The philosophy of film: introductory text and readings
"The Philosophy of Film draws readings from philosophy, film studies, and film criticism. Organized around a series of philosophic questions about film, it offers an accessible and engaging overview of the discipline. Readings from contrasting angles and points of view discuss the value of film...
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
Malden/MA
Blackwell
2005
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "The Philosophy of Film draws readings from philosophy, film studies, and film criticism. Organized around a series of philosophic questions about film, it offers an accessible and engaging overview of the discipline. Readings from contrasting angles and points of view discuss the value of film theory, the nature of film narration, the debate on whether films can be socially critical, and the question of what we can learn from film." "Offering clear and helpful section introductions and thought-provoking reading questions, this book is the ideal primary textbook for undergraduate courses on the philosophy of film or philosophically oriented courses in film theory."--BOOK JACKET. |
| Beschreibung: | XII, 308 S. Ill. |
| ISBN: | 140511441X 1405114428 |
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| 520 | 1 | |a "The Philosophy of Film draws readings from philosophy, film studies, and film criticism. Organized around a series of philosophic questions about film, it offers an accessible and engaging overview of the discipline. Readings from contrasting angles and points of view discuss the value of film theory, the nature of film narration, the debate on whether films can be socially critical, and the question of what we can learn from film." "Offering clear and helpful section introductions and thought-provoking reading questions, this book is the ideal primary textbook for undergraduate courses on the philosophy of film or philosophically oriented courses in film theory."--BOOK JACKET. | |
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Datensatz im Suchindex
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| adam_text | Contents
Acknowledgments viii
General Introduction 1
Part I: Do We Need Film Theory? 5
Introduction 5
Study Questions 8
1 Prospects for Film Theory: A Personal Assessment 11
Noel Carroll
2 Can Scientific Models of Theorizing Help Film Theory? 21
Malcolm Turvey
3 Philosophy of Film as the Creation of Concepts 33
Gilles Deleuze
Part II: What Is the Nature of Film? 39
Introduction 39
Study Questions 41
4 Defining the Photoplay 43
Hugo Mu nsterberg
5 The Artistry of Silent Film 50
Rudolf Arnheim
6 Cinematic Realism 59
Andre Bazin
7 Film, Photography, and Transparency 70
Kendall L Walton
Contents ¦¦¦ V
8 Non fictional Cinematic Artworks and Knowledge 77
Trevor Ponech
Part Ml: Do Films Have Authors? 91
Introduction 91
Study Questions 94
9 La Politique des Auteurs 95
Francois Trujjaut
10 Auteur Theory and Film Evaluation 99
Andrew Sarris
11 The Idea of Film Criticism 108
Pauline Kael
12 Against Authorship 118
Stephen Heath
13 DVDs and the Director s Intentions 123
Deborah Parker and Mark Parker
Part IV: How Do Films Engage Our Emotions? 133
Introduction 133
Studj Questions 1 36
14 Narrative Desire 139
Gregory Currie
15 Spectator Emotion and Ideological Film Criticism 148
Carl Plantinga
16 Engaging Characters 160
Murray Smith
17 The Paradox of Horror 170
Noel Carroll
Part V: Must Films Have Narrators? 179
Introduction 179
Study Questions 181
18 Principles of Film Narration 183
David Bordwell
19 The Cinematic Narrator 190
Seymour Chatman
20 Narration as Showing 198
o
George M. Wilson
¦¦ Contents
Part VI: Can Films Be Socially Critical? 209
Introduction 209
Study Questions 212
21 The Politics of Representation 213
Michael Ryan and Douglas Kellner
22 But Would You Want Your Daughter To Marry One? Politics and
Race in Guess Who s Coming to Dinner 22S
Thomas E. Wartenherg
23 Stella at the Movies: Class, Critical Spectatorship, and Melodrama
in Stella Dallas 235
Angela Curran
Part VII: What Can We Learn From Films? 247
Introduction 247
Study Questions 250
24 Knowledge as Transgression: It Happened One Night 253
Stanley Cavell
25 Realist Horror 260
Cynthia A. Freeland
26 Philosophy Screened: Experiencing The Matrix 270
Thomas E. Wartenherg
27 Virtue and Happiness in Groundhog Day 284
Joseph H. Kupfer
Suggestions for Further Reading 295
Index 298
Contents ¦¦¦ VU
|
| adam_txt |
Contents
Acknowledgments viii
General Introduction 1
Part I: Do We Need Film Theory? 5
Introduction 5
Study Questions 8
1 Prospects for Film Theory: A Personal Assessment 11
Noel Carroll
2 Can Scientific Models of Theorizing Help Film Theory? 21
Malcolm Turvey
3 Philosophy of Film as the Creation of Concepts 33
Gilles Deleuze
Part II: What Is the Nature of Film? 39
Introduction 39
Study Questions 41
4 Defining the Photoplay 43
Hugo Mu'nsterberg
5 The Artistry of Silent Film 50
Rudolf Arnheim
6 Cinematic Realism 59
Andre Bazin
7 Film, Photography, and Transparency 70
Kendall L Walton
Contents ¦¦¦ V
8 Non fictional Cinematic Artworks and Knowledge 77
Trevor Ponech
Part Ml: Do Films Have Authors? 91
Introduction 91
Study Questions 94
9 La Politique des Auteurs 95
Francois Trujjaut
10 Auteur Theory and Film Evaluation 99
Andrew Sarris
11 The Idea of Film Criticism 108
Pauline Kael
12 Against Authorship 118
Stephen Heath
13 DVDs and the Director's Intentions 123
Deborah Parker and Mark Parker
Part IV: How Do Films Engage Our Emotions? 133
Introduction 133
Studj Questions 1 36
14 Narrative Desire 139
Gregory Currie
15 Spectator Emotion and Ideological Film Criticism 148
Carl Plantinga
16 Engaging Characters 160
Murray Smith
17 The Paradox of Horror 170
Noel Carroll
Part V: Must Films Have Narrators? 179
Introduction 179
Study Questions 181
18 Principles of Film Narration 183
David Bordwell
19 The Cinematic Narrator 190
Seymour Chatman
20 Narration as Showing 198
o
George M. Wilson
¦¦ Contents
Part VI: Can Films Be Socially Critical? 209
Introduction 209
Study Questions 212
21 The Politics of Representation 213
Michael Ryan and Douglas Kellner
22 But Would You Want Your Daughter To Marry One? Politics and
Race in Guess Who's Coming to Dinner 22S
Thomas E. Wartenherg
23 Stella at the Movies: Class, Critical Spectatorship, and Melodrama
in Stella Dallas 235
Angela Curran
Part VII: What Can We Learn From Films? 247
Introduction 247
Study Questions 250
24 Knowledge as Transgression: It Happened One Night 253
Stanley Cavell
25 Realist Horror 260
Cynthia A. Freeland
26 Philosophy Screened: Experiencing The Matrix 270
Thomas E. Wartenherg
27 Virtue and Happiness in Groundhog Day 284
Joseph H. Kupfer
Suggestions for Further Reading 295
Index 298
Contents ¦¦¦ VU |
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| spelling | The philosophy of film introductory text and readings ed. by Thomas E. Wartenberg ... 1. publ. Malden/MA Blackwell 2005 XII, 308 S. Ill. txt rdacontent n rdamedia nc rdacarrier "The Philosophy of Film draws readings from philosophy, film studies, and film criticism. Organized around a series of philosophic questions about film, it offers an accessible and engaging overview of the discipline. Readings from contrasting angles and points of view discuss the value of film theory, the nature of film narration, the debate on whether films can be socially critical, and the question of what we can learn from film." "Offering clear and helpful section introductions and thought-provoking reading questions, this book is the ideal primary textbook for undergraduate courses on the philosophy of film or philosophically oriented courses in film theory."--BOOK JACKET. Cinéma - Philosophie Filmtheorie gtt Film Philosophie Motion pictures Philosophy Theorie (DE-588)4059787-8 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Philosophie (DE-588)4045791-6 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Film (DE-588)4017102-4 s Theorie (DE-588)4059787-8 s DE-604 Philosophie (DE-588)4045791-6 s Wartenberg, Thomas E. Sonstige oth HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014157629&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | The philosophy of film introductory text and readings Cinéma - Philosophie Filmtheorie gtt Film Philosophie Motion pictures Philosophy Theorie (DE-588)4059787-8 gnd Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd |
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| title_exact_search | The philosophy of film introductory text and readings |
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| title_full | The philosophy of film introductory text and readings ed. by Thomas E. Wartenberg ... |
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| title_full_unstemmed | The philosophy of film introductory text and readings ed. by Thomas E. Wartenberg ... |
| title_short | The philosophy of film |
| title_sort | the philosophy of film introductory text and readings |
| title_sub | introductory text and readings |
| topic | Cinéma - Philosophie Filmtheorie gtt Film Philosophie Motion pictures Philosophy Theorie (DE-588)4059787-8 gnd Film (DE-588)4017102-4 gnd Philosophie (DE-588)4045791-6 gnd |
| topic_facet | Cinéma - Philosophie Filmtheorie Film Philosophie Motion pictures Philosophy Theorie Aufsatzsammlung |
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