Unsettling scores: German film, music, and ideology
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Ind. u.a.
Indiana Univ. Pr.
2005
|
| Schlagworte: | |
| Online-Zugang: | Table of contents Inhaltsverzeichnis |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | XI, 219 S. Ill. |
| ISBN: | 0253345375 0253217547 |
Internformat
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| 100 | 1 | |a Hillman, Roger |d 1946- |e Verfasser |0 (DE-588)133073343 |4 aut | |
| 245 | 1 | 0 | |a Unsettling scores |b German film, music, and ideology |c Roger Hillman |
| 264 | 1 | |a Bloomington, Ind. u.a. |b Indiana Univ. Pr. |c 2005 | |
| 300 | |a XI, 219 S. |b Ill. | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | |a Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack: the example of Beethoven's north -- A Wagnerian German requiem: Syberberg's Hitler (1977) -- Alexander Kluge's songs without words: Die Patriotin (1979) -- Fassbinder's compromised request concert: Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords: Austrian music and Visconti's Senso (1954) -- Film music and cultural memory | |
| 648 | 7 | |a Geschichte 1950-1985 |2 gnd |9 rswk-swf | |
| 650 | 4 | |a aMotion pictures and music |a zGermany | |
| 650 | 4 | |a aMotion picture music |a zGermany |a xHistory and criticism | |
| 650 | 4 | |a aNational socialism and motion pictures | |
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Datensatz im Suchindex
| _version_ | 1804133332739424256 |
|---|---|
| adam_text | Contents
Acknowledgments ix
Introduction i
One: Establishing a Tonal Center 7
Two: Music as Cultural Marker in German Film 24
Three: History on the Soundtrack: The Example of
Beethoven s Ninth 47
Four: A Wagnerian German Requiem: Syberberg s
Hitler (1977) 66
Five: Alexander Kluge s Songs without Words:
Die Patriotin (1979) 89
Six: Fassbinder s Compromised Request Concert:
Lili Marleen (1980) no
Seven: The Great Eclecticism of the Filmmaker
Werner Herzog 136
Eight: Pivot Chords: Austrian Music and Visconti s
Senso (1954) 151
Conclusion: Film Music and Cultural Memory 163
Notes 169
Select Bibliography 199
Index 213
vii
|
| any_adam_object | 1 |
| author | Hillman, Roger 1946- |
| author_GND | (DE-588)133073343 |
| author_facet | Hillman, Roger 1946- |
| author_role | aut |
| author_sort | Hillman, Roger 1946- |
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| bvnumber | BV019827662 |
| callnumber-first | M - Music |
| callnumber-label | ML2075 |
| callnumber-raw | ML2075 |
| callnumber-search | ML2075 |
| callnumber-sort | ML 42075 |
| callnumber-subject | ML - Literature on Music |
| classification_rvk | LQ 80107 LR 53509 |
| contents | Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack: the example of Beethoven's north -- A Wagnerian German requiem: Syberberg's Hitler (1977) -- Alexander Kluge's songs without words: Die Patriotin (1979) -- Fassbinder's compromised request concert: Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords: Austrian music and Visconti's Senso (1954) -- Film music and cultural memory |
| ctrlnum | (OCoLC)56324689 (DE-599)BVBBV019827662 |
| dewey-full | 791.4302/4 791.43024 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-search | 791.4302/4 791.43024 |
| dewey-sort | 3791.4302 14 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines Musikwissenschaft |
| era | Geschichte 1950-1985 gnd |
| era_facet | Geschichte 1950-1985 |
| format | Book |
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| spelling | Hillman, Roger 1946- Verfasser (DE-588)133073343 aut Unsettling scores German film, music, and ideology Roger Hillman Bloomington, Ind. u.a. Indiana Univ. Pr. 2005 XI, 219 S. Ill. txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack: the example of Beethoven's north -- A Wagnerian German requiem: Syberberg's Hitler (1977) -- Alexander Kluge's songs without words: Die Patriotin (1979) -- Fassbinder's compromised request concert: Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords: Austrian music and Visconti's Senso (1954) -- Film music and cultural memory Geschichte 1950-1985 gnd rswk-swf aMotion pictures and music zGermany aMotion picture music zGermany xHistory and criticism aNational socialism and motion pictures Filmmusik (DE-588)4017129-2 gnd rswk-swf Österreich (DE-588)4043271-3 gnd rswk-swf Deutschland (DE-588)4011882-4 gnd rswk-swf Deutschland (DE-588)4011882-4 g Filmmusik (DE-588)4017129-2 s Geschichte 1950-1985 z DE-604 Österreich (DE-588)4043271-3 g http://www.loc.gov/catdir/toc/ecip0421/2004019209.html Table of contents HBZ Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=013152796&sequence=000006&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Hillman, Roger 1946- Unsettling scores German film, music, and ideology Establishing a tonal center -- Music as cultural marker in German film -- History on the soundtrack: the example of Beethoven's north -- A Wagnerian German requiem: Syberberg's Hitler (1977) -- Alexander Kluge's songs without words: Die Patriotin (1979) -- Fassbinder's compromised request concert: Lili Marleen (1980) -- The great eclecticism of the filmmaker Werner Herzog -- Pivot chords: Austrian music and Visconti's Senso (1954) -- Film music and cultural memory aMotion pictures and music zGermany aMotion picture music zGermany xHistory and criticism aNational socialism and motion pictures Filmmusik (DE-588)4017129-2 gnd |
| subject_GND | (DE-588)4017129-2 (DE-588)4043271-3 (DE-588)4011882-4 |
| title | Unsettling scores German film, music, and ideology |
| title_auth | Unsettling scores German film, music, and ideology |
| title_exact_search | Unsettling scores German film, music, and ideology |
| title_full | Unsettling scores German film, music, and ideology Roger Hillman |
| title_fullStr | Unsettling scores German film, music, and ideology Roger Hillman |
| title_full_unstemmed | Unsettling scores German film, music, and ideology Roger Hillman |
| title_short | Unsettling scores |
| title_sort | unsettling scores german film music and ideology |
| title_sub | German film, music, and ideology |
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| topic_facet | aMotion pictures and music zGermany aMotion picture music zGermany xHistory and criticism aNational socialism and motion pictures Filmmusik Österreich Deutschland |
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