Intonation in the grammar of English:
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London [u.a.]
Equinox
2008
|
| Ausgabe: | 1. publ. |
| Schriftenreihe: | Equinox textbooks and surveys in linguistics
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | 224 S. Ill., graph. Darst. CD-ROM (12 cm) |
| ISBN: | 9781904768159 9781904768142 1904768148 1904768156 |
Internformat
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| 245 | 1 | 0 | |a Intonation in the grammar of English |c M. A. K. Halliday and William S. Greaves |
| 250 | |a 1. publ. | ||
| 264 | 1 | |a London [u.a.] |b Equinox |c 2008 | |
| 300 | |a 224 S. |b Ill., graph. Darst. |e CD-ROM (12 cm) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Equinox textbooks and surveys in linguistics | |
| 500 | |a Includes bibliographical references and index | ||
| 650 | 7 | |a Anglais (langue) - Accents et accentuation |2 ram | |
| 650 | 7 | |a Anglais (langue) - Grammaire |2 ram | |
| 650 | 7 | |a Anglais (langue) - Intonation |2 ram | |
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| 650 | 4 | |a Grammatik | |
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| 650 | 4 | |a English language |x Grammar | |
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| 999 | |a oai:aleph.bib-bvb.de:BVB01-013366282 | ||
Datensatz im Suchindex
| _version_ | 1804133619217727488 |
|---|---|
| adam_text | Contents
Acknowledgements x
Using the CD
xi
PART I: THE STUDY OF SPEECH SOUND
1
Locating and thinking about speech sound
3
1.1
Speech sound: locating the phenomenon
3
1.1.1
Initial impressions of a variety of sounds
6
1.1.2
Nine sound icons
6
1.2
How speech sound can be thought about
7
1.2.1
Thinking about speech sound in physical terms
7
1.2.2
Thinking about speech sound in biological terms
8
1.2.3
Thinking about speech sound in engineering terms
9
1.2.4
Thinking about the sound of language as expression
of meaning
9
1.2.5
Thinking about the sound of language as construction
of meaning
10
1.3
Some specific ways of thinking about the sound of language
11
1.3.1
The Institute for Perception Research IPO, a joint venture
of Philips Electronics and Eindhoven University of Technology
11
1.3.2
ToBI
12
1.3.3
Metrical phonology; autosegmental phonology
13
1.3.4
OptimalityTheory
13
1.4
Some characteristics of our own approach in this book
14
2
Representation of sound
18
2.1
Two dimensional representation: air pressure and time (wave form)
18
2.1.1
Periodic and non-periodic sound
21
2.1.2
Periodic sound:
22
2.1.2.1
Cycles and frequency
22
2.1.2.2
Fundamental and higher frequencies
23
2.1.3
Non-periodic sound
- 24
2.1.4
Combined periodic and non-periodic sound
25
2.2
Two-dimensional representation: fundamental frequency and
time (frequency line)
26
2.2.1
Representation of frequency
26
2.2.2
Hertz or semitone
28
2.2.3
Frequency and pitch
29
2.3
Two-dimensional representation: energy and time (intensity line)
30
2.4
Three dimensional representation: spectrograms
32
2.5
Setting spectrogram and pitch for intonation analysis
36
3
Interpretation of sound
40
3.1
Phonology and lexicogrammar
40
3.1.1
Articulation and prosody
40
3.1.2
Levels of analysis (strata)
41
3.2
Information unit and tone unit
42
3.2.1
Nature of the tone unit
42
3.2.2
Structure
oratone
unit
43
3.3
The tone system
44
3.3.1
Simple and compound tone units
44
3.3.2
Pretonic element
46
3.4
Intonation systems in the establishment of meaning
47
3.4.1
tone
47
3.4.1.1
Tone expressing logical meaning
47
3.4.1.2
Tone expressing interpersonal meaning
48
3.4.2
τοΝίατγ
and information focus
53
3.4.2.1
A note on SALIENCE
54
3.4.2.2
Information focus
55
3.4.3
tonality and information distribution
58
4
The linguistic environment of intonation
61
4.1
Systems and system networks
61
4.2
Strata
61
4.3
Metafunctions
(1):
experiential, interpersonal
65
4.4
Metafunctions
(2):
textual, logical
67
4.5
Types of structure associated with the four metafunctions
70
4.6
The place of intonation in the metafunctional scheme
73
4.7
Intonation in infants language development
75
4.8
Systemic phonology
76
Appendix to Part I
80
AH How sound makes meaning in a short text
80
A.1.2 Smoking
86
PART II: INTONATION AND MEANING
5
Intonation in meaning
97
5.1
Intonation in the textual metafunction
97
5.1.1
Tonality
98
5.1.2
Tonicity
101
5.1.3
Information unit and clause
105
5.1.4
Combining tonality and tonicity
108
5.2
Intonation in the interpersonal metafunction
109
5.2.1
mood
109
5.2.2
Intonation and mood
111
5.2.2.1
Statements
112
5.2.2.2
Questions
116
5.2.2.3
Offers
118
5.2.2.4
Commands
118
5.2.2.5
Exclamations
121
5.2.2.6
Calls, greetings (including valedictions) and alarms
121
5.2.2.7
Responses
122
5.2.3
Speech function, mood, and tone
123
5.2.4
Intonation and modality
125
5.3
Intonation in the ideational metafunction
129
5.3.1
Intonation in tactic sequences
130
5.3.2
The meaning of tone concord
132
5.3.3
Summary of intonation in the logical metafunction
134
A detailed demonstration: how sound makes meaning in the
microtext Prince Lazarus
136
6.1
Text and representation
136
6.1.1
The microtext
136
6.1.2
Representation of wave forms
137
6.2
Structure and context of the text
140
6.2.1
Structure I40
6.2.2
Context 140
6.2.3
Backgrounder I41
6.3
Transition 141
6.3.1
Marked tonality: grammatical system of information distribution
142
6.3.2
Tone sequence: grammatical system of status
142
6.3.3
Mapping status onto Theme
л
Rheme I44
6.3.4
Tone concord: grammatical feature of elaboration,
ІП
System Of LOGICAL SEMANTIC RELATIONS: EXPANSION
145
6.3.5
Marking elaboration by other means 146
6.3.6
Names and titles 147
6.3.7 ...
And as Mary Lou says it 148
6.4
Making contact
150
6.4.1
Prince Lazarus?
151
6.4.2
Yes, this Lazarus is fine.
152
6.4.3
How are you?
156
6.4.4
I m very fine.
158
6.4.5
How are you?
158
6.4.6
Very good.
159
6.5
First exchange
160
6.5.1
First move: how are you coming along with your plans
for
utopia?
160
6.5.2
Second move: it s coming along nicely.
162
6.5.3
Third move: the only,
er,
we have a little holdup that,
er,
happened as a result of the,
er,
hurricane.
163
7
The secondary tones
164
7.1
Primary and secondary tones
164
7.2
The line of arbitrariness
166
7.3
Phonaesthesia
168
7.4
Secondary tone systems:
tonel
169
7.5
Secondary tone systems: tone
2 174
7.6
Secondary tone systems: tone
3 178
7.7
Secondary tone systems: tones
4
and
5 179
7.8
Secondary tone systems: a summary
183
Appendix to Part II
185
Texts analysed for intonation and rhythm, including primary
and secondary tones
185
A.II.1 Australian
185
A.ll.1.1 The Wallace Line
185
A.II.1.
2
Doctorand
patient
186
A.II.1.
3
Lawyer and client
188
A.II.1.
4
In the restaurant
190
A.II.2 British
190
A.ll.2.1 You ve got to have a system
190
A.ll.2.2 Pipeline
191
PART III: ANALYSIS GUIDE WITH DETAILED COMMENTARY
Analysis guide
201
1
Semantic level, general categories
201
1.1
Logical metafunction: unit sequence
201
1.2
Interpersonal metafunction: unit move
201
1.3
Experiential metafunction: unit figure
201
2
Lexicogrammatical level: clausal grammar
201
2.1
Logical metafunction: unit clause nexus
201
2.2
Interpersonal metafunction: unit clause
202
2.3
Experiential metafunction: unit clause
203
2.4
Textual metafunction: unit clause
203
3
Lexicogrammatical level: informational grammar
204
3.1
Logical metafunction: unit information unit nexus
204
3.2
Logical and textual metafunctions: units
clause/information unit
204
3.3
Textual metafunction: unit information unit
205
3.4
Interpersonal metafunction: unit information unit
206
3.4.1
Clause mood: declarative
206
3.4.2
Clause mood: interrogative (polar or lexical)
207
3.4.2.1
Clause mood: interrogative: polar
207
3.4.2.2
Clause mood: interrogative: lexical
208
3.4.3
Clause mood: imperative
208
3.4.4
Clause mood:
exclamative
and moodless
209
4
Phonological level
210
Conventional symbols
211
Texts with detailed commentary
212
1
You ve got to have a system
212
2
Pipeline Scene
29 215
Bibliography
218
Some functional descriptions of present day English
222
|
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| id | DE-604.BV020045270 |
| illustrated | Illustrated |
| indexdate | 2024-07-09T20:11:35Z |
| institution | BVB |
| isbn | 9781904768159 9781904768142 1904768148 1904768156 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013366282 |
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| owner_facet | DE-703 DE-384 DE-29 DE-20 DE-12 DE-473 DE-BY-UBG |
| physical | 224 S. Ill., graph. Darst. CD-ROM (12 cm) |
| publishDate | 2008 |
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| publisher | Equinox |
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| spelling | Halliday, Michael A. K. 1925-2018 Verfasser (DE-588)118915223 aut Intonation in the grammar of English M. A. K. Halliday and William S. Greaves 1. publ. London [u.a.] Equinox 2008 224 S. Ill., graph. Darst. CD-ROM (12 cm) txt rdacontent n rdamedia nc rdacarrier Equinox textbooks and surveys in linguistics Includes bibliographical references and index Anglais (langue) - Accents et accentuation ram Anglais (langue) - Grammaire ram Anglais (langue) - Intonation ram Englisch Grammatik English language Intonation English language Grammar Englisch (DE-588)4014777-0 gnd rswk-swf Grammatik (DE-588)4021806-5 gnd rswk-swf Intonation Linguistik (DE-588)4129204-2 gnd rswk-swf Englisch (DE-588)4014777-0 s Grammatik (DE-588)4021806-5 s Intonation Linguistik (DE-588)4129204-2 s DE-604 Greaves, William S. Verfasser aut Digitalisierung UB Bayreuth application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013366282&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Halliday, Michael A. K. 1925-2018 Greaves, William S. Intonation in the grammar of English Anglais (langue) - Accents et accentuation ram Anglais (langue) - Grammaire ram Anglais (langue) - Intonation ram Englisch Grammatik English language Intonation English language Grammar Englisch (DE-588)4014777-0 gnd Grammatik (DE-588)4021806-5 gnd Intonation Linguistik (DE-588)4129204-2 gnd |
| subject_GND | (DE-588)4014777-0 (DE-588)4021806-5 (DE-588)4129204-2 |
| title | Intonation in the grammar of English |
| title_auth | Intonation in the grammar of English |
| title_exact_search | Intonation in the grammar of English |
| title_full | Intonation in the grammar of English M. A. K. Halliday and William S. Greaves |
| title_fullStr | Intonation in the grammar of English M. A. K. Halliday and William S. Greaves |
| title_full_unstemmed | Intonation in the grammar of English M. A. K. Halliday and William S. Greaves |
| title_short | Intonation in the grammar of English |
| title_sort | intonation in the grammar of english |
| topic | Anglais (langue) - Accents et accentuation ram Anglais (langue) - Grammaire ram Anglais (langue) - Intonation ram Englisch Grammatik English language Intonation English language Grammar Englisch (DE-588)4014777-0 gnd Grammatik (DE-588)4021806-5 gnd Intonation Linguistik (DE-588)4129204-2 gnd |
| topic_facet | Anglais (langue) - Accents et accentuation Anglais (langue) - Grammaire Anglais (langue) - Intonation Englisch Grammatik English language Intonation English language Grammar Intonation Linguistik |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013366282&sequence=000002&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT hallidaymichaelak intonationinthegrammarofenglish AT greaveswilliams intonationinthegrammarofenglish |