The musical theatre writer's survival guide:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Portsmouth, NH
Heinemann
2005
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| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | xvi, 200 p. Ill. 23 cm |
| ISBN: | 0325007861 |
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| 505 | 8 | |a Section 1. Establishing relationships. You're only as good as your partner-- and vice versa, or, Collaboration ; That other collaborator, or, The director ; The chards and the suits, or, Agents and producers -- Section 2. The basic components. Throwing the book at you, or, The plainly visible secrets of successful libretti ; Knowing the score, or, Music and lyrics -- Section 3. Practical application. The spirit of the thing, or, Adaptation ; The bogus condition, or, Writer's block ; It ain't kid stuff, or, Writing musicals for young audiences ; Speed kills, shift happens, and other homilies, or, Writing comedy ; Well, maybe thou shalt steal, or, Influences -- Section 4. You are what you submit, or, Presentation, format, and packaging ; Audio with pictures, or, The art of the reading ; Acceptable margins, or, Proper playscript formatting ; Sound advice, or, Demo recordings -- Section 5. Random thoughts, coda, and appendices. Afterword: Random thoughts ; Coda. | |
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Datensatz im Suchindex
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| adam_text | THE MUSICAL THEATRE WRITER S SURVIVAL GUIDE / SPENCER, DAVID : 2005
TABLE OF CONTENTS / INHALTSVERZEICHNIS
SECTION 1. ESTABLISHING RELATIONSHIPS. YOU RE ONLY AS GOOD AS YOUR PARTNER
AND VICE VERSA, OR, COLLABORATION ; THAT OTHER COLLABORATOR, OR, THE DIRECTOR ; THE CHARDS AND THE SUITS, OR, AGENTS AND PRODUCERS
SECTION 2. THE BASIC COMPONENTS. THROWING THE BOOK AT YOU, OR, THE PLAINLY VISIBLE SECRETS OF SUCCESSFUL LIBRETTI ; KNOWING THE SCORE, OR, MUSIC AND LYRICS
SECTION 3. PRACTICAL APPLICATION. THE SPIRIT OF THE THING, OR, ADAPTATION ; THE BOGUS CONDITION, OR, WRITER S BLOCK ; IT AIN T KID STUFF, OR, WRITING MUSICALS FOR YOUNG AUDIENCES ; SPEED KILLS, SHIFT HAPPENS, AND OTHER HOMILIES, OR, WRITING COMEDY ; WELL, MAYBE THOU SHALT STEAL, OR, INFLUENCES
SECTION 4. DECONSTRUCTION ; THE RAVE AND THE MIX, OR, DECONSTRUCTION IN ACTION
SECTION 5. YOU ARE WHAT YOU SUBMIT, OR, PRESENTATION, FORMAT, AND PACKAGING ; AUDIO WITH PICTURES, OR, THE ART OF THE READING ; PROPER PLAYSCRIPT FORMATTING ; DEMO RECORDINGS
SECTION 6. RANDOM THOUGHTS, CODA, AND APPENDICES.
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
|
| any_adam_object | 1 |
| author | Spencer, David |
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| callnumber-first | M - Music |
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| callnumber-raw | MT67 |
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| contents | Section 1. Establishing relationships. You're only as good as your partner-- and vice versa, or, Collaboration ; That other collaborator, or, The director ; The chards and the suits, or, Agents and producers -- Section 2. The basic components. Throwing the book at you, or, The plainly visible secrets of successful libretti ; Knowing the score, or, Music and lyrics -- Section 3. Practical application. The spirit of the thing, or, Adaptation ; The bogus condition, or, Writer's block ; It ain't kid stuff, or, Writing musicals for young audiences ; Speed kills, shift happens, and other homilies, or, Writing comedy ; Well, maybe thou shalt steal, or, Influences -- Section 4. You are what you submit, or, Presentation, format, and packaging ; Audio with pictures, or, The art of the reading ; Acceptable margins, or, Proper playscript formatting ; Sound advice, or, Demo recordings -- Section 5. Random thoughts, coda, and appendices. Afterword: Random thoughts ; Coda. |
| ctrlnum | (OCoLC)57750407 (DE-599)BVBBV020000110 |
| dewey-full | 782.1/413 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 782 - Vocal music |
| dewey-raw | 782.1/413 |
| dewey-search | 782.1/413 |
| dewey-sort | 3782.1 3413 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
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| spelling | Spencer, David Verfasser aut The musical theatre writer's survival guide David Spencer Portsmouth, NH Heinemann 2005 xvi, 200 p. Ill. 23 cm txt rdacontent n rdamedia nc rdacarrier Section 1. Establishing relationships. You're only as good as your partner-- and vice versa, or, Collaboration ; That other collaborator, or, The director ; The chards and the suits, or, Agents and producers -- Section 2. The basic components. Throwing the book at you, or, The plainly visible secrets of successful libretti ; Knowing the score, or, Music and lyrics -- Section 3. Practical application. The spirit of the thing, or, Adaptation ; The bogus condition, or, Writer's block ; It ain't kid stuff, or, Writing musicals for young audiences ; Speed kills, shift happens, and other homilies, or, Writing comedy ; Well, maybe thou shalt steal, or, Influences -- Section 4. You are what you submit, or, Presentation, format, and packaging ; Audio with pictures, or, The art of the reading ; Acceptable margins, or, Proper playscript formatting ; Sound advice, or, Demo recordings -- Section 5. Random thoughts, coda, and appendices. Afterword: Random thoughts ; Coda. Musicals Writing and publishing Libretto (DE-588)4035588-3 gnd rswk-swf Musical (DE-588)4040801-2 gnd rswk-swf (DE-588)4151278-9 Einführung gnd-content Musical (DE-588)4040801-2 s Libretto (DE-588)4035588-3 s DE-604 http://www.loc.gov/catdir/toc/ecip058/2005005043.html Table of contents LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013321853&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Spencer, David The musical theatre writer's survival guide Section 1. Establishing relationships. You're only as good as your partner-- and vice versa, or, Collaboration ; That other collaborator, or, The director ; The chards and the suits, or, Agents and producers -- Section 2. The basic components. Throwing the book at you, or, The plainly visible secrets of successful libretti ; Knowing the score, or, Music and lyrics -- Section 3. Practical application. The spirit of the thing, or, Adaptation ; The bogus condition, or, Writer's block ; It ain't kid stuff, or, Writing musicals for young audiences ; Speed kills, shift happens, and other homilies, or, Writing comedy ; Well, maybe thou shalt steal, or, Influences -- Section 4. You are what you submit, or, Presentation, format, and packaging ; Audio with pictures, or, The art of the reading ; Acceptable margins, or, Proper playscript formatting ; Sound advice, or, Demo recordings -- Section 5. Random thoughts, coda, and appendices. Afterword: Random thoughts ; Coda. Musicals Writing and publishing Libretto (DE-588)4035588-3 gnd Musical (DE-588)4040801-2 gnd |
| subject_GND | (DE-588)4035588-3 (DE-588)4040801-2 (DE-588)4151278-9 |
| title | The musical theatre writer's survival guide |
| title_auth | The musical theatre writer's survival guide |
| title_exact_search | The musical theatre writer's survival guide |
| title_full | The musical theatre writer's survival guide David Spencer |
| title_fullStr | The musical theatre writer's survival guide David Spencer |
| title_full_unstemmed | The musical theatre writer's survival guide David Spencer |
| title_short | The musical theatre writer's survival guide |
| title_sort | the musical theatre writer s survival guide |
| topic | Musicals Writing and publishing Libretto (DE-588)4035588-3 gnd Musical (DE-588)4040801-2 gnd |
| topic_facet | Musicals Writing and publishing Libretto Musical Einführung |
| url | http://www.loc.gov/catdir/toc/ecip058/2005005043.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013321853&sequence=000005&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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