The young gentry at play: northern Netherlandish scenes of Merry Companies 1610 - 1645
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English Dutch |
| Veröffentlicht: |
Leiden
Primavera Pers
2005
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext Rezension |
| Beschreibung: | Aus dem Holländ. übers. |
| Beschreibung: | 296 S. zahlr. Ill. |
| ISBN: | 9059970136 |
Internformat
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| 650 | 7 | |a Illustraties |2 gtt | |
| 650 | 7 | |a Tekenkunst |2 gtt | |
| 650 | 7 | |a Vrolijke gezelschappen |2 gtt | |
| 650 | 4 | |a Amusements in art | |
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Datensatz im Suchindex
| _version_ | 1804134589728292864 |
|---|---|
| adam_text | Contents
Foreword
il
Introduction: painters and choices
PART I
IDEAL, MORAL AND SATIRE
The iconological development of merry companies in the sixteenth century
CHAPTER l Between the moral and the ideal vj
Developments and trendsin the pictorial tradition of the merry company up to
1
2
1
-
-
-
2
3
3
1
2
3
CHAPTER
The merry company as a motif inprints andpaintings,
1
2
1
2
Moralistic scenes of excess and punishment
1 Dives and Lazarus
2
3
Allegorical images of youthful amusements
1 Tm a rich man s son : three images of youth
2
-
-
-
-
3
-
~*~
-A vice is rarely found on its own si
4
5
-
-
The changing appearance of the merry company after
1 The Flemish merry company
2
PART II
FROM WORKSHOP TO PARLOUR
Production, sale and ownership of merry companies,
Introduction
CHAPTER
Iconographie
1
1
-
-
-Haarlem success:
2
-
-
-
-Comedy in Utrecht
-The refined elite of Delft
-
2
CHAPTER
The production process of paintings of merry companies
1
1
2
3
2
1
2
3
•s Conclusion
CHAPTER5 The market for merry companies
Pricing and selling paintings of merry companies
1
2
3
4
5
CHAPTER
The public for merry companies and its treatment of the paintings
1
2
3
4
5
PART III
WHY THB YOUNG ONCE CAME TOGETHER IN GAIETY
Youth, amusement and love as fashionable subjects in illustrated literature,
Introduction
CHAPTER7 Out of sweetness alone
The merry company in amatory literature
1
1
2
3
2
CHAPTER
The merry company in the didactic, moralistic literature
1
2
3
4
CHAPTER
The merry company in emblem books
1
2
3^~ Vanity and duplicity in religious emblem books
Conclusion: Images of delight
*
Notes
Bibliography
Index
In the first half of the seventeenth century,
«paintings of the rich and elegantly clad urban
young amusing themselves with courtship,
music-making, drinking wine and playing
tric-trac became extremely popular. This
richly illustrated book examines the back¬
ground of that
iconographical research with the study of pic-,
torial traditions, painting techniques,
economics, literature and book illustrations.
The first part traces the sixteenth-century^
pictorial traditions that featured moralistic,
idealistic and humorous variants of the merry
company, mainly in prints. The second part
shows that the seventeenth-century painters
made deliberate iconographical and composi¬
tional changes to those traditions and devel-.;
oped new painting techniques and market¬
ing strategies to reach a larger audience than
ever before. The way that audience dealt with
paintings of merry companies is described in
order to form an idea of how the paintings
were viewed. The different associations and
meanings the paintings may have had for a
contemporary audience is explored further
in the last part, which focuses on the various
views of the amusements of rich young people
as expressed in writings and illustrations in
songbooks, emblem miscellanies and didactic
literature in the period that coincided with the
popularity of the painted merry company. In
this way the book presents the iconography
and style of the paintings as a result of con¬
scious choices on the part of the painters, who
created them with the specific intention of
producing a successful type of painting in a
growing market where competition was nev-
erlheless fiercer than ever.
|
| adam_txt |
Contents
Foreword
il
Introduction: painters and choices
PART I
IDEAL, MORAL AND SATIRE
The iconological development of merry companies in the sixteenth century
CHAPTER l Between the moral and the ideal vj
Developments and trendsin the pictorial tradition of the merry company up to
1
2
1
-
-
-
2
3
3
1
2
3
CHAPTER
The merry company as a motif inprints andpaintings,
1
2
1
2
Moralistic scenes of excess and punishment
1 Dives and Lazarus
2
3
Allegorical images of youthful amusements
1 Tm a rich man's son': three images of youth
2
-
-
-
-
3
-
~*~
-A vice is rarely found on its own si
4
5
-
-
The changing appearance of the merry company after
1 The Flemish merry company
2
PART II
FROM WORKSHOP TO PARLOUR
Production, sale and ownership of merry companies,
Introduction
CHAPTER
Iconographie
1
1
-
-
-Haarlem success:
2
-
-
-
-Comedy in Utrecht
-The refined elite of Delft
-
2
CHAPTER
The production process of paintings of merry companies
1
1
2
3
2
1
2
3
•s Conclusion
CHAPTER5 The market for merry companies
Pricing and selling paintings of merry companies
1
2
3
4
5
CHAPTER
The public for merry companies and its treatment of the paintings
1
2
3
4
5
PART III
'WHY THB YOUNG ONCE CAME TOGETHER IN GAIETY'
Youth, amusement and love as fashionable subjects in illustrated literature,
Introduction
CHAPTER7 Out of sweetness alone
The merry company in amatory literature
1
1
2
3
2
CHAPTER
The merry company in the didactic, moralistic literature
1
2
3
4
CHAPTER
The merry company in emblem books
1
2
3^~ Vanity and duplicity in religious emblem books
Conclusion: Images of delight
*
Notes
Bibliography
Index
In the first half of the seventeenth century,
«paintings of the rich and elegantly clad urban
young amusing themselves with courtship,
music-making, drinking wine and playing
tric-trac became extremely popular. This
richly illustrated book examines the back¬
ground of that
iconographical research with the study of pic-,
torial traditions, painting techniques,
economics, literature and book illustrations.
The first part traces the sixteenth-century^
pictorial traditions that featured moralistic,
idealistic and humorous variants of the merry
company, mainly in prints. The second part
shows that the seventeenth-century painters
made deliberate iconographical and composi¬
tional changes to those traditions and devel-.;
oped new painting techniques and market¬
ing strategies to reach a larger audience than
ever before. The way that audience dealt with
paintings of merry companies is described in
order to form an idea of how the paintings
were viewed. The different associations and
meanings the paintings may have had for a
contemporary audience is explored further
in the last part, which focuses on the various
views of the amusements of rich young people
as expressed in writings and illustrations in
songbooks, emblem miscellanies and didactic
literature in the period that coincided with the
popularity of the painted merry company. In
this way the book presents the iconography
and style of the paintings as a result of con¬
scious choices on the part of the painters, who
created them with the specific intention of
producing a successful type of painting in a
growing market where competition was nev-
erlheless fiercer than ever. |
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| illustrated | Illustrated |
| index_date | 2024-07-02T13:24:30Z |
| indexdate | 2024-07-09T20:27:01Z |
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| spelling | Kolfin, Elmer Verfasser aut The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 Elmer Kolfin Leiden Primavera Pers 2005 296 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Aus dem Holländ. übers. Geschichte 1600-1700 Geschichte 1610-1645 gnd rswk-swf Genreschilderkunst gtt Illustraties gtt Tekenkunst gtt Vrolijke gezelschappen gtt Amusements in art Art, Dutch 17th century art genres Netherlands Genremalerei (DE-588)4020173-9 gnd rswk-swf Niederlande Niederlande (DE-588)4042203-3 gnd rswk-swf Niederlande (DE-588)4042203-3 g Genremalerei (DE-588)4020173-9 s Geschichte 1610-1645 z DE-604 Digitalisierung UBPassau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014188159&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014188159&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext http://digital.bib-bvb.de/webclient/DeliveryManager?pid=215302&custom_att_2=simple_viewer Rezension |
| spellingShingle | Kolfin, Elmer The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 Genreschilderkunst gtt Illustraties gtt Tekenkunst gtt Vrolijke gezelschappen gtt Amusements in art Art, Dutch 17th century art genres Netherlands Genremalerei (DE-588)4020173-9 gnd |
| subject_GND | (DE-588)4020173-9 (DE-588)4042203-3 |
| title | The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 |
| title_auth | The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 |
| title_exact_search | The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 |
| title_exact_search_txtP | The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 |
| title_full | The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 Elmer Kolfin |
| title_fullStr | The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 Elmer Kolfin |
| title_full_unstemmed | The young gentry at play northern Netherlandish scenes of Merry Companies 1610 - 1645 Elmer Kolfin |
| title_short | The young gentry at play |
| title_sort | the young gentry at play northern netherlandish scenes of merry companies 1610 1645 |
| title_sub | northern Netherlandish scenes of Merry Companies 1610 - 1645 |
| topic | Genreschilderkunst gtt Illustraties gtt Tekenkunst gtt Vrolijke gezelschappen gtt Amusements in art Art, Dutch 17th century art genres Netherlands Genremalerei (DE-588)4020173-9 gnd |
| topic_facet | Genreschilderkunst Illustraties Tekenkunst Vrolijke gezelschappen Amusements in art Art, Dutch 17th century art genres Netherlands Genremalerei Niederlande |
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