Rock Criticism from the Beginning: Amusers, Bruisers and Cool-Headed Cruisers
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | German |
| Veröffentlicht: |
New York [u.a.]
Lang
2005
|
| Schriftenreihe: | Music (meanings)
5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VI, 369 S. |
| ISBN: | 0820474908 |
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Datensatz im Suchindex
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| adam_text | Titel: Rock criticism from the beginning
Autor: Lindberg, Ulf
Jahr: 2005
Contents
Acknowledgments .............................................. vii
Introduction................................................... 1
Chapter 1. Some Notes on Criticism............................... 11
1.1. Criticism: An Introduction ................................... 11
1.2. Music Criticism Before Rock ................................. 15
1.3. The Frames of Rock Criticism ................................ 18
Chapter 2. Theoretical Perspectives................................ 23
2.1. High Culture?Low Culture.................................. 23
2.2. Introducing Bourdieu ....................................... 29
2.3. Applying Bourdieu to the Study of Populär Culture .............. 34
2.4. Rock Criticism as a Legitimizing Discursive Practice.............. 39
2.5. Authenticity in Rock Critical Discourse ....................... 44
2.6. The Spatial Distribution of Rock and Rock Criticism ............. 48
2.7. Themes and Questions for a Historical Study of Rock Criticism .... 51
Chapter 3. The Social and Cultural Background of Rock and Rock
Criticism in the 1960s and 1970s ............................... 53
3.1. The Discontents of Modernization: Cultural Release.............. 53
3.2. The Social Background of Rock Culture and Rock Discourse....... 56
3.3. The Aesthetic Climate of the 1960s ............................ 60
Chapter 4. The Formative Period: Absolute Beginners (1964-1967) ___ 69
4.1. Introduction............................................... 69
4.2. The English Gentleman Critic: Chris Welch
and the Prehistory of Rock Criticism at Melody Maker............. 76
4.3.The Serious Fan: Paul Williams and the Birth of Rock Criticism
in the US................................................... 106
4.4. Reporting the Counterculture : Richard Goldstein .............. 113
4.5. Rock V Roll as Style : Nik Cohn ............................. 120
Chapter 5. Founding Fathers in the Promised Land (1967-1975) ...... 131
5.1. The Rock Press 1967-1975 ................................... 133
5.2. The First Dean of Rock Critics
Lays Down the Basic Rules: Jon Landau ......................... 141
vi Rock Criticism from the Beginning
5.3. Taste Inc.: Robert Christgau, the Dean of New York Rock Critics .... 151
5.4. On a Mystery Train Through the History
of America and Art: Greil Marcus .............................. 159
5.5. Hit Man and Radical: Dave Marsh............................. 170
5.6. The Holy Madman of Rock Criticism: Lester Bangs .............. 175
5.7. Other Voices of the Late 1960s ................................ 184
5.8. Young Men with a Vocation: Shaping a New Field
and Inventing Positions....................................... 188
Chapter 6. British Brats (1972-1978) .............................. 197
6.1. The NME Connection....................................... 197
6.2. Punk: A Moment of Transition................................210
Coda: The Boy Looked at Johnny .................................215
Chapter 7. Style It Takes. Criticism and New Pop (1978-1985) ........219
7.1. The Social and Cultural Background
of Late 20th Century Rock Criticism............................ 219
7.2. Into the Pop Process ........................................ 226
7.3. The Standards of Postmodern Pop Sensibility ................... 231
7.4. Music Magazines in the Early 1980s:
New Agents and Growing Competition .........................243
7.5. The Critics ................................................249
Chapter 8. Academic Leanings and Consumer Guides (1986-2004) ----- 259
8.1. AWealthof Positions........................................ 259
8.2. The Critics ................................................ 271
8.3. The Magazine Market in the 1980s and 1990s ................... 300
8.4. The State of the Field Since the Turn of the Century.............. 323
Chapter 9. Concluding Remarks .................................. 329
9.1. The Field of Rock Criticism ..................................329
9.2. Aesthetic Beliefs and Discursive Practices.......................337
References
Literature.....................................................345
Interviews ....................................................358
Index .........................................................359
|
| adam_txt |
Titel: Rock criticism from the beginning
Autor: Lindberg, Ulf
Jahr: 2005
Contents
Acknowledgments . vii
Introduction. 1
Chapter 1. Some Notes on Criticism. 11
1.1. Criticism: An Introduction . 11
1.2. Music Criticism Before Rock . 15
1.3. The Frames of Rock Criticism . 18
Chapter 2. Theoretical Perspectives. 23
2.1. High Culture?Low Culture. 23
2.2. Introducing Bourdieu . 29
2.3. Applying Bourdieu to the Study of Populär Culture . 34
2.4. Rock Criticism as a Legitimizing Discursive Practice. 39
2.5. "Authenticity" in Rock Critical Discourse . 44
2.6. The Spatial Distribution of Rock and Rock Criticism . 48
2.7. Themes and Questions for a Historical Study of Rock Criticism . 51
Chapter 3. The Social and Cultural Background of Rock and Rock
Criticism in the 1960s and 1970s . 53
3.1. The Discontents of Modernization: Cultural Release. 53
3.2. The Social Background of Rock Culture and Rock Discourse. 56
3.3. The Aesthetic Climate of the 1960s . 60
Chapter 4. The Formative Period: Absolute Beginners (1964-1967) _ 69
4.1. Introduction. 69
4.2. The English "Gentleman" Critic: Chris Welch
and the Prehistory of Rock Criticism at Melody Maker. 76
4.3.The Serious Fan: Paul Williams and the Birth of Rock Criticism
in the US. 106
4.4. "Reporting the Counterculture": Richard Goldstein . 113
4.5. Rock V Roll as "Style": Nik Cohn . 120
Chapter 5. Founding Fathers in the Promised Land (1967-1975) . 131
5.1. The Rock Press 1967-1975 . 133
5.2. The First Dean of Rock Critics
Lays Down the Basic Rules: Jon Landau . 141
vi Rock Criticism from the Beginning
5.3. Taste Inc.: Robert Christgau, the Dean of New York Rock Critics . 151
5.4. On a Mystery Train Through the History
of America and Art: Greil Marcus . 159
5.5. Hit Man and Radical: Dave Marsh. 170
5.6. The Holy Madman of Rock Criticism: Lester Bangs . 175
5.7. Other Voices of the Late 1960s . 184
5.8. Young Men with a Vocation: Shaping a New Field
and Inventing Positions. 188
Chapter 6. British Brats (1972-1978) . 197
6.1. The NME Connection. 197
6.2. Punk: A Moment of Transition.210
Coda: The Boy Looked at Johnny .215
Chapter 7. Style It Takes. Criticism and New Pop (1978-1985) .219
7.1. The Social and Cultural Background
of Late 20th Century Rock Criticism. 219
7.2. Into the Pop Process . 226
7.3. The Standards of Postmodern Pop Sensibility . 231
7.4. Music Magazines in the Early 1980s:
New Agents and Growing Competition .243
7.5. The Critics .249
Chapter 8. Academic Leanings and Consumer Guides (1986-2004) ----- 259
8.1. AWealthof Positions. 259
8.2. The Critics . 271
8.3. The Magazine Market in the 1980s and 1990s . 300
8.4. The State of the Field Since the Turn of the Century. 323
Chapter 9. Concluding Remarks . 329
9.1. The Field of Rock Criticism .329
9.2. Aesthetic Beliefs and Discursive Practices.337
References
Literature.345
Interviews .358
Index .359 |
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| spelling | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers Ulf Lindberg ... New York [u.a.] Lang 2005 VI, 369 S. txt rdacontent n rdamedia nc rdacarrier Music (meanings) 5 Geschichte 1900-2000 Geschichte 1960-2004 gnd rswk-swf Critique musicale - 20e siècle Culture populaire - Histoire - 20e siècle Muziekkritiek gtt Muziektijdschriften gtt Rock (Musique) - Périodiques - Histoire Rockmuziek gtt Geschichte Musical criticism 20th century Popular culture History 20th century Rock music Periodicals History Rockmusik (DE-588)4115774-6 gnd rswk-swf Musikkritik (DE-588)4139777-0 gnd rswk-swf Rockmusik (DE-588)4115774-6 s Musikkritik (DE-588)4139777-0 s Geschichte 1960-2004 z DE-604 Lindberg, Ulf Sonstige oth Music (meanings) 5 (DE-604)BV017655759 5 HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014165354&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers Music (meanings) Critique musicale - 20e siècle Culture populaire - Histoire - 20e siècle Muziekkritiek gtt Muziektijdschriften gtt Rock (Musique) - Périodiques - Histoire Rockmuziek gtt Geschichte Musical criticism 20th century Popular culture History 20th century Rock music Periodicals History Rockmusik (DE-588)4115774-6 gnd Musikkritik (DE-588)4139777-0 gnd |
| subject_GND | (DE-588)4115774-6 (DE-588)4139777-0 |
| title | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers |
| title_auth | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers |
| title_exact_search | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers |
| title_exact_search_txtP | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers |
| title_full | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers Ulf Lindberg ... |
| title_fullStr | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers Ulf Lindberg ... |
| title_full_unstemmed | Rock Criticism from the Beginning Amusers, Bruisers and Cool-Headed Cruisers Ulf Lindberg ... |
| title_short | Rock Criticism from the Beginning |
| title_sort | rock criticism from the beginning amusers bruisers and cool headed cruisers |
| title_sub | Amusers, Bruisers and Cool-Headed Cruisers |
| topic | Critique musicale - 20e siècle Culture populaire - Histoire - 20e siècle Muziekkritiek gtt Muziektijdschriften gtt Rock (Musique) - Périodiques - Histoire Rockmuziek gtt Geschichte Musical criticism 20th century Popular culture History 20th century Rock music Periodicals History Rockmusik (DE-588)4115774-6 gnd Musikkritik (DE-588)4139777-0 gnd |
| topic_facet | Critique musicale - 20e siècle Culture populaire - Histoire - 20e siècle Muziekkritiek Muziektijdschriften Rock (Musique) - Périodiques - Histoire Rockmuziek Geschichte Musical criticism 20th century Popular culture History 20th century Rock music Periodicals History Rockmusik Musikkritik |
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