Terrorism and modern literature, from Joseph Conrad to Ciaran Carson:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oxford [u.a.]
Oxford Univ. Press
2005
|
| Ausgabe: | Repr. |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | X, 310 S. |
| ISBN: | 0198187718 |
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Datensatz im Suchindex
| _version_ | 1804133309566943232 |
|---|---|
| adam_text | Contents
INTRODUCTION
ι
Figuring
її
September
2001
ι
Definitions and Discourses of Terrorism
7
Literary Approaches to Terrorism
17
Fenians and Anarchists
21
1.
JOSEPH CONRAD: ENTROPOLITICS AND THE
SENSE OF TERROR
34
The Secret Agent Anarchism and the Thermodynamics
of Law
34
Sublime Subversions: Female Terrorism and Popular
Victorian Fiction
54
Under Western Eyes: The Sense of Terror
66
2.
WYNDHAM LEWIS: LITERARY STRIKES AND
ALLEGORICAL ASSAULTS
93
Refiguring the
Avant-Garde:
Vorticism s Syndicalism
93
Enemy of the Stars
107
Vorticism and Suffragette Violence
121
The Crowd Master
131
Cantleman s Spring Mate
137
3.
EZRA POUND: ANTI-SEMITISM,
SEGREGATIONISM, AND THE ARSENAL OF
LIVE THOUGHT
143
Radio Assassination
143
Pound and Italian Fascism
150
Heidegger and the Institution of Terror
154
Heaven by Holocaust: The
Pism
Cantos
158
Pound and John
Kasper:
A Guide to KKKulchur
172
Maintain antisepsis, let the light pour : The Rock-Ihill
and Thrones Cantos
185
X
CONTENTS
4. WALTER ABISH:
PLOTTING EVERYDAY
TERROR 192
Sketches
of Atrocity
192
Situationism and Happenings
199
How German Is It
205
The blood ofjews or the blood of cops
213
Terrorism, Potentiality, Real-ization
222
CONCLUSION. RE-PLACING TERROR: POETIC
MAPPINGS OF NORTHERN IRELAND S
TROUBLES
235
A Postmodern State of Emergency?
235
Northern Ireland: The Grounds of Conflict
239
Poetry and Place: Rewriting the Dinnseanckas
246
Ciaran
Carson s Belfast Poems
259
Terrorism and Legislation in Northern Ireland
264
The Poem s Map: Making the World Possible
269
The Diaphor: Surveying the Tropes of Terror and
Violence
273
BIBLIOGRAPHY
279
INDEX
306
Is terrorism s violence essentially symbolic? Does it impact on culture primarily
through the media? What kinds of performative effect do the various discourses
surrounding terrorism have? Such questions have not only become increasingly
important in terrorism studies, they have also been concerns for many literary
writers.
This book is the first extensive study of modern literatures engagement
with terrorism. Ranging from the 1880s to the
1980s,
the terrorism examined is
as diverse as the literary writings on ic chapters include discussions of Joseph
Conrad s novels on Anarchism and Russian Nihilism; Wyndham Lewis s avant-
garde responses to Syndicalism and the militant Suffragettes; Ezra Pounds
poetic entanglement with Segregationist violence; Walter Abish s fictions about
West German urban guerrillas; and Seamus Heaney
s
and
Ciaran
Carson s
poems on the Troubles in Northern Ireland.
In each instance, Alex Houen explores how the literary writer figures clashes
or collusions between terrorist violence and discursive performativity. What is
revealed is that writing on terrorism has frequently involved «figuring the force
of literature itself. In terrorism studies the cultural impact of terrorism has
often been accounted for with rigid, structural theories of its discursive roots.
But what about the performative effects of violence on discourse? Addressing
the issue of this mutual contagion, Terrorism and MoJmt
Durature
shows that the
mediation and effects of terrorism have been historically variable.
Referring to a variety of sources in addition to the literature
—
newspaper and
journal articles, legislation, letters, manifestos
—
the book shows how terrorism
and the literature on it have been embroiled in wider cultural fields. The result
is not just a timely intervention in debates about terrorism
s perŕormativity.
Drawing on literary/critical theory and philosophy, it is
ako
a major contribution
to debates about the historical and political dimensions of modernist and
postmodernist literary practices.
Alex Houen is Lecturer in English Literature and American Studies, University
of Sheffield.
Com illustration:
Cario Carrà:
Funeral of the Anadtist
Galli
(1911). Oil on canvas,
6 6
x
8
б
(198.7
x
¿59.1
cm). The Museum of Modern Art, New York. Acquired
атзиф
the Iillie P.
Bii«
Bequest. Photograph
© 200z
The Museum of Modem Art, New York.
|
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| title_full | Terrorism and modern literature, from Joseph Conrad to Ciaran Carson Alex Houen |
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