Agamemnon in performance: 458 BC to AD 2004
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2005
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | XV, 484 S. Ill. |
| ISBN: | 0199263515 9780199263516 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Euripides, Ovid, Seneca, Shakespeare, Lcssing, Shelley,
Pasolini,
of the literary and theatrical giants involved in the colourful story told by this
volume. Their presence shows how vital and generative a role has been played in the
history of Western culture by Aeschylus Agamemnon, one of the most influential
theatrical texts in the global canon for over two thousand years. In performance,
translation, adaptation, sung and danced interpretation, it was familiar across the
Greek world and the Roman empire; in Latin translation and in Seneca s adaptation
it exerted a seminal influence on Renaissance poetry and theatre. Since the late
seventeenth century, Agamemnon, his powerful wife Clytenmestra, her lover
Aegisthus, and the clairvoyant Cassandra have never been
of Europe; since the late nineteenth century the Aeschylean text, along with its
partner plays libation-Bearers and Eutiienuks, has been
and intellectual avant-garde as well as to radical politics of all complexions and
to feminist thinking. This interdisciplinary collection of eighteen essays on the
performance history of Aeschylus Agamemnon stretches from its premiere in
the Theatre of Dionysus at Athens in
authors include classical scholars, theatre historians, and experts in English and
Comparative Literature. Several of them have been actively involved in the key
contemporary productions directed by Sir Peter
Katie Mitchell. All Greek and Latin has been translated; the book is generously
illustrated, and supplemented with the useful research aid of a chronological
appendix of performances.
Contents
List of Illustrations ix
List of Contributors xii
Note on Nomenclature, Spelling and Texts xvi
1.
Pantelis Michelakis
SECTION I IN SEARCH OF THE SOURCES
2.
Pat Easterling
3.
to the English Renaissance Stage
Inga-Stina Ewbank
4.
Edith Hall
5.
Gluck s Iphigenia Operas
Susanna Phillippo
SECTION II THE MOVE TO MODERNITY
6.
Michael Ewans
7.
Margaret Reynolds
8.
Fiona Macintosh
9.
YopiePrins
viii Contents
SECTION III THE LANGUAGES OF TRANSLATION
10.
/.
11.
Loma
12. Pasolini s Agamemnon:
Massimo Fusillo
13.
Oliver Taplin
SECTION IV THE INTERNATIONAL VIEW
14.
Dimitry Trubotchkin
15. Ariane Mnouchkine
Pierre Judet
16.
Productions: Towards the Performative Turn
Anton Bierl
17.
Helene
18.
Rush Rehm
19.
Amanda Wrigley
References
Index
|
| adam_txt |
Euripides, Ovid, Seneca, Shakespeare, Lcssing, Shelley,
Pasolini,
of the literary and theatrical giants involved in the colourful story told by this
volume. Their presence shows how vital and generative a role has been played in the
history of Western culture by Aeschylus' Agamemnon, one of the most influential
theatrical texts in the global canon for over two thousand years. In performance,
translation, adaptation, sung and danced interpretation, it was familiar across the
Greek world and the Roman empire; in Latin translation and in Seneca's adaptation
it exerted a seminal influence on Renaissance poetry and theatre. Since the late
seventeenth century, Agamemnon, his powerful wife Clytenmestra, her lover
Aegisthus, and the clairvoyant Cassandra have never been
of Europe; since the late nineteenth century the Aeschylean text, along with its
partner plays libation-Bearers and Eutiienuks, has been
and intellectual avant-garde as well as to radical politics of all complexions and
to feminist thinking. This interdisciplinary collection of eighteen essays on the
performance history of Aeschylus' Agamemnon stretches from its premiere in
the Theatre of Dionysus at Athens in
authors include classical scholars, theatre historians, and experts in English and
Comparative Literature. Several of them have been actively involved in the key
contemporary productions directed by Sir Peter
Katie Mitchell. All Greek and Latin has been translated; the book is generously
illustrated, and supplemented with the useful research aid of a chronological
appendix of performances.
Contents
List of Illustrations ix
List of Contributors xii
Note on Nomenclature, Spelling and Texts xvi
1.
Pantelis Michelakis
SECTION I IN SEARCH OF THE SOURCES
2.
Pat Easterling
3.
to the English Renaissance Stage
Inga-Stina Ewbank
4.
Edith Hall
5.
Gluck's Iphigenia Operas
Susanna Phillippo
SECTION II THE MOVE TO MODERNITY
6.
Michael Ewans
7.
Margaret Reynolds
8.
Fiona Macintosh
9.
YopiePrins
viii Contents
SECTION III THE LANGUAGES OF TRANSLATION
10.
/.
11.
Loma
12. Pasolini's Agamemnon:
Massimo Fusillo
13.
Oliver Taplin
SECTION IV THE INTERNATIONAL VIEW
14.
Dimitry Trubotchkin
15. Ariane Mnouchkine
Pierre Judet
16.
Productions: Towards the 'Performative Turn'
Anton Bierl
17.
Helene
18.
Rush Rehm
19.
Amanda Wrigley
References
Index |
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| dewey-full | 882/.01 480 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric 400 - Language |
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| edition | 1. publ. |
| era | Geschichte gnd |
| era_facet | Geschichte |
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| spelling | Agamemnon in performance 458 BC to AD 2004 ed. by Fiona Macintosh ... 1. publ. Oxford [u.a.] Oxford Univ. Press 2005 XV, 484 S. Ill. txt rdacontent n rdamedia nc rdacarrier Aeschylus Agamemnon Aeschylus Stage history Aeschylus v525-v456 Agamemnon (DE-588)4295106-9 gnd rswk-swf Geschichte gnd rswk-swf Rezeption (DE-588)4049716-1 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Aeschyli Agamemnon (DE-2581)TH000000039 gbd Aeschylus trag. TLG 0085 (DE-2581)TH000000037 gbd Aeschylus v525-v456 Agamemnon (DE-588)4295106-9 u Rezeption (DE-588)4049716-1 s Geschichte z DE-604 Macintosh, Fiona 1959- Sonstige (DE-588)13765779X oth Digitalisierung UB Regensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014180292&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UBRegensburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014180292&sequence=000002&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Agamemnon in performance 458 BC to AD 2004 Aeschylus Agamemnon Aeschylus Stage history Aeschylus v525-v456 Agamemnon (DE-588)4295106-9 gnd Rezeption (DE-588)4049716-1 gnd |
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| title | Agamemnon in performance 458 BC to AD 2004 |
| title_auth | Agamemnon in performance 458 BC to AD 2004 |
| title_exact_search | Agamemnon in performance 458 BC to AD 2004 |
| title_exact_search_txtP | Agamemnon in performance 458 BC to AD 2004 |
| title_full | Agamemnon in performance 458 BC to AD 2004 ed. by Fiona Macintosh ... |
| title_fullStr | Agamemnon in performance 458 BC to AD 2004 ed. by Fiona Macintosh ... |
| title_full_unstemmed | Agamemnon in performance 458 BC to AD 2004 ed. by Fiona Macintosh ... |
| title_short | Agamemnon in performance |
| title_sort | agamemnon in performance 458 bc to ad 2004 |
| title_sub | 458 BC to AD 2004 |
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