Hollywood and the culture elite: how the movies became American
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York
Columbia Univ. Press
2005
|
Schriftenreihe: | Film and culture
|
Schlagworte: | |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | X, 269 S. Ill. |
ISBN: | 0231133766 |
Internformat
MARC
LEADER | 00000nam a2200000zc 4500 | ||
---|---|---|---|
001 | BV019802547 | ||
003 | DE-604 | ||
005 | 20160412 | ||
007 | t | ||
008 | 050509s2005 xxua||| |||| 00||| eng d | ||
010 | |a 2004061786 | ||
020 | |a 0231133766 |c alk. paper |9 0-231-13376-6 | ||
035 | |a (OCoLC)56753305 | ||
035 | |a (DE-599)BVBBV019802547 | ||
040 | |a DE-604 |b ger |e aacr | ||
041 | 0 | |a eng | |
044 | |a xxu |c US | ||
049 | |a DE-12 |a DE-M472 |a DE-29 |a DE-19 |a DE-B170 |a DE-188 |a DE-525 |a DE-11 |a DE-Po75 | ||
050 | 0 | |a PN1993.5.U6 | |
082 | 0 | |a 384/.8/0973 |2 22 | |
082 | 0 | |a 384.80973 | |
084 | |a AP 44983 |0 (DE-625)7516:743 |2 rvk | ||
100 | 1 | |a Decherney, Peter |d ca. 20./21. Jh. |e Verfasser |0 (DE-588)1082775495 |4 aut | |
245 | 1 | 0 | |a Hollywood and the culture elite |b how the movies became American |c Peter Decherney |
264 | 1 | |a New York |b Columbia Univ. Press |c 2005 | |
300 | |a X, 269 S. |b Ill. | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Film and culture | |
500 | |a Includes bibliographical references and index | ||
505 | 8 | |a Vachel Lindsay and the universal film museum -- Overlapping publics: Hollywood and Columbia university, 1915 -- Mandarins and Marxists: Harvard and the rise of film experts -- Iris Barry, Hollywood imperialism, and the gender of the nation .. The museum of modern art and the roots of the cultural cold war -- The politics of patronage: how the NEA (accidentally) created American avant-garde film -- The transformation of the studio system | |
650 | 7 | |a Amerikanisatie |2 gtt | |
650 | 7 | |a Filmindustrie |2 gtt | |
650 | 4 | |a aMotion picture industry |a zUnited States |a xHistory | |
650 | 4 | |a aMotion pictures |a zUnited States |a xHistory | |
650 | 4 | |a aMotion pictures |a xSocial aspects |a zUnited States | |
650 | 0 | 7 | |a Filmwirtschaft |0 (DE-588)4154384-1 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Nationalbewusstsein |0 (DE-588)4041282-9 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Schauspieler |0 (DE-588)4052154-0 |2 gnd |9 rswk-swf |
651 | 4 | |a aUnited States |a xSocial life and customs |a y20th century | |
651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
689 | 0 | 1 | |a Filmwirtschaft |0 (DE-588)4154384-1 |D s |
689 | 0 | 2 | |a Schauspieler |0 (DE-588)4052154-0 |D s |
689 | 0 | 3 | |a Nationalbewusstsein |0 (DE-588)4041282-9 |D s |
689 | 0 | |5 DE-604 | |
999 | |a oai:aleph.bib-bvb.de:BVB01-013128106 |
Datensatz im Suchindex
_version_ | 1804133296592912384 |
---|---|
any_adam_object | |
author | Decherney, Peter ca. 20./21. Jh |
author_GND | (DE-588)1082775495 |
author_facet | Decherney, Peter ca. 20./21. Jh |
author_role | aut |
author_sort | Decherney, Peter ca. 20./21. Jh |
author_variant | p d pd |
building | Verbundindex |
bvnumber | BV019802547 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1993 |
callnumber-raw | PN1993.5.U6 |
callnumber-search | PN1993.5.U6 |
callnumber-sort | PN 41993.5 U6 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 44983 |
contents | Vachel Lindsay and the universal film museum -- Overlapping publics: Hollywood and Columbia university, 1915 -- Mandarins and Marxists: Harvard and the rise of film experts -- Iris Barry, Hollywood imperialism, and the gender of the nation .. The museum of modern art and the roots of the cultural cold war -- The politics of patronage: how the NEA (accidentally) created American avant-garde film -- The transformation of the studio system |
ctrlnum | (OCoLC)56753305 (DE-599)BVBBV019802547 |
dewey-full | 384/.8/0973 384.80973 |
dewey-hundreds | 300 - Social sciences |
dewey-ones | 384 - Communications |
dewey-raw | 384/.8/0973 384.80973 |
dewey-search | 384/.8/0973 384.80973 |
dewey-sort | 3384 18 3973 |
dewey-tens | 380 - Commerce, communications, transportation |
discipline | Allgemeines Wirtschaftswissenschaften |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02393nam a2200541zc 4500</leader><controlfield tag="001">BV019802547</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20160412 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">050509s2005 xxua||| |||| 00||| eng d</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a">2004061786</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">0231133766</subfield><subfield code="c">alk. paper</subfield><subfield code="9">0-231-13376-6</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)56753305</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV019802547</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">aacr</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="a">xxu</subfield><subfield code="c">US</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-M472</subfield><subfield code="a">DE-29</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-B170</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-525</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN1993.5.U6</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">384/.8/0973</subfield><subfield code="2">22</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">384.80973</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 44983</subfield><subfield code="0">(DE-625)7516:743</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Decherney, Peter</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1082775495</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Hollywood and the culture elite</subfield><subfield code="b">how the movies became American</subfield><subfield code="c">Peter Decherney</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York</subfield><subfield code="b">Columbia Univ. Press</subfield><subfield code="c">2005</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">X, 269 S.</subfield><subfield code="b">Ill.</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Film and culture</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Vachel Lindsay and the universal film museum -- Overlapping publics: Hollywood and Columbia university, 1915 -- Mandarins and Marxists: Harvard and the rise of film experts -- Iris Barry, Hollywood imperialism, and the gender of the nation .. The museum of modern art and the roots of the cultural cold war -- The politics of patronage: how the NEA (accidentally) created American avant-garde film -- The transformation of the studio system</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Amerikanisatie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">Filmindustrie</subfield><subfield code="2">gtt</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aMotion picture industry</subfield><subfield code="a">zUnited States</subfield><subfield code="a">xHistory</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aMotion pictures</subfield><subfield code="a">zUnited States</subfield><subfield code="a">xHistory</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">aMotion pictures</subfield><subfield code="a">xSocial aspects</subfield><subfield code="a">zUnited States</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Filmwirtschaft</subfield><subfield code="0">(DE-588)4154384-1</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Nationalbewusstsein</subfield><subfield code="0">(DE-588)4041282-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Schauspieler</subfield><subfield code="0">(DE-588)4052154-0</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="4"><subfield code="a">aUnited States</subfield><subfield code="a">xSocial life and customs</subfield><subfield code="a">y20th century</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Filmwirtschaft</subfield><subfield code="0">(DE-588)4154384-1</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Schauspieler</subfield><subfield code="0">(DE-588)4052154-0</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Nationalbewusstsein</subfield><subfield code="0">(DE-588)4041282-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-013128106</subfield></datafield></record></collection> |
geographic | aUnited States xSocial life and customs y20th century USA (DE-588)4078704-7 gnd |
geographic_facet | aUnited States xSocial life and customs y20th century USA |
id | DE-604.BV019802547 |
illustrated | Illustrated |
indexdate | 2024-07-09T20:06:28Z |
institution | BVB |
isbn | 0231133766 |
language | English |
lccn | 2004061786 |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-013128106 |
oclc_num | 56753305 |
open_access_boolean | |
owner | DE-12 DE-M472 DE-29 DE-19 DE-BY-UBM DE-B170 DE-188 DE-525 DE-11 DE-Po75 |
owner_facet | DE-12 DE-M472 DE-29 DE-19 DE-BY-UBM DE-B170 DE-188 DE-525 DE-11 DE-Po75 |
physical | X, 269 S. Ill. |
publishDate | 2005 |
publishDateSearch | 2005 |
publishDateSort | 2005 |
publisher | Columbia Univ. Press |
record_format | marc |
series2 | Film and culture |
spelling | Decherney, Peter ca. 20./21. Jh. Verfasser (DE-588)1082775495 aut Hollywood and the culture elite how the movies became American Peter Decherney New York Columbia Univ. Press 2005 X, 269 S. Ill. txt rdacontent n rdamedia nc rdacarrier Film and culture Includes bibliographical references and index Vachel Lindsay and the universal film museum -- Overlapping publics: Hollywood and Columbia university, 1915 -- Mandarins and Marxists: Harvard and the rise of film experts -- Iris Barry, Hollywood imperialism, and the gender of the nation .. The museum of modern art and the roots of the cultural cold war -- The politics of patronage: how the NEA (accidentally) created American avant-garde film -- The transformation of the studio system Amerikanisatie gtt Filmindustrie gtt aMotion picture industry zUnited States xHistory aMotion pictures zUnited States xHistory aMotion pictures xSocial aspects zUnited States Filmwirtschaft (DE-588)4154384-1 gnd rswk-swf Nationalbewusstsein (DE-588)4041282-9 gnd rswk-swf Schauspieler (DE-588)4052154-0 gnd rswk-swf aUnited States xSocial life and customs y20th century USA (DE-588)4078704-7 gnd rswk-swf USA (DE-588)4078704-7 g Filmwirtschaft (DE-588)4154384-1 s Schauspieler (DE-588)4052154-0 s Nationalbewusstsein (DE-588)4041282-9 s DE-604 |
spellingShingle | Decherney, Peter ca. 20./21. Jh Hollywood and the culture elite how the movies became American Vachel Lindsay and the universal film museum -- Overlapping publics: Hollywood and Columbia university, 1915 -- Mandarins and Marxists: Harvard and the rise of film experts -- Iris Barry, Hollywood imperialism, and the gender of the nation .. The museum of modern art and the roots of the cultural cold war -- The politics of patronage: how the NEA (accidentally) created American avant-garde film -- The transformation of the studio system Amerikanisatie gtt Filmindustrie gtt aMotion picture industry zUnited States xHistory aMotion pictures zUnited States xHistory aMotion pictures xSocial aspects zUnited States Filmwirtschaft (DE-588)4154384-1 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Schauspieler (DE-588)4052154-0 gnd |
subject_GND | (DE-588)4154384-1 (DE-588)4041282-9 (DE-588)4052154-0 (DE-588)4078704-7 |
title | Hollywood and the culture elite how the movies became American |
title_auth | Hollywood and the culture elite how the movies became American |
title_exact_search | Hollywood and the culture elite how the movies became American |
title_full | Hollywood and the culture elite how the movies became American Peter Decherney |
title_fullStr | Hollywood and the culture elite how the movies became American Peter Decherney |
title_full_unstemmed | Hollywood and the culture elite how the movies became American Peter Decherney |
title_short | Hollywood and the culture elite |
title_sort | hollywood and the culture elite how the movies became american |
title_sub | how the movies became American |
topic | Amerikanisatie gtt Filmindustrie gtt aMotion picture industry zUnited States xHistory aMotion pictures zUnited States xHistory aMotion pictures xSocial aspects zUnited States Filmwirtschaft (DE-588)4154384-1 gnd Nationalbewusstsein (DE-588)4041282-9 gnd Schauspieler (DE-588)4052154-0 gnd |
topic_facet | Amerikanisatie Filmindustrie aMotion picture industry zUnited States xHistory aMotion pictures zUnited States xHistory aMotion pictures xSocial aspects zUnited States Filmwirtschaft Nationalbewusstsein Schauspieler aUnited States xSocial life and customs y20th century USA |
work_keys_str_mv | AT decherneypeter hollywoodandthecultureelitehowthemoviesbecameamerican |