Michelangelo drawings: closer to the master
One of the most creative and influential artists in the history of art, Michelangelo (1475-1564) was a prolific sculptor, painter, architect, and draftsman whose drawing practice was essential to his work in all media. This important and beautiful book focuses on more than ninety Michelangelo drawin...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New Haven, Conn.
Yale Univ. Press [u.a.]
2005
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Zusammenfassung: | One of the most creative and influential artists in the history of art, Michelangelo (1475-1564) was a prolific sculptor, painter, architect, and draftsman whose drawing practice was essential to his work in all media. This important and beautiful book focuses on more than ninety Michelangelo drawings executed in red and black chalk and pen and ink. In the accompanying text, distinguished art historian Hugo Chapman examines the remarkable array of works and discusses how the act of drawing figured prominently in the evolution of Michelangelo's career. An introductory chapter discusses Michelangelo's contemporary fame, his training and choice of techniques, and the role of drawing in the genesis of his paintings, sculptures, and architecture. The author also describes the artist's frugal use of paper, explaining how he often recycled letters and drawings (working on both the front and back of the sheet) throughout his career. Organized chronologically, the book looks at Michelangelo's early development in Florence and Rome, his accomplishments as papal artist for the Sistine Chapel ceiling with its preparatory studies, and his drawings for the tomb of Julius II, the Medici tombs, the Laurentian library, and the Last judgement. The fascinating history of the fate of Michelangelo's drawings after his death is also explored in detail. From pen studies made when Michelangelo was in his early twenties to the visionary Crucifixion scenes carried out shortly before his death six decades later, this essential book testifies to the fundamental importance of drawing in the work of this great Renaissance master.--Book jacket. |
Beschreibung: | 320 S. zahlr. Ill. |
ISBN: | 0300111479 |
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520 | 3 | |a One of the most creative and influential artists in the history of art, Michelangelo (1475-1564) was a prolific sculptor, painter, architect, and draftsman whose drawing practice was essential to his work in all media. This important and beautiful book focuses on more than ninety Michelangelo drawings executed in red and black chalk and pen and ink. In the accompanying text, distinguished art historian Hugo Chapman examines the remarkable array of works and discusses how the act of drawing figured prominently in the evolution of Michelangelo's career. An introductory chapter discusses Michelangelo's contemporary fame, his training and choice of techniques, and the role of drawing in the genesis of his paintings, sculptures, and architecture. The author also describes the artist's frugal use of paper, explaining how he often recycled letters and drawings (working on both the front and back of the sheet) throughout his career. Organized chronologically, the book looks at Michelangelo's early development in Florence and Rome, his accomplishments as papal artist for the Sistine Chapel ceiling with its preparatory studies, and his drawings for the tomb of Julius II, the Medici tombs, the Laurentian library, and the Last judgement. The fascinating history of the fate of Michelangelo's drawings after his death is also explored in detail. From pen studies made when Michelangelo was in his early twenties to the visionary Crucifixion scenes carried out shortly before his death six decades later, this essential book testifies to the fundamental importance of drawing in the work of this great Renaissance master.--Book jacket. | |
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Datensatz im Suchindex
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---|---|
adam_text |
Contents
Foreword
Acknowledgements
Michelangelo: Significant dates
1
2
3
4
5
6
Appendix I: List of exhibits
Appendix II: Translations of longer inscriptions and letters
Notes
Bibliography
Index
Illustration acknowledgements
One of the most creative and influential artists in the history
of art, Michelangelo
painter, architect, and draftsman whose drawing practice
was essential to his work in all media. This important and
beautiful book focuses on more than ninety Michelangelo
drawings executed in red and black chalk and pen and ink.
In the accompanying text, distinguished art historian Hugo
Chapman examines the remarkable array of works and
discusses how the act of drawing figured prominently in
the evolution of Michelangelo's career.
An introductory chapter discusses Michelangelo's
contemporary fame, his training and choice of techniques,
and the role of drawing in the genesis of his paintings,
sculptures, and architecture.
artist's frugal use of paper, explaining how he often recycled
letters and drawings (working on both the front and back
of the sheet) throughout his career. Organized chronologi¬
cally, the book looks at Michelangelo's early development
in Florence and Rome, his accomplishments as papal artist
for the Sistine chapel ceiling with its preparatory studies, and
his drawings for the tomb of Julius II, the Medid tombs, the
Laurentian library, and the Last Judgement. The fascinating
history of the fate of Michelangelo's drawings after his death
is also explored in detail.
From pen studies made when Michelangelo was in his
early twenties to the visionary Crucifixion scenes carried out
shortly before his death over six decades later, this essential
book testifies to the fundamental importance of drawing in
the work of this great Renaissance master. |
adam_txt |
Contents
Foreword
Acknowledgements
Michelangelo: Significant dates
1
2
3
4
5
6
Appendix I: List of exhibits
Appendix II: Translations of longer inscriptions and letters
Notes
Bibliography
Index
Illustration acknowledgements
One of the most creative and influential artists in the history
of art, Michelangelo
painter, architect, and draftsman whose drawing practice
was essential to his work in all media. This important and
beautiful book focuses on more than ninety Michelangelo
drawings executed in red and black chalk and pen and ink.
In the accompanying text, distinguished art historian Hugo
Chapman examines the remarkable array of works and
discusses how the act of drawing figured prominently in
the evolution of Michelangelo's career.
An introductory chapter discusses Michelangelo's
contemporary fame, his training and choice of techniques,
and the role of drawing in the genesis of his paintings,
sculptures, and architecture.
artist's frugal use of paper, explaining how he often recycled
letters and drawings (working on both the front and back
of the sheet) throughout his career. Organized chronologi¬
cally, the book looks at Michelangelo's early development
in Florence and Rome, his accomplishments as papal artist
for the Sistine chapel ceiling with its preparatory studies, and
his drawings for the tomb of Julius II, the Medid tombs, the
Laurentian library, and the Last Judgement. The fascinating
history of the fate of Michelangelo's drawings after his death
is also explored in detail.
From pen studies made when Michelangelo was in his
early twenties to the visionary Crucifixion scenes carried out
shortly before his death over six decades later, this essential
book testifies to the fundamental importance of drawing in
the work of this great Renaissance master. |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Chapman, Hugo 1963- |
author_GND | (DE-588)112205632X (DE-588)118582143 |
author_facet | Chapman, Hugo 1963- |
author_role | aut |
author_sort | Chapman, Hugo 1963- |
author_variant | h c hc |
building | Verbundindex |
bvnumber | BV020866345 |
callnumber-first | N - Fine Arts |
callnumber-label | NC257 |
callnumber-raw | NC257.B8 |
callnumber-search | NC257.B8 |
callnumber-sort | NC 3257 B8 |
callnumber-subject | NC - Drawing, Design, Illustration |
classification_rvk | LI 59408 |
ctrlnum | (OCoLC)62354823 (DE-599)BVBBV020866345 |
dewey-full | 709.2 |
dewey-hundreds | 700 - The arts |
dewey-ones | 709 - History, geographic treatment, biography |
dewey-raw | 709.2 |
dewey-search | 709.2 |
dewey-sort | 3709.2 |
dewey-tens | 700 - The arts |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
format | Book |
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illustrated | Illustrated |
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spelling | Chapman, Hugo 1963- Verfasser (DE-588)112205632X aut Michelangelo drawings closer to the master Hugo Chapman New Haven, Conn. Yale Univ. Press [u.a.] 2005 320 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier One of the most creative and influential artists in the history of art, Michelangelo (1475-1564) was a prolific sculptor, painter, architect, and draftsman whose drawing practice was essential to his work in all media. This important and beautiful book focuses on more than ninety Michelangelo drawings executed in red and black chalk and pen and ink. In the accompanying text, distinguished art historian Hugo Chapman examines the remarkable array of works and discusses how the act of drawing figured prominently in the evolution of Michelangelo's career. An introductory chapter discusses Michelangelo's contemporary fame, his training and choice of techniques, and the role of drawing in the genesis of his paintings, sculptures, and architecture. The author also describes the artist's frugal use of paper, explaining how he often recycled letters and drawings (working on both the front and back of the sheet) throughout his career. Organized chronologically, the book looks at Michelangelo's early development in Florence and Rome, his accomplishments as papal artist for the Sistine Chapel ceiling with its preparatory studies, and his drawings for the tomb of Julius II, the Medici tombs, the Laurentian library, and the Last judgement. The fascinating history of the fate of Michelangelo's drawings after his death is also explored in detail. From pen studies made when Michelangelo was in his early twenties to the visionary Crucifixion scenes carried out shortly before his death six decades later, this essential book testifies to the fundamental importance of drawing in the work of this great Renaissance master.--Book jacket. Michel-Ange <1475-1564> - Expositions Michelangelo Buonarroti <1475-1564> Exhibitions Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd rswk-swf Drawing, Italian Great Britain Exhibitions Drawing, Renaissance Great Britain Exhibitions Zeichnung (DE-588)4127900-1 gnd rswk-swf Großbritannien (DE-588)4135467-9 Ausstellungskatalog gnd-content Michelangelo Buonarroti 1475-1564 (DE-588)118582143 p Zeichnung (DE-588)4127900-1 s DE-604 Michelangelo Buonarroti 1475-1564 Sonstige (DE-588)118582143 oth Digitalisierung UBPassau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014188165&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014188165&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Chapman, Hugo 1963- Michelangelo drawings closer to the master Michel-Ange <1475-1564> - Expositions Michelangelo Buonarroti <1475-1564> Exhibitions Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd Drawing, Italian Great Britain Exhibitions Drawing, Renaissance Great Britain Exhibitions Zeichnung (DE-588)4127900-1 gnd |
subject_GND | (DE-588)118582143 (DE-588)4127900-1 (DE-588)4135467-9 |
title | Michelangelo drawings closer to the master |
title_auth | Michelangelo drawings closer to the master |
title_exact_search | Michelangelo drawings closer to the master |
title_exact_search_txtP | Michelangelo drawings closer to the master |
title_full | Michelangelo drawings closer to the master Hugo Chapman |
title_fullStr | Michelangelo drawings closer to the master Hugo Chapman |
title_full_unstemmed | Michelangelo drawings closer to the master Hugo Chapman |
title_short | Michelangelo drawings |
title_sort | michelangelo drawings closer to the master |
title_sub | closer to the master |
topic | Michel-Ange <1475-1564> - Expositions Michelangelo Buonarroti <1475-1564> Exhibitions Michelangelo Buonarroti 1475-1564 (DE-588)118582143 gnd Drawing, Italian Great Britain Exhibitions Drawing, Renaissance Great Britain Exhibitions Zeichnung (DE-588)4127900-1 gnd |
topic_facet | Michel-Ange <1475-1564> - Expositions Michelangelo Buonarroti <1475-1564> Exhibitions Michelangelo Buonarroti 1475-1564 Drawing, Italian Great Britain Exhibitions Drawing, Renaissance Great Britain Exhibitions Zeichnung Großbritannien Ausstellungskatalog |
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