Basic TV technology: digital and analog
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Focal Pr.
2005
|
| Ausgabe: | 4. ed. |
| Schriftenreihe: | Media manuals
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references (p. 175-176) and index |
| Beschreibung: | xiii, 192 p. graph. Darst., ill. |
| ISBN: | 0240807170 |
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Datensatz im Suchindex
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| adam_text | BASIC TV TECHNOLOGY: DIGITAL AND ANALOG FOURTH EDITION ROBERT L. HARTWIG
AMSTERDAM . BOSTON . HEIDELBERG * LONDON . NEW YORK . OXFORD PARIS . SAN
DIEGO . SAN FRANCISCO * SINGAPORE . SYDNEY * TOKYO ELSEVIER FOCAL PRESS
IS AN IMPRINT OF ELSEVIER CONTENTS INTRODUCTION XI ACKNOWLEDGMENTS XIII
THE ATOM AND ELECTRICITY 2 THE PARTS OF THE ATOM THE FLOW OF ELECTRONS
THROUGH METALS BASIC CIRCUITS 4 DIRECT CURRENT (DC) ALTERNATING CURRENT
(AC) UNITS OFMEASUREMENT(I) 6 VOLTAGE CURRENT POWER RESISTANCE
MATHEMATICAL SYMBOLS AND FORMULAS UNITSOFMEASUREMENT(2) 8 FREQUENCY AC
FREQUENCY IMPEDANCE FIELDS (INDUCTION) AND NOISE 10 FIELDS (INDUCTION)
NOISE SIGNAL-TO-NOISE RATIO ABBREVIATIONS 12 KILO MEGA GIGA MILLI MICRO
NANO CATHODE RAY TUBES (CRTS) 14 INTERLACE SCANNING PROGRESSIVE SCANNING
NEED FOR INTERLACE SCANNING 16 BLANKING 18 HORIZONTAL BLANKING VSRTICAL
BLANKING WAVEFORM DISPLAY CHARGE-COUPLED DEVICES 22 CCD LAYOUT AND
OPERATION BROADCAST-QUALITY REQUIREMENTS AN INTRODUCTION TO DIGITAL (1)
24 WHAT IS DIGITAL? WHAT COMPUTERS DO AN INTRODUCTION TO DIGITAL (2) 26
BITS AND BYTES * BINARY NUMBERING SYSTEM ANALOG AND DIGITAL 28 A TO D
CONVERSION SAMPLING AND QUANTIZING D TO A CONVERSION COLOR SYSTEMS 30
COLOR VERSUS BLACK AND WHITE ADDITIVE AND SUBTRACTIVE COLORS
COMPLEMENTARY COLORS HOW THE EYE SEES LIGHT (1) 32 COLOR TEMPERATURE HOW
THE EYE SEES LIGHT (2) 34 FILTERS BLACK BALANCE WHITE BALANCE DIGITAL
ENCODING RATIOS 36 FROM BLACK AND WHITE TO COLOR DIGITAL RESPONSESTOTHIS
SITUATION CODECS 38 COMPOSITE ENCODING 40 HOME VIDEO CAMERAS COLOR CRTS
42 CONVERGENCE PLASMA DISPLAY SCREEN 44 HOW IT WORKS LCD SCREENS 46
ANALOG SYNC GENERATORS 48 ANALOG SYNC GENERATOR SIGNALS (1) 50 DRIVE
PULSES BLANKING PULSES SYNC PULSES COLOR BURST ANALOG SYNC GENERATOR
SIGNALS (2) 52 COMBINING SYNC WITH VIDEO VI VECTORSCOPES 54 READING THE
VECTORSCOPE COLOR BAR DISPLAY PAL 56 ANALOG SYNC FLOW DIAGRAMS 58
DISTRIBUTION AMPLIFIERS CAMERA FLOW DIAGRAMS 60 COMBINING SYNC AND
CAMERA FLOW DIAGRAMS 62 OUT-OF-PHASE CAMERAS VIDEO SWITCHERS 64 VERTICAL
INTERVAL SWITCHERS COMPONENT SWITCHERS DIGITAL SWITCHERS SPECIAL EFFECTS
SWITCHER APPLICATIONS 66 PRODUCTION AND EDITING SWITCHERS ON-AIR
SWITCHERS ROUTING SWITCHERS PRODUCTION SWITCHER FLOW DIAGRAM 68 SWITCHER
BUSES SWITCHER OUTPUTS SWITCHER TRANSITIONS AND SPECIAL EFFECTS 70 WIPES
SPECIAL EFFECTS KEYS * LUMINANCE KEYS 72 LINEAR OR TRANSPARENT KEYS
SPECIAL EFFECTS KEYS * CHROMA KEYS 74 COMPOSITE VERSUS COMPONENT VIDEO
76 PROBLEMS OF COMPOSITE VIDEO COMPONENT VIDEO Y/C COLOR DIFFERENCE
COMPONENT VIDEO 78 DIGITAL SPECIAL EFFECTS 80 COMPRESSIONS PUSHES FLIPS
ROTATIONS OTHER SPECIAL EFFECTS DIGITAL INTERPOLATION 82 MANIPULATION
INTERPOLATION VII ANALOG VIDEOTAPE RECORDING TECHNOLOGY 84 RECORDERS
VIDEOTAPE RECORDING HEADS ANALOG VIDEO RECORDING STANDARDS AND FORMATS
86 AUDIO VERSUS VIDEO RECORDING HELICAL VIDEO RECORDING OTHER TRACKS AND
LOCKUP (1) 88 SOUND AND CONTRA! TRACKS VTR LOCKUP CAPSTAN LOCK OTHER
TRACKS AND LOCKUP (2) 90 VERTICAI LOCK (CAPSTAN SERVO) FRAME LOCK
HORIZONTAL LOCK TIME BASE ERROR 92 EXTERNAL CAUSES OF TIME BASE ERROR 94
GYROSCOPICTIME BASE ERROR TIME BASE ERROR CORRECTION 96 TIME BASE
CORRECTORS (1) 98 WHAT A TIME BASE CORRECTOR DOES HOW A TBC WORKS
HORIZONTAL SYNC AS A CLOCK TIME BASE CORRECTORS (2) 100 D TO A
CONVERSION VIDEO PROC AMP WINDOW OF CORRECTION LARGER ANALOG SYNC
PROBLEMS AND SOLUTIONS 102 NONSYNCHRONOUS SOURCES FRAME SYNCHRONIZER
OTHER ADVANTAGES OFTBCS AND FRAME SYNCHRONIZERS 104 DYNAMIC TRACKING
HEADS FREEZE FRAMES TBCS, VTRS, AND PRODUCTION DIGITAL VIDEOTAPE
RECORDERS 106 DV VIDEO DIGITAL VIDEO SERVERS 108 PROBLEMS OF VIDEOTAPE
VIDEO SERVERS DISC-BASED RECORDERS 110 VIII EDITING ANALOG VIDEOTAPE 112
PHYSICAL CUTTING AND SPLICING ELECTRONIC EDITING THE EDITING PROCESS (1)
114 THE EDITING PROCESS (2) 116 TYPESOFEDITS 118 ASSEMBLE EDITS INSERT
EDITS EDITING METHODS * MANUAL 120 MANUAL EDITING EDITING METHODS *
CONTROL TRACK COUNTERS 122 SMPTETIME CODE EDITING 124 OFF-LINE AND
ON-LINE EDITING 126 OFF-LINE EDITING ON-LINE EDITING EDITING BY COMPUTER
128 DROP FRAME/NON-DROP FRAME EDITING PROBLEMS OF TRADITIONAL EDITING
130 NONLINEAR EDITING 132 VIDEO COMPRESSION 134 SPATIAL COMPRESSION 136
ENTROPY REDUCTION ENTROPY ENCODING TEMPORAL COMPRESSION 138 MPEG
COMPRESSION STANDARD 140 COMPUTER GRAPHICS FOR VIDEO 142 ORIGINATING
COMPUTER GRAPHICS INTERFACE BETWEEN PEOPLE AND MACHINES CHARACTER
GENERATORS 144 CREATING IMAGERY AND EFFECTS 146 COMPUTER-GENERATED
IMAGERY (CGI) DIGITAL VIDEO EFFECTS THE DIGITAL STUDIO 148 OPEN
ARCHITECTURE EQUIPMENT VERSUS DEDICATED EQUIPMENT 150 DRAWBACKS OF OPEN
ARCHITECTURE EQUIPMENT 152 HIGH-DEFINITION TV 154 PRODUCTION HDTV
STANDARDS VERSUS BROADCAST HDTV STANDARDS ATSC HIGH-DEFINITION BROADCAST
STANDARD 156 STANDARD DEFINITION DIGITAL TELEVISION (SDTV) 158 IX AUDIO
FOR VIDEO 160 THE EARLY YEARS MONO AND STEREO SURROUND SOUND 162 5.1
STEREO PROFESSIONAL AND CONSUMER AUDIO 164 IMPEDANCE BALANCED AND
UNBALANCED AUDIO COMBINING AUDIO COMPONENTS 166 LINE AND MIC LEVELS
ANALOG AND DIGITAL PROFESSIONAL AND CONSUMER EQUIPMENT MICROPHONES,
MIXERS, AND LOUDSPEAKERS 168 MICROPHONES MIXERS LOUDSPEAKERS SOUND
RECORDERS FOR VIDEO 170 DAT DIGITAL AUDIO WORKSTATIONS (DAW) 172 FURTHER
READING 175 GLOSSARY 177 INDEX 187 X
|
| adam_txt |
BASIC TV TECHNOLOGY: DIGITAL AND ANALOG FOURTH EDITION ROBERT L. HARTWIG
AMSTERDAM . BOSTON . HEIDELBERG * LONDON . NEW YORK . OXFORD PARIS . SAN
DIEGO . SAN FRANCISCO * SINGAPORE . SYDNEY * TOKYO ELSEVIER FOCAL PRESS
IS AN IMPRINT OF ELSEVIER CONTENTS INTRODUCTION XI ACKNOWLEDGMENTS XIII
THE ATOM AND ELECTRICITY 2 THE PARTS OF THE ATOM THE FLOW OF ELECTRONS
THROUGH METALS BASIC CIRCUITS 4 DIRECT CURRENT (DC) ALTERNATING CURRENT
(AC) UNITS OFMEASUREMENT(I) 6 VOLTAGE CURRENT POWER RESISTANCE
MATHEMATICAL SYMBOLS AND FORMULAS UNITSOFMEASUREMENT(2) 8 FREQUENCY AC
FREQUENCY IMPEDANCE FIELDS (INDUCTION) AND NOISE 10 FIELDS (INDUCTION)
NOISE SIGNAL-TO-NOISE RATIO ABBREVIATIONS 12 KILO MEGA GIGA MILLI MICRO
NANO CATHODE RAY TUBES (CRTS) 14 INTERLACE SCANNING PROGRESSIVE SCANNING
NEED FOR INTERLACE SCANNING 16 BLANKING 18 HORIZONTAL BLANKING VSRTICAL
BLANKING WAVEFORM DISPLAY CHARGE-COUPLED DEVICES 22 CCD LAYOUT AND
OPERATION BROADCAST-QUALITY REQUIREMENTS AN INTRODUCTION TO DIGITAL (1)
24 WHAT IS DIGITAL? WHAT COMPUTERS DO AN INTRODUCTION TO DIGITAL (2) 26
BITS AND BYTES * BINARY NUMBERING SYSTEM ANALOG AND DIGITAL 28 A TO D
CONVERSION SAMPLING AND QUANTIZING D TO A CONVERSION COLOR SYSTEMS 30
COLOR VERSUS BLACK AND WHITE ADDITIVE AND SUBTRACTIVE COLORS
COMPLEMENTARY COLORS HOW THE EYE SEES LIGHT (1) 32 COLOR TEMPERATURE HOW
THE EYE SEES LIGHT (2) 34 FILTERS BLACK BALANCE WHITE BALANCE DIGITAL
ENCODING RATIOS 36 FROM BLACK AND WHITE TO COLOR DIGITAL RESPONSESTOTHIS
SITUATION CODECS 38 COMPOSITE ENCODING 40 HOME VIDEO CAMERAS COLOR CRTS
42 CONVERGENCE PLASMA DISPLAY SCREEN 44 HOW IT WORKS LCD SCREENS 46
ANALOG SYNC GENERATORS 48 ANALOG SYNC GENERATOR SIGNALS (1) 50 DRIVE
PULSES BLANKING PULSES SYNC PULSES COLOR BURST ANALOG SYNC GENERATOR
SIGNALS (2) 52 COMBINING SYNC WITH VIDEO VI VECTORSCOPES 54 READING THE
VECTORSCOPE COLOR BAR DISPLAY PAL 56 ANALOG SYNC FLOW DIAGRAMS 58
DISTRIBUTION AMPLIFIERS CAMERA FLOW DIAGRAMS 60 COMBINING SYNC AND
CAMERA FLOW DIAGRAMS 62 OUT-OF-PHASE CAMERAS VIDEO SWITCHERS 64 VERTICAL
INTERVAL SWITCHERS COMPONENT SWITCHERS DIGITAL SWITCHERS SPECIAL EFFECTS
SWITCHER APPLICATIONS 66 PRODUCTION AND EDITING SWITCHERS ON-AIR
SWITCHERS ROUTING SWITCHERS PRODUCTION SWITCHER FLOW DIAGRAM 68 SWITCHER
BUSES SWITCHER OUTPUTS SWITCHER TRANSITIONS AND SPECIAL EFFECTS 70 WIPES
SPECIAL EFFECTS KEYS * LUMINANCE KEYS 72 LINEAR OR TRANSPARENT KEYS
SPECIAL EFFECTS KEYS * CHROMA KEYS 74 COMPOSITE VERSUS COMPONENT VIDEO
76 PROBLEMS OF COMPOSITE VIDEO COMPONENT VIDEO Y/C COLOR DIFFERENCE
COMPONENT VIDEO 78 DIGITAL SPECIAL EFFECTS 80 COMPRESSIONS PUSHES FLIPS
ROTATIONS OTHER SPECIAL EFFECTS DIGITAL INTERPOLATION 82 MANIPULATION
INTERPOLATION VII ANALOG VIDEOTAPE RECORDING TECHNOLOGY 84 RECORDERS
VIDEOTAPE RECORDING HEADS ANALOG VIDEO RECORDING STANDARDS AND FORMATS
86 AUDIO VERSUS VIDEO RECORDING HELICAL VIDEO RECORDING OTHER TRACKS AND
LOCKUP (1) 88 SOUND AND CONTRA! TRACKS VTR LOCKUP CAPSTAN LOCK OTHER
TRACKS AND LOCKUP (2) 90 VERTICAI LOCK (CAPSTAN SERVO) FRAME LOCK
HORIZONTAL LOCK TIME BASE ERROR 92 EXTERNAL CAUSES OF TIME BASE ERROR 94
GYROSCOPICTIME BASE ERROR TIME BASE ERROR CORRECTION 96 TIME BASE
CORRECTORS (1) 98 WHAT A TIME BASE CORRECTOR DOES HOW A TBC WORKS
HORIZONTAL SYNC AS A CLOCK TIME BASE CORRECTORS (2) 100 D TO A
CONVERSION VIDEO PROC AMP WINDOW OF CORRECTION LARGER ANALOG SYNC
PROBLEMS AND SOLUTIONS 102 NONSYNCHRONOUS SOURCES FRAME SYNCHRONIZER
OTHER ADVANTAGES OFTBCS AND FRAME SYNCHRONIZERS 104 DYNAMIC TRACKING
HEADS FREEZE FRAMES TBCS, VTRS, AND PRODUCTION DIGITAL VIDEOTAPE
RECORDERS 106 DV VIDEO DIGITAL VIDEO SERVERS 108 PROBLEMS OF VIDEOTAPE
VIDEO SERVERS DISC-BASED RECORDERS 110 VIII EDITING ANALOG VIDEOTAPE 112
PHYSICAL CUTTING AND SPLICING ELECTRONIC EDITING THE EDITING PROCESS (1)
114 THE EDITING PROCESS (2) 116 TYPESOFEDITS 118 ASSEMBLE EDITS INSERT
EDITS EDITING METHODS * MANUAL 120 MANUAL EDITING EDITING METHODS *
CONTROL TRACK COUNTERS 122 SMPTETIME CODE EDITING 124 OFF-LINE AND
ON-LINE EDITING 126 OFF-LINE EDITING ON-LINE EDITING EDITING BY COMPUTER
128 DROP FRAME/NON-DROP FRAME EDITING PROBLEMS OF TRADITIONAL EDITING
130 NONLINEAR EDITING 132 VIDEO COMPRESSION 134 SPATIAL COMPRESSION 136
ENTROPY REDUCTION ENTROPY ENCODING TEMPORAL COMPRESSION 138 MPEG
COMPRESSION STANDARD 140 COMPUTER GRAPHICS FOR VIDEO 142 ORIGINATING
COMPUTER GRAPHICS INTERFACE BETWEEN PEOPLE AND MACHINES CHARACTER
GENERATORS 144 CREATING IMAGERY AND EFFECTS 146 COMPUTER-GENERATED
IMAGERY (CGI) DIGITAL VIDEO EFFECTS THE DIGITAL STUDIO 148 OPEN
ARCHITECTURE EQUIPMENT VERSUS DEDICATED EQUIPMENT 150 DRAWBACKS OF OPEN
ARCHITECTURE EQUIPMENT 152 HIGH-DEFINITION TV 154 PRODUCTION HDTV
STANDARDS VERSUS BROADCAST HDTV STANDARDS ATSC HIGH-DEFINITION BROADCAST
STANDARD 156 STANDARD DEFINITION DIGITAL TELEVISION (SDTV) 158 IX AUDIO
FOR VIDEO 160 THE EARLY YEARS MONO AND STEREO SURROUND SOUND 162 5.1
STEREO PROFESSIONAL AND CONSUMER AUDIO 164 IMPEDANCE BALANCED AND
UNBALANCED AUDIO COMBINING AUDIO COMPONENTS 166 LINE AND MIC LEVELS
ANALOG AND DIGITAL PROFESSIONAL AND CONSUMER EQUIPMENT MICROPHONES,
MIXERS, AND LOUDSPEAKERS 168 MICROPHONES MIXERS LOUDSPEAKERS SOUND
RECORDERS FOR VIDEO 170 DAT DIGITAL AUDIO WORKSTATIONS (DAW) 172 FURTHER
READING 175 GLOSSARY 177 INDEX 187 X |
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| spelling | Hartwig, Robert L. Verfasser aut Basic TV technology digital and analog Robert L. Hartwig 4. ed. Amsterdam Focal Pr. 2005 xiii, 192 p. graph. Darst., ill. txt rdacontent n rdamedia nc rdacarrier Media manuals Includes bibliographical references (p. 175-176) and index Television Handbooks, manuals, etc Fernsehtechnik (DE-588)4016845-1 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Fernsehtechnik (DE-588)4016845-1 s DE-604 GBV Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014155625&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hartwig, Robert L. Basic TV technology digital and analog Television Handbooks, manuals, etc Fernsehtechnik (DE-588)4016845-1 gnd |
| subject_GND | (DE-588)4016845-1 (DE-588)4151278-9 |
| title | Basic TV technology digital and analog |
| title_auth | Basic TV technology digital and analog |
| title_exact_search | Basic TV technology digital and analog |
| title_exact_search_txtP | Basic TV technology digital and analog |
| title_full | Basic TV technology digital and analog Robert L. Hartwig |
| title_fullStr | Basic TV technology digital and analog Robert L. Hartwig |
| title_full_unstemmed | Basic TV technology digital and analog Robert L. Hartwig |
| title_short | Basic TV technology |
| title_sort | basic tv technology digital and analog |
| title_sub | digital and analog |
| topic | Television Handbooks, manuals, etc Fernsehtechnik (DE-588)4016845-1 gnd |
| topic_facet | Television Handbooks, manuals, etc Fernsehtechnik Einführung |
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