Phenomenoloy of a puppet theatre: contemplations on the art of Javanese wayang kulit
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden
KITLV Press
2005
|
| Schriftenreihe: | Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde
230 |
| Schlagworte: | |
| Online-Zugang: | Klappentext Inhaltsverzeichnis |
| Beschreibung: | Teilw. zugl.: Ithaca, NY, Univ., Diss., 1997 |
| Beschreibung: | XIX, 567 S. Ill. |
| ISBN: | 9067182524 |
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Datensatz im Suchindex
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|---|---|
| adam_text | Phenomenology of
a puppet theatre
Contemplations on the art of Javanese wayang
Mo previous work on wayang has treated in depth what is the focus of this
book: the power of the theatrical medium, the actuality of the performance
as a physical, emotional, and social experience and event, and the sensations
and feelings involved in performing and watching an all-night wayang per¬
formance. A single puppeteer moves puppets, delicately carved and painted
according to a complex iconography, in dance-like patterns integrated with
continuous music, which he also directs; he speaks the voices of all charac¬
ters; and he represents beings and a mythological world that reflect (on) the
human world, including the specific occasion and the people present. Paying
attention to the wholeness of the multimedia performance as an event, as
well as to the sensations, subtle movements, and particular intonations of the
performance, the author of this book bases his thick description on years
of learning to perform wayang, attending and participating in performances,
interviews and discussions with people involved with wayang, supplemented
by study of texts, from old manuscripts and performance manuals to news¬
paper articles and reports on performances. He shows the need not to be
limited to any single discipline: in wayang, the relationships and interaction,
for example, between visual movements and music, or between actions on the
screen and actions among the audience-participants, are no less significant
than, for example, the relationships within music. The book includes the most
extensive discussion of recent changes in wayang theatre, its interaction with
various traditional and modern entertainments, and the ways it is affected by
politics and economy. A postscript focuses on the post-Soeharto era.
The book is a contribution to the study of Indonesian performing arts and
culture, but it is also intended for anyone interested in theatre and
performing arts generally.
Contents
Acknowledgements
In place of a glossary; Some basic components of wayang performances and
frequently occurring Javanese words
Introduction
I Preparatory notes on the being of the wayang puppet
1
Representation of character as pictorial montage
The gem-like beauty of the puppet
The quality of the eyes and the puppet s life
Wanda: the outer appearance and the inner mood of
an individual puppet
2
П
the space of the screen
Shadow puppets and pictures: not only wayang
Pictorial moments in the performance
Pictorial compositions of individual puppets in performance
The frame structure and other factors affecting the character of
the space of the screen
Pictorial compositions in the space of the screen
On the nature of the space of the screen
Blank, after all: a sort of an endnote
HI Movement of the puppets and the puppeteer s body; Visual narrative
and the physical blow
One level of visual narrative montage: the representation of space for
movement
The physical blow and the puppeteer s body: puppet movements
and/or the puppeteer s gestures
Movement and the life of the puppet
Movement and the meaning of puppets
(More) on the nature of movement in wayang
Movement of the dhalang s body: additional thoughts
vi
Wayang and raw human life: a reflection on the connection between
a mythical bird and a chicken
Preliminary thoughts on the pleasures of fighting
IV Dramatic function of music and (other) sound effects
1
Introductory notes: different kinds and qualities of music, and
their appropriateness to dramatic situations
Dramatic function of music: what music does and what happens
to it in wayang
2
the physical blow to dance
Accentuation of movement by keprak and
reference to the physical blow
More sounds: movements and sound effects in the musical
structure
Dance-like puppet movements and musical accompaniment
V Words particular intonations; Musical and other qualities of
the speaking voice(s) of the puppets and/or the puppeteer
The montage of the puppet and the voice
More on musical qualities of speech and more
VI Puppet movement, dialogue, narration, music; The interaction
of performance media and a new concept of the plot
The interaction among the performance media
The role of music in the interaction of the media
More on narration
The plot as an aspect of the montage of the media (or the montage
of the media as an aspect of plot)
The represented world as an aspect of the medium
Vu
of the performance
The larger space and time
The gathering
Postscript; Some observations on the Murwakala performance
VIII
innovation, and further observations on the performance s
being in the present world
Historical and geographical focus and the limits of the study
A note on history
Preparatory notes on the present world
Preparatory notes on the clown scenes
1
Wayang music in the times of mixedness (zaman campursari): a
musical image of the mixed-salad-like mixture
Contents
(gamp
Wayang among other media, genres, and shows: the changing roles
of the dhalang and other performers and the changing character
of the space
2
3
show, or
Kolosai
Wayang on the market: night fairs, politics, competition, and
the dhalang as a celebrity and as a presenter
One direction, one loose end: the possible future of wayang as
a part of its present, and Professor
of American beer
4
the innovation: the wayang performance as a building
Postscript; The puppeteer won t run out of stories : wayang in the era of
reformasi
Appendix; A key to the musical notation
Bibliography
Index
|
| adam_txt |
Phenomenology of
a puppet theatre
Contemplations on the art of Javanese wayang
Mo previous work on wayang has treated in depth what is the focus of this
book: the power of the theatrical medium, the actuality of the performance
as a physical, emotional, and social experience and event, and the sensations
and feelings involved in performing and watching an all-night wayang per¬
formance. A single puppeteer moves puppets, delicately carved and painted
according to a complex iconography, in dance-like patterns integrated with
continuous music, which he also directs; he speaks the voices of all charac¬
ters; and he represents beings and a mythological world that reflect (on) the
human world, including the specific occasion and the people present. Paying
attention to the wholeness of the 'multimedia' performance as an event, as
well as to the sensations, subtle movements, and particular intonations of the
performance, the author of this book bases his 'thick description' on years
of learning to perform wayang, attending and participating in performances,
interviews and discussions with people involved with wayang, supplemented
by study of texts, from old manuscripts and performance manuals to news¬
paper articles and reports on performances. He shows the need not to be
limited to any single discipline: in wayang, the relationships and interaction,
for example, between visual movements and music, or between actions on the
screen and actions among the audience-participants, are no less significant
than, for example, the relationships within music. The book includes the most
extensive discussion of recent changes in wayang theatre, its interaction with
various traditional and modern entertainments, and the ways it is affected by
politics and economy. A postscript focuses on the post-Soeharto era.
The book is a contribution to the study of Indonesian performing arts and
culture, but it is also intended for anyone interested in theatre and
performing arts generally.
Contents
Acknowledgements
In place of a glossary; Some basic components of wayang performances and
frequently occurring Javanese words
Introduction
I Preparatory notes on the being of the wayang puppet
1
Representation of character as pictorial montage
The gem-like beauty of the puppet
The quality of the eyes and the puppet's life
Wanda: the outer appearance and the inner mood of
an individual puppet
2
П
the space of the screen
Shadow puppets and pictures: not only wayang
Pictorial moments in the performance
Pictorial compositions of individual puppets in performance
The frame structure and other factors affecting the character of
the space of the screen
Pictorial compositions in the space of the screen
On the nature of the space of the screen
Blank, after all: a sort of an endnote
HI Movement of the puppets and the puppeteer's body; Visual narrative
and the physical blow
One level of visual narrative montage: the representation of space for
movement
The physical blow and the puppeteer's body: puppet movements
and/or the puppeteer's gestures
Movement and the life of the puppet
Movement and the meaning of puppets
(More) on the nature of movement in wayang
Movement of the dhalang's body: additional thoughts
vi
Wayang and raw human life: a reflection on the connection between
a mythical bird and a chicken
Preliminary thoughts on the pleasures of fighting
IV Dramatic function of music and (other) sound effects
1
Introductory notes: different kinds and qualities of music, and
their appropriateness to dramatic situations
Dramatic function of music: what music does and what happens
to it in wayang
2
the physical blow to dance
Accentuation of movement by keprak and
reference to the physical blow
More sounds: movements and sound effects in the musical
structure
Dance-like puppet movements and musical accompaniment
V Words' particular intonations; Musical and other qualities of
the speaking voice(s) of the puppets and/or the puppeteer
The montage of the puppet and the voice
More on musical qualities of speech and more
VI Puppet movement, dialogue, narration, music; The interaction
of performance media and a new concept of the plot
The interaction among the performance media
The role of music in the interaction of the media
More on narration
The plot as an aspect of the montage of the media (or the montage
of the media as an aspect of plot)
The represented world as an aspect of the medium
Vu
of the performance
The 'larger' space and time
The gathering
Postscript; Some observations on the Murwakala performance
VIII
innovation, and further observations on the performance's
being in the present world
Historical and geographical focus and the limits of the study
A note on history
Preparatory notes on the present world
Preparatory notes on the clown scenes
1
Wayang music in 'the times of mixedness' (zaman campursari): a
musical image of 'the mixed-salad-like mixture'
Contents
(gamp
Wayang among other media, genres, and shows: the changing roles
of the dhalang and other performers and the changing character
of the space
2
3
show, or
Kolosai
Wayang on the market: night fairs, politics, competition, and
the dhalang as a celebrity and as a 'presenter'
One direction, one loose end: the possible future of wayang as
a part of its present, and Professor
of American 'beer'
4
the innovation: the wayang performance as a building
Postscript; 'The puppeteer won't run out of stories': wayang in the era of
reformasi
Appendix; A key to the musical notation
Bibliography
Index |
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| spelling | Mrázek, Jan Verfasser (DE-588)1212144287 aut Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit Jan Mrázek Leiden KITLV Press 2005 XIX, 567 S. Ill. txt rdacontent n rdamedia nc rdacarrier Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 230 Teilw. zugl.: Ithaca, NY, Univ., Diss., 1997 Wajang gtt Wayang Wayang kulit (DE-588)4638916-7 gnd rswk-swf Figurentheater (DE-588)4247240-4 gnd rswk-swf Java (DE-588)4028527-3 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Java (DE-588)4028527-3 g Figurentheater (DE-588)4247240-4 s DE-604 Wayang kulit (DE-588)4638916-7 s Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde 230 (DE-604)BV000001129 230 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014176159&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014176159&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Mrázek, Jan Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit Verhandelingen van het Koninklijk Instituut voor Taal-, Land- en Volkenkunde Wajang gtt Wayang Wayang kulit (DE-588)4638916-7 gnd Figurentheater (DE-588)4247240-4 gnd |
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| title | Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit |
| title_auth | Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit |
| title_exact_search | Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit |
| title_exact_search_txtP | Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit |
| title_full | Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit Jan Mrázek |
| title_fullStr | Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit Jan Mrázek |
| title_full_unstemmed | Phenomenoloy of a puppet theatre contemplations on the art of Javanese wayang kulit Jan Mrázek |
| title_short | Phenomenoloy of a puppet theatre |
| title_sort | phenomenoloy of a puppet theatre contemplations on the art of javanese wayang kulit |
| title_sub | contemplations on the art of Javanese wayang kulit |
| topic | Wajang gtt Wayang Wayang kulit (DE-588)4638916-7 gnd Figurentheater (DE-588)4247240-4 gnd |
| topic_facet | Wajang Wayang Wayang kulit Figurentheater Java Hochschulschrift |
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