Acting for singers: creating believable singing characters
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2005
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | XI, 252 S. |
| ISBN: | 9780195145403 0195145402 |
Internformat
MARC
| LEADER | 00000nam a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV020045768 | ||
| 003 | DE-604 | ||
| 005 | 20180306 | ||
| 007 | t | ||
| 008 | 050927s2005 xxu |||| 00||| eng d | ||
| 010 | |a 2004016592 | ||
| 020 | |a 9780195145403 |9 978-0-19-514540-3 | ||
| 020 | |a 0195145402 |c hard cover : alk. paper |9 0-19-514540-2 | ||
| 035 | |a (OCoLC)218530367 | ||
| 035 | |a (DE-599)BVBBV020045768 | ||
| 040 | |a DE-604 |b ger |e aacr | ||
| 041 | 0 | |a eng | |
| 044 | |a xxu |c US | ||
| 049 | |a DE-12 |a DE-B170 | ||
| 050 | 0 | |a MT956 | |
| 082 | 0 | |a 792.071 |2 22 | |
| 084 | |a 9,2 |2 ssgn | ||
| 100 | 1 | |a Ostwald, David F. |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Acting for singers |b creating believable singing characters |c David F. Ostwald |
| 264 | 1 | |a Oxford [u.a.] |b Oxford Univ. Press |c 2005 | |
| 300 | |a XI, 252 S. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a Believability: the territory and the tools -- The divine marriage : combining believable acting with expressive singing -- To become or not to become : using yourself to create a believable character -- Exercises -- Playing in the moment : using improvisation to be believable -- Exercises -- Ideas for improvisations -- Judgements and trust : improving your concentration -- Exercises -- Creating your character -- Neither right nor wrong : making believable character choices -- Exercises -- Your character's universe : analyzing the dramatic structure of music-theater pieces -- Exercises -- Your character's world : fashioning a theme statement -- Exercises -- Your character's heart's desire : fashioning super-objectives -- Exercises -- Motivating your character's actions : fashioning objectives and acting beats -- Exercises -- Your character's inner voice : fashioning subtext -- Exercises -- Preparing for performances -- Being believable in any role on any stage : heightening -- Exerc | |
| 650 | 4 | |a aActing |a xStudy and teaching | |
| 650 | 4 | |a aSinging |a xInstruction and study | |
| 650 | 0 | 7 | |a Auftritt |0 (DE-588)4209881-6 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Schauspielkunst |0 (DE-588)4129090-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Opernsänger |0 (DE-588)4125219-6 |2 gnd |9 rswk-swf |
| 689 | 0 | 0 | |a Opernsänger |0 (DE-588)4125219-6 |D s |
| 689 | 0 | 1 | |a Auftritt |0 (DE-588)4209881-6 |D s |
| 689 | 0 | |5 DE-604 | |
| 689 | 1 | 0 | |a Schauspielkunst |0 (DE-588)4129090-2 |D s |
| 689 | 1 | 1 | |a Opernsänger |0 (DE-588)4125219-6 |D s |
| 689 | 1 | |5 DE-604 | |
| 856 | 4 | |u http://www.loc.gov/catdir/toc/ecip0420/2004016592.html |3 Table of contents | |
| 856 | 4 | 2 | |m HEBIS Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013366778&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-013366778 | ||
| 942 | 1 | 1 | |c 780 |e 22/bsb |
Datensatz im Suchindex
| _version_ | 1804133619964313600 |
|---|---|
| adam_text | ACTINGFORSINGERS
CREATING BEL IEVABLE S I NG I NG CHARACTERS
DAVIDFOSTWALD
OXPORD
UNIVERSITY PRESS
CONTENTS
Introduction 3
Part I Believability: The Territory and the Tools
1 The Divine Marriage: Combining Believable Acting
with Expressive Singing u
Being Believable as Your Character IActing Actions /Acting Feelings I
Acting Technically; Acting Intutively I Grounding Your Acting in Hardwired
Human Behavior I Singing and Acting Together—Believably / Jumping Your
Internal Hurdles I Summary / Exercises
2 To Become or Not to Become: Using Yourself
to Create a Believable Character 28
Entering Your Character s Reality—The Magical If I Describing Your Character s
Reality I Making Your Character s Given Circumstances Your Own I Using the
Magical If to Explore Carmen as Gypsy I Using the Magical If to Explore Tony as
Leader of a Street Gang / Sharing Your Character s World / Putting It Together I
Summary I Exercises
3 Playing in the Moment: Using Improvisation to Be Believable 42
How Improvising Helps You to Act Believably I Setting Up Successful
Improvisational Situations I Setting Up Successful Singing Improvisations /
Beginning an Improvisation / Helpful Tips / Discussing the Improvisation /
Handling Possible Fears about Improvising I Summary I Exercises / Ideas for
Improvisations
4 Judgments and Trust: Improving Your Concentration 59
Introduction /Improving Your Concentration by Increasing Your Ability to Trust/
Improving Your Concentration by Putting Judgments in Perspective / Improving Your
Concentration by Intensifying Your Engagement I Maintaining Your Concentration
in Demanding Vocal Passages I Recovering Your Concentration /Summary/ Exercises
x Contents
Part II Creating Your Character
5 Neither Right nor Wrong: Making Effective Interpretive Choices 73
Freeing Yourself to Make Interpretive Choices IRecognizing When
Your Character Choices Will Work Well I Interpreting the Music
to Help Make Effective Character Choices I Summary I Exercises
6 Your Character s Universe: Analyzing
the Dramatic Structure of Music-Theater Pieces 82
The Music-Theater Master Plan I The Four Dramatic Building Blocks I
Developing the Action in the Stock Dramatic Structure/Developing
the Action in a Typical Plot I The Music as an Emotional and Dramatic
Voice /Summary/ Exercises
7 Your Character s World: Fashioning a Theme Statement 91
Defining the Theme I Defining the Qualities of the Most Useful Theme
Statements I Fashioning a Theme Statement I Fashioning a Theme
Statement Using Research I Troubleshooting I Summary I Exercises
8 Your Character s Heart s Desire: Fashioning Super-objectives 104
Defining a Super-objective I The Qualities of the Most Useful
Super-objectives I Fashioning a Super-objective I Why a
Single Super-objective is the Most Helpful I Troubleshooting I
Summary I Exercises
9 Motivating Your Character s Actions:
Fashioning Objectives and Acting Beats m
Defining Objectives and Acting Beats I Defining the Qualities of the Most Useful
Objectives I Fashioning Objectives for Operas and Musicals I Fashioning Objectives
for Songs, Art Songs, and Lieder I Using Objectives to Strengthen a Role or Scene I
Fashioning Acting Beats I Using Acting Beats to Motivate Repeated Text I
Summary I Exercises
10 Your Character s Inner Voice: Fashioning Subtext
and an Internal Dialogue 128
Defining Subtext I Considering the Score as a Source of Subtext I Fashioning
Subtext I Fashioning Internal Thoughts for Music Without Words I Integrating an
Internal Dialogue into Your Dramatic Analysis of Operas and Musicals I Integrating
an Internal Dialogue into Your Dramatic Analysis of Art Songs, Lieder, and Songs I
Troubleshooting I Summary / Exercises
Contents xi
Part III Preparing for Performances
11 Being Believable in Any Role on Any Stage: Heightening 143
Defining Heightening I Heightening Your Feelings and Gestures by Energizing
Your Body and Breath / Heightening Your Gestures for Period Pieces I
Heightening Your Gestures for Melodramas and Farces / Using Heightening
to Support Hyper-melodramatic and Hyper-farcical Roles / Troubleshooting /
Summary/ Exercises
12 Getting the Part: Auditioning 161
Introduction I Preparing to Audition / Doing Auditions I Solving Auditioning
Problems / How to Improve IA Final Note / Summary / Exercises
13 Getting Good: Rehearsing 176
Introduction /Preparing to Rehearse / The Rehearsal Process / Troubleshooting/
Summary IA Rehearsal Checklist / Exercises
14 Delivering a Believable Character: Performing 198
Preparing to Perform I Preparing to Enter / Entering / Performing Operas
and Musicals / Performing Art Songs, Lieder, and Songs / Troubleshooting I
Summary / Exercises
Appendices
1 Ten Maxims of Believable Singing Acting 215
2 How to Analyze and Prepare Vocal Material from
a Dramatic Viewpoint: An Overview 217
3 A Short Glossary of Stage Terms 220
4 How to Research Period Practices in Movement,
Manners, and Gesture 223
5 Notes on the Exercises for Teachers and Directors 226
Index 239
|
| any_adam_object | 1 |
| author | Ostwald, David F. |
| author_facet | Ostwald, David F. |
| author_role | aut |
| author_sort | Ostwald, David F. |
| author_variant | d f o df dfo |
| building | Verbundindex |
| bvnumber | BV020045768 |
| callnumber-first | M - Music |
| callnumber-label | MT956 |
| callnumber-raw | MT956 |
| callnumber-search | MT956 |
| callnumber-sort | MT 3956 |
| callnumber-subject | MT - Instruction and Study |
| contents | Believability: the territory and the tools -- The divine marriage : combining believable acting with expressive singing -- To become or not to become : using yourself to create a believable character -- Exercises -- Playing in the moment : using improvisation to be believable -- Exercises -- Ideas for improvisations -- Judgements and trust : improving your concentration -- Exercises -- Creating your character -- Neither right nor wrong : making believable character choices -- Exercises -- Your character's universe : analyzing the dramatic structure of music-theater pieces -- Exercises -- Your character's world : fashioning a theme statement -- Exercises -- Your character's heart's desire : fashioning super-objectives -- Exercises -- Motivating your character's actions : fashioning objectives and acting beats -- Exercises -- Your character's inner voice : fashioning subtext -- Exercises -- Preparing for performances -- Being believable in any role on any stage : heightening -- Exerc |
| ctrlnum | (OCoLC)218530367 (DE-599)BVBBV020045768 |
| dewey-full | 792.071 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.071 |
| dewey-search | 792.071 |
| dewey-sort | 3792.071 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02844nam a2200505zc 4500</leader><controlfield tag="001">BV020045768</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20180306 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">050927s2005 xxu |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2004016592</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780195145403</subfield><subfield code="9">978-0-19-514540-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0195145402</subfield><subfield code="c">hard cover : alk. paper</subfield><subfield code="9">0-19-514540-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)218530367</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV020045768</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-B170</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">MT956</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">792.071</subfield><subfield code="2">22</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">9,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Ostwald, David F.</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Acting for singers</subfield><subfield code="b">creating believable singing characters</subfield><subfield code="c">David F. Ostwald</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oxford [u.a.]</subfield><subfield code="b">Oxford Univ. Press</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XI, 252 S.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Believability: the territory and the tools -- The divine marriage : combining believable acting with expressive singing -- To become or not to become : using yourself to create a believable character -- Exercises -- Playing in the moment : using improvisation to be believable -- Exercises -- Ideas for improvisations -- Judgements and trust : improving your concentration -- Exercises -- Creating your character -- Neither right nor wrong : making believable character choices -- Exercises -- Your character's universe : analyzing the dramatic structure of music-theater pieces -- Exercises -- Your character's world : fashioning a theme statement -- Exercises -- Your character's heart's desire : fashioning super-objectives -- Exercises -- Motivating your character's actions : fashioning objectives and acting beats -- Exercises -- Your character's inner voice : fashioning subtext -- Exercises -- Preparing for performances -- Being believable in any role on any stage : heightening -- Exerc</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aActing</subfield><subfield code="a">xStudy and teaching</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aSinging</subfield><subfield code="a">xInstruction and study</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Auftritt</subfield><subfield code="0">(DE-588)4209881-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schauspielkunst</subfield><subfield code="0">(DE-588)4129090-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Opernsänger</subfield><subfield code="0">(DE-588)4125219-6</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Opernsänger</subfield><subfield code="0">(DE-588)4125219-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Auftritt</subfield><subfield code="0">(DE-588)4209881-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="689" ind1="1" ind2="0"><subfield code="a">Schauspielkunst</subfield><subfield code="0">(DE-588)4129090-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2="1"><subfield code="a">Opernsänger</subfield><subfield code="0">(DE-588)4125219-6</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="1" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="856" ind1="4" ind2=" "><subfield code="u">http://www.loc.gov/catdir/toc/ecip0420/2004016592.html</subfield><subfield code="3">Table of contents</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">HEBIS Datenaustausch</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013366778&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-013366778</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">780</subfield><subfield code="e">22/bsb</subfield></datafield></record></collection> |
| id | DE-604.BV020045768 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T20:11:36Z |
| institution | BVB |
| isbn | 9780195145403 0195145402 |
| language | English |
| lccn | 2004016592 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013366778 |
| oclc_num | 218530367 |
| open_access_boolean | |
| owner | DE-12 DE-B170 |
| owner_facet | DE-12 DE-B170 |
| physical | XI, 252 S. |
| publishDate | 2005 |
| publishDateSearch | 2005 |
| publishDateSort | 2005 |
| publisher | Oxford Univ. Press |
| record_format | marc |
| spelling | Ostwald, David F. Verfasser aut Acting for singers creating believable singing characters David F. Ostwald Oxford [u.a.] Oxford Univ. Press 2005 XI, 252 S. txt rdacontent n rdamedia nc rdacarrier Believability: the territory and the tools -- The divine marriage : combining believable acting with expressive singing -- To become or not to become : using yourself to create a believable character -- Exercises -- Playing in the moment : using improvisation to be believable -- Exercises -- Ideas for improvisations -- Judgements and trust : improving your concentration -- Exercises -- Creating your character -- Neither right nor wrong : making believable character choices -- Exercises -- Your character's universe : analyzing the dramatic structure of music-theater pieces -- Exercises -- Your character's world : fashioning a theme statement -- Exercises -- Your character's heart's desire : fashioning super-objectives -- Exercises -- Motivating your character's actions : fashioning objectives and acting beats -- Exercises -- Your character's inner voice : fashioning subtext -- Exercises -- Preparing for performances -- Being believable in any role on any stage : heightening -- Exerc aActing xStudy and teaching aSinging xInstruction and study Auftritt (DE-588)4209881-6 gnd rswk-swf Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Opernsänger (DE-588)4125219-6 gnd rswk-swf Opernsänger (DE-588)4125219-6 s Auftritt (DE-588)4209881-6 s DE-604 Schauspielkunst (DE-588)4129090-2 s http://www.loc.gov/catdir/toc/ecip0420/2004016592.html Table of contents HEBIS Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013366778&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Ostwald, David F. Acting for singers creating believable singing characters Believability: the territory and the tools -- The divine marriage : combining believable acting with expressive singing -- To become or not to become : using yourself to create a believable character -- Exercises -- Playing in the moment : using improvisation to be believable -- Exercises -- Ideas for improvisations -- Judgements and trust : improving your concentration -- Exercises -- Creating your character -- Neither right nor wrong : making believable character choices -- Exercises -- Your character's universe : analyzing the dramatic structure of music-theater pieces -- Exercises -- Your character's world : fashioning a theme statement -- Exercises -- Your character's heart's desire : fashioning super-objectives -- Exercises -- Motivating your character's actions : fashioning objectives and acting beats -- Exercises -- Your character's inner voice : fashioning subtext -- Exercises -- Preparing for performances -- Being believable in any role on any stage : heightening -- Exerc aActing xStudy and teaching aSinging xInstruction and study Auftritt (DE-588)4209881-6 gnd Schauspielkunst (DE-588)4129090-2 gnd Opernsänger (DE-588)4125219-6 gnd |
| subject_GND | (DE-588)4209881-6 (DE-588)4129090-2 (DE-588)4125219-6 |
| title | Acting for singers creating believable singing characters |
| title_auth | Acting for singers creating believable singing characters |
| title_exact_search | Acting for singers creating believable singing characters |
| title_full | Acting for singers creating believable singing characters David F. Ostwald |
| title_fullStr | Acting for singers creating believable singing characters David F. Ostwald |
| title_full_unstemmed | Acting for singers creating believable singing characters David F. Ostwald |
| title_short | Acting for singers |
| title_sort | acting for singers creating believable singing characters |
| title_sub | creating believable singing characters |
| topic | aActing xStudy and teaching aSinging xInstruction and study Auftritt (DE-588)4209881-6 gnd Schauspielkunst (DE-588)4129090-2 gnd Opernsänger (DE-588)4125219-6 gnd |
| topic_facet | aActing xStudy and teaching aSinging xInstruction and study Auftritt Schauspielkunst Opernsänger |
| url | http://www.loc.gov/catdir/toc/ecip0420/2004016592.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013366778&sequence=000004&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT ostwalddavidf actingforsingerscreatingbelievablesingingcharacters |