Gods and monsters: thirty years of writing on film and culture from one of America's most incisive writers
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Nation Books
2004
|
| Schlagworte: | |
| Beschreibung: | xx, 362 p. |
| ISBN: | 1560255455 |
Internformat
MARC
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| 100 | 1 | |a Biskind, Peter |d 1940- |e Verfasser |0 (DE-588)12217707X |4 aut | |
| 245 | 1 | 0 | |a Gods and monsters |b thirty years of writing on film and culture from one of America's most incisive writers |c Peter Biskind |
| 264 | 1 | |a New York |b Nation Books |c 2004 | |
| 300 | |a xx, 362 p. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 505 | 8 | |a The politics of power in "On the waterfront" -- War of the worlds -- Tightass and cocksucker: sexual politics in "Thunderbolt and lightfoot" -- Pat Garrett and Billy the kid -- Machismo and Hollywood's working class -- Blue collar blues: proletarian cinema from Hollywood -- Holocaust fever -- "Come back to the Mill, Nick Honey": "The deer hunter" misses the target -- A balance of error?: PBS's "Vietnam" waist-deep in the big muddy -- American film criticism (postwar) -- The last crusade -- The weather underground, take one -- In Latin American they shoot filmmakers -- Promised land: on sundance -- Any which way he can -- Chameleon man -- Slouching toward Hollywood -- The making of "Blatherlands": an imaginary conversation between Sissy Spacek and Terrence Malick -- The runaway genius -- Punchin' Judy -- The man who minted style -- When Sue was queen -- Good night, dark prince | |
| 650 | 4 | |a Film | |
| 650 | 4 | |a Motion pictures |z United States | |
| 650 | 4 | |a Motion picture industry |z United States | |
| 650 | 4 | |a Motion pictures |v Reviews | |
| 651 | 4 | |a USA | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-013170704 | ||
Datensatz im Suchindex
| _version_ | 1804133358986330112 |
|---|---|
| any_adam_object | |
| author | Biskind, Peter 1940- |
| author_GND | (DE-588)12217707X |
| author_facet | Biskind, Peter 1940- |
| author_role | aut |
| author_sort | Biskind, Peter 1940- |
| author_variant | p b pb |
| building | Verbundindex |
| bvnumber | BV019845884 |
| callnumber-first | P - Language and Literature |
| callnumber-label | PN1993 |
| callnumber-raw | PN1993.5.U6 |
| callnumber-search | PN1993.5.U6 |
| callnumber-sort | PN 41993.5 U6 |
| callnumber-subject | PN - General Literature |
| classification_rvk | AP 57700 |
| contents | The politics of power in "On the waterfront" -- War of the worlds -- Tightass and cocksucker: sexual politics in "Thunderbolt and lightfoot" -- Pat Garrett and Billy the kid -- Machismo and Hollywood's working class -- Blue collar blues: proletarian cinema from Hollywood -- Holocaust fever -- "Come back to the Mill, Nick Honey": "The deer hunter" misses the target -- A balance of error?: PBS's "Vietnam" waist-deep in the big muddy -- American film criticism (postwar) -- The last crusade -- The weather underground, take one -- In Latin American they shoot filmmakers -- Promised land: on sundance -- Any which way he can -- Chameleon man -- Slouching toward Hollywood -- The making of "Blatherlands": an imaginary conversation between Sissy Spacek and Terrence Malick -- The runaway genius -- Punchin' Judy -- The man who minted style -- When Sue was queen -- Good night, dark prince |
| ctrlnum | (DE-599)BVBBV019845884 |
| discipline | Allgemeines |
| format | Book |
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| geographic | USA |
| geographic_facet | USA |
| id | DE-604.BV019845884 |
| illustrated | Not Illustrated |
| indexdate | 2024-07-09T20:07:27Z |
| institution | BVB |
| isbn | 1560255455 |
| language | English |
| lccn | 2005295250 |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013170704 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| physical | xx, 362 p. |
| publishDate | 2004 |
| publishDateSearch | 2004 |
| publishDateSort | 2004 |
| publisher | Nation Books |
| record_format | marc |
| spelling | Biskind, Peter 1940- Verfasser (DE-588)12217707X aut Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers Peter Biskind New York Nation Books 2004 xx, 362 p. txt rdacontent n rdamedia nc rdacarrier The politics of power in "On the waterfront" -- War of the worlds -- Tightass and cocksucker: sexual politics in "Thunderbolt and lightfoot" -- Pat Garrett and Billy the kid -- Machismo and Hollywood's working class -- Blue collar blues: proletarian cinema from Hollywood -- Holocaust fever -- "Come back to the Mill, Nick Honey": "The deer hunter" misses the target -- A balance of error?: PBS's "Vietnam" waist-deep in the big muddy -- American film criticism (postwar) -- The last crusade -- The weather underground, take one -- In Latin American they shoot filmmakers -- Promised land: on sundance -- Any which way he can -- Chameleon man -- Slouching toward Hollywood -- The making of "Blatherlands": an imaginary conversation between Sissy Spacek and Terrence Malick -- The runaway genius -- Punchin' Judy -- The man who minted style -- When Sue was queen -- Good night, dark prince Film Motion pictures United States Motion picture industry United States Motion pictures Reviews USA |
| spellingShingle | Biskind, Peter 1940- Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers The politics of power in "On the waterfront" -- War of the worlds -- Tightass and cocksucker: sexual politics in "Thunderbolt and lightfoot" -- Pat Garrett and Billy the kid -- Machismo and Hollywood's working class -- Blue collar blues: proletarian cinema from Hollywood -- Holocaust fever -- "Come back to the Mill, Nick Honey": "The deer hunter" misses the target -- A balance of error?: PBS's "Vietnam" waist-deep in the big muddy -- American film criticism (postwar) -- The last crusade -- The weather underground, take one -- In Latin American they shoot filmmakers -- Promised land: on sundance -- Any which way he can -- Chameleon man -- Slouching toward Hollywood -- The making of "Blatherlands": an imaginary conversation between Sissy Spacek and Terrence Malick -- The runaway genius -- Punchin' Judy -- The man who minted style -- When Sue was queen -- Good night, dark prince Film Motion pictures United States Motion picture industry United States Motion pictures Reviews |
| title | Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers |
| title_auth | Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers |
| title_exact_search | Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers |
| title_full | Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers Peter Biskind |
| title_fullStr | Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers Peter Biskind |
| title_full_unstemmed | Gods and monsters thirty years of writing on film and culture from one of America's most incisive writers Peter Biskind |
| title_short | Gods and monsters |
| title_sort | gods and monsters thirty years of writing on film and culture from one of america s most incisive writers |
| title_sub | thirty years of writing on film and culture from one of America's most incisive writers |
| topic | Film Motion pictures United States Motion picture industry United States Motion pictures Reviews |
| topic_facet | Film Motion pictures United States Motion picture industry United States Motion pictures Reviews USA |
| work_keys_str_mv | AT biskindpeter godsandmonstersthirtyyearsofwritingonfilmandculturefromoneofamericasmostincisivewriters |