Die Kunst, den Krieg zu fotografieren: Krieg in der künstlerischen Fotografie der Gegenwart
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Abschlussarbeit Buch |
| Sprache: | German |
| Veröffentlicht: |
Marburg-Verl.
Jonas
2005
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 343 S. zahlr. Ill. |
| ISBN: | 9783894453572 3894453575 |
Internformat
MARC
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| 100 | 1 | |a Matthias, Agnes |d 1973- |e Verfasser |0 (DE-588)130544329 |4 aut | |
| 245 | 1 | 0 | |a Die Kunst, den Krieg zu fotografieren |b Krieg in der künstlerischen Fotografie der Gegenwart |c Agnes Matthias |
| 264 | 1 | |a Marburg-Verl. |b Jonas |c 2005 | |
| 300 | |a 343 S. |b zahlr. Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 502 | |a Zugl.: Tübingen, Univ., Diss. | ||
| 648 | 7 | |a Geschichte 1970-2002 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a War photography | |
| 650 | 0 | 7 | |a Krieg |g Motiv |0 (DE-588)4136410-7 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Krieg |0 (DE-588)4033114-3 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
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| 653 | 4 | |a Geschichte 1970-2002 | |
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| 689 | 0 | 0 | |a Fotografie |0 (DE-588)4045895-7 |D s |
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| 689 | 1 | 1 | |a Krieg |0 (DE-588)4033114-3 |D s |
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Datensatz im Suchindex
| _version_ | 1804134153291038720 |
|---|---|
| adam_text | Inhalt
Den Krieg fotografieren -Zur Einführung .................................... 9
Erfahrungshorizonte zeitgenössischer Kriege ....................................... 12
„Optischer Glaube - Faktizität versus Medienreflexivität .............................. 14
Fünf Perspektiven auf Krieg .....................................................17
Zur Darstellung von Gewalt- Künstlerische Strategien ................................20
Eine Binnenperspektive - Der Konflikt in Nordirland ........................23
Einführung ..................................................................23
Paul Grahams
„Troubled
Land - Eine Überleitung ...................................31
„The Other Side
- Territoriale Grenzziehungen .....................................33
Inklusion und Exklusion:
Willie
Doherty und PaulSeawright ..........................34
Walking : John Duncan
.....................................................43
Grenzen:
Willie
Doherty und Anthony Haughey ...................................45
Israel—Ein Exkurs:
Avi
Holtzman und
Didier
Ben
Loulou
...........................50
„Optics of Suspicion
- Observierung und Kontrolle ..................................55
Victor
Sloan: „Moving
Windows ..............................................55
Willie Dohertys Surveillance .................................................
57
„A Forensic Mode of Looking
- Tatorte ...........................................59
Paul
Seawright:
„Sectarian Murder
............................................60
Willie Doherty:
„30
January
1972* ............................................. 66
„Uncovering Evidence
-
Willie Dohertys
Spurensicherung ........................... 71
Resümee .................................................................... 77
„Post-Reportagen
- Nach dem Krieg ......................................79
Einfuhrung .................................................................79
Alfredo
Јаагѕ
„Rwanda Project
..................................................83
„RealPictures
............................................................85
„Field, Road, Cloud
.......................................................87
„The Eyes of Gutete
Emerita
.................................................90
„Scars and Traces
—
Sophie Ristelhueber
...........................................94
„Beyrouth
...............................................................95
„Fair
................................................................. 100
„Afterwars
-
Bosnische
Kriegslandschaften ....................................... 106
Sophie Ristelhueber:
„La Campagne
........................................... 107
Anthony Haughey:
„Disputed Territory
........................................110
Ori Gersht:
¿îfterwars
.................................................... 113
Flüchtlinge - Begegnungen .................................................... 118
SeiichiFuruya:
„Vertreiben —Flüchten ......................................... 119
Rineke
Dijkstra:
.Almerisa ................................................. 122
Resümee ................................................................... 125
Appropriierter Krieg - Eine Medienanalyse ................................127
Einführung ................................................................127
„Not-Having-Been-There - Krieg im Fernsehen ................................... 131
Barbara Alper:
„The Gulf
Channel ............................................ 132
Michal
Rovner: „Decoy
.................................................... 137
Die Aufrüstung des Auges - Thomas
Ruffs
„Nächte ................................ 142
Pressefotos
(I)
-Andrea
Fisher
.................................................. 147
„Untitled(OilFires) ......................................................
148
„Codes
I
(After
Ellsworth
Kelly) .............................................. 150
Jt sas if They Had always already Been Gone
.................................... 152
Pressefotos
(II)
-
Willie Doherty
................................................ 156
„Same Difference
........................................................ 158
„SixIrishmen
........................................................... 160
„They re All the Same
......................................................161
Pressefotos
(III)
-ImBildarchiv ................................................. 165
Olu
Oguibe:„The
War Room
................................................ 165
Wolfgang
Tillmans:
„Soldiers
............................................... 167
Nancy Burson:
„
Warhead
.................................................. 174
Resümee ................................................................... 177
Vergegenwärtigter Krieg ................................................. 179
Einführung ................................................................ 179
„Recasting History
- Schlachtfelder ............................................. 182
Deborah Bright: „BattlefieldPanoramas
....................................... 183
Elizabeth Williams: „Seven Miles of Mud
...................................... 187
Kriegskulissen
.............................................................. 196
Allan Sekula: „Sketchfor a Geography Lesson
....................................197
Claudio
Hils: „Red Land-Blue Land
.........................................204
„Erinnerungsorte — Denkmäler .................................................211
Chris Harrison: „Sites of Memory
.............................................211
Judith Joy Ross: „Portraits at the Vietnam Veterans Memorial, Washington, D.C.
..........214
Kriegsspektakel .............................................................220
Eric Lesdema: „Fortunes of War
..............................................221
Anna Fox: „Friendly Fire: Weekend
Wargames in
Britain
...........................227
Liz Magors Re-Enactment -Fotos
............................................230
Resümee ...................................................................235
Kriegsphantasien - Inszenierte Bilder .....................................237
Einführung ................................................................237
Ein Vorläufer - David Levinthals „Hitler
Moves East ...............................
241
„Dead Troops Talk -JeffWalls
Kriegsvision .......................................244
Der Künstler als Soldat - Paul M. Smiths
„Artists Rifles .............................
253
Künstler als Kriegsstrategen -
„Missiles
von Stephen
Murphy
und
Don Brown
............263
Resümee ...................................................................267
Die neuen Kriege fotografieren - Ein Ausblick ............................269
Anmerkungen ...........................................................273
Literaturverzeichnis ......................................................319
Abbildungsnachweis .....................................................341
Dank .....................................................................343
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| any_adam_object | 1 |
| author | Matthias, Agnes 1973- |
| author_GND | (DE-588)130544329 |
| author_facet | Matthias, Agnes 1973- |
| author_role | aut |
| author_sort | Matthias, Agnes 1973- |
| author_variant | a m am |
| building | Verbundindex |
| bvnumber | BV020824619 |
| callnumber-first | T - Technology |
| callnumber-label | TR620 |
| callnumber-raw | TR620.6 |
| callnumber-search | TR620.6 |
| callnumber-sort | TR 3620.6 |
| callnumber-subject | TR - Photography |
| classification_rvk | AP 94200 AP 94850 AP 95240 AP 95700 |
| ctrlnum | (OCoLC)61882086 (DE-599)BVBBV020824619 |
| dewey-full | 070/.49 |
| dewey-hundreds | 000 - Computer science, information, general works |
| dewey-ones | 070 - Documentary, educational, news media; journalism |
| dewey-raw | 070/.49 |
| dewey-search | 070/.49 |
| dewey-sort | 270 249 |
| dewey-tens | 070 - Documentary, educational, news media; journalism |
| discipline | Allgemeines |
| era | Geschichte 1970-2002 gnd |
| era_facet | Geschichte 1970-2002 |
| format | Thesis Book |
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| genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
| genre_facet | Hochschulschrift |
| id | DE-604.BV020824619 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T20:20:05Z |
| institution | BVB |
| isbn | 9783894453572 3894453575 |
| language | German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013829925 |
| oclc_num | 61882086 |
| open_access_boolean | |
| owner | DE-155 DE-BY-UBR DE-N32 DE-12 DE-473 DE-BY-UBG DE-19 DE-BY-UBM DE-355 DE-BY-UBR DE-M457 DE-B170 DE-11 DE-384 DE-188 DE-255 DE-Re7 DE-BY-UBR DE-B496 DE-29 |
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| physical | 343 S. zahlr. Ill. |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Jonas |
| record_format | marc |
| spelling | Matthias, Agnes 1973- Verfasser (DE-588)130544329 aut Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart Agnes Matthias Marburg-Verl. Jonas 2005 343 S. zahlr. Ill. txt rdacontent n rdamedia nc rdacarrier Zugl.: Tübingen, Univ., Diss. Geschichte 1970-2002 gnd rswk-swf War photography Krieg Motiv (DE-588)4136410-7 gnd rswk-swf Krieg (DE-588)4033114-3 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf Bildpublizistik Geschichte 1970-2002 Krieg<Motiv> (DE-588)4113937-9 Hochschulschrift gnd-content Fotografie (DE-588)4045895-7 s Krieg Motiv (DE-588)4136410-7 s Geschichte 1970-2002 z DE-604 Krieg (DE-588)4033114-3 s DE-188 Digitalisierung UB Bamberg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013829925&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013829925&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Matthias, Agnes 1973- Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart War photography Krieg Motiv (DE-588)4136410-7 gnd Krieg (DE-588)4033114-3 gnd Fotografie (DE-588)4045895-7 gnd |
| subject_GND | (DE-588)4136410-7 (DE-588)4033114-3 (DE-588)4045895-7 (DE-588)4113937-9 |
| title | Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart |
| title_auth | Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart |
| title_exact_search | Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart |
| title_full | Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart Agnes Matthias |
| title_fullStr | Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart Agnes Matthias |
| title_full_unstemmed | Die Kunst, den Krieg zu fotografieren Krieg in der künstlerischen Fotografie der Gegenwart Agnes Matthias |
| title_short | Die Kunst, den Krieg zu fotografieren |
| title_sort | die kunst den krieg zu fotografieren krieg in der kunstlerischen fotografie der gegenwart |
| title_sub | Krieg in der künstlerischen Fotografie der Gegenwart |
| topic | War photography Krieg Motiv (DE-588)4136410-7 gnd Krieg (DE-588)4033114-3 gnd Fotografie (DE-588)4045895-7 gnd |
| topic_facet | War photography Krieg Motiv Krieg Fotografie Hochschulschrift |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013829925&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013829925&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT matthiasagnes diekunstdenkriegzufotografierenkrieginderkunstlerischenfotografiedergegenwart |