American Fiction: modernism - postmodernism, popular culture, and metafiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Stuttgart
ibidem
2005
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext Inhaltsverzeichnis |
| Beschreibung: | 217 S. 210 mm x 150 mm |
| ISBN: | 3898215148 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804133530764050432 |
|---|---|
| adam_text | American
Fiction
7
TABLE OF CONTENTS
ACKNOWLEDGEMENTS
.............................................................................9
CHAPTER I
BETWEEN MODERNISM AND POSTMODERNISM:
DONALD BARTHELME S NOVELS SNOW WHITE
(1965)
AND
PARADISE
(1986)..........................................................................................13
CHAPTER II
POSTMODERNISM AND POPULAR CULTURE
....................................37
ILI
The Western
............................................................................................43
II.
1.1
Parody of the Western in American Literature
(E. L.
Doctorow s
Welcome to Hard Times,
I960;
and Robert Coo
ver s
The Ghost
Town,
1998).....................................................................................43
II.
1.2
Reconsideration of Nature, Myths and Narrative Conventions of
Popular Literature in Richard Brautigan s Novel The Hawkline
Monster: A Gothic Western
(1976),
or Gothic Novel and Western in
One
...................................................................................................55
IL
1.3
Parody of the Western (Film): Robert Coover s Adventure! Shootout
at Gentry s Junction
(1987)..............................................................64
11.2 Pornography
...........................................................................................79
11.2.1 Pornography, Western Myths and Violence in R. Coover s Spanking
the Maid
(1982)................................................................................79
11.2.2 Pornography, Artificiality and Technology: R. Coover: Lucky Pierre
in the Doctor s Office
(1994)............................................................88
11.3 Fairy Tales as Popular Culture
..............................................................101
11.3
.1
Subversion of Myths: High and Low Cultures in Robert Coover s
Briar Rose
( 1996)...........................................................................101
11.3.2 Parody in Robert Coover s
Pinocchio in
Venice
(1991).................113
11.3.3 From Experience to Postmodern Sensibility (Robert Coover: The
DOOR: A Prologue of Sorts,
1969)................................................123
11.3.4
Popular Culture, Media and
Parodic
Contexts of R. Coover s For the
Kiddies: Cartoon
(1987)................................................................134
11.4 Popular Autobiography and Travel Book in One (Richard Brautigan s An
Unfortunate Woman: A Journey,
2000)..................................................142
8
Jaroslav Kušnír
CHAPTER HI
POSTMODERNISM AND METAFICTION
.............................................151
III.
1
Metafiction in Robert Coover s Fiction (The Murker and The Hat Act,
1969)......................................................................................................151
111.2 Allegorical Metafiction— Paul Auster s The Locked Room
(1985).....165
111.3 Crossing the Genres
—
Fact or Fiction? Kurt Vonnegut s Timequake
(1997).....................................................................................................184
NOTES
..........................................................................................................203
WORKS CITED
...........................................................................................207
|
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| discipline | Anglistik / Amerikanistik |
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| era_facet | Geschichte 1960-2000 |
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| spellingShingle | Kušnir, Jaroslav American Fiction modernism - postmodernism, popular culture, and metafiction American literature History and criticism Modernism (Literature) United States Popular culture in literature Postmodernism (Literature) United States Postmoderne (DE-588)4115604-3 gnd Moderne (DE-588)4039827-4 gnd Roman (DE-588)4050479-7 gnd Kurzgeschichte (DE-588)4033842-3 gnd |
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| title | American Fiction modernism - postmodernism, popular culture, and metafiction |
| title_auth | American Fiction modernism - postmodernism, popular culture, and metafiction |
| title_exact_search | American Fiction modernism - postmodernism, popular culture, and metafiction |
| title_full | American Fiction modernism - postmodernism, popular culture, and metafiction Jaroslav Kušnír |
| title_fullStr | American Fiction modernism - postmodernism, popular culture, and metafiction Jaroslav Kušnír |
| title_full_unstemmed | American Fiction modernism - postmodernism, popular culture, and metafiction Jaroslav Kušnír |
| title_short | American Fiction |
| title_sort | american fiction modernism postmodernism popular culture and metafiction |
| title_sub | modernism - postmodernism, popular culture, and metafiction |
| topic | American literature History and criticism Modernism (Literature) United States Popular culture in literature Postmodernism (Literature) United States Postmoderne (DE-588)4115604-3 gnd Moderne (DE-588)4039827-4 gnd Roman (DE-588)4050479-7 gnd Kurzgeschichte (DE-588)4033842-3 gnd |
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