Understanding film: Marxist perspectives
Gespeichert in:
| Format: | Buch |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Pluto Press
2005
|
| Ausgabe: | 1. publ. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 253 S. Ill. |
| ISBN: | 0745319939 0745319920 |
Internformat
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| 505 | 8 | |a Adorno, Benjamin, Brecht and film -- Gramsci, Sembène and the politics of culture -- The althusserian moment revisited (again) -- Jameson, postmodernism and the hermeneutics of paranoia -- "Making it'": reading "Boogie nights" and "Blow" as economies of Surplus and Sentiment -- The critics who knew too little: Hitchcock and the absent class paradigm -- Economic and institutional analysis: Hollywood as monopoly capitalism -- Hollywood, cultural policy citadel -- State cinema and passive revolution in North Korea -- Narrative, culture and legitimacy: repetition and singularity in Zhang Yimou's "The story of Qiu Ju" -- Cinemas in revolution: 192s Russia, 1960s Cuba | |
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| 650 | 4 | |a Marxismus | |
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Datensatz im Suchindex
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|---|---|
| adam_text | Understanding Film
Marxist Perspectives
Edited by Mike Wayne
Pluto Pf f i Press
LONDON • ANN ARBOR, MI
Contents
Introduction: Marxism, Film and Film Studies 1
Mike Wayne
1 Adorno, Benjamin, Brecht and Film 34
Esther Leslie
2 Gramsci, Sembene and the Politics of Culture 58
Marcia Landy
3 The Althusserian moment revisited (again) 87
Deborah Philips
4 Jameson, Postmodernism and the hermeneutics of
paranoia 105
Mike Wayne
5 Making It : Reading Boogie Nights and Blow as Economies
of Surplus and Sentiment 131
Anna Kombluh
6 The Critics Who Knew Too Little: Hitchcock and the
Absent Class Paradigm 146
Colin McArthur
7 Economic and Institutional Analysis: Hollywood as
Monopoly Capitalism 168
Douglas Gomery
8 Hollywood, Cultural Policy Citadel 182
Toby Miller
9 State Cinema and Passive Revolution in North Korea 194
Hyangjin Lee
10 Narrative, Culture and Legitimacy: Repetition and
Singularity in Zhang Yimou s The Story ofQiu fu 213
Xudong Zhang
11 Cinemas in Revolution: 1920s Russia, 1960s Cuba 232
Michael Chanan
Notes on Contributors 247
Index 250
|
| adam_txt |
Understanding Film
Marxist Perspectives
Edited by Mike Wayne
Pluto Pf f i Press
LONDON • ANN ARBOR, MI
Contents
Introduction: Marxism, Film and Film Studies 1
Mike Wayne
1 Adorno, Benjamin, Brecht and Film 34
Esther Leslie
2 Gramsci, Sembene and the Politics of Culture 58
Marcia Landy
3 The Althusserian moment revisited (again) 87
Deborah Philips
4 Jameson, Postmodernism and the hermeneutics of
paranoia 105
Mike Wayne
5 'Making It': Reading Boogie Nights and Blow as Economies
of Surplus and Sentiment 131
Anna Kombluh
6 The Critics Who Knew Too Little: Hitchcock and the
Absent Class Paradigm 146
Colin McArthur
7 Economic and Institutional Analysis: Hollywood as
Monopoly Capitalism 168
Douglas Gomery
8 Hollywood, Cultural Policy Citadel 182
Toby Miller
9 State Cinema and Passive Revolution in North Korea 194
Hyangjin Lee
10 Narrative, Culture and Legitimacy: Repetition and
Singularity in Zhang Yimou's The Story ofQiu fu 213
Xudong Zhang
11 Cinemas in Revolution: 1920s Russia, 1960s Cuba 232
Michael Chanan
Notes on Contributors 247
Index 250 |
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| contents | Adorno, Benjamin, Brecht and film -- Gramsci, Sembène and the politics of culture -- The althusserian moment revisited (again) -- Jameson, postmodernism and the hermeneutics of paranoia -- "Making it'": reading "Boogie nights" and "Blow" as economies of Surplus and Sentiment -- The critics who knew too little: Hitchcock and the absent class paradigm -- Economic and institutional analysis: Hollywood as monopoly capitalism -- Hollywood, cultural policy citadel -- State cinema and passive revolution in North Korea -- Narrative, culture and legitimacy: repetition and singularity in Zhang Yimou's "The story of Qiu Ju" -- Cinemas in revolution: 192s Russia, 1960s Cuba |
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| spelling | Understanding film Marxist perspectives ed. by Mike Wayne 1. publ. London [u.a.] Pluto Press 2005 253 S. Ill. txt rdacontent n rdamedia nc rdacarrier Adorno, Benjamin, Brecht and film -- Gramsci, Sembène and the politics of culture -- The althusserian moment revisited (again) -- Jameson, postmodernism and the hermeneutics of paranoia -- "Making it'": reading "Boogie nights" and "Blow" as economies of Surplus and Sentiment -- The critics who knew too little: Hitchcock and the absent class paradigm -- Economic and institutional analysis: Hollywood as monopoly capitalism -- Hollywood, cultural policy citadel -- State cinema and passive revolution in North Korea -- Narrative, culture and legitimacy: repetition and singularity in Zhang Yimou's "The story of Qiu Ju" -- Cinemas in revolution: 192s Russia, 1960s Cuba Filmkunst gtt Filmtheorie gtt Marxisme gtt Film Marxismus Politik Motion pictures Political aspects Socialism and motion pictures Marxismus (DE-588)4037764-7 gnd rswk-swf Filmtheorie (DE-588)4071216-3 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Filmtheorie (DE-588)4071216-3 s Marxismus (DE-588)4037764-7 s DE-604 Wayne, Mike 1965- Sonstige (DE-588)1057814520 oth HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=014154884&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Understanding film Marxist perspectives Adorno, Benjamin, Brecht and film -- Gramsci, Sembène and the politics of culture -- The althusserian moment revisited (again) -- Jameson, postmodernism and the hermeneutics of paranoia -- "Making it'": reading "Boogie nights" and "Blow" as economies of Surplus and Sentiment -- The critics who knew too little: Hitchcock and the absent class paradigm -- Economic and institutional analysis: Hollywood as monopoly capitalism -- Hollywood, cultural policy citadel -- State cinema and passive revolution in North Korea -- Narrative, culture and legitimacy: repetition and singularity in Zhang Yimou's "The story of Qiu Ju" -- Cinemas in revolution: 192s Russia, 1960s Cuba Filmkunst gtt Filmtheorie gtt Marxisme gtt Film Marxismus Politik Motion pictures Political aspects Socialism and motion pictures Marxismus (DE-588)4037764-7 gnd Filmtheorie (DE-588)4071216-3 gnd |
| subject_GND | (DE-588)4037764-7 (DE-588)4071216-3 (DE-588)4143413-4 |
| title | Understanding film Marxist perspectives |
| title_auth | Understanding film Marxist perspectives |
| title_exact_search | Understanding film Marxist perspectives |
| title_exact_search_txtP | Understanding film Marxist perspectives |
| title_full | Understanding film Marxist perspectives ed. by Mike Wayne |
| title_fullStr | Understanding film Marxist perspectives ed. by Mike Wayne |
| title_full_unstemmed | Understanding film Marxist perspectives ed. by Mike Wayne |
| title_short | Understanding film |
| title_sort | understanding film marxist perspectives |
| title_sub | Marxist perspectives |
| topic | Filmkunst gtt Filmtheorie gtt Marxisme gtt Film Marxismus Politik Motion pictures Political aspects Socialism and motion pictures Marxismus (DE-588)4037764-7 gnd Filmtheorie (DE-588)4071216-3 gnd |
| topic_facet | Filmkunst Filmtheorie Marxisme Film Marxismus Politik Motion pictures Political aspects Socialism and motion pictures Aufsatzsammlung |
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