Medieval music and the art of memory:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berkeley, Calif. [u.a.]
Univ. of Calif. Press
2005
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Literaturverz. S. 255 - 279 |
| Beschreibung: | XVI, 288 S. Ill., Notenbeisp. |
| ISBN: | 0520240286 |
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Datensatz im Suchindex
| _version_ | 1804133348540416000 |
|---|---|
| adam_text | CONTENTS
LIST OF ILLUSTRATIONS / viii
LIST OF TABLES / ix
LIST OF MUSIC EXAMPLES / x
ACKNOWLEDGMENTS / xiii
LIST OF ABBREVIATIONS / xvi
Introduction / /
1. Prologue: The First Great Dead White Male Composer / 9
1. THE CONSTRUCTION OF THE MEMORIAL ARCHIVE / 4;
2. Tonaries: A Tool for Memorizing Chant / 47
3. Basic Theory Treatises / 8;
4. The Memorization of Organum, Discant, and Counterpoint
Treatises / m
II. COMPOSITIONAL PROCESS IN POLYPHONIC MUSIC / 759
5. Compositional Process and the Transmission of Notre Dame
Polyphony / 161
6. Visualization and the Composition of Polyphonic Music / 198
Conclusion / 255
BIBLIOGRAPHY / 255
INDEX / 281
ILLUSTRATIONS
FIGURES
1. Hierarchies of Office antiphons in the Metz and Reichenau
Tonaries / 61
2. Hand from Aquitaine, Paris, Bibliotheque Nationale de France,
MS lat. 7211, fol. 149V / 75
3. Tonary of Regino of Prum, Brussels, Bibliotheque Royale
de Belgique, MS 2750/65, fol. 46r / 76
4. Tonary from Aquitaine, Paris, Bibliotheque Nationale de France,
MS lat. 1118, fol. iO4r / 78
5. Dijon Tonary, Montpellier, Bibliotheque Interuniversitaire,
MS H 159, fol. 15 / So
6. Scala musicalis from Ghent, Rijksuniversiteit, Centrale Bibliotheek,
MS 70, fol. io8r / 87
7. Diagram of the hand / 88
8. Twelfth century hand from Admont, now at Rochester,
Sibley Music Library, MS 92 1 200, fol. 94V / s9
9. Lion with intervals, London, British Library, Harley 2637,
fol. 4OV / 104
10. Human body with interval progressions in Guido s Micrologus,
Brussels, Bibliotheque Royale de Belgique, MS II 784, fol. i5r / 10;
11. Diagram of modal theory, Ghent, Rijksuniversiteit, Centrale
Bibliotheek, MS 70, fol. 56V / 106
ILLUSTRATIONS IX
12. Diagram of mensurations from Johannes Vetulus de Anagnia,
Liber musices, Vatican City, Biblioteca Apostolica Vaticana,
Barb. lat. 307, fol. 8r / 108
13. Anonymous XI, circle with mensural system, London, British
Library, Add. MS 34200, fol. 36V / 109
14. Mnemonic marks in the Vatican organum treatise, Vatican City,
Biblioteca Apostolica Vaticana, Ottob. lat. 3025, fol. 46r / 722
15. Consonance table from Franchinus Gaffurius, Practica musice,
bk. 3, chap. 8 / 134
16. Multiplication tables from Filippo Calandri, Aritmetica, Florence,
Biblioteca Riccardiana, MS 2669 / 755
17. The rhythmic modes / 776
18. Note shapes in Johannes de Garlandia, De mensurabili• musica / ij8
19. Alpha vibrans monumentum / Coetus venit heroicus / Amicum querit,
Chantilly, Musee Conde, MS 564, fol. 64V / 226
20. Chantilly, Musee Conde, MS 564, fol. 65r / 227
21. The mensural system / 236
TABLES
1. The Carolingian modes and psalm tones / 57
2. Sights in Pseudo Chilston / 205
3. Harmonic structure of taleae in Vitry, Douce playsance /
Garison selon nature / Neuma quinti toni / 252
4. Rhythmic groups in Inter densas deserti meditans / Imbribus
irriguis / 242
5. Harmonic rhythm in Inter densas deserti meditans / Imbribus
irriguis / 243
6. Rhythmic cells in the triplum of Alpha vibrans monumentum/
Coetus venit heroicus / Amicum querit / 249
MUSIC EXAMPLES
1. Intonation formulas for mode 1 / 68
2. Latin intonation formulas from Reichenau / 69
3. Interval song E voces unisonas / g6
4. Interval song Ter tria cunctorum, possibly by Hermann
of Reichenau / 97
5. Rule for consonances above an ascending step from the Vatican
organum treatise / 123
6. Melismas for a tenor ascending by step from the Vatican organum
treatise / 124
7. Melismas for a tenor ascending by step from the Vatican organum
treatise / 725
8. Melismas filling in ascending steps in the G hexachord from the
Vatican organum treatise / 126
9. Tinctoris, example of diminished counterpoint / 143
10. Cochlaeus, rules for cadences in three part counterpoint / 14J
11. Petrus dictus Palma ociosa, counterpoint examples / 753
12. Operibus sanctis from the Vatican organum treatise / 166
13. Note against note progressions in the Vatican organum
treatise / 167
14. Operibus sanctis, mm. 1 17, reduced to note against note
counterpoint / i6y
15. Operibus sanctis, mm. 1 6, compared with formula 198 / 169
MUSIC EXAMPLES xi
16. Operibus sanctis, m. 2, compared with formula 343 / 169
17. Operibus sanctis compared with formulas 44 and 292 / iyo
18. Operibus sanctis, mm. 8 9, compared with formula 202 / 170
19. Operibus sanctis, mm. 10—12, compared with formula 182 / 171
20. Operibus sanctis, m. 11, compared with formula 9 / 771
21. Operibus sanctis, m. 13, compared with formula 237 / iyi
22. Operibus sanctis, mm. 14 15, compared with formula 251 / 772
23. Operibus sanctis compared with formula 244 / 772
24. Operibus sanctis, m. 166, compared with formula 94 / 775
25. Dominus melisma from Viderunt omnes / 189
26. Dominus tenor from W,, fol. 2 lr—v, and F, fol. ggr—v / 790
27. Dominus tenor from Wi, no. 50, fol. 43; F, no. 26, fol. 149;
and W2, fol. 63r v / 790
28. Dominus organum, W2, fol. 63r v / 790
29. Two motives from Dominus organum, W,, no. 5, fol. 43;
F, no. 26, fol. 149; and W2, fol. 63r v / 797
30. Dominus clausula rhythm, F, no. 29, fol. 149V / 792
31. Beginning of Dominus clausula in mode 2, F,
no. 29, fol. 149V / 792
32. Dominus clausula in mode 2, F, no. 29, fol. 149V / 792
33. Dominus clausula in mode 1, Wi, no. 39, fol. 47r v / 793
34. Dominus clausula in mode 2, F, no. 30, fol. 149V / 794
35. Pseudo Chilston, mene sight / 202
36. Pseudo Chilston, treble sight / 204
37. Pseudo Chilston, quatreble sight / 204
38. Faburden according to Trowell and Scott / 207
39. Tenor of Douce playsence / Garison selon nature /
Neuma quinti toni / 228
40. Isorhythmic structure in Douce playsence / Garison selon nature /
Neuma quinti toni / 230
41. Tenor of Inter densas / fmbribus / 241
42. Interval progressions in Inter densas / Imbribus / 244
43. Palindrome in talea of Vitry, Garrit gallus / In novafert / 245
44. Tenor pattern of Alpha vibrans monumentum / Coetus venit heroicus /
Amicum querit / 24;
|
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| discipline | Musikwissenschaft |
| era | Geschichte 800-1400 gnd |
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| spelling | Berger, Anna Maria Busse 1949- Verfasser (DE-588)139487816 aut Medieval music and the art of memory Anna Maria Busse Berger Berkeley, Calif. [u.a.] Univ. of Calif. Press 2005 XVI, 288 S. Ill., Notenbeisp. txt rdacontent n rdamedia nc rdacarrier Literaturverz. S. 255 - 279 Geschichte 800-1400 gnd rswk-swf Composition (Musique) - Histoire Herinnering gtt Musique - 15e siècle - Histoire et critique Musique - 500-1400 - Histoire et critique Muziek gtt Muziekwerken gtt Mémoire Musik aMusic y500-1400 xHistory and criticism aMusic y15th century xHistory and criticism aComposition (Music) xHistory aMemory Mittelalter (DE-588)4129108-6 gnd rswk-swf Gedächtnis (DE-588)4019614-8 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Musik (DE-588)4040802-4 s Gedächtnis (DE-588)4019614-8 s Geschichte 800-1400 z DE-604 Mittelalter (DE-588)4129108-6 s Komposition Musik (DE-588)4133320-2 s http://www.loc.gov/catdir/toc/ecip0420/2004016542.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013163658&sequence=000010&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Berger, Anna Maria Busse 1949- Medieval music and the art of memory Composition (Musique) - Histoire Herinnering gtt Musique - 15e siècle - Histoire et critique Musique - 500-1400 - Histoire et critique Muziek gtt Muziekwerken gtt Mémoire Musik aMusic y500-1400 xHistory and criticism aMusic y15th century xHistory and criticism aComposition (Music) xHistory aMemory Mittelalter (DE-588)4129108-6 gnd Gedächtnis (DE-588)4019614-8 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)4129108-6 (DE-588)4019614-8 (DE-588)4040802-4 (DE-588)4133320-2 |
| title | Medieval music and the art of memory |
| title_auth | Medieval music and the art of memory |
| title_exact_search | Medieval music and the art of memory |
| title_full | Medieval music and the art of memory Anna Maria Busse Berger |
| title_fullStr | Medieval music and the art of memory Anna Maria Busse Berger |
| title_full_unstemmed | Medieval music and the art of memory Anna Maria Busse Berger |
| title_short | Medieval music and the art of memory |
| title_sort | medieval music and the art of memory |
| topic | Composition (Musique) - Histoire Herinnering gtt Musique - 15e siècle - Histoire et critique Musique - 500-1400 - Histoire et critique Muziek gtt Muziekwerken gtt Mémoire Musik aMusic y500-1400 xHistory and criticism aMusic y15th century xHistory and criticism aComposition (Music) xHistory aMemory Mittelalter (DE-588)4129108-6 gnd Gedächtnis (DE-588)4019614-8 gnd Musik (DE-588)4040802-4 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Composition (Musique) - Histoire Herinnering Musique - 15e siècle - Histoire et critique Musique - 500-1400 - Histoire et critique Muziek Muziekwerken Mémoire Musik aMusic y500-1400 xHistory and criticism aMusic y15th century xHistory and criticism aComposition (Music) xHistory aMemory Mittelalter Gedächtnis Komposition Musik |
| url | http://www.loc.gov/catdir/toc/ecip0420/2004016542.html http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013163658&sequence=000010&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT bergerannamariabusse medievalmusicandtheartofmemory |