listening Example 60 Bob Dylan, Mr. Tambourine Man 285 Psychedelic Blues 286 Heavy Metal 287 A Future Unassured 288 Terms to Review 288 Key Figures 288 Suggestions for Further Listening 289 Suggestion for Viewing 289 Suggestion for Reading 289 Critical Thinking 289 fflifB Singer-Songwriters 290 Art Rock 291 Disco 292 Punk 294 Contents XI Grunge 296 New Wave 296 Electronic Dance Music 296 Hip-Hop and Rap 297 Social Concerns 298 Back to the Roots 299 Contemporary Black Gospel 299 The Future Is Here 300 Music Business 301 Terms to Review 302 Key Figures 302 Suggestions for Listening 302 Critical Thinking 302 PART 4 Summary 304 PART 5 Music for Theater and Film 306 Music and Theater: Historical and Cultural Perspective 306 Musical Theater in America 306 Broadway Musicals 307 Opera 308 Films 308 (Õ) ШШ Variety Shows 309 Vaudeville 309 Burlesque 311 Revues 311 Listening Example 61 Jack Norworth and Nora Bayes, Shine On, Harvest Moon 312 Operetta 313 Gilbert and Sullivan ЗІЗ American Operettas ЗІЗ Musical Comedies 315 George M. Cohan (1878-1942) 315 Listening Example 62 George M. Cohan, Give My Regards to Broadway (from Little Johnny Jones) 316 Black Musical Theater 317 Jerome Kern s Show Boat 318 Golden Age of Broadway Musicals (1930-1955) 318 Listening Example 63 Jerome Kern, Oľ Man River (from Show Boat) 319 Rodgers and Hart 321 Rodgers and Hammerstein 321 Expansion of the Broadway Musical 322 Lerner and Loewe 323 Leonard Bernstein ( 1918-1990) 323 Stephen Sondheim (b. 1930) 324 Listening Example 64 Leonard Bernstein, Tonight (finale from Act I of West Side Story) 325 Listening Example 65 Stephen Sondheim, Every Day a Little Death (from A Little Night Music) 326 More Black Musicals 327 The Music of Musicals 327 Current Trends 329 From Film to Broadway 330 Effects Other than Music 330 Terms to Review 332 Key Figures 332 Suggestions for Further Listening 332 Suggestions for Viewing 332 Critical Thinking 333 Functions of Music in Film 334 Source versus Functional Music 335 History of Music in Films 335 Silent Films 335 Early Sound Films 336 The Hollywood Sound 337 Listening Example 66 John Williams, Star Wars Main Title 339 Pop Scores 340 Electronic Music 341 Movie Musicals Revived 342 Current Trends 342 The Composer s Perspective 344 Techniques 345 Film Score Performances and Recordings 346 Terms to Review 347 Key Figures 347 Suggestions for Further Listening 348 Critical Thinking 348 XII Contents ктжшш Opera 350 Solo and Ensemble Singing 350 Opera in America 351 Virgil Thomson (1896-1989) 351 George Gershwin s Porgy and Bess 352 Gian-Carlo Menotti (b. 1911) 353 Listening Example 67 George Gershwin, Bess, You Is My Woman Now (from Porgy and Bess) 354 The Trend toward Realism 355 Listening Example 68 Philip Glass and Robert Wilson, Einstein on the Beach: Act IV, Scene 3, Spaceship 357 Opera or Musical: Which Is It? 358 American Opera Today 359 Terms to Review 359 Key Figures 360 Optional Listening Examples 360 Suggestions for Further Listening 360 Critical Thinking 360 PART 5 Summary 361 PARTO Tradition and Innovation in Concert Music 364 Music for the Concert Hall: Historical and Cultural Perspective 364 Interaction between the Arts 365 The Value of Chance 366 American Concert Music 368 Listening Example 69 Charles Ives, General Putnam s Camp (from Three Places in New England) 371 Listening Example 70 Charles Ives, At the River 372 Other Characteristics of Ives s Music 372 Ives s Place in History 373 Henry Cowell (1897-1965) 373 Early Compositions 373 Piano Experiments 374 Listening Example 71 Henry Cowell, The Banshee (excerpt) 375 Sources of Inspiration 375 Writings 377 Concrete Music 378 John Cage (1912-1992) 378 Gamelan Music 379 Prepared Piano 379 Listening Example 72 Kebjar Hudjan Mas (excerpt) 380 Listening Example 73 John Cage, The Perilous Night (excerpt) 382 Terms to Review 384 Key Figures 384 Optional Listening Examples 384 Suggestions for Further Listening 384 Critical Thinking 384 Charles Ives (1874-1954) 369 Philosophy of Music 370 Instrumental Compositions 370 Songs 370 The Parisian Scene 385 Aaron Copland (1900-1990) 386 Depression and War Years 387 Listening Example 74 Aaron Copland, Fanfare for the Common Man 388 Music for Dance 389 Listening Example 75 Aaron Copland, Hoedown (from Rodeo) 390 Later Works 390 Samuel Barber (1910-1981) 391 Listening Example 76 Samuel Barber, Adagio for Strings 392 Harlem Renaissance 393 Contents XIII William Grant Still (1895-1978) 394 Listening Example 77 William Grant Still, Afro-American Symphony, third movement 394 Terms to Review 395 Key Figures 395 Optional Listening Examples 395 Suggestions for Further Listening 396 Critical Thinking 396 Rhythm and Timbre 397 Harry Partch (1901-1974) 397 Tape Music and the Electronic Synthesizer 398 Milton Babbitt (b. 1916) 400 Listening Example 78 Milton Babbitt, Ensembles for Synthesizer (excerpt) 401 John Cage and Chance Music 402 Silence 403 Other Composers of Chance Music 403 Notation 405 Pauline Oliveros (b. 1932) 406 Listening Example 79 Pauline Oliveros, Sound Patterns 407 Terms to Review 407 Key Figures 408 Optional Listening Example 408 Suggestions for Further Listening 408 Critical Thinking 408 The Elements of Music 409 New Concepts of Form 410 William Schuman (1910-1992) 410 Lou Harrison (1917-2003) 410 Listening Example 80 William Schuman, New England Triptych, third movement, Chester 411 Minimalism 412 Terry Riley (b. 1935) 412 Philip Glass (b. 1937) 413 Women in Music 414 Listening Example 81 Gwyneth Walker, Maggie and Millie and Molly and May (from the song cycle Though Love Be a Day) 416 A Promise of New Sounds 417 Terms to Review 418 Key Figures 418 Optional Listening Example 418 Suggestions for Further Listening 418 Critical Thinking 418 PART 6 Summary 419 The Charge 421 Glossary G Credits C-l Index 1-1
adam_txt	Contents .', f '■ -.ť. -''¡'-¡Af'. ■ -■,; » .(»у 'l νΐ'' ïr f ¡ *■' ■·■■-. ?■■.■··■ -.щ ·.;.:№ Optional Listening Examples xiv Preface xv Chronology of Figures and Events xviii Introduction xxvi PRELUDE Bask Properties of Muskal Sound 1 The Elements of Music 1 Rhythm 2 Meter 2 Melody 4 Harmony 6 Timbre 9 Form 9 Music Notation 10 Elements of an American Sound 10 How to Improve Your Listening Skills 11 Listening Example 1 George R. Poulton, "Love Me Tender" 12 Terms to Review 13 Suggestions for Further Listening 14 Critical Thinking 15 Revolution, in Classical Style 21 Painting in Eighteenth-Century America 22 Љ Songs 25 Texts 26 Listening Example 2 Yeibichai Chant Song (excerpt) 27 Sioux Grass Dance 27 Sound Instruments 27 Listening Example 3 Sioux Grass Dance (excerpt) 28 Contemporary Indian Song 30 Professional Musicians 31 Terms to Review 32 Key Figures 32 Suggestions for Further Listening 33 Suggestions for Viewing 33 Critical Thinking 33 PARTI Musk in Early North America 16 The Early Years: Historical and Cultural Perspective The Beginnings of Music in America 17 Native Americans 17 European Emigrants 18 Puritan Society 19 The African Experience in Early America 20 Щ Spanish Traditions 34 Listening Example 4 Anonymous, El Cutilio (The Cotillion) 35 16 Alabados 35 British Traditions 36 Folk Ballads 36 Early American Folk Music 37 Listening Example 5 Anonymous, "Barbara Allen" 38 African Traditions 40 v VI Contents Listening Example 6 Anonymous, "Shenandoah" 41 Field Hollers 42 Listening Example 7 Field Holler 43 Listening Example 8 Father's Field Call 43 Ring Shouts 43 Listening Example 9 Complaint Call 44 Work Songs 44 Listening Example 10 Anonymous, "Hammer, Ring" (excerpt) 45 Musical Instruments 46 What of African Music Survives Today? 46 Terms to Review 47 Suggestions for Further Listening 48 Critical Thinking 48 må fedfeßifl [Рет©(1 Music at the Spanish Missions 49 Psalm Tunes 50 Psalters 50 Listening Example 11 Louis Bourgeois, "Old Hundred" (excerpt) 51 Other Protestant Music 54 German-Speaking Protestant Sects 54 Listening Example 12 John Antes, "Surely He Has Borne Our Griefs" 56 The Great Awakening 56 Early Efforts at Musical Reform 57 The Singing School Movement 57 William Billings (1746-1800) 58 Listening Example 13 William Billings, "Chester" 60 Canons 61 Fuging Tunes 61 Listening Example 14 William Billings, "When Jesus Wept" 62 Listening Example 15 Daniel Read, "Sherburne" 63 Terms to Review 64 Key Figures 65 Optional Listening Example 65 Suggestions for Further Listening 65 Critical Thinking 65 ШІІІІҐ ІіШЖШ Di í/ ЛІ Ш@ІШІ Music in Everyday Experience 66 Prestigious Musical Amateurs 68 Professional Composers 71 Early American Theater 71 Listening Example 16 Alexander Reinagle, Sonata II in E, third movement (from The Philadelphia Sonatas) 72 Early Bands 74 Listening Example 17 Anonymous, "Yankee Doodle" (excerpt) 75 Terms to Review 76 Key Figures 76 Optional Listening Example 76 Suggestions for Further Listening 76 Critical Thinking 76 PART 1 Summary 77 PART 2 The Tumultuous Nineteenth Century 78 Romanticism in America: Historical and Cultural Perspective 78 The Emergence of Characteristically American Art 79 Fusion of the Arts 81 The Civil War Era 84 Music 85 П The Great Revival 86 Shape-Note Notation 86 Spiritual Songs 88 "Amazing Grace" 88 Black Spirituals 88 ffi/z. Contents VII Listening Example 18 Joy, Joy" (excerpt) Listening Example 19 Grace" 90 Listening Example 20 the Trouble I've Seen" (excerpt) Spirituals as Concert Music 92 Singing Conventions 92 Further Movements to Reform Music Lowell Mason (1792-1872) 93 Listening Example 21 Lowell Mason, "Nearer, My God, to Thee" 94 Terms to Review 95 Key Figures 96 Suggestions for Further Listening 96 Suggestion for Viewing 96 Critical Thinking 96 Carter Family, "There'll Be Joy, 89 Anonymous, "Amazing Anonymous, "Nobody Knows 91 92 (k ¡r Minstrelsy 97 James A. Bland ( 1854-1911 ) 100 Listening Example 22 Daniel Decatur Emmett, "I Wish I Was in Dixie's Land" 101 The Heritage of Minstrelsy 102 Stephen Foster (1826-1864) 102 Listening Example 23 Stephen Foster, "I Dream of Jeanie with the Light Brown Hair" 104 Listening Example 24 Stephen Foster, "Oh! Susanna" 105 Patriotic Songs 106 Civil War Songs 108 Singing Families 109 Concert Bands 110 Patrick Sarsfield Gilmore (1829-1892) 111 John Philip Sousa (1854-1932) 112 Marches 113 Listening Example 25 John Philip Sousa, "The Stars and Stripes Forever" 114 Terms to Review 115 Key Figures 115 Suggestions for Further Listening 115 Suggestion for Viewing 116 Critical Thinking 116 Rise of Nationalism in Music 117 Anthony Philip Heinrich (1781-1861) 118 Romantic Virtuosos 119 The Swedish Nightingale 119 Ole Bull 120 Louis Moreau Gottschalk (1829-1869) 121 Piano Music 122 Orchestral Music 123 Listening Example 26 Louis Moreau Gottschalk, "Le bananier" 124 William Henry Fry (1813-1864) 125 Theodore Thomas (1835-1905) 126 Terms to Review 128 Key Figures 128 Optional Listening Examples 128 Suggestions for Further Listening 128 Critical Thinking 128 'Ä\fo1(§° The Second New England School 130 John Knowles Paine (1839-1906) 131 Fugue 131 Listening Example 27 John Knowles Paine, Fuga Giocosa, Op. 41, No. З 132 Other Members of the School 133 Amy Marcy Cheney Beach ( 1867-1944) 133 Edward MacDowell (1860-1908) 134 Listening Example 28 Amy Marcy Cheney Beach, Symphony in E minor ("Gaelic"), second movement 135 Arthur Farwell and the Wa-Wan Press 137 Terms to Review 138 Key Figures 138 Optional Listening Examples 138 Suggestions for Further Listening 139 Critical Thinking 139 PART 2 Summary 140 VIII Contents PART З The Growth of Vernacular Traditions 142 Music in the Vernacular: Historical and Cultural Perspective 143 Vernacular Art and Literature 143 Vernacular Music 144 Ragtime 145 Scott Joplin (1868-1917) 147 Listening Example 29 Scott Joplin, "Maple Leaf Rag" 148 Influence of Ragtime 148 Tin Pan Alley 149 The Songs 150 Barbershop Singing 151 Listening Example 30 George M. Cohan, "Rose" ("A Ring to the Name of Rose") 152 Irving Berlin (1888-1989) 154 Listening Example 31 Irving Berlin, "Alexander's Ragtime Band" 154 Jerome Kern (1885-1945) 157 Cole Porter (1892-1964) 157 George Gershwin (1898-1937) 158 Listening Example 32 Cole Porter, "Night and Day" 159 Decline of Tin Pan Alley 160 Terms to Review 161 Key Figures 161 Suggestions for Further Listening 162 Suggestion for Viewing 162 Critical Thinking 162 From Country to City 163 Jimmie Rodgers (1897-1933) 165 The Carter Family 166 Listening Example 33 Jimmie Rodgers, Blue Yodel No. 9 167 Listening Example 34 The Carter Family, "Chinese Breakdown" 168 Styles of Country Music 169 American Folk Ballads 169 Bluegrass 170 Listening Example 35 Anonymous, "The Ballad of Casey Jones" 171 Listening Example 36 Earl Scruggs, "Earl's Breakdown" 172 Country Pop and the Nashville Sound 174 Country Goes Western 176 Western Swing 176 Listening Example 37 Bob Wills, "New San Antonio Rose" 177 Honky-Tonk 178 Cowboy Songs 179 Women in Country 179 Recent Country 180 Terms to Review 181 Key Figures 182 Optional Listening Examples 182 Suggestions for Further Listening 182 Suggestion for Viewing 182 Suggestion for Reading 182 Critical Thinking 183 Ш Dífatö Я1 ■oq π ř о Hawaiian Music 184 Cajun Music 185 Listening Example 38 Anonymous, Cajun Two-Step (excerpt) 186 Zydeco 187 Urban Folk Music 187 Woody Guthrie (1914-1967) 188 Listening Example 39 Anonymous, "Tu le ton son ton" 189 The Movement Evolves 190 Bob Dylan (b. 1941) 191 A New Romance 193 Terms to Review 194 Key Figures 194 Suggestions for Further Listening 194 Suggestion for Viewing 194 Critical Thinking 194 Contents IX Blues 196 Country or Rural Blues 196 Classic Blues 198 Listening Example 40 Robert Johnson, "Hellhound on My Trail" 199 Listening Example 41 Bessie Smith, "Lost Your Head Blues" 201 Urban Blues 202 New Orleans Jazz 203 Listening Example 42 W. С Handy, "St. Louis Blues" 204 Louis Armstrong ( 1900-1971 ) 206 Chicago Jazz 206 Listening Example 43 Lillian Hardin Armstrong, "Hotter Than That" (excerpt) 207 Jazz Piano 208 Boogie-Woogie 208 Listening Example 44 Albert Ammons, "Shout for Joy" 209 Stride Piano 209 Listening Example 45 James P. Johnson, "Carolina Shout" 210 Sweet Jazz 211 Terms to Review 211 Key Figures 212 Optional Listening Examples 212 Suggestions for Further Listening 212 Suggestion for Viewing 212 Critical Thinking 212 Big Band Swing 213 Art of Arranging 214 Listening Example 46 Count Basie, Lester Young, "Taxi War Dance" (excerpt) 215 Edward Kennedy "Duke" Ellington (1899-1974) 217 Listening Example 47 Duke Ellington, "Mood Indigo" 219 Women in Jazz 219 Reactions against Big Band Music 220 Billie Holiday (1915-1959) 221 Bebop 221 Charlie "Bird" Parker ( 1920-1955) 222 John Birks "Dizzy" Gillespie (1917-1993) 223 Listening Example 48 Charlie Parker, Dizzy Gillespie, "KoKo" 224 Jazz as Concert Music 225 Jazz Composition 225 Progressive Jazz 226 Listening Example 49 Duke Ellington, "Concerto for Cootie" 227 Listening Example 50 Paul Desmond, "Take Five" (excerpt) 228 Cool Jazz 228 Hard Bop 229 Listening Example 51 Miles Davis, "Boplicity" 230 Terms to Review 230 Key Figures 231 Optional Listening Example 231 Suggestions for Further Listening 231 Suggestions for Viewing 231 Critical Thinking 232 Шћћ Charles Mingus (1922-1979) 233 Free Jazz 234 Third Stream 236 Listening Example 52 John Coltrane, A Love Supreme, Part I, "Acknowledgment" (excerpt) 237 The 1970s 238 Fusion (Jazz-Rock) 239 Integration of Foreign Sounds 240 Listening Example 53 Chick Corea, Stretch It, Parti 241 The 1980s 242 Crossover Music 242 Traditionalism 243 The 1990s and Beyond 243 Henry Threadgill (b. 1944) 244 Anthony Braxton (b. 1945) 244 Anthony Davis (b. 1951) 245 Wynton Marsalis (b. 1961) 245 Jazz Today and Tomorrow 246 Terms to Review 247 Contents Key Figures 248 Optional Listening Example 248 Suggestions for Further Listening 248 Critical Thinking 248 PART3 Summary 249 PART 4 A Diversity of Popular Musks 252 Vernacular Art 253 Vernacular Music 253 The Caribbean 255 Santería: The Way of the Saints 256 Bomba 256 Rumba 256 Cu-Bop 257 Mambo 257 Salsa 258 Reggae 258 Listening Example 54 Rubén Blades, Willie Colón, "Ojos" ("Eyes," 1978) 259 Calypso 260 Brazil 261 Samba and Bossa Nova 261 Listening Example 55 Antonio Carlos Jobim, "Desafinado" ("Off Key") 262 Mexico 263 Tej ano and Norteño Music 264 Corridos 265 Conjunto 265 Mariachis 266 Latin Music Today 266 Listening Example 56 Anonymous, "Jarabe Tapatío" 267 Terms to Review 268 Key Figures 268 Suggestions for Further Listening 269 Suggestions for Viewing 269 Critical Thinking 269 \mm mm The Generation Gap 270 Gospel 271 Rhythm and Blues 271 Country Music Meets R&B 272 Birth of Rock and Roll 273 Bill Haley (1925-1981) 273 Elvis Presley (1935-1977) 273 Early Characteristics 274 End of the First Era 275 Listening Example 57 Chuck Berry, "School Day" 276 Surfing Music 276 Motown 277 The British Invasion 278 Listening Example 58 The Suprêmes, "Stop! In the Name of Love" 279 Back to Black Rock 280 Soul 280 Funk 281 Listening Example 59 James Brown, "Papa's Got a Brand New Bag" 282 From Rock and Roll to Rock 283 Folk Rock 283 Acid Rock 284 Listening Example 60 Bob Dylan, "Mr. Tambourine Man" 285 Psychedelic Blues 286 Heavy Metal 287 A Future Unassured 288 Terms to Review 288 Key Figures 288 Suggestions for Further Listening 289 Suggestion for Viewing 289 Suggestion for Reading 289 Critical Thinking 289 fflifB Singer-Songwriters 290 Art Rock 291 Disco 292 Punk 294 Contents XI Grunge 296 New Wave 296 Electronic Dance Music 296 Hip-Hop and Rap 297 Social Concerns 298 Back to the Roots 299 Contemporary Black Gospel 299 The Future Is Here 300 Music Business 301 Terms to Review 302 Key Figures 302 Suggestions for Listening 302 Critical Thinking 302 PART 4 Summary 304 PART 5 Music for Theater and Film 306 Music and Theater: Historical and Cultural Perspective 306 Musical Theater in America 306 Broadway Musicals 307 Opera 308 Films 308 (Õ) ШШ Variety Shows 309 Vaudeville 309 Burlesque 311 Revues 311 Listening Example 61 Jack Norworth and Nora Bayes, "Shine On, Harvest Moon" 312 Operetta 313 Gilbert and Sullivan ЗІЗ American Operettas ЗІЗ Musical Comedies 315 George M. Cohan (1878-1942) 315 Listening Example 62 George M. Cohan, "Give My Regards to Broadway" (from Little Johnny Jones) 316 Black Musical Theater 317 Jerome Kern's Show Boat 318 Golden Age of Broadway Musicals (1930-1955) 318 Listening Example 63 Jerome Kern, "Oľ Man River" (from Show Boat) 319 Rodgers and Hart 321 Rodgers and Hammerstein 321 Expansion of the Broadway Musical 322 Lerner and Loewe 323 Leonard Bernstein ( 1918-1990) 323 Stephen Sondheim (b. 1930) 324 Listening Example 64 Leonard Bernstein, "Tonight" (finale from Act I of West Side Story) 325 Listening Example 65 Stephen Sondheim, "Every Day a Little Death" (from A Little Night Music) 326 More Black Musicals 327 The Music of Musicals 327 Current Trends 329 From Film to Broadway 330 Effects Other than Music 330 Terms to Review 332 Key Figures 332 Suggestions for Further Listening 332 Suggestions for Viewing 332 Critical Thinking 333 Functions of Music in Film 334 Source versus Functional Music 335 History of Music in Films 335 Silent Films 335 Early Sound Films 336 The Hollywood Sound 337 Listening Example 66 John Williams, Star Wars Main Title 339 Pop Scores 340 Electronic Music 341 Movie Musicals Revived 342 Current Trends 342 The Composer's Perspective 344 Techniques 345 Film Score Performances and Recordings 346 Terms to Review 347 Key Figures 347 Suggestions for Further Listening 348 Critical Thinking 348 XII Contents ктжшш Opera 350 Solo and Ensemble Singing 350 Opera in America 351 Virgil Thomson (1896-1989) 351 George Gershwin's Porgy and Bess 352 Gian-Carlo Menotti (b. 1911) 353 Listening Example 67 George Gershwin, "Bess, You Is My Woman Now" (from Porgy and Bess) 354 The Trend toward Realism 355 Listening Example 68 Philip Glass and Robert Wilson, Einstein on the Beach: Act IV, Scene 3, "Spaceship" 357 Opera or Musical: Which Is It? 358 American Opera Today 359 Terms to Review 359 Key Figures 360 Optional Listening Examples 360 Suggestions for Further Listening 360 Critical Thinking 360 PART 5 Summary 361 PARTO Tradition and Innovation in Concert Music 364 Music for the Concert Hall: Historical and Cultural Perspective 364 Interaction between the Arts 365 The Value of Chance 366 American Concert Music 368 Listening Example 69 Charles Ives, "General Putnam's Camp" (from Three Places in New England) 371 Listening Example 70 Charles Ives, "At the River" 372 Other Characteristics of Ives's Music 372 Ives's Place in History 373 Henry Cowell (1897-1965) 373 Early Compositions 373 Piano Experiments 374 Listening Example 71 Henry Cowell, "The Banshee" (excerpt) 375 Sources of Inspiration 375 Writings 377 Concrete Music 378 John Cage (1912-1992) 378 Gamelan Music 379 Prepared Piano 379 Listening Example 72 Kebjar Hudjan Mas (excerpt) 380 Listening Example 73 John Cage, The Perilous Night (excerpt) 382 Terms to Review 384 Key Figures 384 Optional Listening Examples 384 Suggestions for Further Listening 384 Critical Thinking 384 Charles Ives (1874-1954) 369 Philosophy of Music 370 Instrumental Compositions 370 Songs 370 The Parisian Scene 385 Aaron Copland (1900-1990) 386 Depression and War Years 387 Listening Example 74 Aaron Copland, Fanfare for the Common Man 388 Music for Dance 389 Listening Example 75 Aaron Copland, "Hoedown" (from Rodeo) 390 Later Works 390 Samuel Barber (1910-1981) 391 Listening Example 76 Samuel Barber, Adagio for Strings 392 Harlem Renaissance 393 Contents XIII William Grant Still (1895-1978) 394 Listening Example 77 William Grant Still, Afro-American Symphony, third movement 394 Terms to Review 395 Key Figures 395 Optional Listening Examples 395 Suggestions for Further Listening 396 Critical Thinking 396 Rhythm and Timbre 397 Harry Partch (1901-1974) 397 Tape Music and the Electronic Synthesizer 398 Milton Babbitt (b. 1916) 400 Listening Example 78 Milton Babbitt, "Ensembles for Synthesizer" (excerpt) 401 John Cage and Chance Music 402 Silence 403 Other Composers of Chance Music 403 Notation 405 Pauline Oliveros (b. 1932) 406 Listening Example 79 Pauline Oliveros, Sound Patterns 407 Terms to Review 407 Key Figures 408 Optional Listening Example 408 Suggestions for Further Listening 408 Critical Thinking 408 The Elements of Music 409 New Concepts of Form 410 William Schuman (1910-1992) 410 Lou Harrison (1917-2003) 410 Listening Example 80 William Schuman, New England Triptych, third movement, "Chester" 411 Minimalism 412 Terry Riley (b. 1935) 412 Philip Glass (b. 1937) 413 Women in Music 414 Listening Example 81 Gwyneth Walker, "Maggie and Millie and Molly and May" (from the song cycle Though Love Be a Day) 416 A Promise of New Sounds 417 Terms to Review 418 Key Figures 418 Optional Listening Example 418 Suggestions for Further Listening 418 Critical Thinking 418 PART 6 Summary 419 The Charge 421 Glossary G Credits C-l Index 1-1
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spelling	Ferris, Jean Verfasser (DE-588)115561633 aut America's musical landscape Jean Ferris 5. ed. Boston [u.a.] McGraw-Hill Higher Education 2006 XXVII, 421 S. Ill., graph. Darst. 3 CDs (12 cm, Booklet) txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Musik Music appreciation Music United States History and criticism Musik (DE-588)4040802-4 gnd rswk-swf Geschichte (DE-588)4020517-4 gnd rswk-swf USA USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Musik (DE-588)4040802-4 s Geschichte z DE-604 Geschichte (DE-588)4020517-4 s 1\p DE-604 Digitalisierung BSBMuenchen application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014189899&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p cgwrk 20201028 DE-101 https://d-nb.info/provenance/plan#cgwrk
spellingShingle	Ferris, Jean America's musical landscape Musik Music appreciation Music United States History and criticism Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd
subject_GND	(DE-588)4040802-4 (DE-588)4020517-4 (DE-588)4078704-7
title	America's musical landscape
title_auth	America's musical landscape
title_exact_search	America's musical landscape
title_exact_search_txtP	America's musical landscape
title_full	America's musical landscape Jean Ferris
title_fullStr	America's musical landscape Jean Ferris
title_full_unstemmed	America's musical landscape Jean Ferris
title_short	America's musical landscape
title_sort	america s musical landscape
topic	Musik Music appreciation Music United States History and criticism Musik (DE-588)4040802-4 gnd Geschichte (DE-588)4020517-4 gnd
topic_facet	Musik Music appreciation Music United States History and criticism Geschichte USA
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014189899&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
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