"Record it, and let it be known": song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Wien
LIT Verlag
[2005]
|
Schriftenreihe: | Literatur: Forschung und Wissenschaft
6 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | 380 Seiten 1 CD-ROM |
ISBN: | 3825876365 9783825876364 |
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Datensatz im Suchindex
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---|---|
adam_text | Contents
Preface
Introduction
Demography
Ethnicity, society, and politics
Ethnicity and culture
Popular music, ethnicity, gender, and commercialization
The corpus
Part I: Structure, Topics, Genres
Preliminary Remarks
Text and music
Song lyrics and poetry
Song lyrics and meaning
The
I and you -Gender
No gendering
Direct gendering in the text
Indirect gendering by context
I and you
Direct marking of ethnicity
Indirect marking of ethnicity
I and you
Main Topics
Main Genres
Samba
Marèa
Bolero and
Son
Beguine
Calypso
Part II: Ethnicity, Gender, Nationhood
Ethnicity and History: Past and Present
Africa
Slavery and emancipation
Exploitation and poverty in die
Adieu foulardl Adieu madrasl
Ethnicity: Nature
The unmarked and the single-marked body
The double-marked body
Women
Black women
Mulatto women
The Brazilian
White women
Indian women
Asian women
Men
Black men
Mulatto men
White men
Indian men
East Indian men
Exceptional interactions
Brown Skin Girl
Ethnicity. Culture
Music, dance, and carnival
Afro-Latin American religions
Food and clothing
Babalú
Ethnicity and National Identity
Defining the whole
The whole and its parts
National and foreign
Aquarela do
Conclusions 303
Appendix
Bibliography and Discography
1.
2.
3.
4.
5.
6.
7.
7.1.
7.2.
7.3.
7.4.
Index
List of Tables
CD
Popular music from Brazil and the Caribbean belongs to
those cultural practices that are considered, both inside and
outside of their countries of origin, to bearthe indelible marks
of ethnicity. On the basis of a corpus made up of over one
thousand songs recorded between
Cuba, Martinique, and Trinidad and Tobago, Record it, and let
it be known offers an exemplary textual analysis of the ways
in which these countries main musical genres staged the
encounters of the identity categories of ethnicity and gender
in song lyrics during the decades preceding the emergence
of more ideologically conscious musical currents. Special
attention is paid to the following topics: the relations between
ethnicity and national identity; the presence of Africa and
slavery; the presentation of the gendered and ethnically
marked body; and, finally, the description of cultural blackness.
|
any_adam_object | 1 |
author | Laferl, Christopher F. 1963- |
author_GND | (DE-588)121046842 |
author_facet | Laferl, Christopher F. 1963- |
author_role | aut |
author_sort | Laferl, Christopher F. 1963- |
author_variant | c f l cf cfl |
building | Verbundindex |
bvnumber | BV019989103 |
callnumber-first | M - Music |
callnumber-label | ML3475 |
callnumber-raw | ML3475 |
callnumber-search | ML3475 |
callnumber-sort | ML 43475 |
callnumber-subject | ML - Literature on Music |
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ctrlnum | (OCoLC)62749453 (DE-599)BVBBV019989103 |
dewey-full | 800 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 800 - Literature (Belles-lettres) and rhetoric |
dewey-raw | 800 |
dewey-search | 800 |
dewey-sort | 3800 |
dewey-tens | 800 - Literature (Belles-lettres) and rhetoric |
discipline | Anglistik / Amerikanistik Literaturwissenschaft Romanistik Musikwissenschaft |
era | Geschichte 1920-1960 gnd |
era_facet | Geschichte 1920-1960 |
format | Book |
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geographic_facet | Brasilien Karibik |
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institution | BVB |
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language | English |
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physical | 380 Seiten 1 CD-ROM |
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spelling | Laferl, Christopher F. 1963- Verfasser (DE-588)121046842 aut "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 Christopher F. Laferl Wien LIT Verlag [2005] © 2005 380 Seiten 1 CD-ROM txt rdacontent n rdamedia nc rdacarrier Literatur: Forschung und Wissenschaft 6 Geschichte 1920-1960 gnd rswk-swf Ethnicity in music Gender identity in music Popular music Brazil Texts Popular music Brazil History and criticism Popular music Cuba Texts Popular music Cuba History and criticism Popular music Martinique Texts Popular music Martinique History and criticism Popular music Trinidad and Tobago Texts Popular music Trinidad and Tobago History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd rswk-swf Ethnizität Motiv (DE-588)4438896-2 gnd rswk-swf Song (DE-588)4138544-5 gnd rswk-swf Brasilien Brasilien (DE-588)4008003-1 gnd rswk-swf Karibik (DE-588)4073241-1 gnd rswk-swf Brasilien (DE-588)4008003-1 g Song (DE-588)4138544-5 s Unterhaltungsmusik (DE-588)4061916-3 s Ethnizität Motiv (DE-588)4438896-2 s Geschichte 1920-1960 z DE-604 Karibik (DE-588)4073241-1 g Literatur: Forschung und Wissenschaft 6 (DE-604)BV017217339 6 Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013311055&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Passau application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013311055&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
spellingShingle | Laferl, Christopher F. 1963- "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 Literatur: Forschung und Wissenschaft Ethnicity in music Gender identity in music Popular music Brazil Texts Popular music Brazil History and criticism Popular music Cuba Texts Popular music Cuba History and criticism Popular music Martinique Texts Popular music Martinique History and criticism Popular music Trinidad and Tobago Texts Popular music Trinidad and Tobago History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Ethnizität Motiv (DE-588)4438896-2 gnd Song (DE-588)4138544-5 gnd |
subject_GND | (DE-588)4061916-3 (DE-588)4438896-2 (DE-588)4138544-5 (DE-588)4008003-1 (DE-588)4073241-1 |
title | "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 |
title_auth | "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 |
title_exact_search | "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 |
title_full | "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 Christopher F. Laferl |
title_fullStr | "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 Christopher F. Laferl |
title_full_unstemmed | "Record it, and let it be known" song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 Christopher F. Laferl |
title_short | "Record it, and let it be known" |
title_sort | record it and let it be known song lyrics gender and ethnicity in brazil cuba martinique and trinidad and tobago from 1920 to 1960 |
title_sub | song lyrics, gender, and ethnicity in Brazil, Cuba, Martinique, and Trinidad and Tobago from 1920 to 1960 |
topic | Ethnicity in music Gender identity in music Popular music Brazil Texts Popular music Brazil History and criticism Popular music Cuba Texts Popular music Cuba History and criticism Popular music Martinique Texts Popular music Martinique History and criticism Popular music Trinidad and Tobago Texts Popular music Trinidad and Tobago History and criticism Unterhaltungsmusik (DE-588)4061916-3 gnd Ethnizität Motiv (DE-588)4438896-2 gnd Song (DE-588)4138544-5 gnd |
topic_facet | Ethnicity in music Gender identity in music Popular music Brazil Texts Popular music Brazil History and criticism Popular music Cuba Texts Popular music Cuba History and criticism Popular music Martinique Texts Popular music Martinique History and criticism Popular music Trinidad and Tobago Texts Popular music Trinidad and Tobago History and criticism Unterhaltungsmusik Ethnizität Motiv Song Brasilien Karibik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013311055&sequence=000003&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013311055&sequence=000004&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |
volume_link | (DE-604)BV017217339 |
work_keys_str_mv | AT laferlchristopherf recorditandletitbeknownsonglyricsgenderandethnicityinbrazilcubamartiniqueandtrinidadandtobagofrom1920to1960 |