Pindar's songs for young athletes of Aigina:
Of the forty-six surviving victory odes of Pindar, eleven give praise to athletes from the island of Aigina in the Saronic Gulf. This book offers studies of those eleven songs, preceded by a brief survey of the island's history, a sketch of its peculiar aristocracy, and a description of the scu...
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2005
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Ausgabe: | 1. publ. |
Schlagworte: | |
Online-Zugang: | Rezension |
Zusammenfassung: | Of the forty-six surviving victory odes of Pindar, eleven give praise to athletes from the island of Aigina in the Saronic Gulf. This book offers studies of those eleven songs, preceded by a brief survey of the island's history, a sketch of its peculiar aristocracy, and a description of the sculptural programme of its early fifth-century temple of Aphaia--because the author's concentration is always upon effects produced within the immediate audience when the odes were performed. As hosts or guests, members of a small commercial elite watched while dancers celebrated the athletic success of one of their own number, and the conditions of performance remained essentially unchanged fromthe 490s through the 460s BC, in spite of Aigina's gradual loss of power. The songs that Pindar supplied for these occasions invite a close consideration of the epinician mode, for all are ample in scale and complex in design, while at the same time all share a local awareness of the pediments of the Aphaia Temple and all (so it is argued) salute victors who are under 18 years of age. In addition, each performance displays a mythic marvel, and Anne Pippin Burnett argues that these segments of narrative are meant to bring a touch of performance to a worldly celebration, offering to the gathered masculine auditors imperishable proofs of their common identity. Burnett's overall concern is with Pindar's techniques for leading spectators into a shared experience of inspired success, but she is also alert to the historical realities of Greek athletic contest.--Book jacket. |
Beschreibung: | mit griech. Textbeisp. |
Beschreibung: | X, 276 S. Ill. |
ISBN: | 019927794x 9780199277940 |
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520 | 3 | |a Of the forty-six surviving victory odes of Pindar, eleven give praise to athletes from the island of Aigina in the Saronic Gulf. This book offers studies of those eleven songs, preceded by a brief survey of the island's history, a sketch of its peculiar aristocracy, and a description of the sculptural programme of its early fifth-century temple of Aphaia--because the author's concentration is always upon effects produced within the immediate audience when the odes were performed. As hosts or guests, members of a small commercial elite watched while dancers celebrated the athletic success of one of their own number, and the conditions of performance remained essentially unchanged fromthe 490s through the 460s BC, in spite of Aigina's gradual loss of power. The songs that Pindar supplied for these occasions invite a close consideration of the epinician mode, for all are ample in scale and complex in design, while at the same time all share a local awareness of the pediments of the Aphaia Temple and all (so it is argued) salute victors who are under 18 years of age. In addition, each performance displays a mythic marvel, and Anne Pippin Burnett argues that these segments of narrative are meant to bring a touch of performance to a worldly celebration, offering to the gathered masculine auditors imperishable proofs of their common identity. Burnett's overall concern is with Pindar's techniques for leading spectators into a shared experience of inspired success, but she is also alert to the historical realities of Greek athletic contest.--Book jacket. | |
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Datensatz im Suchindex
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---|---|
any_adam_object | |
author | Burnett, Anne Pippin 1925- |
author_GND | (DE-588)138852111 |
author_facet | Burnett, Anne Pippin 1925- |
author_role | aut |
author_sort | Burnett, Anne Pippin 1925- |
author_variant | a p b ap apb |
building | Verbundindex |
bvnumber | BV019821854 |
callnumber-first | P - Language and Literature |
callnumber-label | PA4276 |
callnumber-raw | PA4276 |
callnumber-search | PA4276 |
callnumber-sort | PA 44276 |
callnumber-subject | PA - Latin and Greek |
classification_rvk | FH 22180 |
ctrlnum | (gbd)0853267 (OCoLC)58050227 (DE-599)BVBBV019821854 |
dewey-full | 884/.01 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 884 - Classical Greek lyric poetry |
dewey-raw | 884/.01 |
dewey-search | 884/.01 |
dewey-sort | 3884 11 |
dewey-tens | 880 - Classical Greek & Hellenic literatures |
discipline | Philologie / Byzantinistik / Neulatein |
edition | 1. publ. |
format | Book |
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geographic_facet | Ägina |
id | DE-604.BV019821854 |
illustrated | Illustrated |
indexdate | 2024-07-09T20:06:55Z |
institution | BVB |
isbn | 019927794x 9780199277940 |
language | English |
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physical | X, 276 S. Ill. |
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publishDate | 2005 |
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spelling | Burnett, Anne Pippin 1925- Verfasser (DE-588)138852111 aut Pindar's songs for young athletes of Aigina Anne Pippin Burnett 1. publ. Oxford [u.a.] Oxford Univ. Press 2005 X, 276 S. Ill. txt rdacontent n rdamedia nc rdacarrier mit griech. Textbeisp. Of the forty-six surviving victory odes of Pindar, eleven give praise to athletes from the island of Aigina in the Saronic Gulf. This book offers studies of those eleven songs, preceded by a brief survey of the island's history, a sketch of its peculiar aristocracy, and a description of the sculptural programme of its early fifth-century temple of Aphaia--because the author's concentration is always upon effects produced within the immediate audience when the odes were performed. As hosts or guests, members of a small commercial elite watched while dancers celebrated the athletic success of one of their own number, and the conditions of performance remained essentially unchanged fromthe 490s through the 460s BC, in spite of Aigina's gradual loss of power. The songs that Pindar supplied for these occasions invite a close consideration of the epinician mode, for all are ample in scale and complex in design, while at the same time all share a local awareness of the pediments of the Aphaia Temple and all (so it is argued) salute victors who are under 18 years of age. In addition, each performance displays a mythic marvel, and Anne Pippin Burnett argues that these segments of narrative are meant to bring a touch of performance to a worldly celebration, offering to the gathered masculine auditors imperishable proofs of their common identity. Burnett's overall concern is with Pindar's techniques for leading spectators into a shared experience of inspired success, but she is also alert to the historical realities of Greek athletic contest.--Book jacket. Pindare - Critique et interprétation Pindar Criticism and interpretation Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Epinicia (DE-588)4134770-5 gnd rswk-swf Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Carmina (DE-588)4503716-4 gnd rswk-swf Chansons grecques - Histoire et critique Sportifs dans la littérature Athletes in literature Songs, Greek History and criticism Ägina (DE-588)4000554-9 gnd rswk-swf (DE-588)4002214-6 Anthologie gnd-content (DE-588)4136710-8 Kommentar gnd-content Aigina ins. [59 A4] (DE-2581)TH000009160 gbd Pindarus lyr. TLG 0033 (DE-2581)TH000002363 gbd Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Carmina (DE-588)4503716-4 u DE-188 Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Epinicia (DE-588)4134770-5 u Ägina (DE-588)4000554-9 g http://digital.bib-bvb.de/webclient/DeliveryManager?pid=214650&custom_att_2=simple_viewer Rezension |
spellingShingle | Burnett, Anne Pippin 1925- Pindar's songs for young athletes of Aigina Pindare - Critique et interprétation Pindar Criticism and interpretation Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Epinicia (DE-588)4134770-5 gnd Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Carmina (DE-588)4503716-4 gnd Chansons grecques - Histoire et critique Sportifs dans la littérature Athletes in literature Songs, Greek History and criticism |
subject_GND | (DE-588)4134770-5 (DE-588)4503716-4 (DE-588)4000554-9 (DE-588)4002214-6 (DE-588)4136710-8 |
title | Pindar's songs for young athletes of Aigina |
title_auth | Pindar's songs for young athletes of Aigina |
title_exact_search | Pindar's songs for young athletes of Aigina |
title_full | Pindar's songs for young athletes of Aigina Anne Pippin Burnett |
title_fullStr | Pindar's songs for young athletes of Aigina Anne Pippin Burnett |
title_full_unstemmed | Pindar's songs for young athletes of Aigina Anne Pippin Burnett |
title_short | Pindar's songs for young athletes of Aigina |
title_sort | pindar s songs for young athletes of aigina |
topic | Pindare - Critique et interprétation Pindar Criticism and interpretation Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Epinicia (DE-588)4134770-5 gnd Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Carmina (DE-588)4503716-4 gnd Chansons grecques - Histoire et critique Sportifs dans la littérature Athletes in literature Songs, Greek History and criticism |
topic_facet | Pindare - Critique et interprétation Pindar Criticism and interpretation Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Epinicia Pindarus ca. 522 oder 518 v. Chr.-446 v. Chr. Carmina Chansons grecques - Histoire et critique Sportifs dans la littérature Athletes in literature Songs, Greek History and criticism Ägina Anthologie Kommentar |
url | http://digital.bib-bvb.de/webclient/DeliveryManager?pid=214650&custom_att_2=simple_viewer |
work_keys_str_mv | AT burnettannepippin pindarssongsforyoungathletesofaigina |